Isaiah Washington
Isaiah Washington IV (born August 3, 1963) is an American actor recognized primarily for his portrayal of Dr. Preston Burke, a cardiothoracic surgeon, on the ABC medical drama Grey's Anatomy from 2005 to 2007.[1] His tenure on the series ended abruptly when he was fired following a backstage physical altercation with co-star Patrick Dempsey during which Washington used a homophobic slur in reference to co-star T.R. Knight.[2] [3] Washington, who grew up in Houston, Texas, began his acting career in theater before transitioning to film, appearing in over 30 projects including several directed by Spike Lee such as Crooklyn (1994), Clockers (1995), Girl 6 (1996), and Get on the Bus (1996).[4] [5] Other notable film roles include performances in Out of Sight (1998), Romeo Must Die (2000), and Blue Caprice (2013), showcasing his range in dramatic and action genres.[6] Despite the controversy that halted his mainstream television prominence, Washington received a Satellite Award nomination for his work on Grey's Anatomy and continued acting in independent films and television series such as The 100 (2014–2016) and P-Valley (2022).[7]Early life
Family background and childhood
Isaiah Washington was born on August 3, 1963, in Houston, Texas.[8] He was the fourth in his family lineage to bear the name Isaiah Washington.[9] Washington's parents divorced during his early childhood, with his biological father exhibiting abusive behavior toward his mother.[9] His mother, Faye McKee, raised him primarily as a single parent after the separation, working initially as a domestic cleaner before becoming the first African-American woman licensed as a barber in Texas in 1971.[10] McKee later remarried.[9] Washington had at least one sibling, a sister named Savannah Delores Jones.[8] He has described his father as violent and largely absent, an experience that fueled personal resentment but also motivated his drive to succeed and distinguish himself.[10] The family resided in Houston's Studewood area during his early years.[8] At age 13, around 1976, Washington learned via a Channel 13 TV news report that his father had been murdered in the Acres Homes neighborhood by the father's common-law wife.[9][8] This event prompted him to vow to make his own name famous, initially aspiring to professional football.[8] Following the father's death, McKee relocated the family to Missouri City, Texas.[8] McKee died in 2001 from sarcoidosis.[8]Education and early aspirations
Washington graduated from Willowridge High School in Missouri City, Texas, as one of its inaugural classes in 1981.[11][12] Following high school, he enlisted in the United States Air Force, where he later described the experience as challenging yet formative, providing lessons in discipline amid personal hardships.[10] After his military service, Washington attended Howard University in Washington, D.C., to study theater.[13] During this period, he performed in Ntozake Shange's play Spell #7, an early exposure to professional theater that aligned with his growing interest in acting as a vehicle for activism and storytelling.[14] Washington's early aspirations centered on a stage career, prompting his relocation to New York City upon leaving Howard to seek roles in theater.[15] He viewed acting not merely as performance but as a means to address real-world issues, influenced by figures like Ossie Davis and a commitment to narratives beyond stereotypical roles.[14][16]Acting career
Early roles in theater, film, and television
Washington began his acting career in theater during his time at Howard University, where he appeared in Ntozake Shange's Spell #7. After graduating in 1983 with a degree in communications and performing arts, he relocated to New York City and took on roles in several off-Broadway and regional productions, including Police Boys, Distant Fires, Generations of the Dead (in which he played Reed), Song of the Sad Young Man, August Wilson's Fences, and Lorraine Hansberry's A Raisin in the Sun.[17][18][15] He also contributed to the creation of the CityKids Repertory Company in New York, focusing on youth-oriented theater.[17] Transitioning to screen work in the mid-1990s, Washington made his film debut in Spike Lee's Crooklyn (1994), portraying a neighbor in the family drama set in Brooklyn.[17][19] He continued collaborating with Lee on Clockers (1995), playing Strike's ailing friend; Girl 6 (1996), as the Operator; and Get on the Bus (1996), depicting a character on the Million Man March journey.[6][19] These roles established him in independent and ensemble films, often portraying complex urban figures. Additional early films included Strictly Business (1991), Stonewall (1995), Dead Presidents (1995), Love Jones (1997), Out of Sight (1998), Bulworth (1998), True Crime (1999), Romeo Must Die (2000), and Exit Wounds (2001).[20][17] In television, Washington secured guest spots and recurring roles in the 1990s, starting with small parts in soap operas such as As the World Turns.[18] He appeared in episodes of crime dramas including NYPD Blue, Homicide: Life on the Street, Law & Order, and New York Undercover, as well as Ally McBeal and Soul Food.[17] Notable telefilms included Soul of the Game (1996), portraying a baseball scout; Mr. & Mrs. Loving (1996); and Always Outnumbered (1998), based on Walter Mosley's stories.[17] He also had a recurring role as Rulon Douglas in the ABC series High Incident (1996–1997).[18] These early television appearances honed his versatility in supporting characters amid procedural and dramatic formats.[21]Grey's Anatomy: Role and rise to prominence
Isaiah Washington portrayed Dr. Preston Burke, a highly skilled cardiothoracic surgeon and attending physician at Seattle Grace Hospital, in the ABC medical drama Grey's Anatomy, beginning with its pilot episode that aired on March 27, 2005.[22] Burke's character was established as a brilliant but demanding mentor figure, particularly in his professional and romantic relationship with surgical resident Dr. Cristina Yang, played by Sandra Oh, which became a central storyline driving much of the series' early emotional and dramatic tension.[1] Washington's performance emphasized Burke's precision, authority, and occasional arrogance, aligning with the show's depiction of high-stakes medical environments without reducing the role to racial stereotypes.[23] The role represented Washington's breakthrough to widespread recognition after a series of supporting film appearances, transforming him into a lead television actor as Grey's Anatomy quickly ascended to cultural prominence, averaging over 16 million viewers per episode in its first season. His depiction of Burke earned critical and audience acclaim for adding depth to the ensemble, contributing to the character's involvement in pivotal arcs such as complex surgeries and interpersonal conflicts that underscored themes of ambition and vulnerability. Washington's rising profile was further evidenced by two consecutive NAACP Image Awards for Outstanding Actor in a Drama Series in 2006 and 2007, highlighting the portrayal's impact within African American media representation.[5] Additionally, the cast, including Washington, received a Screen Actors Guild Award nomination for Outstanding Performance by an Ensemble in a Drama Series in 2006. Through seasons one to three (2005–2007), Washington's tenure as Burke solidified his status as a key draw for the series, with the character's surgical expertise and relational dynamics propelling narrative momentum and elevating Washington's visibility in Hollywood.[1] This period marked a shift from his prior character-driven film work to sustained television stardom, as Grey's Anatomy's success—fueled by its innovative format and character development—propelled Burke into a symbol of professional excellence amid personal turmoil.On-set controversies and dismissal from Grey's Anatomy
In October 2006, prior to a Grey's Anatomy 100th episode cast party, Isaiah Washington engaged in a heated physical altercation with co-star Patrick Dempsey on the show's Seattle set, during which Washington reportedly used the homophobic slur "faggot" while referencing another cast member.[2][3] The incident stemmed from escalating tensions, with Washington later claiming in interviews that he was defending himself against Dempsey's aggressive behavior and denying that the slur was directed at T.R. Knight, who portrayed George O'Malley and was present nearby.[24][25] Knight, who had not publicly identified as gay at the time, subsequently came out as homosexual in a January 2007 People magazine interview, stating that the slur and surrounding rumors had deeply affected him and contributed to a hostile work environment.[26] Washington issued multiple public apologies for employing the slur, underwent mandatory sensitivity training ordered by ABC, and attended counseling, while maintaining that media portrayals exaggerated the event and that he was not homophobic.[25][27] However, controversy reignited at the January 14, 2007, Golden Globes ceremony when Washington, in response to reporters' questions, stated, "I'm going to live and talk about that experience [the sensitivity training] and who's still there and still calling me a faggot everyday," which some interpreted as repeating the offensive term unnecessarily.[27][28] Washington clarified that he was quoting ongoing set harassment he allegedly faced, not targeting Knight, and expressed feeling scapegoated as the sole disciplinarian amid broader cast conflicts.[24] ABC executives placed Washington on indefinite leave in January 2007 following the Golden Globes remarks and Knight's public statements, citing the need to maintain a professional set environment.[29] On June 7, 2007, the network announced Washington's dismissal, confirming he would not reprise his role as Dr. Preston Burke in the fourth season, with the character's exit storyline involving abandoning his fiancée Cristina Yang at the altar.[2][28] Show creator Shonda Rhimes later described the scandals as traumatizing the cast, nearly derailing production, though Washington has contended that his firing reflected selective accountability, pointing to unaddressed behaviors by other actors and a pattern of him being unfairly singled out.[3][24] The episode highlighted tensions over workplace conduct standards in Hollywood, with GLAAD and other advocacy groups praising ABC's decision while Washington's supporters argued it exemplified rushed corporate damage control over nuanced interpersonal disputes.[30]Independent projects and career resurgence attempts (2007–2014)
Following his dismissal from Grey's Anatomy in June 2007, Washington quickly secured a recurring guest role as the enigmatic Antonio Pope in NBC's Bionic Woman, appearing in five episodes beginning with the second episode aired on October 4, 2007.[31] The casting was announced on July 16, 2007, with NBC co-chairman Ben Silverman expressing enthusiasm for collaborating with Washington despite the recent controversy. However, the series was canceled after its first season in December 2007, limiting the impact on his visibility.[32] Subsequent mainstream opportunities proved scarce, prompting Washington to pursue roles in independent films and lower-budget productions. In 2008, he appeared in a supporting capacity as an FBI agent in the drama Seven Pounds, directed by Gabriele Muccino. He followed with Hurricane Season (2009), portraying high school basketball coach Al Collins in a film inspired by real events surrounding Hurricane Katrina. That year also saw him star as the lead in the faith-based drama Pastor Brown, playing a pastor confronting personal and community challenges in inner-city Detroit.[33] Washington continued with independent projects, including The Least Among You (2011), where he depicted a seminary instructor mentoring an ex-convict, emphasizing themes of redemption and racial reconciliation. His performance in Blue Caprice (2013), as real-life DC sniper John Allen Muhammad, garnered attention at film festivals, signaling a partial resurgence after a period focused on humanitarian work in Sierra Leone.[34] These roles, often in niche or straight-to-video releases, reflected efforts to rebuild through character-driven indie cinema amid industry reluctance tied to prior on-set incidents. Sporadic television guest appearances, such as in FlashForward (2009) and Hawthorne (2011), supplemented his film work but did not lead to series regulars.[33]Later career developments (2014–present)
Washington portrayed the recurring role of Chancellor Thelonious Jaha in The 100, a post-apocalyptic science fiction series that premiered on The CW on March 19, 2014, and concluded on May 24, 2020, with his involvement spanning seasons 1 through 5 until 2018.[35] [36] The character, a pragmatic leader from a space station colony, navigated moral dilemmas in resource-scarce survival scenarios, appearing in 47 episodes.[1] Concurrent with and following The 100, Washington took on supporting roles in independent films, including Grant Summit in the thriller The Sin Seer (2015), Rockstock in the zombie action film Dead Trigger (2017), and civil rights figure E.D. Nixon in the historical drama Behind the Movement (2018), for which he also served as executive producer.[37] [38] He appeared as The Saint in Cut Throat City (2020), a crime drama set in post-Hurricane Katrina New Orleans, and had a guest role in season 2 of the Starz series P-Valley (2022).[39] [40] In 2020, Washington launched Isaiah Washington: Kitchen Talk, a Fox Nation series blending travel, cooking, and interviews with public figures, where he hosted episodes filmed in various locations to discuss culture and personal stories alongside prepared meals.[41] [11] He made his directorial debut with the Western Corsicana (2022), in which he also acted, produced, and co-wrote the screenplay about a horse trader confronting outlaws in 19th-century Texas.[42] [6] Washington continued with roles in faith-oriented productions, including a part in God's Not Dead: We the People (2021) and a lead or supporting role in its sequel God's Not Dead: In God We Trust (2024), both critiquing government overreach on religious freedoms.[6] [40] Additional credits include WriterBoy's Dream (2022) and an upcoming appearance in James the Second (2025), a drama centered on a mother aiding her son with emotional processing challenges.[6] [1] These projects reflect a pivot toward lower-budget, genre-specific, and values-driven content outside mainstream studio systems.[33]Political views and activism
Shift away from the Democratic Party
Isaiah Washington first signaled a departure from traditional Democratic alignment in April 2019, tweeting appreciation for President Donald Trump's role in enacting the First Step Act—a federal law signed on December 21, 2018, that reduced mandatory minimum sentences for nonviolent drug offenses, expanded rehabilitation programs, and aimed to lower recidivism rates among former inmates—while faulting former President Barack Obama for neglecting similar reforms despite campaign pledges on criminal justice.[43][44] In that tweet and related statements, Washington highlighted the Obama administration's failure to acknowledge his philanthropic efforts in Africa and domestic civic work, fostering a sense of personal and communal neglect by the party.[45] This critique escalated in a September 4, 2019, Fox Nation interview, where Washington declared he had chosen to "walk away" from the Democratic Party, endorsing the #WalkAway campaign—a social media effort encouraging liberals to abandon the party over perceived ideological overreach and policy failures.[46][47] He attributed the shift to Democrats' inadequate support for black Americans, arguing the party prioritized rhetoric over substantive action on issues like economic opportunity and community safety.[48][45] Washington framed his stance as policy-driven rather than personality-based, stating he would back measures like the First Step Act regardless of the proponent, following his attendance at a White House event celebrating the bill's implementation.[46] He described the decision as a necessary sacrifice amid growing unease with party priorities, while observing that numerous Hollywood peers harbored similar reservations but remained silent due to career risks.[46] This public break aligned with broader patterns of black voters and figures questioning long-standing Democratic loyalty, though Washington's prior political expressions had leaned toward conventional liberal positions in Hollywood circles.[49]Support for conservative figures and movements
Washington publicly endorsed Donald Trump in September 2019, announcing on Fox Nation that he had left the Democratic Party due to its perceived failure to address black community needs, contrasting this with Trump's support for the First Step Act—a 2018 criminal justice reform law that retroactively applied reduced crack cocaine sentencing disparities, expanded rehabilitation programs, and incentivized prisoner reentry, resulting in over 3,000 federal sentence reductions by 2020.[45][47][43] He specifically praised Trump's role in the bill's passage while criticizing Barack Obama's administration for inadequate action on similar issues, such as prison reform and economic opportunities for African Americans.[43] As part of his political shift, Washington aligned with the #WalkAway movement, a campaign launched in 2018 by former Democrat Brandon Straka to highlight alleged Democratic hypocrisies and encourage defections toward conservative viewpoints, amassing over 1.5 million social media engagements by 2019.[50] In a 2020 interview, he described the career fallout from his Trump support, including limited Hollywood opportunities amid industry backlash against conservative-leaning celebrities.[51] Washington reiterated his stance in subsequent discussions, defending Trump's policies on economic growth and law enforcement reform as beneficial to minority communities despite mainstream media portrayals.[52]Commentary on race, media, and Hollywood
Washington has asserted that racial bias contributed to his 2007 termination from Grey's Anatomy, claiming in a June 2007 interview that his status as a black man denied him the second chances afforded to others, and that network executives exploited the controversy to sideline him.[53] He later accused ABC entertainment president Howard Davine of fabricating claims against him due to racial animus, stating in 2018 that this stemmed from Davine's discomfort with a successful black actor on the series.[54] These assertions contrast with contemporaneous reports attributing his exit primarily to repeated use of an anti-gay slur during on-set altercations, though Washington maintained the remarks were exaggerated and contextually provoked by production issues like co-star tardiness.[55] In subsequent years, Washington described Hollywood as enforcing a blacklist against him following the scandal, linking it to broader industry intolerance for dissenting views, particularly among conservatives. He elaborated in 2019 that conservative actors in Hollywood remain "terrified to come out of the closet" due to fear of professional repercussions, citing his own experience after publicly supporting Donald Trump and departing the Democratic Party.[56] Washington argued this environment punishes ideological nonconformity more harshly than interpersonal conflicts, positioning his ouster as emblematic of Hollywood's suppression of black conservatives who reject prevailing narratives.[46] On race relations, Washington has critiqued what he perceives as media and cultural emphasis on perpetual grievance among African Americans, advocating personal adaptation over institutional blame. In April 2015, he promoted "#Adapt" on social media amid discussions of racial profiling, urging black individuals to adjust behaviors in high-risk situations rather than solely decrying systemic issues, a stance that drew backlash for implying victim complicity.[57] He has also expressed preference for overt racists, recounting in May 2023 that Ku Klux Klan members he encountered as a youth served as "best teachers and neighbors" because their explicit prejudice allowed straightforward interactions, unlike concealed biases in modern institutions.[58] Washington tied this to media portrayals, suggesting outlets amplify division by favoring sensational victimhood narratives that hinder self-reliance, as evidenced by his 2016 call for a one-day nationwide boycott by African Americans to demonstrate economic leverage.[59] Washington's commentary often highlights perceived double standards in Hollywood and media coverage, where liberal-leaning sources, including outlets like The Hollywood Reporter and BET, have framed his firing as justified moral reckoning while he counters that such narratives overlook racial dynamics favoring non-black actors in similar disputes.[60] His shift toward conservative activism amplified these critiques, with claims that industry blacklisting extends to any black figure challenging progressive orthodoxies on race, though mainstream reporting frequently attributes his marginalization to the original slur incident rather than ideological retaliation.[61]Personal life
Marriages, relationships, and family
Washington married Jenisa Marie Garland on February 14, 1996.[4] The couple met at a dinner party in Los Angeles, where Washington has described the encounter as love at first sight.[62] They have remained married as of 2025, marking nearly 30 years of marriage.[63] Washington and Garland have three children: sons Isaiah Akin Washington (also referred to as Isaiah Washington V) and Tyme Washington, and daughter Iman Washington.[4][63] In a 2006 public appearance at Legoland, Washington was photographed with sons Akin, then aged 7, and Tyme, then aged 4.[64] Washington has credited his family with influencing his career choices, noting in 2022 that his children have no interest in pursuing acting despite his own profession.[63] No prior marriages or significant relationships for Washington are documented in public records or interviews.[65]Genealogical research and heritage discoveries
In 2004, Washington underwent genetic ancestry testing through African Ancestry, Inc., which analyzed his maternal lineage and identified origins in present-day Sierra Leone, specifically linking him to the Mende and Temne ethnic groups.[66][67] The results traced his matrilineal ancestry to West Africa, prompting him to describe the revelation as a transformative connection to his roots, influencing his subsequent advocacy for African diaspora heritage awareness.[68][69] This discovery led Washington to visit Sierra Leone for the first time in 2006, where he reported feeling an immediate cultural and facial resemblance to locals, reinforcing his sense of belonging.[70] In 2009, he obtained citizenship there, becoming a dual U.S.-Sierra Leonean national and establishing residency ties to the country.[70] Washington later chronicled the experience in his 2011 memoir A Man from Another Land: How Finding My Roots Changed My Life, detailing how the DNA findings shifted his personal identity and spurred investments in Sierra Leonean development projects.[71] No public records detail extensive traditional genealogical research, such as archival document tracing or paternal lineage mapping, beyond the DNA analysis; Washington's focus remained on the matrilineal African origins and their implications for broader African-American reconnection to the continent.[68][72]Filmography and accolades
Selected film roles
Washington's early film breakthrough came with supporting roles in Spike Lee-directed projects, including Clinton in Crooklyn (1994) and Victor Dunham, the brother of the protagonist who confesses to a murder, in Clockers (1995).[73] He continued with Eddie in Get on the Bus (1996), a drama about the Million Man March.[74] In the late 1990s, Washington appeared as Savon in the romantic drama Love Jones (1997) and as Kenneth, a criminal associate, in Steven Soderbergh's Out of Sight (1998).[6][75] His role as L-Dawg in Warren Beatty's satirical Bulworth (1998) highlighted his versatility in ensemble casts addressing social issues.[74] Washington gained wider recognition in action films during the early 2000s, portraying Silky Simon in Romeo Must Die (2000), a martial arts adaptation of Shakespeare's Romeo and Juliet, and as Lewis Strutt in Exit Wounds (2001).[76][77] He played Greer, a salvage crew member, in the horror film Ghost Ship (2002), and Antoine Sartain in the buddy-cop comedy Hollywood Homicide (2003).[78][79] Later roles include Jeff in the independent drama Blue Caprice (2013), which depicted events leading to the Beltway sniper attacks and premiered at the Toronto International Film Festival.[80] In recent years, he starred as Beau in the Western Corsicana (2022) and Rev. Hugh Waters in God's Not Dead: In God We Trust (2024).[6]Selected television roles
Washington first gained significant television exposure as Lane Staley, an eyewitness in a police brutality investigation, in the 1994 episode "Black and Blue" of NBC's Homicide: Life on the Street.[81] This guest appearance highlighted his early dramatic range in a critically acclaimed procedural series focused on Baltimore detectives.[82] His most prominent television role came as Dr. Preston Burke, a skilled cardiothoracic surgeon and mentor figure, on ABC's Grey's Anatomy from its 2005 premiere through 2007.[36] Washington appeared in 62 episodes across seasons 1–3, portraying Burke as a confident, high-achieving professional whose storyline involved romantic entanglements and professional rivalries at Seattle Grace Hospital.[1] He briefly reprised the character in a season 10 guest spot in 2014, interacting with former colleague Cristina Yang.[83] From 2014 to 2018, Washington starred as Chancellor Thelonious Jaha on The CW's dystopian sci-fi series The 100, serving as a main cast member for the first four seasons.[35] Jaha, a former leader of a space station colony, navigated moral dilemmas in a post-apocalyptic Earth setting, evolving from authoritative figure to a more ideological antagonist.[36] His departure as a series regular occurred ahead of season 5.[84] Washington has also made guest appearances in other series, including as NYPD Emergency Services Unit Chief Travis Jackson in the 2017 Blue Bloods episode "A Deep Blue Goodbye," drawing on his military background for the authoritative law enforcement role.[85]Awards and nominations
Washington received two NAACP Image Awards for Outstanding Actor in a Drama Series for his portrayal of Dr. Preston Burke in Grey's Anatomy, winning in 2006 and 2007.[5][86] The 2007 win occurred amid public controversy over his off-set remarks, yet the award recognized his on-screen performance.[86][87] He earned a nomination for the NAACP Image Award for Outstanding Actor in a Television Movie, Mini-Series or Dramatic Special for his role in the 2000 television film George Washington.[5] For his lead performance as John Allen Muhammad in the 2013 film Blue Caprice, Washington received a Black Reel Award nomination for Outstanding Actor, Motion Picture in 2014.[7] As part of the Grey's Anatomy ensemble, he shared in a 2006 Gold Derby TV Award for Ensemble of the Year and a Screen Actors Guild Award nomination for Outstanding Performance by an Ensemble in a Drama Series.[5][88]| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 2002 | NAACP Image Award | Outstanding Actor in a Television Movie, Mini-Series or Dramatic Special | George Washington | Nominated[5] |
| 2006 | NAACP Image Award | Outstanding Actor in a Drama Series | Grey's Anatomy | Won[5] |
| 2006 | Gold Derby TV Award | Ensemble of the Year | Grey's Anatomy | Won (ensemble)[5] |
| 2006 | Screen Actors Guild Award | Outstanding Performance by an Ensemble in a Drama Series | Grey's Anatomy | Nominated (ensemble)[88] |
| 2007 | NAACP Image Award | Outstanding Actor in a Drama Series | Grey's Anatomy | Won[86] |
| 2014 | Black Reel Award | Outstanding Actor, Motion Picture | Blue Caprice | Nominated[7] |