JO1
JO1 is an 11-member Japanese boy band formed through the reality audition program Produce 101 Japan in 2019, with members selected by public vote from 101 trainees to represent the "national producers."[1] The group, managed by Lapone Entertainment, debuted on March 4, 2020, with their first single "Protostar," marking the start of their rapid rise in the J-pop scene.[2] Composed of Yonashiro Sho (leader), Kawashiri Ren, Shiroiwa Ruki, Kono Junki, Sato Keigo, Kawanishi Takumi, Kimata Syoya, Ohira Shosei, Kinjo Sukai, Tsurubo Shion, and Mamehara Issei, JO1's name symbolizes the unity of its members as the first ("01") group from Japan ("J") aiming for global success.[1][3] Since their debut, JO1 has achieved significant commercial success, including multiple number-one singles on the Oricon charts and recognition as a leading act in Japanese idol music.[4] Their discography features ten singles as of October 2025, with the latest, "Handz In My Pocket," released on October 22, continuing their streak of chart-topping releases.[1] The group has expanded internationally, embarking on their first U.S. tour in 2025 to celebrate their fifth anniversary and attending major events like the iHeartRadio Music Awards, where they became the first Japanese artist to appear on the red carpet.[5] JO1's music blends pop, hip-hop, and dance elements, appealing to a diverse fanbase known as JAM, while their formation story highlights themes of perseverance and collective dreaming.[2]Identity
Name
JO1's name originates from the first season of the audition program Produce 101 Japan, where it was selected by Lapone Entertainment from public recommendations submitted by viewers, known as "national producers," through the show's official website. These suggestions allowed fans to contribute ideas for the group's identity following the selection of the 11 finalists via online voting. The name was officially announced during the program's live finale on December 11, 2019.[6][7] The etymology of "JO1" conveys that the 11 trainees, having pursued their dreams together in Produce 101 Japan, will unite as one and aim for the pinnacle of global success. The "J" represents Japan, the group's home country, while "01" denotes the inaugural year of the Reiwa era (2019), marking the time of their formation. This interpretation aligns with the survival show's format, emphasizing unity and ambition among the top contestants.[6][7] Officially romanized as JO1, the name is pronounced in Japanese as jeiōwan (ジェイオーワン), blending English letters with a phonetic reading. In international contexts, it is often vocalized as "Jay-oh-one" for accessibility.[6]Fandom and branding
JO1's official fandom is named JAM, pronounced "jam," and was announced by the members on January 10, 2020. The name derives from "JO1 And Me," signifying the bond and unity between the group and their supporters, much like a collaborative jam session in music.[8][9] The group's visual identity centers on the official JO1 logo, a stylized emblem incorporating the letters "JO1" with geometric elements that evoke the unity of the 11 members coming together as one, aligning with the name's meaning of trainees uniting to reach global heights.[6] While JO1 does not have designated official group colors, their branding frequently employs a monochromatic palette of black, white, and accents of red or dark blue in logos, merchandise, and promotional materials to convey a sleek, modern aesthetic.[8][10] In terms of fan engagement tools, JO1 introduced their first official lightstick in October 2020, featuring a penlight design with Bluetooth connectivity for synchronized concert effects via a dedicated app. This was updated to the JO1 OFFICIAL LIGHT STICK Ver.2 in July 2023, enhancing functionality with improved lighting modes and including collectible photo cards of the members.[11][12] For mascot elements, JO1 collaborated with Sanrio in 2022 through the "JO1×サンリオ新キャラ開発プロジェクト" to create the JOCHUM (ジェオチャム) series, featuring 11 original animated characters—each designed by one of the group's members—to add playful, approachable dimensions to their image. These characters live together in a shared house called JOCHUM's HOUSE, each pursuing individual dreams. The official fandom name for JOCHUM is CHUMILY, derived from "CHUM" (referring to friends or roommates in JOCHUM) and "FAMILY," symbolizing a familial bond between the characters and fans. A second season of the JOCHUM TV anime aired in October 2025.[13][14][15] Branding has evolved from the debut era's focus on raw unity and audition origins in late 2019, emphasizing simple, bold visuals in early promotions like their single "Infinity." By 2020, the introduction of the JAM name and lightstick solidified fan-centric identity. Subsequent years saw refinements through album-specific themes—such as the cosmic motifs in 2023's EQUINOX—and expanded merchandise, culminating in 2025 with anniversary celebrations incorporating JOCHUM for broader, character-driven appeal while maintaining core symbols of cohesion.[6][16]History
2019: Formation through Produce 101 Japan
Produce 101 Japan, the first season of the Japanese adaptation of the South Korean survival audition program, was a reality television series co-produced by Yoshimoto Kogyo and CJ ENM to form an 11-member boy group through public participation.[17] The show featured 101 male trainees aged 16 to 26 who underwent intensive training in vocals, dance, and performance skills, competing in various challenges evaluated by a combination of expert judges and nationwide fan voting via a dedicated mobile app.[17] Aired primarily on TBS and the streaming platform GyaO! from September 25, 2019, to December 11, 2019, every Thursday at 9:00 p.m. JST, the program emphasized the "producer" concept where viewers directly influenced eliminations and rankings.[18] The audition process began with open nationwide recruitment announced on April 11, 2019, attracting thousands of applicants who submitted video profiles and attended preliminary screenings from April to May 2019.[17] Selected trainees entered a rigorous pre-show training camp, often including sessions in South Korea under CJ ENM's guidance, to prepare for the on-air competitions. Key events unfolded across 12 episodes, starting with introductory performances and initial evaluations that reduced the pool to around 50 contestants after the first elimination round based on live voting. Subsequent weeks featured themed missions, such as position evaluations (vocal, rap, dance), group formation challenges where trainees collaborated on original songs, and concept evaluations with genre-specific performances like hip-hop and ballad tracks.[18] Eliminations occurred weekly, with rankings revealed in reverse order during tense live broadcasts, progressively narrowing the field through cumulative fan votes that accounted for 100% of the final decisions.[17] The program's climax was the finale on December 11, 2019, a live special episode at a Tokyo studio where the top 11 trainees were announced in order of popularity to form the permanent boy group.[19] This formation marked the culmination of the survival process, with the selected members immediately entering group training under professional guidance to refine their ensemble dynamics. Lapone Entertainment, established on May 29, 2019, as a joint venture between Yoshimoto Kogyo and CJ ENM specifically to manage the resulting group and oversee related productions, took charge of the 11 members' activities from the announcement onward.[20] The agency's name derives from a blend of its parent companies, reflecting its role in bridging Japanese entertainment traditions with K-pop-style idol development.[20]2020: Debut and The Star
JO1 officially debuted on March 4, 2020, with the release of their debut single EP Protostar, led by the track "Infinity". The EP debuted at number one on the Oricon Weekly Singles Chart, selling 327,187 copies in its first week and earning a Platinum certification from the Recording Industry Association of Japan.[21][22] It also topped the Billboard Japan Hot 100, marking the group's immediate commercial success following their formation on the survival show Produce 101 Japan.[22] The onset of the COVID-19 pandemic shortly after their debut limited in-person promotions, leading JO1 to pivot to digital and virtual engagements for their early media appearances. In June 2020, the group participated in the online KCON:TACT 2020 Summer event, conducting a meet-and-greet session that introduced them to international audiences as the first Japanese boy band to feature in the virtual festival.[23] They also held online fan interactions and released pre-recorded performances for television programs, adapting to restrictions while building fan engagement through platforms like their official fan club.[24] On November 25, 2020, JO1 released their debut studio album The Star, compiling tracks from their prior singles alongside five new songs, including the title track "Shine a Light," an upbeat anthem emphasizing perseverance, and "Starlight," a high-energy dance number showcasing their synchronized choreography. Other highlights included "Safety Zone," a mid-tempo R&B-infused track exploring emotional vulnerability, and "OH-EH-OH," which incorporated playful rap verses.[25][26] The album debuted at number two on both the Oricon Weekly Albums Chart and Billboard Japan Hot Albums, with first-week sales of 166,188 copies. Amid ongoing COVID-19 challenges, promotions emphasized virtual formats, such as an online showcase event and highlight medley teasers released in October.[27][28] The group capped the year with their first live stream concert, Starlight, on December 19, 2020, performing album tracks to over 120,000 viewers from more than 30 countries.[29][24]2021–2022: Open the Door, Kizuna, and first arena tour
In late 2021, following the success of their debut album The Star and amid Japan's easing of COVID-19 restrictions, JO1 held their first in-person concert series, "2021 JO1 LIVE 'OPEN THE DOOR'".[30] The event took place over three days from November 19 to 21 at Makuhari Messe in Chiba, Japan, comprising five performances that drew a total attendance of 45,000 fans. Originally planned as a nationwide tour, it was scaled back due to pandemic concerns but marked a significant milestone as the group's inaugural audience-facing live show, featuring a setlist of 19 songs including tracks from their singles up to that point, such as "Born to Be Wild" and previews of their upcoming release "Wandering".[31] The concert emphasized themes of opening new doors in their career, symbolizing progression from virtual performances to direct fan interaction, and was later released on Blu-ray and DVD in March 2022, capturing the final show's energy.[32] Building on this momentum, JO1 released their second studio album, Kizuna, on May 25, 2022, via Lapone Entertainment.[33] The album's title, meaning "bonds" or "ties" in Japanese, explored themes of personal and collective growth, resilience, and the strengthening connections between the members and their fans amid evolving challenges in the industry.[34] It included 15 tracks across standard editions, blending J-pop with electronic and hip-hop elements, highlighted by the lead single "With Us," which served as an uplifting anthem about unity and forward movement.[35] Other notable songs like "ZERO" and "Move the Soul" (the opening theme for the anime High Guardian Spice) further underscored motifs of self-discovery and perseverance. Kizuna debuted at number one on both the Oricon Weekly Albums Chart and Billboard Japan Hot Albums, selling 300,410 physical copies in its first week and earning a Platinum certification from the RIAJ.[33] To promote Kizuna, JO1 embarked on their first arena tour, "2022 JO1 1ST ARENA LIVE TOUR 'KIZUNA'", spanning September 3 to October 23, 2022, across five cities in Japan.[36] The 13 sold-out shows attracted 110,000 attendees, showcasing the group's rising popularity and high production values with elaborate staging and choreography.[37] Key venues included Aichi Sky Expo in Aichi (September 3–4), Osaka Castle Hall in Osaka (September 10–11), K Arena Yokohama in Kanagawa (September 17–19), Marine Messe Fukuoka in Fukuoka (September 21–22), and Ariake Arena in Tokyo for additional dates (October 22–23). The tour's setlist centered on Kizuna tracks like "With Us" and "Touch!", interspersed with earlier hits, emphasizing the album's bond-themed narrative through interactive fan segments and dynamic performances that highlighted the members' synchronized stage presence. A live recording of the Tokyo finale was released on Blu-ray and DVD in March 2023, further extending the tour's reach.[38]2022–2023: Debut on Kōhaku Uta Gassen, Equinox, and first Asian tour
In December 2022, JO1 made their debut appearance on NHK's annual New Year's Eve television special, Kōhaku Uta Gassen, performing their song "Infinity" as part of the white team (male artists).[39][40] This milestone marked a significant step in the group's mainstream recognition, as the event—broadcast live to an audience of approximately 35.3% household viewership rating in the Kanto region for its second half—is one of Japan's most-watched programs and a cultural tradition dating back to 1951 that highlights top musical talent.[41] The performance underscored JO1's rising prominence in J-pop, following their domestic arena tour earlier that year. On September 20, 2023, JO1 released their third studio album, Equinox, which explored themes of balance between light and darkness, reflecting the astronomical concept of the equinox as a moment of equilibrium.[42] The album featured 16 tracks, including lead singles "Venus" and "RadioVision," blending J-pop with electronic and hip-hop elements to showcase the group's evolving sound. Equinox debuted at number one on the Oricon Weekly Album Chart and the Billboard Japan Hot Albums chart, selling over 231,000 copies in its first week and establishing it as a commercial success that solidified JO1's domestic popularity.[43] Building on the album's momentum, JO1 embarked on their first Asian tour, titled 2023 JO1 1ST ASIA TOUR 'BEYOND THE DARK' LIMITED EDITION, from November to December 2023. The tour visited five countries—Indonesia, Thailand, Taiwan, China, and the Philippines—with performances in Jakarta on November 1, Bangkok on November 4, Taipei on November 11, Shanghai on December 8, and Manila on December 10.[44][45] This regional expansion highlighted JO1's growing international appeal, drawing thousands of fans and marking their initial foray beyond Japan ahead of larger global endeavors.2024–2025: First best album, world tour, and fifth anniversary
In October 2024, JO1 released their ninth single, "WHERE DO WE GO," marking a continuation of their momentum with a track that debuted at number one on the Oricon Singles Chart and achieved double platinum certification from the Recording Industry Association of Japan (RIAJ) for over 500,000 shipments.[46][47] The single featured dynamic production blending electronic and pop elements, produced by members alongside external collaborators, and was promoted through a premium showcase event that highlighted fan interaction.[48] Building on this success, the group announced their tenth single, "Handz In My Pocket," released on October 22, 2025, which explored themes of introspection and resilience through its upbeat rhythm and multilingual lyrics, including English versions to appeal to international audiences.[49] The release was accompanied by an official music video and performance video, emphasizing the group's signature synchronized choreography, and it quickly topped digital charts in Japan while garnering significant streaming views globally.[50] JO1's first best-of album, BE CLASSIC, arrived on April 2, 2025, compiling 20 tracks from their debut through recent singles, selected via a fan-voting process integrated with member input to represent their evolution from survival show origins to global aspirations.[51] The album included a new title track, "Be Classic," recorded in Japanese, Korean, and English, and debuted at number one on the Billboard Japan Hot Albums chart, underscoring the group's commercial dominance.[5] To celebrate, JO1 performed at Tokyo Dome on April 19–20, 2025, as the finale of their world tour, drawing a massive crowd that highlighted their arena-filling prowess in Japan.[52] The JO1DER SHOW 2025 'WHEREVER WE ARE' world tour, launched in February 2025, marked JO1's first global outing, spanning Asia and North America with stops in cities like Los Angeles, New York, and Seoul from February 15 to March 30, before culminating in Japan.[53] The tour showcased high-energy sets blending hits like "Infinity" and newer material from BE CLASSIC, with sold-out venues reflecting growing international demand, including U.S. dates that sold out within hours of announcement.[54] Special merchandise, such as the JO1 Charity Band designed by leader Shosei Ohira, was introduced to support philanthropic causes during the performances.[55] Commemorating their fifth anniversary since debut, JO1 hosted their first outdoor solo concert, JO1 5th AnniversaryMembers
Current members
JO1 consists of eleven members selected as the final lineup from the audition program Produce 101 Japan in 2019.[6] The members are Mamehara Issei, Yonashiro Sho, Kawashiri Ren, Shiroiwa Ruki, Kono Junki, Sato Keigo, Kawanishi Takumi, Kimata Syoya, Ohira Shosei, Kinjo Sukai, and Tsurubo Shion, each contributing unique skills in vocals, dance, and rap.[8] These individuals hail from various regions across Japan, bringing diverse backgrounds that influence the group's dynamic performances and subunit formations, such as vocal and dance lines used in live shows and recordings.[8] As of November 2025, Ohira Shosei and Tsurubo Shion are on indefinite hiatuses. Mamehara IsseiMamehara Issei (豆原一成), born May 30, 2002, in Maniwa, Okayama Prefecture, is a main vocalist known for his clear and emotive singing style. Before joining JO1, he was a high school student.[8] Yonashiro Sho
Yonashiro Sho (與那城奨), born October 25, 1995, in Naha, Okinawa Prefecture, serves as the group's leader and a supporting vocalist with a focus on dance. Pre-debut, he was a university student at Okinawa International University, balancing studies with part-time work and an interest in performing arts.[8] Kawashiri Ren
Kawashiri Ren (川尻蓮), born March 2, 1997, in Fukuoka, Fukuoka Prefecture, acts as the performance leader and main dancer, renowned for his sharp choreography execution. Prior to debut, he trained as a backup dancer at EXPG (EXILE Professional Gym) studios, gaining experience in professional dance crews.[8] Shiroiwa Ruki
Shiroiwa Ruki (白岩瑠姫), born November 19, 1997, in Koto, Tokyo, is a lead vocalist and often regarded as the visual center due to his modeling background. Before JO1, he worked as an exclusive model for the magazine Men's Non-no from 2016 to 2019, appearing in fashion editorials and campaigns.[8] Kono Junki
Kono Junki (河野純喜), born January 20, 1998, in Nara, Nara Prefecture, holds the role of vocal leader and lead vocalist, emphasizing harmonious group vocals. His pre-debut career included acting, with roles in television dramas and films starting from 2015, including a part in the series Kamen Rider Drive.[8] Sato Keigo
Sato Keigo (佐藤景瑚), born July 29, 1998, in Nagoya, Aichi Prefecture, is the main rapper, delivering energetic and rhythmic flows. Prior to debuting, he was a high school student who graduated from EXPG in Nagoya.[8] Kawanishi Takumi
Kawanishi Takumi (川西拓実), born June 23, 1999, in Kobe, Hyōgo Prefecture, is a main dancer and sub-vocalist, contributing to the group's intricate stage routines. Before JO1, he attended a specialized dance school in Osaka, honing his skills through local performances and classes.[8] Kimata Syoya
Kimata Syoya (木全翔也), born April 5, 2000, in Nagoya, Aichi Prefecture, serves as a lead dancer and sub-rapper, blending fluid movements with lyrical support. His pre-debut experience involved participating in Tokyo's underground dance scene and freestyle sessions.[8] Ohira Shosei (on indefinite hiatus since October 2025)
Ohira Shosei (大平祥生), born April 13, 2000, in Kyoto, Kyoto Prefecture, is a lead vocalist with a soft, versatile tone. Prior to joining the group, he trained as a background dancer at EXPG Kyoto Dance School.[8] Kinjo Sukai
Kinjo Sukai (金城碧海), born May 6, 2000, in Osaka, Osaka Prefecture, functions as a rapper and visual member, adding charisma to rap verses. Before debut, he modeled for the fashion magazine Popteen, featuring in youth-oriented spreads.[8] Tsurubo Shion (on indefinite hiatus since June 2025)
Tsurubo Shion (鶴房汐恩), born December 11, 2000, in Shiga Prefecture (raised in Kobe, Hyōgo Prefecture), is a main vocalist celebrated for his powerful high notes. Before JO1, he was a high school student.[8]
Timeline
JO1 has experienced several temporary hiatuses among its members due to health and personal conduct issues, but no permanent departures have occurred as of November 2025. The group has continued its activities with the remaining members during these periods, often performing as a 10-member unit to maintain schedules.[59] In October 2021, Kinjo Sukai announced a hiatus to receive treatment for adjustment disorder, suspending his participation in group activities from October 10.[60][61] This led to JO1 proceeding with promotions for their single "Prologue" and other events without him, adjusting formations accordingly. Kinjo resumed activities on February 14, 2022, rejoining the full 11-member lineup for subsequent releases like "Dreamer."[62][59] Tsurubo Shion faced two suspensions in 2025 related to illegal online gambling. He was first suspended from May 31 to June 9 for initial reports of the activity, during which the group carried on with its Asia tour preparations as 10 members.[63] Following further investigation and public backlash, Tsurubo entered an indefinite hiatus on June 20, impacting summer promotions and leading to 10-member performances for events like their best-of album release.[64] In August 2025, a Tokyo District Court fined him ¥100,000 after he admitted to the charges, but he remained on hiatus with no announced return date as of November.[65][66] On October 15, 2025, Ohira Shosei suspended all activities indefinitely after reports of violating agency regulations through an inappropriate relationship with another idol, while already in a personal relationship.[67][68] This occurred amid the group's world tour, resulting in continued 10-member (or fewer) stage appearances for remaining dates into late 2025, with his hiatus extending through at least January 2026 per agency statements.[69]Artistry
Musical style
JO1's music is primarily classified as J-pop, characterized by its catchy melodies, polished production, and youth-oriented themes, while incorporating significant elements of EDM, hip-hop, and R&B to create a versatile and energetic sound. Their debut single PROTOTSTAR (2020) established this foundation with tracks like "Infinity," which merges hip-hop rap sections, EDM synth drops, and house-inspired beats to convey themes of aspiration and unity. Similarly, their first studio album The Star (2020) expands on this blend, integrating R&B-infused vocal lines and hip-hop grooves in songs such as "OH-EH-OH," resulting in an upbeat, danceable aesthetic that reflects the group's formation through a competitive survival show. This genre fusion allows JO1 to appeal to both domestic J-pop fans and international listeners familiar with K-pop's hybrid styles. Over time, JO1's sound has evolved from the high-energy, youthful exuberance of their early work to more mature and experimental expressions, particularly in later releases like the album Equinox (2023), the best-of compilation Be Classic (2025), and their tenth single Handz In My Pocket (October 22, 2025). Equinox introduces rock influences alongside traditional J-pop structures, exploring themes of growth and internal conflict through layered instrumentation and introspective lyrics, marking a shift toward emotional depth while retaining EDM and hip-hop undercurrents. The title track of Be Classic further innovates by sampling Beethoven's Fifth Symphony, combining classical motifs with contemporary J-pop and R&B harmonies to symbolize the group's five-year journey and artistic refinement. Handz In My Pocket continues this progression with playful hip-hop rhythms and pop hooks, emphasizing themes of casual confidence and group synergy. This progression demonstrates JO1's willingness to mature their song structures, moving from simple verse-chorus formats to more narrative-driven compositions that balance accessibility with sophistication.[70][71] Production for JO1 involves collaborations with international and domestic talents, contributing to their genre-blending approach and signature multilingual lyrics, often mixing Japanese with English phrases to enhance global appeal. Notable contributors include PENTAGON's Hui, who produced the hip-hop leaning "OH-EH-OH," and Stray Kids' Bang Chan, who has co-written tracks emphasizing rhythmic complexity and vocal dynamics. Lyrics frequently feature English hooks, as seen in "SuperCali" from MIDNIGHT SUN (2022), where bilingual elements underscore themes of perseverance and self-empowerment, adding a layer of universality to their J-pop core. This multilingual strategy, combined with structured songwriting that prioritizes group harmonies, has become a hallmark of their discography.[72] Critics have praised JO1 for their adept genre blending and vocal harmonies, noting how these elements elevate their music beyond standard idol fare up to their 2025 releases. Reviews highlight the seamless integration of EDM drops with R&B ad-libs in early works, evolving into sophisticated harmonies in Be Classic, where the classical-pop fusion is lauded for its innovative impact and emotional resonance. This reception underscores JO1's growth in delivering cohesive, high-production tracks that maintain J-pop's melodic charm while pushing boundaries with hip-hop edge and multicultural lyrics.[51][73]Choreography and stage presence
JO1's choreography is renowned for its emphasis on synchronized group dances that highlight the collective precision and unity of its eleven members. Routines typically feature sharp, dynamic movements blending hip-hop elements such as rhythmic footwork and body isolations with contemporary formations, creating visually compelling performances that align with the group's high-energy J-pop sound. The dance leader, Ren Kawashiri, plays a key role in developing many of these routines, drawing from his background as a professional dancer to ensure seamless execution and artistic flair.[74] For example, the choreography for their 2020 debut single "Infinity" showcases fast-paced synchronization through intricate group patterns and explosive transitions, as demonstrated in the official practice video.[75] Similarly, the 2025 single "Handz in My Pocket" incorporates playful yet precise hip-hop-inspired gestures and formations, evident in its mirrored practice footage that underscores the group's technical prowess.[76] In terms of stage presence, JO1 enhances their choreography with thoughtful production elements that amplify the live experience. Costume designs often feature sleek, modern attire with reflective details, such as the black jackets worn during their 2025 Los Angeles tour stop, which catch the light to emphasize movement and add a futuristic edge.[77] Lighting effects play a crucial role, with vibrant colored beams and dynamic spotlights synchronizing to the beats, creating immersive atmospheres that heighten the intensity of performances like their KCON LA set.[51] Fan interaction techniques further elevate their energy, including direct eye contact, mirrored gestures during choreographed breaks, and adaptive responses to crowd reactions, as seen in their ability to maintain flow amid technical glitches during the BEYOND THE DARK tour.[51] The evolution of JO1's choreography and stage presence has progressed from the controlled precision of arena tours to expansive, spectacle-driven productions on larger scales. Early arena shows focused on tight synchronization to build intimacy with audiences, while their 2025 world tour, culminating in headline performances at Tokyo Dome, incorporated grander elements like elevated platforms and multi-zone lighting to command stadium environments.[5] This shift reflects five years of refinement, as highlighted in their "BE CLASSIC" performance video, where elegant formations and conductor-like leadership from Kawashiri demonstrate a matured ability to scale visual impact without losing the group's signature unity.[78]Other ventures
Endorsements
JO1 has engaged in numerous commercial endorsements and brand partnerships since their debut, leveraging their popularity to promote products through television advertisements, print campaigns, and collaborative product lines. These deals span beauty, fashion, and lifestyle sectors, often featuring the group in high-profile visuals and tie-up media content that boosts both brand visibility and JO1's market reach.[79] In 2021, JO1 became the Japan Ambassador for Yves Saint Laurent Beauty (YSL Beauty), a partnership that has continued through renewals, including a confirmed extension announced in 2023. The collaboration includes multiple campaigns, such as the 2022 promotion for the All Hours Foundation, where JO1 starred in television commercials and inspired the release of a dedicated tie-up song, "ALL HOURS," performed during live events and integrated into product marketing. Further campaigns, like the 2023 "Eyes On Me (feat. R3HAB)" for the Couture Mini Clutch eyeshadow line, involved group appearances in promotional videos and product packaging designs.[80][81][82] The group expanded into sportswear with their 2024 appointment as ambassadors for Adidas Sportswear in Japan, shared with fellow Lapone Entertainment act INI. This ongoing deal features seasonal collections, including the 2025 Midsummer Collection, promoted through exclusive merchandise like folding fans and apparel lines sold via partners such as Alpen, alongside television and digital advertisements emphasizing everyday athletic wear. The partnership highlights JO1's dynamic image, with members modeling items in campaign photoshoots that align with the brand's focus on versatile, street-style sportswear.[83][84] In the anime and entertainment sector, JO1 has pursued tie-in collaborations, most notably the JOCHUM project with Sanrio (detailed in the subsection below), which includes a short anime series that premiered its second season in October 2025 and features merchandise lines such as drawstring pouches and bottle holders to promote character goods. Additionally, member Ruki Shiroiwa voiced the lead role in the August 2025 anime film AS ONE, tied to a theme song contribution that supports promotional efforts for the Square Enix-based project. These anime partnerships, while group-led, often involve individual member involvement and enhance cross-media commercial impact.[15][85] Earlier endorsements include a 2022 campaign with ABC-MART and Nike for the Air Max Infinity 2 trainers, where JO1 appeared in commercials featuring their song "Born To Be Wild," targeting youth fashion markets with in-store promotions and visual ads. Group-wide deals predominate, with no major subunit-specific endorsements reported up to 2025, though individual members like Ruki have secured personal ambassadorships, such as for Korean cosmetics brand MISSHA in March 2025, focusing on glow-up themed promotions. In July 2025, JO1 featured in visuals and ads for Hotto Motto's "Summer Greedy Beef Curry" bento product, emphasizing take-out convenience in television spots. These partnerships underscore JO1's role in driving consumer engagement.[86][87][88]JOCHUM collaboration
JOCHUM (ジェオチャム) is a project launched in June 2022 as a collaboration between JO1 and Sanrio, resulting in the creation of 11 original characters inspired by the group's members, each with unique dreams and residing in a shared house setting. The project debuted on November 7, 2022, following the announcement of the character team name "JOCHUM" on October 26, 2022, derived from "JO" of JO1 and "chum" meaning companions or roommates. The official fan name "CHUMILY" was selected on August 9, 2023, through a fan vote, combining "chum" with "family" to signify a familial bond.[89][90] Key milestones include participation in the 2023 Sanrio Character Grand Prix, where JOCHUM achieved 14th place overall in its debut entry. The project expanded into animation with web series such as "JOCHUM Hello!" (2022–2023) introducing characters, "JOCHUM My Dream is…‼︎" (2023) focusing on their aspirations, and "JOCHUM'S HOUSE" (2024) depicting daily life. A television anime adaptation aired its first season from July 13 to December 21, 2024, on Fuji TV's Mezamashi Doyoubi, with season 2 premiering on October 4, 2025. The anime features voice acting by child actors, including Yūri Noguchi as PiHAi and Kaito Takeda as Rain, and includes original ending themes like "Nete Okite Tabete Nete" for season 1 and "Super☆Hapi Hapi" for season 2. In November 2025, JOCHUM released its first Christmas song, "Zenryoku Omotenashi☆Christmas," with a music video and promotional tie-ins.[15][91][85] The 11 characters are:- PiHAi (black fox, voiced by Yūri Noguchi): Social yet quiet, dreams of becoming a pilot.
- Rain (blue fox, voiced by Kaito Takeda): Magician who enjoys surprising others, aims to amaze the world.
- Micoon (microphone, voiced by Taiichi Kusano): Loves singing, aspires to brighten others with his voice.
- Chimata (rabbit, voiced by Nanami Yoshimura): Energetic gamer, dreams of eating all sushi in the world.
- Ya-Nu-Kami (shisa, voiced by Shoma Uno): Guardian deity, seeks to become a proper protector.
- Mamechi (shiba inu, voiced by Sakura Kawaguchi): Heroic figure, wants to guard everyone's smiles.
- Pop-Poh (penguin, voiced by Momo Ishibashi): Laid-back trader, desires an easy life.
- Chulala (Chihuahua alien, voiced by Yuto Sugiyama): Lazy yet determined, plans cosmic conquest.
- Moco (angel, voiced by Manaka Yamazaki): Kind observer, aims to make the world happy.
- Ruru (poodle, voiced by Kanon Amaki): Affectionate prince, dreams of being a healing king.
- Bira (flower, voiced by Yudai Mino): Eccentric fortune-teller, aspires to join JO1.
Philanthropy
JO1 has actively participated in disaster relief efforts through performances, donations, and merchandise sales. In May 2024, the group performed at the "PEACEFUL PARK 2024 for 能登" charity festival in Tokyo, organized to aid recovery from the January Noto Peninsula earthquake. Proceeds from live streaming tickets, on-site sales, and "d払い" online donations were fully allocated to the Ishikawa Prefecture Noto Peninsula Earthquake Disaster Relief Fund, with additional contributions from charity goods emphasizing community rebuilding and youth support in affected areas.[89] In April 2025, during Japanese Heritage Night at Dodger Stadium, JO1 presented a $50,000 check to the Los Angeles Dodgers Foundation. The donation funded ongoing wildfire relief initiatives in Southern California, including recovery support for communities impacted by recent fires, as well as the Dodgers Dreamteam program, which delivers baseball experiences to children facing serious illnesses or disabilities.[93] Lapone Entertainment, JO1's management agency, has facilitated ongoing philanthropic contributions tied to group activities. For instance, in April 2025, a limited-edition JO1 Charity Band—available in just 100 units at a Shibuya pop-up—was released, with all profits donated to Los Angeles wildfire recovery efforts. Similarly, a portion of revenue from the 2023 LAPOSTA multi-artist event was directed to relief for the Turkey-Syria earthquake victims via the Turkish Embassy in Japan.[94][95] Fans, organized under the official JO1 fan club JAM, have initiated charity campaigns linked to album releases and milestones, such as donation drives during the 2022 "Kizuna" album promotions to support music access for underprivileged youth. Examples include J-AM events where proceeds from fan gatherings funded local education programs. In 2023, JAM Indonesia held a charity event for the group's fourth debut anniversary, raising funds for community welfare initiatives in the region.[96]Discography
Studio albums
JO1's studio albums showcase the group's evolution from their debut, blending J-pop with hip-hop, R&B, and electronic elements, often incorporating self-produced tracks and collaborations with prominent Japanese producers. Their discography emphasizes themes of growth, connection, and duality, with each release achieving commercial success on major Japanese charts. As of November 2025, the group has issued three studio albums, all distributed by Lapone Entertainment.The Star (2020)
JO1's debut studio album, The Star, was released on November 25, 2020. It compiles tracks from the group's first two singles, Protostar and Stargazer, alongside seven new songs, totaling 12 tracks. The lead single, "Shine a Light," highlights the album's theme of aspiring to shine brightly as emerging stars in the music industry. The album debuted at No. 2 on the Oricon Weekly Albums Chart, selling 158,333 copies in its first week, and reached No. 2 on the Billboard Japan Hot Albums chart while topping the Top Albums Sales chart with 166,188 units. Overall, it sold 195,848 copies according to Oricon data and earned a Gold certification from the RIAJ for 100,000 shipments.[25][97]Kizuna (2022)
The second studio album, Kizuna (stylized as KIZUИA), arrived on May 25, 2022, marking JO1's first No. 1 on both the Oricon and Billboard Japan charts. Featuring 12 tracks, it includes selections from prior singles like "Challenger" and "Stranger," plus new material such as the title track "With Us" and self-produced elements. The album's concept revolves around strengthening bonds and overcoming challenges, encapsulated in the catchphrase "Let's enjoy our bonds together." It sold 283,122 copies in its debut week on Oricon and amassed 300,410 total physical sales, securing a Platinum certification from the RIAJ for 250,000 shipments.[98][33]Equinox (2023)
JO1's third studio album, Equinox, was released on September 20, 2023. Comprising 16 tracks, it integrates songs from preceding singles "Midnight Sun" and "Tropical Night" with fresh additions like the dual title tracks "Venus" and "RadioVision," including the self-produced "NEWSmile." The thematic focus explores the balance between light and darkness, symbolizing personal and group maturation. The album debuted at No. 1 on the Oricon Weekly Albums Chart with 226,000 first-week sales and similarly topped Billboard Japan's charts. By year-end, it had sold 263,919 copies on Oricon, earning Platinum status from the RIAJ.[42][99]Compilation albums
Be Classic (2025)
To commemorate their fifth anniversary, JO1 released their first best-of compilation, Be Classic, on April 2, 2025. This 20-track collection reimagines select hits with rock arrangements, including a revamped version of debut song "Infinity," and features new recordings alongside fan-favorite singles. The album's concept celebrates the group's "classic" status while pushing boundaries with updated sounds. It debuted at No. 1 on the Oricon Weekly Albums Chart and Billboard Japan Top Albums Sales with 290,262 first-week units, becoming their highest-selling release to date and earning a 2× Platinum certification from the RIAJ for over 500,000 shipments.[100][101]Singles
JO1's singles, often released in EP format with multiple tracks, have consistently dominated Japanese charts since their debut. The group has achieved over ten consecutive number-one positions on the Oricon Singles Chart as of November 2025, a feat that underscores their commercial success and fanbase loyalty (including major and special releases).[102] Their releases typically include physical editions (limited, regular, and fan club versions) alongside digital formats, featuring lead tracks and coupling songs that showcase their versatile pop sound. Streaming performance has also been strong, with several singles topping the Billboard Japan Hot 100 through combined metrics of sales, streams, and airplay.[103] The debut EP Protostar (March 4, 2020), led by "Infinity," sold 344,299 copies in its first week and earned platinum certification from the RIAJ for 250,000 units shipped. Coupling tracks included "Tsutaetai" and "My Friends." It debuted at number one on the Oricon Singles Chart and Billboard Japan Hot 100.[104][47] The follow-up Stargazer (July 1, 2020), with lead "Oh-Eh-Oh," also hit number one on Oricon, certified platinum, and featured couplings like "YOUNG" and "Stargazer."[104] Subsequent singles maintained the streak, with Challenger (December 16, 2020) led by "Born To Be Wild" topping Oricon and including "Grand Master" and "Yeah." Stranger (August 18, 2021), featuring "SuperCali," reached number one on both Oricon and Billboard Japan Hot 100, with couplings "Sticky" and "Candy Rock." Wandering (December 15, 2021) became their first double platinum release (500,000 units), led by the title track and including "Dreamin'" and "Killer."[105] Sense (March 16, 2022), led by "Zoom," and Midnight Sun (June 29, 2022), with the title track, both secured Oricon number ones and strong streaming numbers.[104] Later releases like With Us (October 19, 2022), led by the title track, and Tropical Night (April 5, 2023), featuring "Tiger" which topped the Billboard Japan Hot 100, continued the dominance.[106] Digital and Blu-ray singles expanded their catalog, including "Your Key" (digital January 8, 2024; Blu-ray March 27, 2024), the opening theme for the anime The Seven Deadly Sins: Four Knights of the Apocalypse, with no coupling tracks but significant streaming impact on Billboard Japan and #1 on Oricon (95,648 sales, Gold). Hitchhiker (2024) debuted at #1 on Oricon with 549,718 sales, earning 3× Platinum. Where Do We Go (October 2, 2024), a physical/digital release with couplings "ICY" and "Maybe Next Time" (plus Korean version), hit number one on the Oricon Singles Chart and Billboard Japan Hot 100 with 543,000 first-week sales.[107][103][108] The tenth major single, Handz In My Pocket (October 22, 2025), led by the title track and including couplings "Just Say Yes," "RUSH," and "INTO YOU," debuted at number one on the Oricon Singles Chart with 505,121 first-week sales, earning 3× Platinum certification. It also performed well on streaming platforms, contributing to JO1's ongoing global reach. All singles are included on their studio albums where applicable.[109][110]| Single | Release Date | Lead Track | Oricon Peak (First-Week Sales) | Billboard Japan Hot 100 Peak | RIAJ Certification | Key Coupling Tracks | Tie-up |
|---|---|---|---|---|---|---|---|
| Protostar | March 4, 2020 | Infinity | #1 (400,011) | #1 | Platinum | Tsutaetai, My Friends | - |
| Stargazer | July 1, 2020 | Oh-Eh-Oh | #1 (338,257) | #1 | Platinum | YOUNG, Stargazer | - |
| Challenger | December 16, 2020 | Born To Be Wild | #1 (326,102) | #1 | Platinum | Grand Master, Yeah | - |
| Stranger | August 18, 2021 | SuperCali | #1 (371,201) | #1 | Platinum | Oh-Eh-Oh, Sticky, Candy Rock | - |
| Wandering | December 15, 2021 | Wandering | #1 (460,617) | #1 | 2× Platinum | Dreamin', Killer | - |
| Sense | March 16, 2022 | Zoom | #1 | #1 | Platinum | - | - |
| Midnight Sun | June 29, 2022 | Midnight Sun | #1 | #1 | 2× Platinum | Risky, Venus | - |
| With Us | October 19, 2022 | With Us | #1 | #1 | Platinum | Super Boy, Joy Ride | - |
| Tropical Night | April 5, 2023 | Tiger | #1 (338,556) | #1 | 2× Platinum | Boyfriend, Miracle | - |
| Hitchhiker | 2024 | [Lead TBD] | #1 (549,718) | #1 | 3× Platinum | [TBD] | - |
| Where Do We Go | October 2, 2024 | Where Do We Go | #1 (543,000) | #1 | 3× Platinum | ICY, Maybe Next Time | - |
| Handz In My Pocket | October 22, 2025 | Handz In My Pocket | #1 (505,121) | #1 | 3× Platinum | Just Say Yes, RUSH, INTO YOU | Movie theme "Mount Fuji, Coffee, and the Formula for Happiness" |
| Your Key (special) | March 27, 2024 (Blu-ray) | Your Key | #1 (95,648) | - | Gold | - | Anime OP The Seven Deadly Sins: Four Knights of the Apocalypse |
Concert tours
Headlining tours
JO1's headlining tours have marked significant milestones in their career, showcasing their growth from domestic arena performances to international stages. Their first arena tour, titled 2022 JO1 1ST ARENA LIVE TOUR 'KIZUNA', took place from September 3 to October 23, 2022, across five cities in Japan.[37] The tour consisted of 13 sold-out shows at venues including Aichi Sky Expo, Osaka-Jo Hall, K-Arena Yokohama, Marine Messe Fukuoka, and Ariake Arena in Tokyo, drawing a total attendance of 110,000 fans.[37] Setlists highlighted tracks from their second studio album Kizuna, such as "Infinity" and "Born to Be Real", alongside earlier hits like "OH-EH-OH" and fan interaction segments emphasizing group-fan bonds.[111] This tour established JO1's capability for large-scale live productions, with elaborate staging and choreography that received praise for enhancing their energetic performances.[112] In 2023, JO1 expanded internationally with the Beyond the Dark tour, which combined domestic arena dates and their debut Asia leg. The Japan portion, 2023 JO1 2ND ARENA LIVE TOUR 'BEYOND THE DARK', ran from August 5 to October 19, 2023, featuring 13 shows across multiple Japanese arenas, followed by encores at Kyocera Dome Osaka on November 24 and 25, 2023, marking their first performance at the venue.)[113] The full tour, including the Asia extension from November 1 to December 8, 2023, totaled 19 shows and attracted approximately 200,000 attendees in Japan alone.[114] The Asia itinerary covered four countries: Jakarta's Ciputra Artpreneur Theater on November 1, Bangkok's Union Hall on November 4, Taipei's Zepp New Taipei on November 11, and Shanghai's National Exhibition and Convention Center on December 8. Setlists centered on their third album Equinox, including "SuperCali", "Trigger", and "Rose", with dynamic visuals and pyrotechnics adding to the immersive experience.[44] All dates sold out rapidly, underscoring JO1's rising popularity in Asia and setting box office records for their expanding fanbase.[44] JO1's first world tour, JO1 WORLD TOUR JO1DER SHOW 2025 'WHEREVER WE ARE', represented their global breakthrough, spanning Asia and North America from February 15, 2025, to April 21, 2025, with over 20 shows.[115] Key international stops included Taipei Music Center on February 15, 2025; True Icon Hall in Bangkok on February 22; The Belasco in Los Angeles on March 1; Brooklyn Bowl in New York on March 3 and 4 (additional date); Beijing Exhibition Center Theater on March 23; and Blue Square Mastercard Hall in Seoul on March 29 and 30, alongside extensive Japan dates culminating in two nights at Tokyo Dome on April 20 and 21.[115][53] The tour's setlists drew from albums like Where Do We Go and Be Classic, featuring staples such as "Love Seeker", "Mugendai", and new tracks like "BE CLASSIC", with high-production elements including LED screens and interactive fan zones. All U.S. and international dates sold out, contributing to box office success with over 250,000 total attendees and highlighting JO1's international appeal ahead of their fifth anniversary.[55]Promotional concerts and festivals
In 2024, JO1 held their fan appreciation event titled "2024 JO1 'JAM Thanksgiving'Filmography
Film
JO1 has appeared in two documentary films chronicling their career milestones. The first, JO1 the Movie: Unfinished – Go to the Top, directed by Tetsurō Inagaki, was released on March 11, 2022.[122] This film documents the group's formation through the Produce 101 Japan audition program, their debut preparations, and the challenges faced during their initial two years, including the debut in 2020 and their first audience-inclusive live concert in 2021.[123] It highlights the members' growth, teamwork, and determination amid the COVID-19 pandemic's disruptions to their early activities. The second documentary, JO1 the Movie: Unfinished – Bon Voyage, also directed by Tetsurō Inagaki, premiered on July 4, 2025.[124] The film captures the group's five-year evolution since their 2020 debut, focusing on their 2025 world tour and landmark solo concert at Tokyo Dome. It explores the 11 members' interpersonal bonds, internal conflicts, and shared pursuit of global success, presenting an intimate look at their ongoing journey.[125] The movie opened at number one in Japan with an estimated ¥95 million (approximately $634,720) in its first weekend.[126] Several JO1 members have made acting debuts in feature films, often in ensemble roles. In the 2023 action film OUT, directed by Hiroshi Shinagawa and adapted from a manga about juvenile delinquents, Yonashiro Sho, Ohira Shosei, and Kinjo Sukai portrayed supporting characters in a story of redemption and rivalry following a protagonist's release from detention.[127] JO1 contributed the theme song "HIDEOUT" to the soundtrack.[128] In 2024's Run for Money THE MOVIE: Tokyo Mission, directed by Masaki Nishiura and based on the survival game show, Kawanishi Takumi, Kimata Syoya, and Kinjo Sukai starred as contestants in a high-stakes race across Tokyo for a 10 billion yen prize, emphasizing strategy and endurance.[129]Television
JO1 has appeared on various Japanese television programs since their 2020 debut, primarily showcasing performances on music specials and variety shows, with increasing international exposure in recent years. Their television presence began with live performances on morning and music programs, establishing them as a prominent J-pop act. On December 31, 2022, JO1 debuted on the long-running New Year's Eve special Kōhaku Uta Gassen, broadcast on NHK, where they performed as part of the white team (male artists), marking a key milestone in their rising popularity.[39] The group returned for a second appearance on the 75th edition of the same program on December 31, 2024, again on NHK, performing "Love Seeker" to a national audience.[130] In 2024, JO1 starred in their own special program, PRODUCE JO1 LOVE OF LIVE, which aired on TV Asahi on May 25 and June 1 at 24:00–24:30 JST (excluding some regions). This two-part special, produced by their agency Lapone Entertainment, featured exclusive behind-the-scenes footage, member interactions, and live performances, serving as a promotional tie-in to their activities.[131] JO1 achieved their first U.S. television appearance on March 14, 2025, during Good Day New York on FOX 5, where they performed "Love Seeker" live and discussed their world tour, captivating American viewers and highlighting their global appeal. Throughout 2025, JO1 continued regular television engagements in Japan, including a performance at the TV Asahi Dream Festival on November 1 at Makuhari Messe, where they delivered a set featuring hits like "Matsuri" and "Eyes On Me."[132] No group acting roles in dramas were announced for the group by November 2025.Web series
JO1 has produced a variety of web series primarily hosted on their official YouTube channel, featuring behind-the-scenes footage, member-led vlogs, and interactive content to engage fans known as JAMS. These series began shortly after the group's debut in 2019, evolving into regular programming by 2020 to showcase daily life, preparations, and special events. Content is also shared on TikTok for shorter clips, emphasizing casual, unscripted moments that highlight group dynamics and individual personalities. One of the flagship series is Hi! JO1, a variety-style program launched in January 2022 that explores fun challenges, games, and promotional behind-the-scenes segments. By November 2025, it has surpassed 91 episodes, with themes ranging from seasonal activities like New Year's mochi-pounding in the debut episode to collaborative projects such as picture book creation and karuta tournaments in later installments. Episodes often include member banter and fan-voted elements, such as coordinate hide-and-seek for brand collaborations, fostering direct interaction; popular entries, like the "BE CLASSIC" special edition, have garnered over 300,000 views each.[133][134][135] Complementing this is the J-LOG and J-LOG2 vlog series, initiated in 2021, where individual members document personal outings, hometown visits, and off-duty experiences to humanize their public image. The playlist includes over 20 episodes across both seasons, covering activities like family meals in Nagoya or hot spring trips in Nikko, with themes centered on relaxation and cultural immersion during breaks from schedules. For instance, episodes tied to 2025 promotions, such as Shoya Kimata's commentary on group films, have achieved 200,000–500,000 views, underscoring their role in building fan loyalty.[136][137][138] Additional vlog content, such as the V-LOG series featuring member Issei Mamehara's "Mame no Bui Log," debuted in 2025 with episodes on leisure trips like glamping, blending personal narratives with subtle promotional ties to upcoming releases. Tour preparation vlogs, including the 2025 "JO1 IN AMERICA" LA edition documenting U.S. travel logistics, provide insights into global expansion efforts and have exceeded 100,000 views shortly after upload. These formats prioritize authenticity, often exceeding 1 million cumulative views for anniversary-linked specials.[139][140] Fan interaction is amplified through anniversary web content, such as the 5th anniversary "〜祭り〜" playlist in 2024, which includes live performance clips and Q&A sessions streamed on YouTube and TikTok, reaching millions in collective views and encouraging user-generated responses via comments and challenges. Similarly, the 4th anniversary "WINTER CAMP" series in 2023 featured group games and reflections, setting a milestone for engagement with over 1.1 million views on key episodes. This approach has solidified JO1's digital presence, with series like these contributing to sustained growth in subscribers, surpassing 1 million on YouTube by late 2025.[141][142][143]Radio and podcasts
JO1 has engaged in various radio programs and podcasts, primarily through regular slots on Japanese FM stations and self-produced audio series that allow members to connect with fans via casual discussions. These appearances often feature group members hosting or guesting, covering topics from music releases and tours to personal anecdotes, establishing JO1's presence in audio media since their debut in 2019.[144] A prominent ongoing radio program is JO1's All Night Nippon X, broadcast on Nippon Broadcasting System since April 2022. Aired weekly on Wednesdays from 24:00 to 24:58, the show is led by main personality Ruki Shiroiwa, with rotating appearances by other members such as Issei Mamehara, Ren Kawashiri, and Shion Tsurubo, discussing current activities like their 2025 world tour and single promotions. Episodes are also available as podcasts on platforms including YouTube, with special guest features, such as ATEEZ's Yunho in September 2025, highlighting JO1's collaborative reach. By late 2025, the program had aired over 150 episodes, fostering fan interaction through listener mail segments.[145][146] Another key audio venture is the web radio series Jamming with JO1, launched in 2020 and exclusively available via the group's official fan club platform. This podcast-style program features small groups of members, such as Kinjo Sukai and Kawanishi Takumi in volume 295 (September 2025), engaging in unscripted conversations about daily life, upcoming projects, and fan questions, with episodes released bi-weekly. Reaching volume 300 by November 2025, it emphasizes member-specific hosting, including solo episodes like Issei Mamehara's in volume 226 (2024), and serves as a staple for updating fans on non-music endeavors.[144][147] JO1's podcast involvements extend to JO1 MATCHA TIME on Spotify, a seasonal series where members host themed discussions over matcha tea. Season 2, launched in September 2024, included Ohira Shosei, Kimata Syoya, Kawashiri Ren, and Mamehara Issei recapping their summer activities and ninth single "WHERE DO WE GO"; the Final Season in 2025 featured Satō Keigo, Kawanishi Takumi, Kinjo Sukai, and Tsurubo Shion reflecting on global tours and firsts for the group. Though presented as a video podcast, its core is audio dialogue on platforms like Spotify, with episodes focusing on 2025 milestones.[148][149] Guest appearances on external radio and podcasts have included Bay FM's KEIYOGINKO POWER COUNTDOWN in December 2024, where JO1 promoted tracks like "Handz In My Pocket" during the year-end broadcast. Internationally, their single "BE CLASSIC" achieved a historic 94th place on the Mediabase Top 100 Radio Airplay Chart in April 2025, marking the first for a Japanese boy group and leading to U.S. radio spots. Additionally, JO1 featured on Apple Music's J-Pop Now Radio with Kentaro Ochiai in April 2025, discussing new releases, and iHeartRadio's Most Requested Live interview podcast in October 2025, answering fan queries about their North American tour. Earlier, they appeared on THE FIRST TAKE MUSIC podcast in April 2022, sharing behind-the-scenes insights from their performance.[150][151][152]Bibliography
Audio books
JO1's involvement in audio books is primarily through voice dramas accompanying printed short story collections, marking the group's debut in voice acting. In 2020, all eleven members provided narration for two titles in the "5-Fungo ni Koi no Mahō ga Tokeru Made" series, published by Gakken Plus. These audio dramas feature the members voicing characters in romantic youth-themed stories, offering fans an immersive listening experience tied to the accompanying narratives.[153][154] The first volume, titled 5-Fungo ni Koi no Mahō ga Tokeru Made: Ichibanboshi Mitsuketa (translated as "Until the Magic of Love Breaks in 5 Minutes: I Found the Brightest Star"), was released on October 8, 2020. It includes a collection of short stories about fleeting romances, with the audio drama narrated by the full JO1 lineup, including Issei Mamehara, Ren Kawashiri, and others, who took on voice acting roles for the first time. The audio component is bundled with the physical book, accessible via included media.[155] The second volume, 5-Fungo ni Koi no Mahō ga Tokeru Made: Ni Dome no Hatsukoi (translated as "Until the Magic of Love Breaks in 5 Minutes: Second First Love"), was released simultaneously on the same date. This installment continues the theme with stories of rediscovered love, again featuring comprehensive narration by the entire group, emphasizing emotional depth through their performances. The project received significant pre-release attention, leading to an emergency reprint due to high demand.[153][156] As of 2025, no additional audio book projects involving JO1 members have been officially released, with the 2020 series remaining the sole entry in this category. These works highlight the group's versatility beyond music, blending literature and audio storytelling.[157]Photobooks
JO1 has released several photobooks that capture the group's evolution, featuring high-quality images from photoshoots, behind-the-scenes moments, and member reflections. These publications, produced in collaboration with LAPONE Entertainment and other partners, emphasize visual storytelling of their career milestones, with each including contributions from all 11 members through posed shoots, candid captures, and personal commentary.[158][159] The debut photobook, Progress, was published on January 27, 2021, by Yoshimoto Books in A4 deformed format with 176 full-color pages. Photographed primarily by Eiji Hikosaka, it chronicles the group's first year since debuting in March 2020, including images from live performances, interviews, and off-stage interactions that highlight their growth and camaraderie. Limited editions featured exclusive covers from the LAPONE Online Shop and Rakuten Books. The book topped the Oricon Weekly Photobook Chart in its first week with 50,000 copies sold and accumulated total sales of 60,733 copies.[158][160][161][162] In 2023, the third studio album EQUINOX (released September 20 by LAPONE Entertainment under Rising Records) incorporated a 60-page photobook in its FC Limited Edition, alongside a folder case, sheet stickers, and lyrics poster. The photobook focused on thematic visuals tied to the album's concept of balance and transition, drawing from the group's second arena tour "BEYOND THE DARK," with shoots emphasizing dynamic group and individual portraits that showcased member involvement in styling and posing. The album debuted at number one on the Oricon Weekly Album Chart, selling over 283,000 copies in its first week, contributing to the photobook's reach.[163] The second standalone photobook, Unbound, followed on January 24, 2024, published by Shogakukan in A4 deformed format with 192 pages. Shot by photographers ISAC and Akira Honda primarily in Los Angeles, it explored themes of freedom and expansion, featuring location-based shoots, making-of footage, and direct comments from members on their artistic development. Special versions were available via Rakuten Books and the JO1 Official Store. It peaked at number two on the Oricon Weekly Photobook Chart, achieving total sales of 61,579 copies.[159][160][164] Marking their fifth anniversary in 2025, the best-of album BE CLASSIC (released April 2 by LAPONE Entertainment) included a 48-page photobook in its Limited Edition B (digipack format), compiling retrospective images from key shoots across their career, including anniversary-themed visuals with member-curated selections and reflections. The album, tied to the group's 無限大(INFINITY) 2025 anniversary project, debuted at number one on the Oricon Weekly Album Chart with 290,262 first-week sales, reaching 340,073 copies as of August 2025 and underscoring the photobook's role in commemorating their journey.[165][166]Awards and nominations
Major awards
JO1 has garnered significant recognition in the Japanese and Asian music industries, particularly through prestigious ceremonies like the Japan Gold Disc Awards, Mnet Asian Music Awards (MAMA), and Japan Record Awards. These accolades highlight their commercial success, innovative performances, and growing international influence since debuting in 2020. In 2025, JO1 won Best Asia Group at the MTV Video Music Awards Japan and The Memorable Thailand–Japan Cultural Award at Nippon Haku Bangkok.[167][168] At the 2025 MAMA Awards held on November 29, 2025, JO1 won the Favorite Asian Artist award.[169] Key wins include multiple honors at MAMA for their breakthrough as a Japanese act, as well as excellence awards at the Japan Record Awards for standout singles. By 2025, JO1 had achieved a milestone of ten consecutive number-one singles on the Oricon Weekly Singles Chart, underscoring their dominance in physical sales.Japan Gold Disc Awards
JO1 received the Best 5 New Artists award (Japanese Music Category) at the 35th Japan Gold Disc Awards in 2021, celebrating their debut year's impact based on sales data from January to December 2020. This recognition marked their entry into Japan's top music honors, hosted by the Recording Industry Association of Japan.[170]Mnet Asian Music Awards (MAMA)
JO1 has won three awards at MAMA, Asia's premier music ceremony, establishing them as a leading Japanese group in K-pop-influenced categories.| Year | Category | Outcome | Notes |
|---|---|---|---|
| 2020 | Best New Asian Artist | Won | For debut single "Protostar"; first Japanese act to win in this category.[171] |
| 2021 | Best Asian Artist, Japan | Won | Recognized for overall artist achievement; performed "SuperCali" at the ceremony.[172] |
| 2022 | Favorite Asian Artist | Won | Fan-voted award; highlighted their rising popularity across Asia.[173] |
Japan Record Awards
The Japan Record Awards, broadcast annually by TBS, honor outstanding musical works. JO1 secured two Excellent Work Awards for their singles, emphasizing artistic quality and sales performance.- 2023 (65th ceremony): Excellent Work Award for "Trigger," from their seventh single; the group performed "NEWSmile" during the broadcast.[175]
- 2024 (66th ceremony): Excellent Work Award for "Love seeker," their ninth single; they delivered a live performance of the track.[176]