Hossein Amini
Hossein Amini (born 18 January 1966) is an Iranian-born British screenwriter and film director renowned for his sophisticated adaptations of literary works into cinema.[1] Born in Iran to a diplomat father and a children's TV producer mother, Amini moved to England in 1979, at the age of 13, following the Iranian Revolution, initially spending time in Paris before settling in the UK.[2][3] He attended Oxford University, where he began making short films and initially aspired to become a writer-director.[2] Amini's screenwriting career began with television movies, including The Dying of the Light (1992) about the murder of a UNICEF aid worker, and Deep Secrets (1996).[4] His breakthrough came with feature films, starting with the adaptation of Thomas Hardy's Jude the Obscure as Jude (1996), directed by Michael Winterbottom, which won Best British Film at the Edinburgh International Film Festival.[5] He received widespread acclaim and an Academy Award nomination for Best Adapted Screenplay for his version of Henry James's The Wings of the Dove (1997), which also garnered three additional Oscar nominations.[6] Subsequent notable screenplays include One Day (2011), Snow White and the Huntsman (2012), 47 Ronin (2013), and the thriller Drive (2011), the latter earning a Palme d'Or nomination at Cannes and a BAFTA nomination for Best Film.[5][7] In 2014, Amini made his directorial debut with The Two Faces of January, an adaptation of Patricia Highsmith's novel starring Viggo Mortensen and Kirsten Dunst.[2] His television work includes writing the BBC/HBO limited series McMafia (2018), which won an International Emmy for Best Drama Series and inspired UK anti-money laundering legislation known as the "McMafia law," as well as episodes of The Alienist (2018), an Emmy-nominated limited series.[5] More recently, he penned the screenplay for the biographical drama The Pigeon Tunnel (2023) about author John le Carré and contributed to the Disney+ series Obi-Wan Kenobi (2022), originally conceived as a film project.[7] In 2025, he was hired to rewrite the screenplay for the DC Studios film Clayface.[8] Amini continues to develop a range of film and television projects, maintaining his reputation for literate, character-driven narratives.[5]Early life
Childhood and family
Hossein Amini was born on 18 January 1966 in Tehran, Iran, to a diplomat father, who was also a film enthusiast, and a mother who worked as a children's TV producer.[9] During his early childhood in Iran, Amini was exposed to cinema through his father, who screened movies at home using a small projector, fostering an early obsession with Bruce Lee films.[2] Following the Iranian Revolution and amid escalating political unrest, Amini's family decided to emigrate from Iran.[10] At the age of 11, he relocated to England, where his family settled in London; his parents had separated prior to the move, and Amini initially spent time in Paris with his father, navigating the challenges of immigration, cultural dislocation, and adapting to life as an exile in a new country.[2]Education
After moving to England at the age of 11 following the Iranian Revolution, Amini attended an English boarding school, where he adjusted to life in the UK.[11] Amini later enrolled at Oxford University, where he studied History and Modern Languages, graduating in the late 1980s.[9] During his undergraduate studies, he gained exposure to classic British and European literature, including works by Thomas Hardy and Henry James.[12] This literary foundation later informed his approach to adapting novels for the screen.[13] At Oxford, Amini engaged in extracurricular activities, writing and directing plays as well as short films.[14] He did not pursue any advanced degrees, instead transitioning directly to a professional writing career upon graduation.[9]Career
Screenwriting
Hossein Amini began his screenwriting career with the 1994 television movie The Dying of the Light, a drama based on the real-life murder of UNICEF worker Sean Devereux in Somalia. The script, directed by Peter Kosminsky, explored themes of humanitarian aid and political intrigue in a war-torn region. Amini gained critical attention for his literary adaptations in the mid-1990s. His screenplay for Jude (1996), directed by Michael Winterbottom, faithfully adapted Thomas Hardy's novel Jude the Obscure, capturing the story's critique of Victorian social constraints through the tragic aspirations of its working-class protagonist.[15] The following year, Amini's adaptation of Henry James's The Wings of the Dove (1997), directed by Iain Softley, earned an Academy Award nomination for Best Adapted Screenplay, praised for its nuanced portrayal of moral ambiguity and emotional complexity among the characters. In the 2010s, Amini shifted toward contemporary genre films while maintaining a focus on character-driven narratives. He penned the screenplay for Drive (2011), directed by Nicolas Winding Refn, which was lauded for its atmospheric tension and minimalist approach, relying on visual storytelling and sparse dialogue to convey the protagonist's inner turmoil. Similarly, his script for Snow White and the Huntsman (2012), directed by Rupert Sanders, contributed to the film's dark, immersive fantasy tone through layered interpersonal dynamics. Amini also co-wrote 47 Ronin (2013), a reimagining of the classic Japanese tale directed by Carl Rinsch, emphasizing themes of loyalty and honor. His adaptations of John le Carré novels continued with Our Kind of Traitor (2016), directed by Susanna White, which highlighted espionage's psychological toll on ordinary individuals.[16] In 2017, Amini co-wrote The Snowman, a crime thriller directed by Tomas Alfredson, adapting Jo Nesbø's novel to delve into detective Harry Hole's haunted psyche. More recently, Amini's television screenwriting includes the BBC/HBO series McMafia (2018), episodes of The Alienist (2018), and contributions to the Disney+ series Obi-Wan Kenobi (2022), originally developed as a film project. He served as executive producer on The Pigeon Tunnel (2023), Errol Morris's documentary adapting David Cornwell's (John le Carré) memoir, shaping its introspective narrative on the author's life and inspirations.[17] Looking ahead, he has been hired by DC Studios to rewrite the screenplay for Clayface (2026), originally drafted by Mike Flanagan, infusing the DC villain's origin with psychological horror elements.[18] Throughout his career, Amini's screenplays are characterized by psychological depth, fidelity to source material in adaptations, and a preference for sparse dialogue that amplifies subtext and visual tension.[19] In a brief overlap with his directing work, this style informed projects like The Two Faces of January (2014), where moral dilemmas drive the plot with restrained verbal exchanges.[20]Directing
Hossein Amini made his feature film directorial debut with The Two Faces of January (2014), an adaptation of Patricia Highsmith's 1964 novel of the same name, which he also wrote.[21] The thriller follows a con artist couple (played by Viggo Mortensen and Kirsten Dunst) who become entangled with a young tour guide (Oscar Isaac) in Athens, leading to a web of deception and flight across Greece.[22] Drawing from his screenwriting background, Amini adapted the source material himself, enabling a seamless integration of narrative and visual elements.[4] Amini's directing choices emphasized the 1960s Greek setting to heighten the noir atmosphere, capturing the era's glamour and isolation through sun-drenched landscapes and ancient ruins that mirror the characters' moral disorientation.[22] His visual style drew inspiration from 1960s European cinema, including the French New Wave and Italian films, prioritizing character-driven tension over overt suspense mechanics, while exploring Highsmith's signature moral ambiguity through flawed, psychologically complex protagonists who blur lines between victim and perpetrator.[22][23] As a producer on the film, Amini influenced key decisions, including casting Mortensen, whose involvement helped secure a budget exceeding $18 million and elevated the project's production values.[4][22] Following this debut, Amini's directing output has been limited, with no additional feature films helmed as of 2025, as he has primarily returned to screenwriting roles on projects such as The Snowman (2017) and Our Kind of Traitor (2016).[4]Recognition
Awards
Hossein Amini earned critical recognition for his screenplay adaptation of James Sallis's 2005 novel Drive, securing the Austin Film Critics Association Award for Best Adapted Screenplay in 2011. The award celebrated Amini's economical script, which transformed the book's introspective narrative into a visually driven neo-noir thriller, emphasizing mood and tension through minimal dialogue and precise action sequences. Directed by Nicolas Winding Refn, the film starred Ryan Gosling as a stoic stunt driver entangled in crime, and Amini's writing was praised for preserving the source material's emotional restraint while enhancing its cinematic intensity.[24] This accolade underscored Amini's expertise in literary adaptations, marking a pivotal moment in his career as one of the few screenwriters to translate a cult novel into a commercially successful and influential film, grossing over $81 million worldwide on a modest budget. The win positioned Drive among the year's top films according to the association, alongside honors for Refn's direction, and highlighted Amini's contribution to the picture's enduring impact on genre filmmaking.[25] In 2019, the BBC/HBO series McMafia, co-created and written by Amini, won the International Emmy Award for Best Drama Series.[26]Nominations
Hossein Amini's screenwriting has garnered significant recognition through various prestigious award nominations, often underscoring his adeptness at adapting complex literary narratives into cinematic form. These near-misses have bolstered his reputation as a screenwriter capable of elevating source material while maintaining fidelity to its emotional and thematic core. In 1998, Amini received an Academy Award nomination for Best Adapted Screenplay for his work on The Wings of the Dove, directed by Iain Softley and based on Henry James's novel, where he crafted a taut exploration of desire and deception in Edwardian society.[27] That same year, he earned a BAFTA nomination in the Adapted Screenplay category for the film, highlighting his contribution to its atmospheric period authenticity and character-driven tension.[28] Throughout his career, these nominations reveal a pattern of acclaim for literary adaptations, from Victorian dramas to modern genre pieces, emphasizing Amini's skill in translating prose intricacies to visual storytelling and contributing to his enduring prestige in the industry, complemented by select wins that further solidified his standing.Filmography
Films
Hossein Amini's contributions to feature films and film-style productions span screenwriting, directing, and producing, often involving adaptations of literary works. His early work includes the 1992 TV movie The Dying of the Light, which he wrote and which dramatizes the story of aid worker Sean Devereux, directed by Peter Kosminsky.[29] In 1996, Amini adapted Thomas Hardy's novel Jude the Obscure into the screenplay for Jude, directed by Michael Winterbottom, starring Kate Winslet and Christopher Eccleston.[30] He followed with the 2002 adaptation of The Four Feathers, directed by Shekhar Kapur. The following year, he penned the adaptation of Henry James's The Wings of the Dove for the 1997 film directed by Iain Softley, featuring Helena Bonham Carter and earning Amini an Academy Award nomination for Best Adapted Screenplay.[31] Amini wrote the screenplay for the 2008 thriller Killshot, directed by John Madden, and the 2010 historical drama Shanghai, directed by Mikael Håfström. His 2011 screenplay for Drive, based on James Sallis's novel and directed by Nicolas Winding Refn, stars Ryan Gosling as a stoic getaway driver and received widespread acclaim for its neo-noir style. He contributed to the 2012 fantasy film Snow White and the Huntsman as one of the screenwriters, alongside Evan Daugherty and John Lee Hancock, under director Rupert Sanders. For 47 Ronin (2013), Amini co-wrote the screenplay with Chris Morgan, adapting the historical Japanese tale into a fantasy action film directed by Carl Rinsch and starring Keanu Reeves. Marking his directorial debut, Amini wrote, directed, and produced The Two Faces of January (2014), an adaptation of Patricia Highsmith's novel starring Viggo Mortensen, Kirsten Dunst, and Oscar Isaac.[21] In 2016, Amini adapted John le Carré's novel for Our Kind of Traitor, directed by Susanna White and featuring Ewan McGregor and Naomie Harris as a couple entangled in espionage.[32] He followed this with the 2017 screenplay for The Snowman, based on Jo Nesbø's novel and directed by Tomas Alfredson, starring Michael Fassbender as detective Harry Hole. Amini served as executive producer on the 2023 documentary The Pigeon Tunnel, directed by Errol Morris, which explores the life of author John le Carré through interviews and reenactments. Upcoming is the 2026 DC Studios film Clayface, for which Amini is rewriting the screenplay originally penned by Mike Flanagan, under director James Watkins, focusing on the Batman villain in a horror-thriller context.[18]| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1992 | The Dying of the Light | Writer | Peter Kosminsky | TV movie adaptation of the life of aid worker Sean Devereux. |
| 1996 | Jude | Writer | Michael Winterbottom | Adaptation of Thomas Hardy's Jude the Obscure. |
| 1997 | The Wings of the Dove | Writer | Iain Softley | Academy Award-nominated adaptation of Henry James's novel. |
| 2002 | The Four Feathers | Writer | Shekhar Kapur | Adaptation of A.E.W. Mason's novel. |
| 2008 | Killshot | Writer | John Madden | Adaptation of Elmore Leonard's novel. |
| 2010 | Shanghai | Writer | Mikael Håfström | Original screenplay, starring John Cusack and Chow Yun-fat. |
| 2011 | Drive | Writer | Nicolas Winding Refn | Neo-noir adaptation of James Sallis's novel. |
| 2012 | Snow White and the Huntsman | Writer | Rupert Sanders | Co-written with Evan Daugherty and John Lee Hancock; fantasy action film. |
| 2013 | 47 Ronin | Writer | Carl Rinsch | Co-written with Chris Morgan; fantasy adaptation of Japanese folklore. |
| 2014 | The Two Faces of January | Writer, Director, Producer | Hossein Amini | Directorial debut; adaptation of Patricia Highsmith's novel. |
| 2016 | Our Kind of Traitor | Writer | Susanna White | Adaptation of John le Carré's espionage novel. |
| 2017 | The Snowman | Writer | Tomas Alfredson | Co-written with Peter Straughan and Søren Sveistrup; adaptation of Jo Nesbø's novel. |
| 2023 | The Pigeon Tunnel | Executive Producer | Errol Morris | Documentary on John le Carré. |
| 2026 | Clayface | Screenplay Rewrite | James Watkins | Upcoming DC Universe horror-thriller. |