Neck Deep
Neck Deep is a pop-punk band formed in Wrexham, Wales, in 2012.[1][2][3] Fronted by vocalist Ben Barlow, the group initially consisted of Barlow alongside guitarist Matt West, with subsequent additions and changes including the departure of original lead guitarist Lloyd Roberts in 2015 amid admissions of sending inappropriate messages to underage fans.[3][4] The current lineup features Barlow on lead vocals, guitarists Sam Bowden and Matt West, bassist Seb Barlow (Ben's brother), and drummer Matt Bowles.[5][6] Signed to Hopeless Records, Neck Deep has released five studio albums—Wishful Thinking (2014), Life's Not Out to Get You (2015), The Peace and the Panic (2017), All Distortions Are Intentional (2020), and a self-titled effort (2024)—garnering attention for their blend of melodic hooks, introspective lyrics, and energetic sound rooted in 1990s and 2000s pop-punk influences.[7][2][8] The band has built a reputation for relentless touring, including headlining slots on the Vans Warped Tour, co-headlining international packages, and recent outings supporting acts like Sum 41 and The Story So Far, alongside festival appearances that highlight their live prowess and fan engagement.[9][10][11]History
Formation and early EP releases (2012–2013)
Neck Deep formed in Wrexham, Wales, in 2012 as a pop-punk project initiated by vocalist Ben Barlow and guitarist Lloyd Roberts, who connected through Barlow's older brother Seb, a producer recording Roberts' prior hardcore band.[12] The duo started in a bedroom setup, self-releasing two initial tracks online—"A Part of Me" and "I Couldn't Wait to Leave 6 Months Ago"—which later featured on their debut EP.[13] Barlow handled vocals and lyrics, while Roberts contributed guitar and production input, drawing from local DIY scenes.[12] The band expanded its lineup with rhythm guitarist Matt West, bassist Fil Thorpe-Evans, and drummer Dani Abasi to support live performances.[14] In June 2012, Neck Deep signed with independent U.S. label We Are Triumphant, enabling professional recording.[15] Their debut EP, Rain in July, emerged from sessions that month and was released on September 18, 2012, comprising seven tracks: "Kick It," "Silver Lining," "What Did You Expect?," "Over and Over," "A Part of Me," "I Couldn't Wait to Leave 6 Months Ago," and "All Hype, No Heart."[15][14] The EP's raw, melodic pop-punk sound, centered on themes of relationships and youthful frustration, circulated via digital platforms and vinyl pressings, building early online buzz.[15] Following Rain in July's momentum, Neck Deep self-released their second EP, A History of Bad Decisions, on February 19, 2013, limited to three tracks: "Up in Smoke," "Tables Turned," and "Head to the Ground."[16] Offered initially as a free digital download and bundled with Rain in July vinyl variants, the EP intensified their DIY ethos while refining aggressive riffs and Barlow's emotive delivery.[17] These releases, totaling ten songs across both EPs, established the band's foundational style and propelled them toward international label interest without major promotional backing.[18]Breakthrough with Wishful Thinking and Life's Not Out to Get You, initial lineup changes (2014–2016)
Neck Deep released their debut studio album, Wishful Thinking, on January 14, 2014, through Hopeless Records.[19] The album peaked at number 108 on the UK Albums Chart, number 2 on the UK Rock & Metal Albums Chart, and number 3 on the US Heatseekers Albums chart.[20] [21] Its release marked the band's transition to a full-time pursuit, with members leaving jobs and university courses to focus on music.[22] Critical reception was generally positive, with a Metacritic score of 71 based on four reviews, praising its energetic pop-punk sound.[23] The album's success facilitated extensive touring, including the 2014 'Murica Tour, a fall headlining run with Real Friends, Cruel Hand, and Have Mercy, and appearances at festivals like Hit the Deck in Nottingham.[24] [25] Building on this momentum, the band recorded their second album, Life's Not Out to Get You, which was released on August 14, 2015, also via Hopeless Records.[26] It achieved greater commercial success, debuting at number 8 on the UK Albums Chart and number 17 on the US Billboard 200.[27] [28] The album's promotion included performances on the 2015 Vans Warped Tour, where tracks like "Over & Over" and "Crushing Grief (No Remedy)" were showcased live.[29] [30] This period solidified Neck Deep's rising profile in the pop-punk scene, with increased international visibility through headlining tours and festival slots. In August 2015, shortly after the second album's release, rhythm guitarist Lloyd Roberts departed the band amid online accusations of sexual harassment directed at him.[31] [32] The band issued a statement noting that while the full facts remained unclear, Roberts had chosen to step down to address his reputation and legal matters, emphasizing their commitment to continuing without him.[33] Roberts later released a statement denying the allegations and expressing distress over their impact.[34] This change occurred as the band prepared for further touring, including 2016 world dates and UK shows supporting Life's Not Out to Get You.[35] The departure represented the initial significant lineup shift, though the core members—vocalist Ben Barlow, guitarist Matt West, drummer Dani Abasi, and bassist Fil Thorpe-Evans—remained intact for subsequent activities.[36]The Peace and the Panic and touring peak (2017–2018)
The Peace and the Panic, Neck Deep's third studio album, was released on August 18, 2017, through Hopeless Records.[37] Produced by Mike Green—who had previously worked with acts like Pierce the Veil and Paramore—the album features 11 tracks and marks a sonic evolution incorporating broader pop-punk elements alongside the band's established style.[37] [38] Lead singles included "In Bloom" and "The Grand Delusion," both released prior to the album's launch to promote its themes of life's dualities and personal struggles.[39] The record debuted at number 4 on the US Billboard 200, number 3 on both the Top Rock Albums and Alternative Albums charts, and achieved number 2 on the UK Rock & Metal Albums chart, reflecting the band's growing commercial traction.[40] [41] Critically, the album received praise for its polished production and lyrical maturity, with reviewers noting its balance of energetic hooks and introspective content as a maturation from prior releases.[42] Sputnikmusic described it as a revitalization of pop-punk, crediting the shift toward more expansive arrangements while retaining core appeal.[43] New Noise Magazine highlighted its exploration of accepting life's highs and lows, positioning it as a cohesive statement on resilience amid chaos.[44] However, some critiques, such as from Spectrum Pulse, viewed it as solid but not revolutionary within the genre, emphasizing strong songcraft over innovation.[45] This period represented Neck Deep's touring peak, highlighted by a headline slot on the 2017 Vans Warped Tour, where they performed across multiple dates including July 7 in Camden, New Jersey, and July 15 in Holmdel, New Jersey.[46] [47] Capitalizing on the album's momentum, the band announced a 2018 North American headline tour during a Warped performance on August 7, 2017, supported by Seaway, Creeper, and Speak Low If You Speak Love, with dates spanning early 2018 such as February 12 alongside these acts.[48] A second leg followed in September 2018, including stops at the Catalyst in Santa Cruz, California, on September 6 and Ventura Theater on September 7, underscoring their expanded draw in key markets.[49] These tours, tied directly to The Peace and the Panic, solidified the band's status as a pop-punk mainstay, with over 100 documented performances in 2018 alone.[50]All Distortions Are Intentional amid pandemic disruptions (2019–2022)
Following the release of The Peace and the Panic in 2017, Neck Deep began developing material for their fourth studio album in 2019, after bassist Fil Thorpe-Evans departed the band in late 2018. The album, titled All Distortions Are Intentional, was produced by Matt Squire, known for his work with acts including Panic! at the Disco and Ariana Grande. Announced on February 28, 2020, the record marked the band's first concept album, centered on the fictional world of Sonderland—an exaggerated depiction of society—and follows the story of protagonist Jett, a loner navigating themes of disconnection, existential confusion, and a tumultuous relationship with Alice.[51] The album comprises 12 tracks, including interludes like "Quarry," and was recorded with the lineup featuring vocalist Ben Barlow, guitarists Matt West and Sam Bowden, drummer Dani Abasi (formerly Washington), and touring bassist Alex Morgan handling bass duties. Lead singles included "Sonderland," released on March 3, 2020, and "Fall" on June 17, 2020, both previewing the narrative arc. All Distortions Are Intentional was released on July 24, 2020, via Hopeless Records, debuting at number 4 on the UK Albums Chart for one week and reaching number 49 on the US Billboard 200.[52][53][54][55] The COVID-19 pandemic significantly disrupted promotion and touring plans, with the band's intended US headline tour postponed from fall 2020 to 2021 due to restrictions. Similarly, the UK and Ireland tour supporting the album was rescheduled multiple times, ultimately shifting to early 2022 amid ongoing case surges. In December 2021, the remaining US tour dates were canceled after confirmed COVID-19 cases within the band. Despite these setbacks, Neck Deep resumed live performances in 2022, including at the Full Force Festival in Germany. On May 10, 2022, drummer Dani Abasi announced her departure via the band's social media, concluding a period of lineup stability amid the disruptions.[56][57][58]Self-titled album, deluxe editions, and ongoing activities (2023–present)
Neck Deep released their self-titled fifth studio album on January 19, 2024, via Hopeless Records.[59] The band had announced the project on September 28, 2023, alongside the single "It Won't Be Like This Forever," positioning it as a return to their core sound built from the ground up.[60] On September 12, 2025, the band issued a deluxe edition of the self-titled album, subtitled The Dumbfuck Edition, which incorporated new tracks, live recordings, and revised artwork.[61] This version, also distributed through Hopeless Records, included the new single "You Should See Me Now," highlighted during promotions for the expanded release.[62] From 2023 onward, Neck Deep sustained extensive touring, encompassing a 2024 North American headline run and a 2025 UK tour supporting events like Slam Dunk Festival alongside acts such as The Wonder Years and One Step Closer.[63] In fall 2025, they joined The Story So Far for a U.S. tour with Origami Angel and Pain of Truth as openers.[64] Additional December 2025 dates included performances in Wrexham, Leeds, Glasgow, and Manchester.[65] On October 22, 2025, the band signed with Culture Wave and Red Light Management for representation.[66]Artistry
Musical style and genre classification
Neck Deep's music is predominantly classified as pop punk, a genre marked by high-energy guitar riffs, driving drum patterns, and melodic vocal lines that emphasize accessibility and emotional directness.[1] [67] This classification aligns with their origins in the early 2010s UK pop punk scene, where they drew from punk rock's raw aggression tempered by pop's harmonic catchiness, as evident in debut releases featuring fast-paced tracks with gang vocals and power chord progressions.[68] [69] While rooted in pop punk, the band's style incorporates alternative and indie rock influences, including repetitive riff structures and occasional atmospheric elements that evoke early 2000s emo aesthetics, particularly in mid-period albums where instrumentals softened to highlight introspective melodies.[1] [70] Reviewers have described their sound as evolving beyond "generic" pop punk conventions without fully abandoning them, blending punk's anti-establishment drive with broader rock experimentation to maintain genre fidelity amid revivalist trends.[71] [72] Genre classifications from music databases and critics consistently position Neck Deep as a flagship act in the 2010s pop punk resurgence, with their self-titled works reaffirming core stylistic hallmarks like taut, anthemic compositions despite sonic expansions into adjacent territories.[73] [74] This places them alongside contemporaries in a lineage emphasizing youthful rebellion and melodic immediacy, though some analyses note their polish as distinguishing them from rawer punk variants.[75]Evolution of sound
Neck Deep's early releases, including the EPs Rain in July (2012) and A History of Bad Decisions (2013), established a foundation in pop-punk characterized by heartfelt lyrics on relationships and large, anthemic riffs typical of the genre.[17] Their debut album Wishful Thinking (2014) refined this into a blend of pop-punk and emo, featuring fast-paced drums, prominent guitar lines with a slight hardcore edge, and influences from bands like Blink-182 for punk energy and Taking Back Sunday for emotional intensity.[76] The follow-up Life's Not Out to Get You (2015) amplified the pop-punk elements with thunderous hooks, slashing guitar riffs, and furious drumming, delivering a more optimistic and melodic sound while retaining fast tempos and pop-influenced lyrics.[77][78] This album solidified their appeal through infectious, earnest hooks that defined a generation of pop-punk listeners.[79] By The Peace and the Panic (2017), the band began diverging from pure pop-punk toward alternative rock and early 2000s emo influences, incorporating softer instrumentals, repetitive riffs, and introspective themes shaped by personal losses like the death of vocalist Ben Barlow's father.[70] Tracks like "In Bloom" exemplified this shift, prioritizing emotional depth over high-energy punk aggression.[70] The Peace and the Panic laid groundwork for further experimentation in All Distortions Are Intentional (2020), where Neck Deep expanded into a broader palette drawing from grunge (Nirvana, Smashing Pumpkins), Britpop (Oasis), and classic rock (Black Sabbath, Weezer), featuring diverse structures such as spoken-word passages and narrative-driven songs within a conceptual "Sonderland" framework.[74] This album marked a deliberate move away from genre constraints, blending residual pop-punk with experimental elements to forge a distinctive identity.[74] The self-titled album (2024) represented a partial return to pop-punk roots, emphasizing fast-paced, guitar-driven energy, catchy choruses, and self-deprecating themes reminiscent of Life's Not Out to Get You, but produced in-house for a raw, hopeful edge.[80] While retaining core pop-punk vitality, it integrated subtle broader influences for freshness, reflecting matured songwriting without fully abandoning earlier experimentation.[80]Influences
Neck Deep's musical influences are rooted primarily in the pop-punk genre of the late 1990s and early 2000s, with vocalist Ben Barlow identifying Blink-182 as his all-time favorite band for defining his early musical experiences and inspiring him to form a band.[81] Barlow has similarly highlighted New Found Glory as a close second influence, emphasizing their stylistic ties to Blink-182 in shaping the band's energetic, melodic approach to songwriting and performance.[81] These foundational pop-punk acts contribute to Neck Deep's characteristic blend of catchy hooks, humorous undertones, and youthful themes evident across their discography.[82] Beyond core pop-punk, Barlow cites folk musician Dallas Green (of City and Colour) as an idol whose acoustic songwriting techniques influenced his own folk-inspired projects and broader lyrical depth.[81] Hip-hop elements from Eminem and The Notorious B.I.G. have impacted the band's rhythmic flow and narrative-driven lyrics, while Bring Me the Horizon's evolution from metalcore to mainstream success serves as a model for Neck Deep's career ambitions and genre experimentation.[81] Canadian pop-punk band Sum 41 is also frequently noted as a key early influence, aligning with the group's nostalgic revival of 2000s punk-rock energy.[82] In later releases, such as their 2020 sessions for All Distortions Are Intentional, the band incorporated broader rock elements including Britpop from Oasis and heavy riffs reminiscent of Black Sabbath, expanding beyond strict pop-punk confines while retaining core melodic structures.[74] This diversification reflects Barlow's stated appreciation for bands like Blink-182 that balance seriousness with irreverence, allowing Neck Deep to evolve without abandoning their punk heritage.[83]Lyrical themes and content
Neck Deep's lyrics, primarily penned by vocalist Ben Barlow, recurrently explore themes of personal relationships, the challenges of maturation, mental health struggles, and resilience in the face of adversity.[84] Early works emphasize youthful heartbreak and nostalgia, as in "A Part Of Me," which laments inaction in love with lines like "Now all I can do is lay in my room, fall asleep, dream of you, then wake up and do nothing about it."[84] Songs such as "Losing Teeth" reflect on the bittersweet value of past experiences, noting "Though we complained about it all, was such a worthwhile waste of my time," capturing the transition from adolescence to adulthood.[84] As the band's catalog evolved, lyrical content shifted toward deeper introspection and relational complexity, mirroring fans' progression into their twenties and thirties.[85] Albums like The Peace and the Panic (2017) delve into perseverance amid existential doubt, exemplified by "Where Do We Go When We Go" pleading "Pain, pain go away," while urging a proactive stance against life's toll.[84] Relationship dynamics mature from teenage infatuation, as in "Growing Pains" affirming mutual support through trials—"Cause you've had your own mountains to climb"—to acknowledging irreparable bonds in tracks like "In Bloom," which depicts futile attempts to salvage a decaying partnership akin to a wilting plant.[86][87] Mental health emerges prominently in later releases, particularly All Distortions Are Intentional (2020), framed by the conceptual Sonderland narrative of protagonist Jett's isolation and detachment from a "pointless" world.[52] Barlow draws from personal dreams and experiences to portray bipolar emotional swings in "Quarry," oscillating between love and suicidal ideation, and relational crises in "Empty House," underscoring love's endurance despite flaws.[52] The self-titled album (2024) extends this with examinations of self-doubt in "Moody Weirdo" and tense familial bonds, questioning parental love's adequacy.[85][83] Societal critiques appear sporadically, as in politically charged tracks like "Don't Wait," probing treatment of the marginalized, though personal narratives dominate.[88] Overall, Barlow's writing prioritizes emotional authenticity over abstraction, evolving from diary-like confessions to narrative-driven reflections on purpose and recovery.[89]Critical reception
Commercial achievements
Neck Deep's debut album Wishful Thinking (2014) entered the UK Albums Chart at number 108 and reached number 2 on the UK Rock & Metal Albums Chart.[22] In the US, it peaked at number 3 on the Billboard Heatseekers Albums chart.[20] The follow-up Life's Not Out to Get You (2015) marked the band's first entry into the UK top 10, peaking at number 7 on the UK Albums Chart.[22] It topped three US Billboard charts: Vinyl Albums, Tastemaker Albums, and Digital Albums.[90] The Peace and the Panic (2017) represented their commercial peak to date, debuting at number 4 on the Billboard 200 with 32,000 equivalent album units in its first week, primarily from traditional album sales.[91] It also reached number 4 on the UK Albums Chart, their highest position there at the time.[92] All Distortions Are Intentional (2020), released amid the COVID-19 pandemic, peaked at number 3 on a UK chart (likely Independent Albums) and number 10 on the US Billboard Top Album Sales chart.[22] The album sold 23,151 copies in the UK during its chart run.[75] The self-titled fifth album (2024) debuted at number 2 on the UK Albums Chart midweek, positioning it as the band's highest-charting release in the UK if confirmed, though final data indicated strong physical and independent sales performance.[93][94]| Album | UK Albums Peak | US Billboard 200 Peak | First-Week US Units (if available) |
|---|---|---|---|
| Wishful Thinking (2014) | 108 | - | - |
| Life's Not Out to Get You (2015) | 7 | - | - |
| The Peace and the Panic (2017) | 4 | 4 | 32,000 |
| All Distortions Are Intentional (2020) | - | - | - |
| Neck Deep (2024) | 2 (midweek) | - | - |
Critical praise and analyses
Critics have lauded Neck Deep's self-titled 2024 album as an "unabashed joy from start to finish," highlighting its return to energetic pop-punk roots with incisive songwriting refined through prior experimentation.[67] The record, rated 9/10 by reviewers, balances fast-paced anthems like "Dumbstruck Dumbf*ck" with introspective tracks, earning contention as one of 2024's strongest pop-punk releases for its catchy execution akin to Blink-182 and Green Day.[97] Similarly, The Peace and the Panic (2017) drew praise for its multi-layered arrangements, offering substantial depth that unfolds across repeated listens.[98] Lyrical analyses emphasize the band's intelligent handling of personal and societal themes, incorporating irreverent vocabulary such as "petrichor" and "solipsistic" to reframe pop-punk conventions around mental health, toxic masculinity, and relational cycles.[97] In the self-titled effort, songs like "Heartbreak of the Century" confront depression and betrayal with raw candor, while "It Won’t Be Like This Forever" promotes resilience through "one small step every day," reflecting a maturation in emotional directness.[67][97] All Distortions Are Intentional (2020) employs a conceptual "Sonderland" framework to probe "sonder"—the awareness of others' intricate lives—via tracks like "When You Know," which evoke nostalgic wistfulness, though executed with slick, arena-ready hooks.[99] The band's sound evolution, from scrappier early works to smoother, pop-infused productions under collaborators like Matt Squire, underscores their ambition in expanding pop-punk's scope while retaining jubilant refrains and singalong appeal.[99] This progression has cemented Neck Deep as the UK's premier pop-punk outfit, with angst-driven songs fueling intense live crowds and mosh pits.[100]Criticisms and debates over artistic direction
Neck Deep's artistic trajectory has drawn scrutiny for diverging from the band's foundational pop-punk sound, particularly with the 2017 album The Peace and the Panic, which incorporated more polished production and alternative rock elements compared to the raw energy of their 2015 debut Life's Not a Paragraph. Fans and critics argued this shift prioritized mainstream accessibility over the genre's characteristic aggression, with some accusing the band of diluting their punk ethos to chase broader appeal.[101] This evolution sparked debates about whether such changes represented genuine maturation or a concessions to commercial pressures, as evidenced by fan discussions highlighting backlash against the album's "softer" tracks.[102] The 2020 release All Distortions Are Intentional intensified these debates, as the band leaned further into experimental structures, electronic influences, and concept-driven narratives, moving away from guitar-centric riffs toward vocal-heavy arrangements and thematic abstraction. Reviewers criticized the album for lacking the "typical Neck Deep features" that defined their early appeal, such as high-energy hooks and straightforward pop-punk drive, resulting in an execution described as "all over the place" despite ambitious intent.[103][104] Others contended it alienated the pop-punk audience by blurring genre boundaries too aggressively, with production that rendered guitar parts indistinct and overly reliant on heavy effects, evoking comparisons to bands criticized for insufficient punk credibility.[105][106] Fan forums reflected this polarization, with some labeling the changes as "flawed" thematically and sonically, while defenders viewed the criticism as resistance to necessary innovation.[107] Proponents of the band's direction countered that these shifts demonstrate artistic growth, citing All Distortions Are Intentional as a "bold step" in creative evolution over their career, though detractors maintained it sacrificed cohesion for novelty, leading to "hit-or-miss" results that failed to fully integrate the experiments.[108][109] By the self-titled 2024 album, debates persisted, with some observers noting a partial return to pop-punk roots amid deluxe editions, yet the earlier pivots remained a flashpoint for discussions on balancing fan expectations with personal exploration.[110]Controversies
2015 sexual misconduct allegations
In August 2015, shortly after the release of Neck Deep's second studio album Life's Not Out to Get You on August 14, Neck Deep guitarist Lloyd Roberts faced online allegations of sexual misconduct, specifically sending explicit messages and nude photographs to underage female fans under the age of 16, the UK's age of consent.[31] The claims originated from a Reddit thread and social media posts around August 22, where accusers detailed interactions including requests for images from minors.[111] Bassist Fil Thorpe-Evans was also named in some accusations of similar behavior, though these received less attention and did not result in his departure.[112] On August 23, 2015, Neck Deep issued an official statement via Facebook acknowledging the allegations, stating they took them "very seriously" and emphasizing the need to protect fans, particularly younger ones who attended shows.[113] The band announced Roberts had chosen to step down immediately to focus on his family, citing discomfort with his reputation being "sullied" by the claims, while affirming commitment to upcoming performances.[31][32] Roberts initially responded on Twitter, urging anyone believing he had acted wrongly to contact police directly. Roberts proactively contacted North Wales Police to investigate the matter.[34] On October 14, 2015, the police confirmed they had fully examined the complaints of explicit communications with an underage fan and closed the case with no further action, finding insufficient evidence for charges.[114] In a statement released October 13, 2015, Roberts described the period as "horrendous," noting he had just become a father and the accusations caused significant emotional distress to his family; he expressed relief at the clearance, denied wrongdoing, and outlined plans to resume music production independently while wishing the band well.[34] The incident led to Roberts' permanent replacement by guitarist Sam Bowden, with no subsequent legal proceedings or revived claims reported.[32]Band members
Current lineup
Neck Deep's current lineup, as of 2025, comprises lead vocalist Ben Barlow, who co-founded the band in 2012; rhythm guitarist Matt West, also a founding member from Wrexham; lead guitarist Sam Bowden, who joined in 2015 following the departure of an earlier guitarist; bassist Seb Barlow, Ben Barlow's brother and a long-term member handling bass duties; and drummer Matt Powles, who provides the rhythm section in recent tours and recordings.[10][115][5] This configuration has supported the band's activities, including their 2025 North American and Australian tours promoting new material.[10][115]Former members and contributions
Lloyd Roberts served as the band's co-founding lead guitarist from its inception in 2012 until August 2015, when he stepped down following online allegations of sexual misconduct that prompted a police investigation.[31] [33] North Wales Police discontinued the probe in October 2015, citing insufficient evidence to proceed.[114] Roberts contributed to the band's early songwriting and recordings, including the debut single "What Did You Expect?" that attracted initial online attention, as well as the 2013 EP A History of Bad Decisions, the 2014 EP Rain in July, and the full-length debut Wishful Thinking (2014).[34] He also performed on Life's Not a Paragraph (2015) prior to his exit.[116] Fil Thorpe-Evans was the original bassist from 2012 until his departure on September 3, 2018, which he described as a decision to pursue the next phase of his life after the band had fulfilled a dream.[117] [118] The announcement came two days before a U.S. tour, with the band confirming his exit via social media.[119] Thorpe-Evans provided bass lines for the band's formative releases, including Wishful Thinking (2014), Life's Not a Paragraph (2015), and The Peace and the Panic (2017), helping establish Neck Deep's pop-punk sound during their rise to prominence.[117] Dani Abasi joined as drummer shortly after the band's formation and remained until May 10, 2022, spanning a decade of activity that included extensive touring and creative growth.[36] [120] He departed amicably to focus on personal projects, such as his recording studio and clothing brand Rain, with the band expressing support for his future endeavors.[121] Abasi's drumming featured on four studio albums—Wishful Thinking (2014), Life's Not a Paragraph (2015), The Peace and the Panic (2017), and All Distortions Are Intentional (2020)—delivering the high-energy rhythms characteristic of the band's style, influenced by his background in aggressive, pedal-heavy techniques.[120] [122]Discography
Studio albums
Neck Deep's debut studio album, Wishful Thinking, was released in 2014 on Hopeless Records.[123] The record marked the band's first full-length release following their signing with the label in 2013 and featured pop-punk tracks produced in studios including Celestial Recordings in Wrexham.[124] The band's second studio album, Life's Not Out to Get You, came out on August 14, 2015, via Hopeless Records.[125] Recorded between December 2014 and January 2015, it consisted of 12 tracks emphasizing punk rock elements and was produced with contributions from Jeremy McKinnon and Andrew Wade.[126] The Peace and the Panic, their third studio album, was issued on August 18, 2017, by Hopeless Records.[127] The 12-track effort explored broader alternative rock influences while retaining pop-punk roots.[128] In 2020, Neck Deep released their fourth studio album, All Distortions Are Intentional, on July 24 through Hopeless Records.[129] The album included 12 songs and addressed themes of personal growth amid global events.[130] The self-titled fifth studio album, Neck Deep, arrived on January 19, 2024, again on Hopeless Records.[131] Comprising 10 tracks, it was self-produced by the band and focused on raw pop-punk introspection.[132]Extended plays and singles
Neck Deep released two extended plays early in their career, prior to signing with Hopeless Records. Their debut EP, Rain in July, came out on September 11, 2012, via We Are Triumphant Records, marking the band's initial foray into recording with a raw pop-punk style.[133] The follow-up, A History of Bad Decisions, arrived on February 19, 2013, as a self-released digital EP featuring tracks like "Up in Smoke" and "Tables Turned," which showcased evolving songwriting and production.[134][135] These EPs were later compiled into a single release in 2014 but originated as standalone efforts that built grassroots momentum through online sharing and early tours.[136] The band has issued numerous singles, often as lead tracks from albums or standalone digital releases, totaling over a dozen by 2025. Early singles like "A Part of Me" (featuring Laura Whiteside), originating from the Rain in July era, gained traction via streaming platforms.[137] Later examples include "December," a collaboration with Mark Hoppus released in 2015 to promote Life's Not Out to Get You, and "In Bloom" from the same album, which became a fan staple for its melodic hooks.[137] In recent years, Neck Deep shifted toward more experimental singles such as "STFU" on May 26, 2022, emphasizing introspective lyrics, followed by "Heartbreak of the Century" on February 14, 2023, tied to their self-titled album promotion.[138][139] The most recent, "You Should See Me Now," dropped on May 21, 2025, reflecting continued evolution in their sound amid lineup changes.[138]| Single Title | Release Date | Notes |
|---|---|---|
| A Part of Me (feat. Laura Whiteside) | 2012 | Early promotional track |
| December (feat. Mark Hoppus) | 2015 | Album lead single |
| In Bloom | 2014 | From Life's Not Out to Get You |
| STFU | May 26, 2022 | Standalone digital release |
| Heartbreak of the Century | February 14, 2023 | Self-titled album single |
| You Should See Me Now | May 21, 2025 | Recent single |