Fact-checked by Grok 2 weeks ago

Japanese pagoda

A Japanese pagoda is a multi-tiered, tower-like structure, typically wooden but also including stone forms, integral to Buddhist temple complexes in Japan, characterized by its stacked square roofs with upturned eaves and a central pillar for structural stability. While most famous examples are wooden multi-story towers (tasōtō), Japanese pagodas encompass various forms including stone structures.^[1]^[2] Originating from Indian stupas introduced via China with the arrival of Buddhism in the mid-6th century, pagodas evolved in Japan to symbolize the five cosmic elements—earth, water, fire, wind, and space—while serving as reliquaries for sacred Buddhist artifacts.^[2]^[1] The architectural form typically features three or five stories, with each level diminishing in size upward, constructed using interlocking wooden beams and posts without nails to enhance flexibility against earthquakes.^[1] A distinctive element is the shinbashira, or heart pillar, a freestanding central column that runs through the pagoda's core, acting as a tuned mass damper to absorb seismic vibrations and crowned by a metal finial called a sōrin.^[1] This design innovation has allowed ancient pagodas to endure for over a millennium, as exemplified by the five-story pagoda at Hōryū-ji Temple in Nara, rebuilt around 711 CE and standing at 32.55 meters tall with a base of 5.45 meters.^[1]^[2] Beyond their structural ingenuity, Japanese pagodas hold profound spiritual significance, representing the Buddha's enlightened body and the path to enlightenment through their vertical ascent, often positioned within temple grounds alongside main halls and gates to demarcate sacred spaces.^[2] Notable examples include the five-story pagoda at Daigo-ji in Kyoto, dating to 951 CE, which exemplifies the form's aesthetic harmony with flared eaves and bronze ornamentation.^[2] While most pagodas are associated with Zen or other Buddhist sects, their influence extends to Shinto elements, blending indigenous animistic beliefs with continental imports.^[2] Today, these structures remain UNESCO World Heritage sites and cultural icons, underscoring Japan's mastery of wood-frame architecture and its resilience to natural forces.^[1]

Overview

Definition and origins

A Japanese pagoda, known as tō in Japanese, is a multi-tiered tower-like structure integral to Buddhist temple complexes, primarily designed to enshrine sacred relics of the Buddha or serve as commemorative memorials symbolizing enlightenment and the afterlife. Unlike the more elaborate, often masonry-constructed Chinese pagodas that incorporate broader horizontal extensions and decorative flourishes, Japanese pagodas emphasize a simpler, more vertical silhouette achieved through lightweight wooden construction, reflecting adaptations to local aesthetics and environmental conditions.^[3]^[4] The conceptual roots of the Japanese pagoda lie in the ancient Indian stupa, a hemispherical earthen mound built as a funerary monument to house relics and commemorate key events in the Buddha's life, dating back to the 3rd century BCE under Emperor Ashoka. As Buddhism spread westward and eastward from India around the 1st century CE, the stupa form was transmitted through Central Asia to China, where it underwent sinification by merging with indigenous multi-story tower (ta) traditions, evolving into the tiered pagoda by the 3rd–6th centuries CE during the Northern and Southern Dynasties. This transformed structure, now symbolizing the Buddha's presence through its vertical ascent toward the heavens, reached Japan via Korean intermediaries and direct Chinese influence during the Asuka period (538–710 CE), when Buddhism was officially adopted by the imperial court around 552 CE.^[3]^[5]^[6] Early Japanese pagodas adopted the multi-story (tasōtō) style prevalent in Tang China (618–907 CE), characterized by stacked roofs and symbolic tiers representing the path to nirvana, as evidenced by the five-story pagoda at Hōryū-ji Temple, originally completed in 607 CE under the patronage of Prince Shōtoku and Empress Suiko but rebuilt around 711 CE after a fire in 670 CE.^[5] Another foundational example is the East Pagoda at Yakushi-ji Temple, constructed around 730 CE during the early Nara period following the temple's founding in 680 CE, which retains original 8th-century elements showcasing Tang-inspired proportions and detailing. To suit Japan's earthquake-prone terrain, these pagodas incorporated flexible wooden frameworks with interlocking mortise-and-tenon joints and independently swaying stories, allowing the structure to absorb seismic energy through elastic deformation rather than rigid resistance, a key divergence from the sturdier brick foundations common in continental Asia.^[7]^[8]

Architectural features

Japanese pagodas, known as tō (塔), are characterized by their multi-tiered structure, typically featuring an odd number of stories—most commonly three, five, or seven—that diminish in size from base to apex, creating a stepped silhouette. Each tier is crowned by a projecting roof with gently upward-curving eaves, which not only provide aesthetic grace but also functional protection against rain and wind. At the core of these wooden towers stands the shinbashira (心柱), a central pillar constructed from a single tree trunk, such as Japanese cypress (hinoki), that runs vertically through the building and supports the uppermost elements, including the finial. This pillar, often suspended or flexibly jointed in later designs, enhances earthquake resistance by allowing the structure to sway without collapsing, a critical adaptation to Japan's seismic activity.^[9]^[10] Crowning the pagoda is the sōrin (相輪), a multi-part finial symbolizing Buddhist cosmology, comprising elements like the inverted bowl-shaped fukubachi (伏鉢), nine stacked rings (kurin 九輪) representing the stages of enlightenment, and a jewel-like hōju (宝珠) at the top denoting ultimate truth. The overall proportions emphasize verticality, with the height often exceeding the base width to evoke aspiration toward the divine, while roof ridges may feature decorative elements like pent roofs (mokoshi) for added visual rhythm. Interiors are generally sparse: the ground floor may house an altar with Buddhist statues or relics, but upper levels contain primarily structural beams, leaving open, contemplative spaces that prioritize symbolism over habitation.^[11]^[12] In adapting continental influences, Japanese pagodas exhibit simpler ornamentation than their Chinese counterparts, relying on the kiwarihō system of proportional rafter spacing rather than elaborate bracket complexes (dougong), which fosters a restrained elegance focused on structural integrity. This minimalist approach, combined with the use of natural woods and integration into temple landscapes, underscores a design philosophy of harmony with the surrounding environment, where the tower's form complements rather than dominates the natural terrain.^[9]

Historical development

Introduction from Asia

The introduction of pagoda architecture to Japan occurred alongside the transmission of Buddhism from the Asian continent, primarily via the Korean Peninsula in the mid-6th century CE. Buddhism, including its architectural forms such as the stupa-derived pagoda, arrived as a gift from the Korean kingdom of Baekje (known in Japanese as Paekche or Kudara) in either 538 or 552 CE, depending on historical accounts like the Nihon Shoki and temple records.^[13]^[14] This route facilitated the migration of Korean monks, artisans, and scholars who brought continental Buddhist practices and construction techniques, adapting Indian and Chinese origins to local Korean styles before reaching Japan.^[15]^[16] Key texts from the Tenpyō era (729–749 CE), such as temple engi chronicles, document these early transmissions, emphasizing the role of Baekje envoys in establishing the first Buddhist temples and reliquary structures.^[17] The earliest surviving example of a Japanese pagoda is the five-story wooden structure at Hōryū-ji Temple in Nara Prefecture, originally constructed between 601 and 607 CE during the Asuka period (538–710 CE) under the patronage of Prince Shōtoku.^[18] This pagoda, rebuilt after a fire in 670 CE, exemplifies Baekje-style influences, with its multi-tiered design and central pillar reflecting Korean adaptations of earlier Chinese prototypes from the Northern and Southern Dynasties.^[19]^[15] Korean artisans from Baekje, fleeing political instability, directly contributed to its design and erection, sourcing local Japanese cypress wood while preserving the imported aesthetic of tiered roofs symbolizing Mount Meru.^[16]^[20] Direct Chinese influences, particularly from Tang dynasty (618–907 CE) models, began to supplement these Korean transmissions through Japanese monks traveling to the continent. Monk Dōshō (629–700 CE), who studied in Chang'an from 653 to 660 CE under the famed scholar Xuanzang, returned with knowledge of Tang Buddhist doctrines and architectural principles, inspiring early temple layouts that incorporated pagoda-like towers as central reliquaries.^[21] Later, in 742 CE, the monk Ganjin (Jianzhen, 688–763 CE) arrived after six arduous voyages, bringing Tang architectural expertise that refined pagoda construction techniques in Japan, including advanced bracketing systems and multi-story elevations.^[22]^[23] These Tang models, seen in structures like the Giant Wild Goose Pagoda, emphasized grandeur and symbolism, blending with local experimentation during the Asuka and early Nara periods (710–794 CE) to produce initial five-story tasōtō pagodas using indigenous timber.^[24]^[25]

Evolution in Japan

During the Heian and Kamakura periods (794–1333 CE), Japanese pagoda designs evolved from the heavier, more monumental forms initially introduced from continental Asia toward slimmer, more elegant structures that emphasized verticality and grace, adapting to local climatic and aesthetic needs. This shift was particularly evident in wooden multi-story pagodas, where proportions became less massive, with narrower bases and extended eaves to create a lighter appearance. A significant innovation during the Heian period was the development of the tahōtō style, a compact two-storied pagoda featuring a square lower level surmounted by a cylindrical upper section and a conical roof, closely tied to the rise of esoteric Buddhism through the Shingon and Tendai sects.^[26]/13:_Japan_Before_1333_CE/13.03:_The_Heian_Period) Construction techniques advanced with the widespread adoption of nail-less interlocking wooden joints, known as kigumi, which allowed for flexible assembly using mortise-and-tenon connections and brackets (kumimono) to distribute weight and absorb shocks. This modular approach, formalized in the Kiwarihou system of proportional design using the shi module (approximately 0.127 meters), enabled precise scaling and structural integrity, as demonstrated in the three-storied pagoda at Jōruri-ji Temple, constructed around 1178 CE during the late Heian period. Pagodas were integrated into temple complexes via the shinden-zukuri layout, a symmetrical arrangement originating in Heian aristocratic architecture, where the pagoda served as a focal point aligned with the main hall (kondō) and connected by covered corridors to enhance ritual processions and spatial harmony.^[27]^[28] From the Muromachi to Edo periods (1336–1868 CE), these designs were refined further, with enhanced earthquake-resistant features built into the interlocking joint systems and flexible wooden frameworks that permitted swaying without collapse, a critical adaptation given Japan's seismic activity. The growing influence of Zen Buddhism during the Muromachi period spurred architectural simplicity and introspection, leading to the proliferation of stone pagodas alongside traditional wooden ones, often as durable, minimalist markers in temple precincts and gardens. Examples include refined five-storied wooden pagodas like that at Tō-ji, rebuilt in 1644 CE, which incorporated layered bracketing for added stability.^[28]^[29]

Decline in prominence

From the 12th century onward, the prominence of pagodas in Japanese temple architecture diminished due to evolving Buddhist doctrines and practical challenges. The rise of Amidism (Jōdo-shū), emphasizing devotion to Amida Buddha through faith and recitation rather than relic veneration, reduced the ritual centrality of pagodas as reliquaries. Similarly, the emergence of Zen (Sōtō and Rinzai sects) prioritized functional meditation halls (zenshitsu) and simpler temple designs over towering stupa-like structures, reflecting a shift toward introspective practice.^[30]^[25] This doctrinal evolution was exacerbated by widespread destruction from natural disasters, which rendered many pagodas impractical and outdated. Frequent fires and earthquakes, such as those in the 12th to 16th centuries, devastated wooden pagodas across Japan, leading to costly reconstructions that temples increasingly avoided in favor of more durable main halls (kondō). By the late medieval period, pagodas were often omitted from new temple complexes (garan), symbolizing a broader move away from their original role as central ritual towers.^[8]^[31] Even earlier, during the Heian period (794–1185), pagodas had begun transitioning to peripheral positions within temple layouts, underscoring their declining status. At Tō-ji in Kyoto, for instance, the five-story pagoda, rebuilt in 1644 after earlier fires, stands to the southeast of the main kondō, illustrating how the central axis shifted toward worship halls amid localization of Buddhist architecture.^[31]^[25] In the modern era, the Meiji Restoration of 1868 accelerated this decline through secularization policies, including the haibutsu kishaku movement that suppressed Buddhism and destroyed thousands of temples, halting new pagoda construction. Preservation efforts gained momentum in the 20th century, with major restorations like that of Hōryū-ji's pagoda in the 1930s, transforming surviving structures into national cultural treasures rather than active religious sites.^[32]^[33]

Types of pagodas

Multi-story pagodas (tasōtō)

Multi-story pagodas, known as tasōtō, embody the quintessential tiered tower form in Japanese Buddhist architecture, with each story featuring a distinct, curved roof that diminishes in size upward, creating a graceful silhouette. These pagodas typically consist of an odd number of stories, usually three, five, or seven, reflecting Buddhist symbolism of ascending realms toward enlightenment; the even progression of roofs contrasts with the odd total to emphasize spiritual harmony.^[9]^[34] A defining structural element is the shinbashira, a slender central pillar—often a single tree trunk—extending from a buried foundation stone through the pagoda's core to support the finial spire (sōrin). This pillar allows independent movement of the floors during earthquakes, acting as a flexible axis that dissipates seismic energy and prevents catastrophic failure, a critical adaptation in Japan's volatile terrain. In early examples, the shinbashira was anchored deep underground, up to 3 meters, with octagonal shaping below the roofs transitioning to circular above for aesthetic and functional balance.^[10]^[35] Wooden tasōtō are constructed using precision joinery techniques, such as mortise-and-tenon interlocking, eschewing nails entirely to permit subtle flexing and ensure longevity; hinoki cypress (Chamaecyparis obtusa) is the preferred material for its rot resistance and straight grain. The Five-Story Pagoda (Gojū-no-tō) at Hōryū-ji Temple exemplifies this tradition, erected in 711 CE during the late Asuka period as part of Prince Shōtoku's original temple complex; at 32.5 meters tall, it is the world's oldest surviving wooden pagoda, with its shinbashira sourced from a tree felled in 594 CE and flexible joints enabling survival through multiple seismic events.^[36]^[35]^[10] Stone variants, termed tajūtō, adapt the tasōtō form in compact, durable iterations, usually 3 to 5 tiers high and under 3 meters tall, prioritizing permanence over scale. Emerging prominently in the Kamakura period (1185–1333), these were often commissioned as memorials or funerary markers, carved from granite with simplified roofs and motifs like lotus bases to evoke relic veneration without interior space. Notable examples include the 13-tiered tajūtō at Rokutan-ji Temple in Osaka (dating to the mid-8th century), which illustrates the shift toward esoteric Buddhist commemorative uses in rugged terrains where wood was impractical.^[20]^[37]

Treasure pagodas (hōtō and tahōtō)

Treasure pagodas, known as hōtō and tahōtō, represent a distinctive category of Japanese Buddhist architecture designed primarily to enshrine sacred relics, sutras, or treasures, differing from the taller multi-story pagodas by their compact, two-roofed forms that emphasize symbolic containment over vertical grandeur.^[38] These structures emerged during the Heian period as part of the esoteric Buddhist traditions, particularly influenced by the arrival of Shingon and Tendai sects, and were intended to house precious items like the Jeweled Pagoda Sutra, reflecting mandala-like cosmological symbolism.^[39] Unlike the multi-story tasōtō, which draw from Chinese pavilion styles, hōtō and tahōtō incorporate indigenous Japanese innovations for durability and ritual function.^[40] The hōtō, or jeweled pagoda, originated in the late 8th to early 9th century, featuring an octagonal base supporting square upper stories, topped by two roofs where the lower one is significantly larger and often pyramidal, creating a balanced, jewel-like profile suited for enshrining sutras.^[38] This form was developed to protect sacred texts and relics, aligning with the esoteric emphasis on hidden treasures in Buddhist cosmology, and early examples were constructed in wood, though few survive intact due to fires and reconstructions.^[39] A representative wooden hōtō stands at Yakuō-ji Temple in Tokushima Prefecture, illustrating the style's compact scale, typically under 20 meters tall, which prioritizes symbolic enclosure over imposing height. The tahōtō evolved from the hōtō in the 9th century, closely tied to Shingon Buddhism's temple layouts as one of the seven essential halls (shichidō garan), with a square base, two roofs, a square lower section, and a cylindrical upper body that evokes the dual emergence of buddhas in the Lotus Sutra.^[41] This design symbolizes the union of Taho Nyorai (Prabhutaratna Buddha) and Shakyamuni, central to Shingon rituals, and includes variants like the larger daitō or great tahōtō, which expand to five bays per side for greater presence.^[42] while the oldest surviving wooden daitō at Negoro-ji Temple in Wakayama Prefecture, built in 1547, exemplifies the form's enduring use for relic veneration.^[43] In later periods, particularly from the Kamakura era onward, both hōtō and tahōtō were increasingly built in stone for permanence, especially in mountainous or coastal sites prone to earthquakes and fires, allowing them to serve as durable markers of esoteric teachings amid the decline of wooden mega-structures.^[40] This shift to stone construction enhanced their role as treasure repositories, with dimensions often limited to 3-5 meters in height for smaller variants, underscoring their function as intimate ritual objects rather than communal landmarks.^[38]

Commemorative and stupa-like pagodas (gorintō, sōrintō, sotōba)

Commemorative and stupa-like pagodas in Japan represent simplified adaptations of the Indian stupa, primarily serving memorial functions within Buddhist practices. These structures emphasize verticality and symbolic stacking to evoke the five elements of Buddhist cosmology—earth, water, fire, wind, and void—often constructed from stone for durability in cemetery or temple settings. Unlike multi-story pagodas, they prioritize esoteric symbolism over grandeur, emerging as key elements in funerary rituals from the Heian period onward. Stone materials dominate their construction, reflecting a shift toward permanent memorials in medieval Japan.^[44] The gorintō, or five-ringed tower, originated in the mid-Heian period (794–1185) and became a hallmark of Shingon and Tendai sects for grave markers and cenotaphs.^[44] It features five stacked stone elements, each embodying one of the five great elements (godai): a cubic base for earth, a spherical section for water, a pyramidal form for fire, a hemispherical layer for wind, and a jewel-shaped top for void (kū), symbolizing the impermanence of existence and the path to enlightenment.^[45] Typically 2–3 meters tall, gorintō were erected to house relics or ashes, promoting the repose of the deceased through esoteric rituals. A representative example stands at Kōfuku-ji in Nara, illustrating their integration into prominent temple complexes as memorials.^[46] Their geometric precision underscores a uniquely Japanese interpretation of stupa architecture, blending cosmology with funerary art.^[20] Sōrintō, emerging during the Muromachi period (1336–1573), are slender stone towers emphasizing the sōrin finial, often resembling an inverted gorintō in form.^[47] Comprising primarily a central pole surmounted by the ornate sōrin—a vertical shaft with rings, crescent, and jewel—these pagodas measure under 2 meters and function as minimalist memorials or boundary markers in temple grounds. Their design highlights the sōrin's role in channeling spiritual energy, drawing from earlier pagoda traditions while simplifying to focus on the finial's protective symbolism against calamity. Sōrintō are less common, appearing mainly in esoteric contexts to commemorate vows or enshrine sutras.^[47] Sotōba, introduced from the Kamakura period (1185–1333), are flat, vertical slabs—typically wooden but sometimes stone—with five horizontal tiers notched or inscribed to represent the five elements, placed at cremation sites or graves.^[37] Derived from the Sanskrit "stūpa," these markers bear the deceased's name, death date, and protective mantras or excerpts from sutras like the Lotus Sūtra, serving as temporary offerings during memorial services to aid the soul's passage. Often 1–2 meters high and arranged in sets behind gravestones, sotōba embody impermanence (mujō) through their biodegradable wood, which is replaced annually in some traditions. Their use spread with Pure Land Buddhism, making them ubiquitous in Japanese cemeteries as accessible commemorative devices.^[37]

Other specialized forms (hōkyōintō, muhōtō, kasatōba)

The hōkyōintō, a specialized stone pagoda variant, features a square base and body supporting multiple four-sided, tiered roofs that evoke the multi-story tasōtō but in a compact, vertical form typically standing 3 to 5 meters tall.^[48] Originating in the Heian period (794–1185) as repositories for the Hōkyōin Darani Sutra—a protective Buddhist text—these pagodas transitioned to stone construction during the Kamakura period (1185–1333), when they became common as cenotaphs or memorials for Buddhist figures while still housing scriptures.^[48] Architecturally, the structure includes a low rectangular foundation, a square shaft often inscribed with Sanskrit characters or Buddha images, a stepped pyramidal "umbrella" roof with projecting wings, an inverted bowl-shaped element, lotus petal supports, a nine-ringed finial (kurin), and a jewel-like top (hōju), blending Indian stupa influences with Japanese adaptations like curved window frames derived from wooden prototypes.^[49] A notable early example is the 1259 hōkyōintō in Nara's Arisatochō, exemplifying the form's shift to durable stone for ritual enshrinement.^[48] The muhōtō, also called rantō or "egg tower," represents a non-tiered pagoda type distinguished by its smooth, rounded silhouette, often hexagonal or octagonal at the base, rising to an egg-shaped dome without the projecting eaves or stories of conventional designs.^[50] Emerging in the Heian period but surviving primarily from the Muromachi (1336–1573) and Edo (1603–1868) periods, these pagodas were initially associated with the Zen sect before wider adoption, serving as grave markers for Buddhist priests to denote their burial sites.^[50] Key features include a tall octagonal or hexagonal pedestal with lotus motifs, a central shaft transitioning to a seamless, phallic-symbolic dome symbolizing enlightenment, and sometimes a surrounding lotus petal ring; the form's simplicity contrasts with ornate tiered pagodas, emphasizing esoteric continuity in priestly commemoration.^[50] Kasatōba pagodas, miniature in scale at about 1.5 meters high, consist of a square stone post on a base, capped by stacked pyramidal roofs resembling umbrellas, often numbering five, with a bowl-shaped element and finial at the apex.^[51] Dating from the medieval Kamakura period onward, these structures functioned as grave markers for lay Buddhists, providing a modest ritual form for memorialization and protective devotion through inscriptions of sutras or deities.^[51] Distinctive elements include low-relief carvings of Buddhist figures on the shaft and, in some variants like butsugan kasatōba, rotatable stone wheels for prayer rituals; their paired placement in temple grounds enhanced symbolic safeguarding.^[51] A representative medieval specimen is the 1333 kasatōba at Ryūmonji in Nara, showcasing the form's enduring role in funerary practices.^[51]

Materials and construction

Wooden construction techniques

Wooden pagodas in Japan are primarily constructed using hinoki (Japanese cypress), a softwood valued for its straight grain, lightweight nature, and exceptional durability against humidity, insects, and decay. This material's natural oils provide resistance to rot and pests, allowing structures to endure for centuries when properly maintained. Hinoki's strength increases over the first 200 years after felling, making it ideal for load-bearing elements like columns and beams in humid climates.^[52] Construction relies on sophisticated interlocking joint systems, known as tsugite and shiguchi, which connect wooden members without nails, glue, or metal fasteners, enabling disassembly for repairs and enhancing flexibility. These joints, such as daimochi tsugi for shear resistance and nuki joints for column-beam connections, distribute loads evenly and accommodate wood's natural expansion and contraction. Layered bracketing systems, called tokyō, form complex assemblies of bearing blocks (daito) and bracket arms (hijiki) atop columns, supporting the weight of wide, multi-tiered tile roofs while allowing elastic deformation during lateral forces. This bracketing not only projects eaves outward for aesthetic and protective purposes but also contributes to overall structural stability in temples and pagodas.^[53]^[54] A key innovation for seismic resilience is the shinbashira, a flexible central wooden pole extending from the foundation to the finial, often made from a single hinoki trunk. Suspended slightly within the structure, it acts as a pendulum, swaying independently to absorb and dissipate earthquake energy, preventing collapse by countering the independent movement of floors and walls. This design, evident in multi-story pagodas, allows the building to flex without fracturing, a principle rooted in ancient engineering that has preserved many structures through Japan's frequent seismic events.^[55] Despite these advancements, wooden pagodas face vulnerability to fire, mitigated by heavy ceramic tile roofs that protect the timber framework from sparks and embers. Structures demand periodic repairs (kaikan), typically every 50-100 years, involving replacement of decayed elements while retaining original designs to ensure longevity. Recent examples include the major repair project on the five-story pagoda at Kōfuku-ji Temple in Nara, which began in July 2023 and is scheduled for completion in March 2031; this involves full disassembly, detailed inspection, and reconstruction using traditional techniques to maintain structural integrity and authenticity.^[56] Historical examples like the five-story pagoda at Hōryū-ji, originally built around 607 CE and rebuilt after a 670 CE fire, illustrate this cycle of reconstruction and maintenance, with the current form dating to the early 8th century and undergoing ongoing conservation since 1895.^[57]

Stone and other materials

Stone pagodas in Japan, known as sekitō, are typically constructed from durable natural stones such as granite or andesite, which are quarried and precisely carved into geometric forms before being assembled.^[58] These structures, often smaller than their wooden counterparts, rely on dry stacking without mortar, where individually shaped stones are fitted together through careful cutting to ensure stability, a technique that emphasizes craftsmanship and gravitational balance.^[37] This method became prevalent during the Kamakura period (1185–1333), when stone pagodas gained popularity for their longevity in temple settings, particularly for forms like the gorintō, which consist of five stacked elements symbolizing Buddhist cosmology: a square base for earth, a spherical section for water, a triangular prism for fire, a crescent for wind, and a jewel-shaped finial for space.^[37] Early examples of non-stone pagodas include those made from fired clay, used in miniature or votive forms from the 8th to 12th centuries as imitations of wooden temple structures, often placed as offerings or reliquaries.^[59] Bronze was employed for portable variants, such as small kasatōba stupas, which feature a simple square post on a base topped by a pyramidal roof and finial, allowing for easy transport in rituals or as personal devotional objects during the medieval period.^[37] In modern times, concrete has been adopted for replicas and new constructions, offering a moldable alternative that replicates traditional designs while enabling larger-scale or garden installations, as seen in contemporary temple restorations or ornamental pieces.^[60] The primary advantages of stone pagodas lie in their resistance to fire and organic decay, providing enduring permanence in fire-prone environments where wooden structures might fail, though their rigidity makes them less adaptable to seismic activity compared to flexible wooden frameworks.^[61] Clusters of gorintō at temples like those in Kamakura exemplify this durability, serving as memorials that withstand centuries of exposure while maintaining structural integrity through precise stone fitting.^[37]

Cultural and religious significance

Symbolism in Buddhism

In Japanese Buddhism, pagodas serve as profound symbols of the cosmic order, primarily representing Mount Meru, the sacred axis mundi at the center of the universe in Buddhist cosmology. This mountain is envisioned as a towering structure piercing the heavens and connecting the earthly realm to higher planes of existence, with the pagoda's multi-tiered form mirroring its stratified peaks and embodying the path from samsara to enlightenment. The tiers, particularly in five-storied tasōtō, often correspond to the five elements—earth, water, fire, wind, and space—illustrating the impermanence and interdependence of all phenomena, while also signifying progressive stages of spiritual ascent toward nirvana.^[30]^[25]^[37] The sōrin, the ornate finial crowning the pagoda, further amplifies this symbolism through its stacked rings, crescent moon, and crowning jewels, such as the hōju or wish-granting gem, which represent the dissemination of Buddha's wisdom and the illumination of truth across the cosmos. In esoteric traditions like Shingon Buddhism, pagodas such as the tahōtō hold significance in rituals honoring Dainichi Nyorai, the cosmic Buddha at the heart of Shingon esotericism.^[30]^[37]^[62] In Zen Buddhism, simpler stone pagodas, such as gorintō or sotōba, emphasize meditative focus through their minimalist forms, often placed in gardens or cemeteries to aid contemplation of transience and the five elements without elaborate ornamentation. Pagodas across sects also function as spiritual conduits by enshrining śarīra—relics of the Buddha or enlightened beings—or sacred sutras within their foundations, transforming them into vessels that channel divine energy and merit to devotees.^[37]^[63]

Role in temple complexes

In early Japanese Buddhist temple complexes, referred to as garan, pagodas occupied a prominent central position within the layout, typically situated alongside or in front of the kondō, the main worship hall housing principal Buddhist images. This arrangement reflected the pagoda's foundational role as a derivative of the Indian stupa, adapted through Chinese influences during the Asuka and Nara periods (6th–8th centuries). At Tōdai-ji, a key Nara-period temple established in 741 under Emperor Shōmu, the original design featured two seven-story wooden pagodas flanking the massive Daibutsuden (Great Buddha Hall), creating a symmetrical axis that underscored the temple's status as the head of the state-sponsored Kokubun-ji network and symbolized imperial patronage of Buddhism.^[64]^[65] The primary function of pagodas in these complexes was as repositories for relic veneration, enshrining sacred objects such as the Buddha's ashes, bone fragments, or other holy artifacts believed to embody spiritual power, rather than serving as venues for daily worship or sermons, which were reserved for the kondō and lecture halls. This distinction maintained the pagoda's sanctity as a quiet, elevated site for contemplative rituals, often accessible only to clergy, while integrating it into the broader garan ecosystem that included gates, corridors, and monastic quarters for communal religious life.^[66]^[31] As temple architecture evolved from the Heian period (794–1185) onward, pagodas gradually shifted to peripheral placements within expanding garan layouts, diminishing in size and centrality due to resource constraints, stylistic changes favoring larger main halls, and a broader diversification of Buddhist sects. This transition, evident in post-Nara reconstructions like the scaled-down pagoda at Tōdai-ji after its 1180 destruction, transformed pagodas from core structural elements into secondary features, often ornamental or memorial in nature, though they retained occasional ritual use during temple festivals or commemorative events.^[64]^[31]

Notable examples

Famous wooden pagodas

One of the most iconic surviving wooden pagodas is the Five-Story Pagoda at Hōryū-ji Temple in Nara Prefecture, constructed in 711 CE during the early Nara period following the temple's rebuilding after a 670 CE fire. Standing at approximately 32.5 meters tall, this structure exemplifies Asuka-period architectural simplicity with its straightforward proportions, multi-eaved design, and central pillar (shinbashira) that enhances seismic stability. As part of the Buddhist Monuments in the Horyu-ji Area, it was designated a UNESCO World Heritage Site in 1993, recognizing its status as one of the world's oldest wooden buildings and a testament to early Japanese Buddhist architecture.^[57] Another prominent example is the East Pagoda at Yakushi-ji Temple, also in Nara, erected in 730 CE during the Nara period. This three-story pagoda, reaching 33.6 meters in height, features unique intermediate eaves that create an illusion of six stories and subtle curved rooflines, contributing to its graceful silhouette and advanced joinery techniques. Remarkably, it is the only original structure at the temple to have survived multiple disasters, including a devastating fire in 1528 CE that destroyed much of the complex, underscoring the durability of its wooden framework. Included in the UNESCO World Heritage-listed Historic Monuments of Ancient Nara since 1998, it highlights the evolution of pagoda design in accommodating relics and symbolic elements.^[67] The five-story pagoda at Daigo-ji in Kyoto, dating to 951 CE, exemplifies the form's aesthetic harmony with flared eaves and bronze ornamentation.^[2] Preservation efforts for these ancient wooden pagodas remain crucial due to Japan's seismic activity and environmental factors, with ongoing maintenance ensuring their longevity. At Tō-ji Temple in Kyoto, the five-story pagoda—rebuilt in 1644 CE after earlier fires and standing as Japan's tallest wooden tower at 54.8 meters—reflects the balance between traditional craftsmanship and modern engineering to protect these national treasures for future generations. These interventions, guided by cultural heritage agencies, preserve original techniques like the elastic central pillar system.

Famous stone pagodas

The Okunoin cemetery on Mount Kōya, part of the sacred Shingon Buddhist complex founded by Kūkai in 816 CE, is home to extensive clusters of gorintō—five-tiered stone pagodas representing the elements of earth, water, fire, wind, and space—from the 9th to 19th centuries. As Japan's largest cemetery, it encompasses over 200,000 graves, with thousands marked by these gorintō that embody the interconnectedness of creation and honor Kūkai's enduring legacy as the originator of Shingon Esoteric Buddhism.^[68]^[37]^[69] Notable examples include towering structures up to 10 meters high, such as the one commemorating the wife of Tokugawa Hidetada, alongside graves of historical figures like Oda Nobunaga and Takeda Shingen from the Sengoku period (1467–1603).^[37] These monuments, often clustered along moss-covered paths amid ancient cedars, underscore the site's role as a place of eternal meditation and spiritual continuity.^[68] Sōrintō, a type of small pagoda consisting of only a pole and a sōrin finial, emerged during the Kamakura period (1185–1333) as commemorative stupa-like structures influenced by Zen minimalism. These stone pagodas served funerary purposes and reflect Zen Buddhism's emphasis on impermanence and enlightenment.^[34] In the post-World War II era, stone pagoda elements have appeared in modern commemorative contexts, adapting traditional forms for contemporary remembrance. The Atomic Bomb Memorial Mound in Hiroshima Peace Memorial Park, built in 1955, consists of a 16-meter-diameter earth mound topped by a small stone sōrin finial, housing the remains of over 70,000 unidentified victims of the 1945 atomic bombing. While diverging from classical designs, this structure symbolizes peace and resilience, drawing on pagoda iconography to honor the dead and promote global harmony.^[70]

References

[1]
[PDF] EARTHQUAKE RESPONSE OF ANCIENT FIVE-STORY PAGODA ...
The architectural style of the five-story pagoda was brought into Japan from India via China in the 6th century. In Japan no pagodas have ever suffered serious ...
[2]
[PDF] LANDMARK DESIGNATION REPORT - SF Planning
Apr 14, 2015 · Its design is based on a pagoda form developed during the 8th century during a period of artistic blossoming in Japan.
[3]
https://doi.org/10.3390/rel15060640
[4]
[PDF] From Tower to Pagoda: Structural and Technological Transition
The Yongningsi pagoda was the biggest pagoda known to us in Chinese architectural history: it was built in 516 and burned down in 534. The Description ofB ...
[5]
Asuka period, an introduction - Smarthistory
The Asuka period is Japan's first historical period, different from the prehistoric periods because of the introduction of writing via Korea and China.Missing: stupa Yakushi- 730
[6]
[PDF] Korean Contributions to Japanese Buddhism - CCU Digital Commons
Apr 4, 2018 · Japan from Silla. It has been generally accepted that the Buddhist arts of the Hakuhō period can be traced back to the Sui and Tang art of China ...
[7]
Yakushiji - World History Encyclopedia
May 29, 2019 · Originally founded in 680 CE at Fujiwara-kyo but then relocated to Nara in 718 CE, its famous three-storey East Pagoda is original.
[8]
Five-story Pagodas: Why Can't Earthquakes Knock ... - NIPPONIA
Jun 15, 2005 · Earthquakes occur frequently in Japan, but five-story pagodas keep standing, as beautiful today as they were centuries ago.
[9]
JAANUS / tou 塔
The shinbashira terminates above the ceiling. These pagodas are the first examples of the second and third story side pillars being place directly above the ...
[10]
JAANUS / shinbashira 心柱
### Summary of Shinbashira in Japanese Pagodas
[11]
JAANUS / sourin 相輪
### Summary of Sourin in Japanese Pagodas
[12]
JAANUS / gojuu-no-tou 五重塔
### General Architectural Features of Gojuu-no-tou (Five-Story Pagodas)
[13]
Buddhism in Japan - Asia Society
Traveling along this route, Mahayana Buddhism was introduced to Japan from Korea in the sixth century (traditionally, in either 538 or 552, as part of a ...Missing: transmission via
[14]
Early Japanese Buddhism - Brief History of Asuka, Nara & Heian ...
According to tradition, Buddhism was introduced to Japan in +552 (other sources say +538) when the king of Korea sent the Japanese Yamato 大和 court a small ...Missing: transmission | Show results with:transmission
[15]
Korean Impact on Early Japanese Buddhism - Photo Gallery
Countless Korean artisans, priests, scholars, & others came to Japan in the 6th and 7th centuries from Korea and played a big role in introducing Buddhism ...
[16]
The Influence of Baekje on Ancient Japan
Historical records as well as stone and metal artifacts show that many Koreans from Baekje introduced advanced culture and technology to Japan. In truth, the ...Ii Baekje And Japan Before... · Iii Baekje And Japan In The... · Iv Baekje And Japan In The...<|control11|><|separator|>
[17]
Understand timeline of Pagoda Introduction to Japan - StudyRaid
Mar 25, 2025 · Historical records cite 538 CE (Nihon Shoki) or 552 CE (Gango-ji Engi) as possible dates for the arrival of Buddhist scriptures and statues ...Missing: Tenpyō | Show results with:Tenpyō
[18]
Five-storied Pagoda | Horyuji Temple - 法隆寺
It was erected during the Asuka period (593–710) to enshrine sacred relics of the Buddha. The bones and ashes of Shakyamuni, the historical Buddha, were ...
[19]
https://timetravelturtle.com/japan/horyuji-temple/
[20]
The Background of Stone Pagoda Construction in Ancient Japan
Nov 15, 2021 · In this study stone pagodas from ancient Japan (7th to 9th centuries) were analyzed. The findings show that there are some apparently influenced by the Korean ...Missing: stupa ji 730 CE earthquake adaptation
[21]
Dōshō | Monk, Zen Master, Founder - Britannica
Oct 16, 2025 · Dōshō was a Japanese priest who helped introduce Buddhism into his country. Dōshō served as a temple priest at Gangō Temple, ...
[22]
In the news: The lasting impact of the monk Ganjin's voyage on Japan
Ganjin (688-763), known as Jianzhen in Tang-dynasty China, where he was one of the highest ranking monks, embodies the centuries-long relationship of Japan and ...
[23]
(PDF) The Influence of Tang Dynasty Buddhism on Japanese ...
Jianzhen's eastward journey profoundly influenced Japanese religious culture, while also having a broad impact on education, art, architecture, and the ...
[24]
The Evolution of Pagodas in China & Japan | UKEssays.com
May 5, 2017 · As the influence of Buddhism in China increased, the development of pagodas reached the summit during Tang dynasty (618A.D. – 907 A.D.) ...<|control11|><|separator|>
[25]
[PDF] TRACING THE ORIGIN OF JAPANESE PAGODAS ALONG THE ...
The origin of a Hokyointo is thought to be a small golden-pagoda made by a king of China at 10th century, who in turn followed the design of stupas by King ...Missing: definition Korea period Yakushi- 730 CE Tang earthquake adaptation scholarly sources
[26]
Types | Page 20 - SAH Archipedia
tahōtō. Buildings that replaced the pagoda in some temple complexes of Esoteric Buddhism; literally "many-jewelled pagoda", "pagoda of many tiers", or "multi ...
[27]
(PDF) Investigation into the Architectural Design of a Traditional ...
Aug 10, 2025 · This article presents an investigation into the architectural design of a traditional Japanese wooden pagoda (three-storied pagoda in Joruriji ...
[28]
[PDF] Architecture - Web-Japan.org
Historically, architecture in Japan was influenced by Chinese architecture, although the differences between the two are many. Whereas the exposed wood in ...<|control11|><|separator|>
[29]
Japanese Pagoda: Their History and Significance - Unseen Japan
Jul 19, 2021 · At its core, the idea of pagodas representing the living body of Buddha is consistent throughout many Buddhist sects. But over time and ...Why Japanese pagoda raise... · Where does the word pagoda...
[30]
Japanese Buddhist Architecture
Japanese Buddhist Architecture mainly includes the architecture of Buddhist temples which was influenced by the architectural styles from China.
[31]
The Meiji Restoration and the Secularization of Buddhism
Nov 2, 2023 · Japanese Buddhism developed into a secularized organization espousing doctrines far removed from the original teachings of Shakyamuni.
[32]
Five-Storied Pagodas, c. 1910-30. - Old Tokyo
“Conservation work at the site began in 1895, but culminated in 1934, when a massive restoration project at Hōryū-ji began. The project was interrupted during ...
[33]
Japanese Pagoda - japan box
Like the tahōtō it is named after the Buddhist deity Tahō Nyorai. Hōtō arose during the early Heian period, when the Tendai and Shingon sects first arrived in ...Missing: introduction esoteric
[34]
Five-storied Pagoda | Horyuji Temple
### Summary of Five-storied Pagoda at Hōryū-ji
[35]
[PDF] Traditional Japanese Architecture An Exploration Of Elements And ...
Iconic forms include the pagoda, characterized by multiple tiers and curved roofs, the torii gate marking shrine entrances, and the honden main hall, often ...
[36]
Five (5) Element Pagodas, Stupas, Steles, Gravestones, Three ...
The suirin of a five-story stone pagoda (gorin sekitō 五輪石塔) ... Kamakura period these pagodas were usually made of stone and used as funerary markers.Missing: tajūtō | Show results with:tajūtō
[37]
[PDF] The Historical Development of Japanese Capital Cities, their ...
Jun 6, 2004 · Heian-kyō, a new form of pagoda began to be built: the jeweled pagoda (宝塔, hōtō). It is characterized by a roughly hemispherical body with ...
[38]
[PDF] Performing the Jeweled Pagoda Mandalas
... origins of the jeweled pagoda mandala format, see Miya, Kinji Kinji hōtō ... Architectural History,” in A Companion to Asian Art and. Architecture, eds.
[39]
Chapter 33: Detailing the Garden: Towers and Ornaments
May 10, 2017 · Pagodas are adaptations of Indian burial stupas, and derive their religious symbolism from Buddhism. Although multi-storied pagodas (sōtō 層塔 ” ...Missing: tajūtō | Show results with:tajūtō
[40]
Japanese Traditional Architecture, Tahoto Pagoda
Oct 8, 2011 · Tahōtō is a two-story wooden pagoda, with a square first level and a circular upper story. It is one of the seven halls composing the ideal Shingon Buddhist ...<|control11|><|separator|>
[41]
Tahoto: a Japanese Pagoda - Buddha shop
Tahoto is a Buddhist pagoda with square lower parts, cylindrical upper parts, a mokoshi skirt roof, and a pyramidal roof, found in Shingon and Tendai temples.
[42]
About Negoroji-temple - 根来寺
Built in 1547, it is the largest and the oldest wooden Daito in Japan. Standing about 40 meters high, it is the central building on the temple grounds. One of ...
[43]
[PDF] Gorinto Pagoda (Seafaring Monument) A large, five-tier stone ...
The pagoda is 6 meters tall, making it one of the biggest in Japan, and is nationally designated an Important Cultural Property. A gorinto is a type of Buddhist ...
[44]
Chōgen's Vision of Tōdaiji's Great Buddha as Both ... - jstor
design known as gorintō (five element towers).20 “Five elements” refers to the five divisions, or “wheels,” that compose the tower's structure, each ...
[45]
Objects Placed inside the Statue of the Kōfukuji Nan'endō ... - NIRC
The use of relics and gorintō (five-element pagodas) as objects placed in Buddhist statues gained currency in the late twelfth century.
[46]
[PDF] tendai discourse on kami-buddha relations in fourteenth - IDEALS
The inscription on a pagoda called the sōrintō 相輪. 橖 built in the Western Pagoda area (saitō 西塔) designates Sannō with the name “the constellation of ...<|separator|>
[47]
https://www.ideals.illinois.edu/items/98571/bitstreams/315690/data.pdf
[48]
Buddhist Tower in Form of a Pagoda (Hokyointo)
The Hokyointo is an early stone pagoda from 13th century Japan, made of granite, with features from Indian stupas, and is 126 x 51 x 51 cm.
[49]
https://www.artic.edu/artworks/71783/buddhist-tower-in-form-of-a-pagoda-hokyointo
[50]
http://www.aisf.or.jp/~jaanus/deta/m/muhoutou.htm
[51]
[PDF] DURABILITY OF PLANTATION HINOKI - Proceedings.com
Hinoki is a preferred construction material due to its mechanical properties, durability, and aesthetic attributes [6][7]. Hinoki wood has a long history of use ...
[52]
Introduction of a practical usage and a basic interlocking joint system.
Traditional Japanese techniques use interlocking joints like 'Tsugite' and 'Shiguchi', and 'Daimochi' and 'Okkake-Daisen' joints, designed to accept wood's ...
[53]
Dynamic performance of bracket complexes used in traditional ... - NIH
Nov 11, 2019 · A bracket complex is a type of bearing system located on the top of a column and transmits the vertical load of the roof to the column.
[54]
[PDF] DESIGN OF EARTHQUAKE RESISTANT STRUCTURE ... - IRJMETS
The Shinbashira, or "central pillar," is a critical architectural element in traditional Japanese pagodas, renowned for their exceptional earthquake resistance.Missing: adaptation | Show results with:adaptation
[55]
Buddhist Monuments in the Horyu-ji Area
Rebuilding commenced almost immediately and continued into the early years of the 8th century. The structures are based on the Chinese bay system, a modified ...
[56]
[PDF] Japan's Monumental Antique Stone Pagodas - Schneible Fine Arts
Jul 28, 2025 · Key Characteristics of Japanese Stone Pagodas. Structural Anatomy ... Iconic Stone Pagodas Across Japan. The Five-Storied Pagoda of Hōryū-ji.
[57]
Miniature Pagoda - ColBase
This is a fired clay imitation of a wooden five-storied pagoda at a Buddhist temple. Clay pagodas like this one were made from the 8th to the 12th century.
[58]
https://www.schneiblefinearts.com/wp-content/uploads/2025/07/Japans-Monumental-Antique-Stone-Pagodas.pdf
[59]
How Japan spent more than a century earthquake-proofing ... - CNN
Jan 6, 2024 · This principle has been used in Japan for centuries. Many of the country's traditional wooden pagodas, for instance, have survived earthquakes ...Missing: Tang | Show results with:Tang
[60]
Great Mandala - Shingon Buddhist Intl. Institute: Teachings
The Mandalas represent, first of all, harmony and order; secondly, offerings and a focus point; and thirdly, wisdom and compassion.Missing: tahōtō dual
[61]
Sarira reliquaries from east and west stone pagodas of Gameunsa ...
In Buddhism, relics representing the cremated remains of the Buddha are called “sarira,” a word that originates from “śarīra” (in Sanskrit) and “sarīra” (in ...
[62]
Many-Jeweled Stupa Reliquary (Tahōtō shari yōki) | Cleveland ...
This miniature tower, painted with Buddhist deities on the interiors of the doors on each side, likely once held items considered to be sacred relics.
[63]
Tōdai-ji - Smarthistory
Eighth-century Tōdai-ji had two 9-story pagodas and a 50 x 86 meter great hall supported by 84 massive cypress pillars that used at least 2200 acres of local ...
[64]
[PDF] Hiratsuka Un'ichi (1895-1997) Japan Ikarugadera Temple in Early ...
Hiratsuka Un'ichi (1895-1997). Japan. Ikarugadera Temple in Early Autumn. 1942, Shōwa period (1926-1989) woodcut. 73.5 x 59.5 cm. Gift of Mark Roeyer.
[65]
East Pagoda - temple - 薬師寺
The pagoda is 33.6 meters high and is the only wooden structure to have survived fires and other disasters at the temple since it was first built over 1,300 ...
[66]
The eerie grave of 200,000 monks - BBC
Feb 24, 2022 · It was the misty and mossy Okunoin Cemetery, Japan's biggest at 2km-long and home to more than 200,000 graves of Buddhist monks who are said to ...
[67]
Koyasan (Mount Koya) - Japan Guide
Feb 7, 2025 · Mount Koya (高野山, Kōyasan) is the center of Shingon Buddhism, an important Buddhist sect which was introduced to Japan in 805 by Kobo Daishi ...Temple Lodging (Shukubo) · Okunoin Temple · Itineraries · Get There & AroundMissing: Gorintō | Show results with:Gorintō
[68]
Atomic Bomb Memorial Mound | 中国新聞ヒロシマ平和メディア ...
Remains of 70,000 rest in the vault. On top of the mound made of soil, 16 meters in diameter and 3.5 meters tall, stands a small stone pagoda, a decorative ...