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Howard Charles

Howard Charles (born 6 September 1983) is a British actor of English and Jamaican descent, best known for portraying Porthos in the BBC period drama series The Musketeers (2014–2016). Born in London to parents of mixed English and Jamaican heritage, Charles began his formal training at Kingston College, where he earned a BTEC Level 3 Diploma in Performing Arts (Acting) between 2000 and 2005. He later received a scholarship to the prestigious Drama Centre London, becoming a classically trained actor with a focus on stage work. His early career emphasized theater, with notable roles including performances in Blackta at the Young Vic, Macbeth with the Royal Shakespeare Company, The Merchant of Venice also with the RSC, and Enron at the Chichester Festival Theatre. Transitioning to television and film, Charles gained widespread recognition for his charismatic depiction of the musketeer , a role that highlighted his physicality and depth in ensemble storytelling. Subsequent credits include the recurring role of Wolf in the series (2020–2024) and DCI Mike McGuire in the mystery (2021–2024). In 2025, he appeared as Captain Royce in the crime thriller , starring , and is set to lead in the boxing drama Fightland as former champion Maduka “Duke” Kilroy. His diverse portfolio also encompasses guest spots in series like , , and , where he played Arken Visser, showcasing his versatility across genres from historical drama to contemporary action and video games.

Early life and education

Early life

Howard Charles was born on September 6, 1983, in London, England, and grew up in Brixton. Brixton, a dynamic and multicultural district in South London renowned for its vibrant Afro-Caribbean community, immigrant influences, and cultural landmarks like the Brixton Market, shaped his early environment amid a diverse urban setting. Public details about his family background remain limited, with available information indicating he was raised in a household of mixed English and Jamaican heritage. Information on his childhood and adolescence is scarce, but Charles developed an initial interest in the during his youth, which later influenced his educational path. This early curiosity in creative expression set the stage for his transition to formal studies at Kingston College.

Education

Howard Charles began his formal education in at Kingston College in , attending from 2000 to 2005. During this period, he completed a BTEC Level 3 Diploma in Performing Arts (Acting), which provided foundational training in drama, and subsequently earned a BA (Hons) in for Stage and Media, focusing on practical skills for both theatre and screen performance. Following his undergraduate studies, Charles pursued advanced training at , a renowned conservatoire known for its rigorous development programs. He received the prestigious Lady Rothermere Drama Award and a Leverhulme , which supported his enrollment and underscored his talent in the field. Charles graduated from , which directly facilitated his entry into the professional acting world, enabling him to secure initial theatre roles and build a career in , television, and film.

Career

Theatre

Howard Charles began his professional stage career shortly after graduating from Drama Centre London in 2008, drawing on his classical training to secure roles in both contemporary and Shakespearean productions across the theatre scene. His early breakthrough came in 2009 with the role of Chike/Jones in The Hounding of David Oluwale, a touring production by Eclipse Theatre that explored the tragic real-life story of a Nigerian immigrant's persecution by police in 1960s ; the play premiered at West Yorkshire Playhouse before transferring to venues including and Liverpool's . That same year, he portrayed Willy, a witty and rebellious painter, in Athol Fugard's Painting a Wall at the Finborough Theatre, a fringe production that highlighted apartheid-era tensions among South African workers in London. Charles's association with major institutions solidified in 2009 when he joined the cast of Lucy Prebble's Enron as Security Officer/Trader, initially at Chichester Festival Theatre's Minerva Studio under Rupert Goold's direction; the satirical drama on corporate greed transferred to the Royal Court Theatre and then the West End's Royal Court at Jerwood Theatre Downstairs, earning critical acclaim for its innovative staging and receiving three Olivier Award nominations. His classical foundation shone in 2011 with the Royal Shakespeare Company (RSC), where he played Gratiano in Rupert Goold's modern-dress The Merchant of Venice—set in a corporate Venetian world and starring Patrick Stewart as Shylock—at the Royal Shakespeare Theatre in Stratford-upon-Avon. Later that year, he appeared as Malcolm in Michael Boyd's visceral production of Macbeth at the same venue, contributing to the RSC's acclaimed history cycle alongside works like The Winter's Tale. Charles also appeared in a production of Anton Chekhov's The Cherry Orchard. Subsequent roles underscored Charles's versatility in dramatic leads and ensemble pieces. In 2012, he took on the cynical Yellow in Nathaniel Martello-White's Blackta at the Young Vic's Maria Studio, a raw exploration of Black masculinity and identity that premiered to strong reviews for its intense physicality and social commentary. He further demonstrated his range as Rode in Sarah Frankcom's production of Chekhov's Three Sisters at the Royal Exchange Theatre in Manchester around the same period. From 2008 onward, Charles has contributed significantly to British theatre by embodying complex, often outsider characters in high-profile classical revivals and politically charged new writing, frequently portraying figures of moral ambiguity or quiet rebellion that reflect his Drama Centre-honed precision in verse and prose. His RSC tenure, in particular, marked him as a rising force in interpreting Shakespearean drama for contemporary audiences, blending physicality with nuanced emotional depth in roles that advanced narratives of power, loyalty, and societal fracture.

Television

Howard Charles began his television career with supporting roles in British series, including a guest appearance as Adult Kylie in the BBC Two sitcom Beautiful People in 2008 and as Jack in the comedy-drama Switch in 2012. A breakthrough came with his portrayal of du Vallon in the adventure series (2014–2016), where he appeared in all 30 episodes across three seasons. Porthos, depicted as a formidable fighter raised in poverty who discovers a sense of family among the elite guards, embodies fierce loyalty and a zest for life while grappling with the shifting social landscape of 17th-century . The series, a contemporary adaptation of ' novel emphasizing action, camaraderie, and political intrigue, attracted a strong international following and highlighted Charles's physicality and depth in ensemble dynamics. Charles subsequently played Curtis, a ruthless weapons dealer leading a Liverpool-based gang, in seven episodes of the Channel 4 and Netflix crime drama Top Boy spanning 2013 to 2022. In this role, he contributed to subplots exploring the character's controlling nature and ties to broader criminal networks, amplifying the series' examination of trade, loyalty, struggles, and in London's estates. From 2021 to 2024, Charles has starred as Mike McGuire in the procedural mystery , featuring in 18 episodes. McGuire, a reserved detective transferring from to the seaside town of to outrun personal demons, partners with restaurateur-turned-sleuth Pearl Nolan to investigate local crimes, blending investigative tension with character-driven interpersonal dynamics in a cozy coastal setting. He recurred as the tough SAS operative Wolf in the Amazon Prime action series Alex Rider from 2020 to 2024. In 2021, Charles portrayed the enigmatic smuggler Arken Visser (also known as The Conductor) in five episodes of Netflix's fantasy series Shadow and Bone. Additional television credits include guest roles such as Ambrose Gethic in The Librarians (2017) and Tom Jansen in The Widow (2019), reflecting his progression from episodic supporting parts to recurring leads that showcase emotional range and narrative centrality.

Film

Howard Charles began his screen career with a role in the 2010 Standing By, portraying in this early independent production that marked his entry into film acting. His subsequent appearance came in the 2013 independent &Me, where he played , a in a multilingual story exploring intercultural relationships across . In 2018, Charles expanded into genre films with roles in two action-oriented projects. He portrayed Luther in Monster Party, a horror-thriller about a group of criminals who break into a mansion only to face supernatural threats from its reclusive owners. That same year, he appeared as in The Scorpion King: Book of Souls, a sword-and-sorcery adventure film in the Mummy franchise series, contributing to its of battling ancient evils. Charles's film work continued to gain momentum in the mid-2020s, culminating in his role as Captain Royce in the 2025 action thriller Cleaner. In this high-stakes narrative directed by Martin Campbell, he plays the leader of a police SWAT team responding to a hostage crisis at a gala hijacked by extremists, alongside stars like Daisy Ridley. He is set to lead the Starz boxing drama Fightland (2025) as former heavyweight champion Maduka “Duke” Kilroy, a disgraced fighter seeking revenge against a crime family after prison. His success in television series has facilitated these film opportunities, allowing him to transition into more prominent cinematic roles. Overall, Charles's film trajectory demonstrates versatility across dramas, , and genres, with his roles evolving from supporting parts in shorts and low-budget features to authoritative figures in larger-scale productions, reflecting his rising prominence in international cinema.

Video games

Howard Charles has made limited but notable contributions to the , primarily through performance capture and voice work, leveraging his classical training to bring depth to interactive characters. His involvement in serves as a supplementary facet of his broader acting career, allowing him to explore digital storytelling alongside his work in live-action media. In the 2015 racing video game Need for Speed, developed by Ghost Games and published by , Charles portrayed Manu (full name Emanuel), a key member of the antagonistic crew led by Travis. Set in the fictional Ventura Bay, the game's narrative revolves around underground , customization, and rivalries among drifting and speed-focused crews; Manu specializes in drifting, providing players with style-based missions inspired by real-world events, such as recreating professional Ken Block's runs. Charles's performance was captured through live-action (FMV) sequences, where he delivered the character's charismatic yet competitive demeanor as a skilled connected to the local scene. Charles was also cast in the unreleased Legacy of Kain: Dead Sun, a planned reboot of the action-adventure series developed by for . Announced internally around 2009, the single-player title was set centuries after : Soul Reaver, featuring a new protagonist named Gein in a gritty, narrative-driven world blending open-world exploration with horror elements, powered by Unreal Engine 3 for platforms including , , and PC. Charles voiced and provided for the Emperor, a significant antagonistic figure in the story, alongside a cast that included and . The project, which grew from a small team of 30 to over 100 developers and incurred costs of approximately £7 million, was cancelled in May 2012 after three years due to escalating development expenses projected to reach £30 million, concerns over quality, and doubts about the viability of the open-world genre at the time. Charles's theatre background, honed at where he received a , translated effectively to video game performance capture, enabling him to convey subtle emotional nuances through motion and voice in virtual environments. This skill set, rooted in ensemble dynamics and immersive character work, allowed for authentic portrayals in , where actors must adapt to technological constraints like mocap suits while maintaining narrative intensity.

References

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