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Intercepted Message

Intercepted Message is the twenty-seventh studio album by American garage rock band , released on August 18, 2023, through In the Red Records. The record features eleven tracks blending synth-punk, , and influences, with prominent keyboard elements co-composed by band member Tom Dolas. It was recorded and mixed by John Dwyer, Eric Bauer, and Mike Kreibel at Discount Mirrors Studio in , , and mastered by JJ Golden. Osees, led by frontman John Dwyer (who handles vocals, guitar, synths, and percussion), have built a reputation for their high-energy performances and extensive discography since forming in in the mid-1990s. The album's lineup includes Dwyer alongside bassist Tim Hellman, keyboardist Tom Dolas, and dual drummers Dan Rincon and Paul Quattrone, emphasizing a chaotic yet groove-oriented sound driven by assertive riffs and dual percussion. Standout tracks like "Blank Chems" and "Die Laughing" highlight the band's fusion of urgency with and no-wave experimentation, while covers such as "The Fish Needs a Bike" (originally by ) add eclectic flair. Artwork was provided by Wes Greaves, contributing to the album's vibrant, retro-futuristic aesthetic. Upon release, Intercepted Message garnered mixed critical reception, with rating it 6.9 out of 10 for its infectious hooks and live-friendly energy but critiquing its occasional disjointedness and underdeveloped lyrics. The was issued as the on May 19, 2023, showcasing Dwyer's description of the album as "a pop record for tired and/or dead people." Available in formats including , , and digital download, the album continues ' tradition of rapid output and genre-blending innovation.

Background and recording

Album development

Osees, the prolific band fronted by John Dwyer, have maintained a relentless output since forming in 1997 under various iterations of their name, culminating in Intercepted Message as their 27th studio album. The album represents a notable evolution in Dwyer's creative trajectory, shifting from the band's traditional raw ethos toward a heavier incorporation of synthesizer-driven elements. This change drew inspiration from Teutonic synth punk acts like Rheingold, , and Abwärts, as well as 1970s and 1980s electronic influences such as , reflecting Dwyer's longstanding affinity for keyboards and effects. Conceived in early 2023 amid ' continued experimentation following their 2020 release Protean Threat and 2022's A Foul Form, the project emerged as a deliberate pivot to structures. In May 2023 interviews announcing the album, Dwyer characterized it as "a pop record for tired times," emphasizing its verse-chorus-verse format infused with "a distant crackling of 80s synth" to counter contemporary musical fatigue.

Recording sessions

The recording sessions for Intercepted Message took place in spring 2023 at Dwyer's Discount Mirrors Studio in , , that prioritized capturing the band's live energy. The album was self-produced by Dwyer, who emphasized quick takes to preserve an "off-the-cuff" spontaneity, while layering synthesizers over the group's foundations to achieve a synth-punk sound. Key technical elements included the use of analog synthesizers and minimal overdubs to maintain a raw, immediate feel; the sessions were engineered by Eric Bauer and Liza Boldyreva, with mixing handled by Dwyer, Bauer, and Mike Kreibel. The final mastering was done by JJ Golden at Golden Mastering in 2023. The core band lineup of Dwyer (vocals, guitar, synths, percussion), Tim Hellman (bass), Dan Rincon (drums, percussion), and Paul Quattrone (drums, percussion, electric claps) actively contributed during the sessions, with additional elements from keyboardist Tomas Dolas and violinist Elizaveta Boldyreva incorporated post-recording.

Composition

Musical style

Intercepted Message is classified as synth-rock with deep roots in garage punk, incorporating psychedelic elements, hypnotic grooves, and an energetic vibe reminiscent of 8-bit soundtracks. The blends these styles into a groove-laden collection that draws from late and early influences, marking a shift toward keyboard-driven experimentation. Key musical elements include prominent synthesizer riffs, as heard in the title track "Intercepted Message," which propel the sound with electronic urgency alongside bright guitars and robust, dual-drummer propulsion. The production emphasizes open spaces, where guitar chords ring out and staccato breaths serve as percussive textures, creating a sense of dynamic tension amid the chaos. This approach integrates ferocious drumming with electronic textures, evident in tracks like "Unusual and Cruel," which pairs hypnotic grooves with glossy synth-pop sheen. These elements unfold in tightly structured yet mosaicked compositions. The opener "Stunner" exemplifies the upbeat, synth-driven hooks that define the record's infectious energy, combining grooves with attack. Influences echo Devo's angularity and Teutonic electronic , while the overall sound departs from ' prior raw garage aggression toward a more danceable, synth- hybrid. This evolution highlights the band's quick-take recording method, capturing spontaneous interplay between instruments.

Lyrics and themes

The lyrics of Intercepted Message were developed improvisationally during the recording sessions, capturing a stream-of-consciousness approach that emphasizes spontaneity and a attitude, as described by the band's collaborative process with John Dwyer. This results in abstract narratives that prioritize raw energy and emotional impulses over structured storytelling, often delivered through cryptic and repetitive phrasing to evoke a sense of urgency and disarray. Recurring themes throughout the album revolve around chaos and disorientation, surreal , and pointed critiques of , reflecting a disrupted akin to intercepted transmissions. For instance, tracks like "Goon" and "Sleazoid Psycho" explore psychological fragmentation and societal , with lines in the latter critiquing modern and systemic control. The embodies these motifs through repetitive warnings such as "The system wants you to feel free, but you’ll not succeed," underscoring and false promises of security. Surreal appears in hypnotic, otherworldly sequences, as in "Blank Chems," where abstract pleas for release blend with themes of chemical or mental detachment. Dwyer's vocal delivery amplifies these elements, featuring raw, shouted outbursts over synth-driven backdrops that favor visceral intensity over lyrical coherence, creating a punk-infused of fragmented thoughts. Examples include the urgent, yelping refrains in "Blank Chems" and goblin-like snarls in "Goon," which heighten the album's disorienting energy. The album's overarching concept frames it as an "intercepted" transmission, metaphorically tying into motifs of disrupted communication and psychedelic mind states, where lyrics serve as garbled signals from a chaotic inner or societal landscape. This approach, enhanced by the synth-rock style, underscores a sense of on unreliable broadcasts of and unease.

Release and promotion

Announcement and singles

The album Intercepted Message by was announced on May 19, 2023, through a covered by Consequence, positioning the project as a synth-punk evolution for the prolific band. The announcement confirmed a release date of August 18, 2023, via In the Red Records, with availability in digital formats alongside standard black and four limited-edition color pressings. Accompanying the announcement, the and title track "Intercepted Message" was released as a stream, featuring jittery synths and Devo-like energy that marked a poppier direction for . A for the track, directed by Kyack, was shared on the band's social media and , depicting fragmented, retro-futuristic visuals of intercepted signals and chaotic performance footage. Subsequent singles built anticipation leading into the release. On June 15, 2023, "Goon" was issued as the second single, blending hair-metal flair with synth-punk drive and accompanied by streaming availability on platforms like Bandcamp. The third single, "Stunner," followed on July 28, 2023, with a premiere video emphasizing claustrophobic, high-contrast imagery that aligned with the album's retro-futuristic aesthetic; teasers for its artwork were shared on Osees' Instagram, highlighting bold, neon-drenched designs. These releases underscored the album's thematic nod to intercepted communications, evoking distorted signals amid societal noise.

Marketing and touring

The marketing campaign for Intercepted Message emphasized digital engagement and physical collectibles, leveraging ' established fanbase in the garage and psych rock scenes. The band shared previews of the title track via a on social media platforms and through partnerships with music outlets, including an exclusive premiere on , which helped build anticipation ahead of the August 18, 2023 release. Limited-edition merchandise, such as a white long-sleeve shirt featuring album artwork designed by Wes Greaves, was offered for pre-order on the band's page, tying into the record's synth-punk aesthetic with thematic prints. Additionally, In the Red Records promoted multiple color vinyl variants, including orange and splatter editions, underscoring the label's focus on vinyl distribution networks to appeal to collectors. Promotional events centered on live radio and intimate performances to showcase the new material. On August 15, 2023, performed the full album live during a radio session on The Best Show with , broadcast from Forever Dog Studios in North Hollywood, California, providing fans with an early, unpolished listen just days before the official release. This event was later archived and shared online, extending its reach. Earlier previews, like a live rendition of the title track at in West Hollywood on April 27, 2023, also served to tease the synth-driven sound. These efforts complemented the singles' role in generating initial buzz, focusing on experiential promotion rather than traditional advertising. The supporting tour for Intercepted Message launched in Europe during August 2023, with performances at festivals and venues including Palp Festival in Bagnes, on August 12 and in , on August 14, before transitioning to in September. The North American leg kicked off with shows in at the Crystal Ballroom on September 8, followed by multiple nights in at Neumos on September 9 and 10, at Thalia Hall on September 15 and 16, and at on September 22 and 23. Setlists heavily featured tracks from the new album, such as "Intercepted Message" and "Die Laughing," alongside staples, allowing fans to experience the synth elements in a live context. The tour extended into late 2023 across the and , with an earlier European run in May—including dates in , , , and —serving as a prelude to the album's rollout.

Reception

Critical reception

Intercepted Message received universal acclaim from critics, earning a Metacritic score of 81 out of 100 based on eight reviews. On Album of the Year, it holds a user score of 66 out of 100 based on 412 ratings, reflecting generally positive but somewhat tempered enthusiasm among listeners. Several reviewers praised the album's energetic synth-driven sound and the band's signature vitality. Pitchfork highlighted its "open spaces" and "synth energy," noting how tracks like "Die Laughing" and "Blank Chems" deliver rhythmic precision and groovy appeal amid shifts from synth pop to new wave. XS Noize commended the quick-recording process, which infuses the record with a raw, off-the-cuff punk ethos, blending garage rock, psychedelia, and electronica in standout cuts such as "Stunner" and "Always at Night." Similarly, Louder Than War celebrated its gonzo exploration of garage synth-punk, drawing influences from Devo and Bowie to create a joyful, inventive collection that ranks among the band's career highs. Not all responses were entirely glowing, with some pointing to shortcomings in cohesion and originality. Loud and Quiet awarded it 5 out of 10, critiquing the tracks as "tired and knackered" despite their uptempo pace, suggesting the prolific had stretched themselves thin in delivering bombast. users echoed this in parts, with comments noting a lack of the fun and immediacy found in prior works like A Foul Form, describing it as more generic and less engaging. Overall, critics appreciated the album's rhythmic innovations and synth-rock flair, which provide fresh propulsion to Osees' sound, though complaints of repetitiveness and uneven subgenre shifts tempered views of it as a solid rather than revolutionary entry in their discography.

Commercial performance

Intercepted Message debuted at number 89 on the Scottish Albums Chart for the week ending August 25, 2023, marking a modest entry in regional markets. It also peaked at number 17 on the UK Independent Albums Chart during the same week, reflecting solid performance within the independent music sector. Additionally, the album entered the Official Albums Sales Chart at number 52, driven primarily by physical sales including vinyl formats. The release did not achieve entry on major US charts such as the , aligning with ' typical niche appeal in and indie circuits rather than mainstream audiences. In comparison to their prior A Foul Form (2022), which reached number 51 on the , Intercepted Message showed limited broader crossover but sustained strength in independent sales channels. Initial demand was bolstered by editions, with multiple limited color variants selling out rapidly upon release via platforms like , underscoring its popularity in garage and synth-punk collector communities. By late 2023, the album had established itself as a cult favorite in scenes, supported by steady streaming growth extending into 2024.

Track listing and credits

Track listing

The standard edition of Intercepted Message consists of 11 tracks, with a total runtime of 39 minutes. All tracks were written by John Dwyer, except "The Fish Needs a Bike" ( cover).
No.TitleLength
1."Stunner"2:44
2."Blank Chems"4:15
3."Intercepted Message"3:26
4."Die Laughing"4:10
5."Unusual & Cruel"3:22
6."The Fish Needs a Bike"3:50
7.""2:12
8."Chaos Heart"3:35
9."Submerged Building"3:05
10."Sleazoid Psycho"3:49
11."Taken Together"2:55
There are no major variants across editions, though some digital platforms may list 12 tracks due to a silent or bonus segment. The vinyl pressing is split across two sides, with the break after track 6.

Personnel

John Dwyer – vocals, guitar, synthesizers, percussion, production
Tim Hellman –
Tom Dolas – keyboards,
Dan Rincon – , percussion
Paul Quattrone – , percussion, electric claps
Additional musicians:
Maria Dwyer – backing vocals ("Chaos Heart")
Elizaveta Boldyreva –
Brad Caulkins –
Recorded and mixed by John Dwyer, Eric Bauer, Mike Kreibel at Discount Mirrors Studio, . Engineered by Eric Bauer, Mike Kreibel, Liza Boldyreva. Mastered by JJ Golden. Artwork by Wes Greaves.

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