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Altar

An altar is a raised structure or platform, often made of stone, wood, earth, or metal, used in religious contexts for offerings, sacrifices, prayers, or other rituals to honor deities or facilitate communion with the divine.^[1] These sacred sites typically feature a flat surface for placing items like incense, food, flowers, or sacrificial animals, and they symbolize a threshold between the earthly and spiritual realms across diverse cultures.^[2] In many traditions, altars are consecrated spaces that emphasize reverence, atonement, or thanksgiving, evolving from simple earthen mounds to elaborate architectural elements integrated into temples or homes.^[3] The historical use of altars dates back to antiquity, with archaeological evidence revealing their role in early sacrificial practices throughout the ancient Near East. In ancient Israelite religion during the Iron Age (circa 1200–586 B.C.E.), two primary types prevailed: the four-horned altar, a rectangular stone platform with projections at each corner used for binding sacrificial animals, and simpler earthen or uncut stone altars for basic offerings, as prescribed in biblical texts like Exodus 20:24–26 and Deuteronomy 27:1–8.^[4] Excavations at sites such as Tel Dan, Arad, and Megiddo have uncovered these structures, highlighting regional variations and the tension between centralized temple worship in Jerusalem and localized practices.^[4] In the broader ancient world, similar altars appear in Mesopotamian and Canaanite contexts, often elevated with steps for priestly access, underscoring their function in communal and imperial religious ideologies.^[5] In contemporary religions, altars remain central to worship. In Christianity, the altar represents the site of Christ's sacrifice and is the focal point for the Eucharist, transitioning from early references to Jewish temple altars in the New Testament (e.g., Matthew 5:23–24) to a dedicated table in churches, sometimes containing relics and adorned with cloths and candles.^[6] Hinduism features both temple and domestic altars, known as puja rooms or shrines, where families perform daily rituals with murtis (divine images), lamps, incense, and offerings to invoke blessings and maintain spiritual harmony, typically positioned in the home's northeast corner for auspiciousness.^[7] Across these and other faiths, such as ancient Roman paganism where inscribed altars dedicated to specific gods proliferated in public and private spaces, altars continue to embody devotion, community, and sacred encounter.^[8]

Introduction and Etymology

Definition

An altar is fundamentally a raised structure or designated place employed in religious rites, primarily for sacrifices, offerings, or acts of veneration directed toward deities, ancestors, or spiritual entities.^[9] This functional essence distinguishes altars as active sites of ritual engagement, where participants perform ceremonies to invoke divine favor, express devotion, or commemorate sacred events, rather than mere static memorials.^[9] In contrast to a shrine, which serves as a broader sacred locus for passive veneration—often housing relics, images, or symbols of holy figures and emphasizing remembrance or spiritual renewal—an altar emphasizes dynamic interaction through tangible acts like libations or oblations.^[10] Shrines may encompass altars as subsets, but the latter's core role lies in facilitating offerings to seek reciprocity from supernatural forces, underscoring a transactional element absent in shrine-focused piety.^[10] Across diverse traditions, altars exhibit universal elements in their construction and symbolism. Materials commonly include durable substances such as stone for permanence, wood for accessibility, or metal for ritual conductivity, chosen to endure repeated use while aligning with cultural aesthetics.^[11] Forms vary from flat, table-like platforms suitable for placing offerings to elevated pyramidal or horned designs that evoke ascent toward the divine, all serving the symbolic purpose of bridging the mortal and transcendent realms.^[9] Historically, altars have evolved from rudimentary earth mounds or ash accumulations—simple elevations marking holy ground—to sophisticated architectural features integrated into temples or worship spaces, reflecting advancements in ritual complexity and societal organization.^[9] This progression highlights their enduring role as mediators in human-divine relations, adapting to technological and theological shifts without losing their foundational ritual intent.^[9]

Etymology

The English word "altar" derives from the Latin altāre, meaning a high place or elevated table for sacrifices, which itself stems from altus, signifying "high." This etymological root reflects the physical elevation of such structures in Roman religious practices, where altars served as raised platforms for offerings.^[12]^[1] In Biblical Hebrew, the term for altar is mizbēaḥ (מִזְבֵּחַ), derived from the root zābaḥ (זָבַח), meaning "to slaughter" or "to sacrifice," emphasizing the site's role as a place of ritual killing for offerings. This contrasts with the Greek Septuagint translation thysiastērion (θυσιαστήριον), formed from thysia (sacrifice) and the suffix -tērion (denoting a place), literally indicating a "place of sacrifice" and highlighting a semantic focus on the act of offering rather than slaughter.^[13]^[14] The word entered English through ecclesiastical Latin, appearing in Old English as alter or altare around the pre-1150 period, primarily via Christian liturgical contexts, though native Old English used weofod for similar concepts. By Middle English (c. 1200), it evolved into forms like auter under French influence, with the Latin spelling restored in the 1500s, achieving widespread use by the 14th century in religious and general discourse.^[15]^[12]^[1] Cross-culturally, the Sanskrit vedī (वेदी), denoting a sacrificial altar or raised platform, originates from the root vid- ("to know" or "to see"), extended with the feminine suffix -ī, suggesting an enlightened or observed sacred space in Vedic rituals, with phonetic shifts over millennia adapting it to ritual contexts. In Japanese Buddhism, the term butsudan (仏壇) for a household altar combines butsu (Buddha) and dan (platform or altar), reflecting a semantic evolution from Chinese influences where tan denoted elevated ritual bases, emphasizing veneration of the Buddha in domestic settings.^[16]^[17]

Ancient Altars

Prehistoric and Near Eastern

The earliest evidence of altar-like structures emerges from the Pre-Pottery Neolithic site of Göbekli Tepe in southeastern Turkey, dated to circa 9600–8800 BCE through radiocarbon analysis of organic remains associated with the enclosures.^[18] Excavations directed by Klaus Schmidt from 1995 to 2014 uncovered at least 20 circular enclosures, each featuring pairs of massive T-shaped limestone pillars up to 5.5 meters in height and weighing over 10 tons, arranged in rings and embellished with anthropomorphic details such as arms, belts, and hands, alongside zoomorphic reliefs of foxes, snakes, and birds.^[19] These pillars are widely interpreted as proto-altars or ritual foci for communal gatherings among hunter-gatherer groups, potentially hosting feasting or symbolic offerings, as indicated by the absence of domestic structures and the presence of butchered animal bones within the enclosures, suggesting organized ceremonial activities that predated settled agriculture.^[18] In Mesopotamian civilization, altars evolved into more formalized platforms by the late fourth millennium BCE, particularly during the Uruk period (c. 4000–3100 BCE), where they served as bases for offerings in temple complexes dedicated to gods like Enki, the deity of fresh water and wisdom associated with the city of Eridu.^[20] Ziggurat precursors—massive stepped platforms constructed from mudbrick and sometimes faced with baked bricks—functioned as elevated altars atop which priests placed food, incense, and libations to invoke divine favor, as evidenced by cuneiform inscriptions and archaeological layers at Eridu revealing conical clay objects used in ritual deposits.^[21] By the Early Dynastic period (c. 2900–2350 BCE), simpler clay platforms within temple courtyards supplemented these ziggurats, facilitating animal sacrifices and grain offerings, including libations of beer and oil to sustain the gods' presence in urban sanctuaries like those at Uruk, as recorded in temple accounts.^[22] Further developments in the early Near East are seen in the Late Bronze Age (c. 1550–1200 BCE) cultures of Ugarit and Canaan, where stone altars were used for animal sacrifices, as documented in ritual texts and physical remains from sites along the Levantine coast. Excavations at Ugarit (modern Ras Shamra, Syria) uncovered evidence of sacrificial practices, accompanied by Ugaritic cuneiform tablets (e.g., KTU 1.40 and 1.41) detailing procedures for slaughtering bulls, sheep, and goats to deities like Baal and El, with meat distributed in communal feasts.^[23] Horned stone altars became standard for animal sacrifices at Canaanite sites, such as Megiddo and Hazor, typically rectangular with four protruding corners for securing sacrificial victims; these featured ash layers and cut marks on bones, underscoring their role in expiatory and thanksgiving rituals, while inscriptions on nearby stelae invoke divine protection through these offerings.^[24] Archaeological methods at sites like Ebla (Tell Mardikh, Syria), excavated extensively by Paolo Matthiae from 1964 to 2010, have illuminated the material and symbolic aspects of early Near Eastern altars during the Early Bronze Age (c. 3000–2000 BCE).^[25] Systematic stratigraphic analysis in Palace P4 and Temple of the Rock revealed low stone altars constructed from unhewn limestone blocks, often paired with basins for collecting libations, as in Locus 8 where a simple rectangular altar (1.2 meters long) showed burn marks from incense or small offerings.^[26] The use of unhewn stones symbolized the enduring, natural bond between humans and the divine, with cuneiform archives referencing rituals to gods like Kura that emphasized permanence through unaltered materials, as corroborated by comparative residue studies on altar surfaces.^[27] These findings, derived from controlled excavation techniques including geophysical surveys and pottery seriation, highlight how altars transitioned from ad hoc prehistoric arrangements to integral components of state-sponsored religion.

Greco-Roman and Egyptian

In ancient Egypt, altars primarily took the form of low offering tables situated within temple complexes, designed for presenting food and incense to deities. These structures, often made of stone or wood and elevated slightly on pedestals, facilitated daily rituals where priests placed bread, fruits, meats, and incense burners before gods such as Amun in temples like Karnak during the New Kingdom period around 1500 BCE.^[28]^[29] The tables symbolized abundance and divine nourishment, with scenes in temple reliefs depicting pharaohs or priests performing libations and offerings to sustain the gods' eternal life.^[30] Greek altars varied from temporary constructions to monumental permanent ones, serving as sites for public and private sacrifices to Olympian gods. Simple ash altars, built from piled earth, stones, or accumulated sacrificial remains, were common for one-off rituals, allowing blood and burnt offerings to seep into the ground as a connection to the divine.^[31] More elaborate examples included stepped platforms, sometimes with horn-like projections for securing victims, as seen in the Pergamon Altar dedicated to Zeus, constructed around 180–160 BCE under King Eumenes II; this massive U-shaped structure, measuring approximately 35 meters wide with a multi-tiered base, hosted large-scale public sacrifices celebrating Attalid victories.^[32] Roman altars, known as arae, evolved into sophisticated marble monuments emphasizing state and imperial cult, often enclosed within decorative screens for ceremonial processions. The Ara Pacis Augustae, dedicated in 9 BCE to commemorate Augustus's return from Hispania and Gaul, exemplifies this with its ornate enclosure featuring reliefs of imperial family processions and sacrificial scenes, underscoring themes of peace (pax) and divine favor. These altars supported rituals like libations of wine and milk, burnt offerings, and vows (vota), frequently inscribed with dedications to gods or emperors. Iconography on Greco-Roman and Egyptian altars commonly featured relief carvings and inscriptions depicting ritual acts, evolving from portable, utilitarian forms in earlier periods to fixed, elaborately decorated structures by the Hellenistic and Imperial eras. Egyptian tables bore hieroglyphic labels identifying offerings, while Greek and Roman examples showed priests pouring libations, slaughtering animals, or gods receiving gifts, as on the Pergamon Altar's Gigantomachy frieze symbolizing cosmic order and the Ara Pacis's floral motifs evoking fertility.^[33] This visual language highlighted the altar's role as a liminal space between human and divine realms, with portable altars used in military campaigns giving way to permanent temple fixtures for enduring civic piety.^[34]

Altars in the Ancient Near East

High Places

High places, referred to as bamot in Hebrew (singular bamah), were elevated outdoor worship sites in the ancient Near East, typically situated on natural hilltops or artificial platforms dedicated to sacrificial rituals for deities. These shrines functioned as decentralized centers of devotion before the establishment of centralized temple worship, often equipped with altars, standing stones (massebot), and sometimes sacred trees or poles representing fertility aspects. In the Hebrew Bible, bamot are described as locations for both legitimate Yahweh worship in early periods and illicit practices associated with Canaanite influences, such as Baal veneration, as seen in 1 Kings 14:23, where they are noted as sites built by the people of Judah under King Rehoboam for burning incense and sacrificing.^[35] Archaeological evidence highlights prominent bamot from the Iron Age, particularly in the northern kingdom of Israel during the 10th to 9th centuries BCE. At Tel Dan, excavations uncovered a large raised platform measuring approximately 18 by 19 meters, constructed with finely dressed stones, featuring a central altar area, monumental stairs, and associated standing stones; this site, established around 930 BCE by King Jeroboam I as an alternative to Jerusalem's temple, yielded pottery and burnt layers confirming its use for cultic activities into the mid-9th century BCE. In the Samaria region, similar installations have been identified, including enclosures on ridges like Dhahrat et-Tawileh (the Bull Site) from the 12th century BCE with large standing stones, stone altars for sacrifices, and incense burners (hammanim), reflecting widespread Iron Age practices across northern areas as described in 2 Kings 17:9–12. These sites underscore the bamot's role as open-air complexes blending local Semitic traditions.^[36]^[37] Rituals at bamot centered on open-air sacrifices, including burnt offerings and incense, often tied to fertility rites in Baal worship that involved symbolic elements like sacred poles (asherim). Prophetic figures vehemently condemned these practices for promoting idolatry; notably, the prophet Elijah orchestrated a dramatic confrontation on Mount Carmel, a high place, where he rebuilt a Yahweh altar, offered a bull sacrifice, and invoked divine fire to refute 450 prophets of Baal, leading to their execution and highlighting the tension between decentralized shrines and emerging monotheistic purity (1 Kings 18:21–40). Such events illustrate the bamot's association with both Yahwistic and syncretic rituals, frequently criticized in prophetic literature for deviating from covenantal standards.^[38] The prominence of bamot waned with King Josiah's religious reforms in 622 BCE, prompted by the discovery of a Torah scroll in the Jerusalem Temple, which mandated centralized worship. Josiah systematically destroyed high places throughout Judah and the former northern territories, including defiling the altar at Bethel and purging sites in Samaria and Galilee by removing their priests and idols (2 Kings 23:4–20; 2 Chronicles 34:6), thereby shifting Israelite practice toward exclusive temple-based observance and suppressing decentralized outdoor shrines. This reform marked a pivotal transition, effectively dismantling the bamot network by the late 7th century BCE.^[39]

Biblical and Pre-Judaic Sites

In the Hebrew Bible, the earliest references to altars appear in the patriarchal narratives, depicting them as simple, improvised structures erected in response to divine encounters and promises of land. According to Genesis 12:7, after arriving at Shechem near the great tree of Moreh around 2000 BCE during the traditional patriarchal period, Abraham built an altar to the Lord following a theophany in which God promised the land to his offspring.^[40]^[41] This altar, likely constructed from local stones or earth, served as a site for worship and thanksgiving, marking the covenantal relationship between the patriarch and God without elaborate design. Similarly, in Genesis 28:18-19, Jacob set up a stone pillar at Bethel—previously known as Luz—after dreaming of a ladder to heaven, anointing it with oil to consecrate it as a memorial to the divine presence and renaming the site "house of God."^[42]^[41] These patriarchal altars emphasized personal, nomadic devotion, contrasting with later centralized practices and reflecting a pre-institutional form of Israelite religion.^[43] The Mosaic tradition introduced more formalized altar specifications within the Tabernacle, as detailed in Exodus 27:1-8, where the bronze altar for burnt offerings was prescribed as a square structure five cubits long, five cubits wide, and three cubits high, made of acacia wood overlaid with bronze.^[44] Its four corners featured integrated horns of the same material, intended for securing sacrificial animals or applying blood, while utensils such as bronze pots, shovels, basins, forks, and firepans facilitated the rituals.^[45] The altar's hollow frame with acacia poles overlaid in bronze allowed for portability, underscoring its role in the wilderness wanderings before the Temple era, and it symbolized atonement through fire and blood sacrifices central to the covenant at Sinai.^[46] Pre-Judaic influences from neighboring cultures are evident in archaeological finds that parallel biblical altar features, indicating shared sacrificial traditions in the ancient Near East. The Mesha Stele, erected around 840 BCE by King Mesha of Moab, describes the conquest of Israelite territories and the acquisition of Yahweh's "altar-hearths" from Nebo as spoils dedicated to the Moabite god Chemosh, alongside references to human sacrifices that highlight regional practices of devotion through destruction and offering.^[47] Similarly, Philistine altars, such as a horned example unearthed at Tell es-Safi/Gath dating to the 9th century BCE, exhibit two protruding horns and a base groove akin to those in Exodus descriptions, suggesting Aegean-inspired designs adapted for animal sacrifices in Philistia.^[48] These artifacts demonstrate how altars functioned across cultures for ritual slaughter, with structural similarities implying cultural exchange or common Levantine origins prior to distinct Judaic centralization.^[49] Biblical altars incorporated symbolic elements tied to covenant rituals, such as anointing with blood to signify purification and dedication, as seen in Exodus 29:12 where sacrificial blood was applied to the altar's horns during consecration ceremonies.^[50] This act, repeated in Leviticus 8:15 for the Tabernacle's inauguration, underscored the altar's role in mediating between humanity and the divine through atonement, transforming it into a sacred boundary for offerings that ratified covenants like those with Abraham and Moses.^[51] Prohibitions against images further emphasized aniconism, as Exodus 20:4-5 forbade graven representations in worship to prevent idolatry, ensuring altars remained unadorned focal points for direct encounter with God rather than mediated through visuals.^[52] These elements collectively reinforced the altar's function in pre-Judaic contexts as a conduit for unadulterated covenantal fidelity.

Altars in Judaism

Biblical Altars

In the Hebrew Bible, altars (Hebrew: mizbeach, meaning "place of slaughter") served as central elements in Israelite worship, primarily for offering sacrifices to Yahweh, commemorating divine encounters, and facilitating atonement. These structures varied from simple earthen mounds to elaborate bronze constructions, reflecting evolving religious practices from nomadic to centralized temple-based cultus. Biblical texts describe altars as sites where heaven and earth intersect, with offerings symbolizing devotion, thanksgiving, or propitiation.^[53]^[54] During the patriarchal period, altars were temporary and erected in response to theophanies or acts of deliverance, emphasizing personal piety over institutional ritual. Noah built the first post-flood altar from clean animals to offer burnt sacrifices, eliciting divine approval (Genesis 8:20). Abraham constructed multiple altars, such as at Shechem upon God's promise of land (Genesis 12:7), near Bethel to call on Yahweh's name (Genesis 12:8), and at Hebron with Mamre (Genesis 13:18), often using uncut stones to mark sacred spaces. Isaac followed suit at Beersheba (Genesis 26:25), and Jacob at Bethel after his dream (Genesis 35:1-7), highlighting altars as memorials of covenantal encounters rather than fixed shrines. These early altars contrasted with Canaanite urban cult sites, underscoring Yahweh's initiative in revelation.^[53] Mosaic legislation formalized altar construction to prevent idolatry, mandating simple earth altars or those of unhewn stones for burnt offerings and peace offerings wherever God manifested his name (Exodus 20:24-25; Deuteronomy 27:5-6). Prohibitions against hewn stones or steps ensured humility and avoided pagan influences. In the tabernacle, the altar of burnt offering stood in the courtyard: a 5-cubit-square by 3-cubit-high structure of acacia wood overlaid with bronze, featuring projecting horns for blood application and a grating for fire (Exodus 27:1-8; 38:1-7). Adjacent was the golden altar of incense, 1 cubit square by 2 cubits high, placed before the veil in the Holy Place for perpetual priestly offerings symbolizing prayer (Exodus 30:1-10; 37:25-28). These facilitated daily sacrifices, including burnt offerings of herd or flock animals wholly consumed by fire for atonement (Leviticus 1:1-17; 9:23-24). Levites guarded the tabernacle to prevent unauthorized approach (Numbers 1:50-52).^[54] Solomon's temple featured a grander altar of burnt offering, 20 cubits square by 10 cubits high, cast in bronze and positioned in the courtyard for national sacrifices during dedications (1 Kings 8:64; 2 Chronicles 4:1). It supported increased offerings, including peace and grain sacrifices, reinforcing Jerusalem as the centralized worship site (1 Kings 9:25). Beyond official altars, bamot (high places) proliferated as elevated shrines with stone altars for sacrifices and incense, often on hills, in cities, or even valleys (1 Kings 3:4; 2 Kings 16:4; Jeremiah 7:31). Archaeological finds, such as the 8th-century BCE horned altar at Beersheba (possibly dismantled in Hezekiah's reforms) and platforms at Megiddo, corroborate biblical descriptions of these sites, which blended Yahwistic and Canaanite elements.^[55]^[56]^[57] Prophets and Deuteronomistic historians condemned bamot for syncretism, associating them with idolatry and child sacrifice (2 Kings 23:1-20; Amos 7:9), though earlier texts tolerated them pre-temple (1 Samuel 9:12-14). Reforms under kings like Hezekiah and Josiah destroyed these altars to centralize worship at the temple (2 Kings 18:4; 23:8), underscoring the altar's theological role in exclusive devotion to Yahweh. This evolution from decentralized patriarchal markers to a singular, regulated focal point of atonement shaped Israelite identity.^[56]^[57]

Synagogue and Modern Practices

Following the destruction of the Second Temple in 70 CE, Jewish practice shifted away from sacrificial worship, rendering traditional altars obsolete as the Torah mandates sacrifices only at the Temple site in Jerusalem.^[58] In synagogues, which emerged as centers of prayer and study, no physical altars are used for offerings, emphasizing instead communal Torah study and ethical observance.^[59] The bimah, a raised platform typically located at the center or front of the sanctuary, serves as the functional equivalent for key rituals, where the Torah scroll is read aloud during services.^[60]^[61] The aron ha-kodesh, or holy ark, stands as the primary sacred focal point in the synagogue, housing the Torah scrolls and positioned on the eastern wall facing Jerusalem to symbolize the direction of prayer.^[62]^[63] This ornate cabinet, often veiled and flanked by eternal lights, underscores the sanctity of the Torah without evoking sacrificial elements. Many synagogues also feature memorial tablets or plaques dedicated to Holocaust victims, listing names of those murdered whose graves remain unknown, serving as commemorative elements that honor communal loss rather than ritual sites.^[64]^[65] In modern Jewish denominations, practices vary regarding symbolic structures. Orthodox synagogues strictly avoid any physical altars or altar-like features to prevent emulation of Temple sacrifices, maintaining the bimah solely for Torah reading and leadership during prayer.^[59] Reform Judaism, while similarly eschewing sacrificial altars, occasionally incorporates the bimah as a symbolic platform for lifecycle events such as weddings or confirmations, adapting it to contemporary rituals without invoking ancient offerings.^[66] Contemporary debates within some Orthodox Jewish circles center on preparations for a potential Third Temple, exemplified by the Temple Institute, an Orthodox organization established in the 1980s in Jerusalem, which has constructed off-site replicas of sacred vessels, including a stone altar, to ready for future rebuilding.^[67] As of November 2025, the Institute continues these efforts, including preparations for the red heifer ritual with four candidates at Shiloh, aimed at producing ashes for purification necessary for Temple service.^[68] These efforts, aimed at fulfilling biblical prophecies, provoke discussions among Jewish scholars and communities about halakhic permissibility, political implications on the Temple Mount, and the balance between anticipation and current observance.^[69]

Altars in Christianity

Early and Western Traditions

In the early Christian era, from the 1st to 4th centuries, altars consisted primarily of wooden tables known as mensa, resembling everyday house tables and used in domestic house churches for the Eucharist amid persecution. These simple, portable structures facilitated the breaking of bread in private homes, as depicted in 2nd-century catacomb frescoes such as the "Fractio Panis" in the Catacomb of Priscilla.^[70]^[71] Following the Edict of Milan in 313 CE, which legalized Christianity, altars evolved into fixed stone constructions in public basilicas, often built over martyrs' tombs to honor relics; by the 6th century, stone had become the norm in the West, as decreed by the Council of Epaon in 517.^[70]^[72] A prominent example is the altar in Constantine's original St. Peter's Basilica, positioned above St. Peter's tomb with a confessio for viewing relics.^[70] In the Catholic tradition, the high altar remains the focal point for the Eucharistic sacrifice, typically freestanding and elevated on steps symbolizing ascent to God, with a tabernacle for reserving consecrated hosts to enable adoration and distribution to the sick.^[73]^[74] Reredos, ornate screens or backings emerging around the 12th century, adorn the rear, while side altars in chapels support votive Masses dedicated to saints, as exemplified by the tradition originating from the seven oratories surrounding the Basilica of St. John Lateran in the 5th century.^[70]^[73] Post-Vatican II reforms in the 1960s promoted "noble simplicity" and active participation, leading to freestanding altars separated from walls for versus populum orientation and reduced ornamentation.^[74] Canon law specifies fixed altars of natural stone for consecration, though dignified, solid wood is permitted for movable ones in certain contexts like the United States.^[74] Liturgically, the altar hosts consecration during Mass—where bread and wine become Christ's body and blood—and reservation in the tabernacle, marked by a perpetual lamp signifying divine presence.^[74]^[73] Western Protestant denominations adapted these forms with varying emphasis on symbolism. Lutheran altars often feature a prominent crucifix above or on the table to recall Christ's atoning sacrifice, paired with a pulpit to unite Word and sacrament in worship.^[75] Anglican churches employ a fixed altar table against the east wall, accompanied by a communion rail where communicants kneel to receive the Eucharist, underscoring sacramental grace.^[76] In Reformed traditions, the altar manifests as a simple, central, unelevated table to evoke the Lord's Supper as a communal meal rather than a sacrificial site, free from relics or excessive elevation.^[77] Unlike Eastern Orthodox rites with icon screens, these Western practices prioritize the altar's direct accessibility and Eucharistic centrality.^[71]

Eastern and Oriental Rites

In the Byzantine Rite, predominant in Eastern Orthodox Christianity, the altar is designated as the Holy Table (Greek: Hagion Bēma), a consecrated wooden structure positioned in the sanctuary behind the iconostasis, an elaborate screen adorned with icons that visually and symbolically separates the sacred space from the nave where the laity assemble. This arrangement underscores the mystical boundary between the earthly and divine realms, with the iconostasis evolving from the earlier templon barrier in Byzantine architecture during the 5th and 6th centuries. The Holy Table serves as the focal point for the Divine Liturgy, where the Eucharist is prepared and consecrated; it typically includes embedded relics of saints, a practice formalized by the Seventh Ecumenical Council in 787 to affirm the altar's sanctity through martyrdom's witness. An essential element is the antimension, a silk cloth depicting Christ's entombment with a saint's relic sewn into its corner, upon which the Liturgy is performed to ensure validity even in temporary settings.^[78]^[79]^[80]^[81] Among Oriental Orthodox traditions, altar designs reflect regional iconographic and material emphases while maintaining a veiled, inaccessible character. In the Armenian Rite, altars are often constructed from stone, engraved or adorned with crosses symbolizing the faith's foundational role in national identity, as seen in medieval khachkars (cross-stones) integrated into church architecture to evoke transformation through Christ's sacrifice. The Alexandrian Rite, as practiced in the Coptic Orthodox Church, features altars separated from the nave by a curtain rather than a solid iconostasis, emphasizing the veil's role in signifying the chasm between divine holiness and human imperfection, drawn closed during key liturgical moments to heighten the mystery of the Eucharist. Similarly, in the Syriac Orthodox tradition, curtain veils (known as sustoro) enclose the madbaha (altar area), drawn to conceal preparations and consecrations, thereby preserving the sanctity of the space and mirroring the Temple's inner veil. The Ethiopic Rite, part of the Alexandrian family, employs tabots—consecrated wooden or stone slabs representing the Ark of the Covenant—placed upon altars within sanctuaries often designed in a round form divided into three concentric circles imitating the ancient temple of Jerusalem, with the innermost circle reserved exclusively for clergy during the Divine Liturgy.^[82]^[83]^[84]^[85]^[86]^[87]^[88] Common across these Eastern and Oriental rites is the eastward orientation of altars, symbolizing the direction of Christ's anticipated Second Coming and the light of resurrection, with the priest facing east during prayers to align worship toward divine eschatology. Preparation rituals, such as the prothesis (Liturgy of Preparation) in the Byzantine tradition, occur at a side table where bread and wine are arranged symbolically as Christ's body and blood, emphasizing aniconic yet profound mystical preparation inaccessible to the laity. Lay access to the sanctuary is strictly prohibited, reserved for ordained clergy to maintain the altar's holiness, a demarcation rooted in early Christian temple symbolism where only priests enter the holy of holies. Variations include the Syro-Maronite Church, an Eastern Catholic rite blending West Syriac elements with Latin influences, where altars remain open without full screening, allowing visual participation while retaining Eastern preparatory veiling. In the East Syriac tradition of the Assyrian Church of the East, altars receive special emphasis through anointing with holy oil during consecration, invoking apostolic continuity and the sanctifying presence of the Holy Spirit in the Eucharistic offering.^[89]^[90]^[91]^[81]^[92]^[93]^[94]

Portable and War Altars

Portable altars in Christianity have long facilitated liturgical celebrations in non-traditional settings, particularly during military campaigns where fixed church structures were unavailable. In the medieval period, these altars were essential for bishops and clergy accompanying armies, allowing the Eucharist to be offered on the battlefield or in temporary camps. A notable early example dates to the 8th century, when monks of St. Denis carried a wooden table covered with a linen cloth as a portable altar during Charlemagne's campaign against the Saxons, underscoring the integration of worship into royal expeditions.^[95] Such altars were often constructed from lightweight materials like wood or stone slabs, sometimes adorned with precious metals or gems to house relics, ensuring their consecration and portability despite the era's logistical challenges.^[96] The tradition of portable altars intensified during the World Wars, evolving into specialized chaplain kits designed for frontline use. In World War I, British Army chaplains employed field Communion sets resembling briefcases, containing a chalice, paten, crucifix, stole, prayer book, ciborium, holy water vials, candles, and chrism oil, which could be arranged on makeshift surfaces for sacraments in trenches or field hospitals.^[97] Similarly, U.S. Catholic chaplains received comprehensive Mass kits from the Chaplains’ Aid Association, founded in 1917, each costing about $100 and including a portable altar stone with relics, crucifix, chalice, paten, vestments, and altar linens; over 22 such kits were distributed to priests in France by 1918, blending spiritual support with national patriotism.^[98] During World War II, these kits persisted, with foldable wooden or metal altars in compact cases—often lined with fabric and equipped with carrying straps—supplied to Catholic chaplains, enabling Masses in combat zones and aboard ships.^[99] For validity in Catholic rites, portable altars required specific consecrated elements, such as an altar stone embedding a saint's relic and a corporal—a linen cloth blessed by a bishop—to transform any surface into a sacred space.^[100] In modern contexts, these altars support field Masses in military chapels and deployments, where lightweight designs of oak or aluminum allow quick setup for troops facing extended separations from parishes.^[101] Post-2000, portable kits have also aided disaster relief efforts by Catholic chaplains, providing sacraments in devastated areas following events like hurricanes, though specific wartime precedents inform their utilitarian, durable construction.^[102]

Altars in Hinduism

Domestic and Vaidic Altars

In the Vedic tradition, the foundational altars were fire-based structures known as vedi, essential for performing yajna sacrifices as described in the Rigveda, composed around 1500–1200 BCE. These outdoor altars served as the ritual ground where offerings, including ghee poured into the consecrated fire, facilitated communication with deities and cosmic order.^[103] The construction of elaborate vedi involved precisely layered bricks, symbolizing the universe's structure, particularly in advanced rites like the Agnicayana, where the altar is built in the shape of a bird from 1005 bricks arranged in five layers representing the elements, seasons, and cosmic divisions to invoke divine reciprocity.^[104] Domestic altars in Hinduism, often called ghar mandir or home shrines, represent a personal extension of worship practices, typically featuring small platforms or shelves dedicated to deities such as Lakshmi for prosperity or family ishta devata. Daily puja at these shrines involves offerings of flowers, lit lamps (diya), incense, and food items like fruits or sweets, performed by household members to seek blessings and maintain spiritual harmony.^[105] These rituals emphasize devotion (bhakti) over elaborate sacrifice, with the altar acting as a focal point for morning and evening prayers that reinforce familial and ethical values.^[106] Home altars are commonly constructed from simple materials like clay for temporary setups during rites or durable metal and wood for permanent fixtures, elevated on low platforms to signify sanctity. Orientation toward the east is prescribed in traditional texts like the Vishnu Purana to align with the rising sun and auspicious energies, ensuring the worshipper faces the altar while invoking divine presence.^[107] These altars play a key role in samskaras, the life-cycle rites such as birth ceremonies (namakarana) or weddings, where they host simplified yajna elements like fire offerings to mark transitions and purify the individual.^[108] The evolution of altars from Vedic vedi to domestic forms occurred gradually during the post-Vedic period (c. 500 BCE onward), shifting from communal, outdoor fire sacrifices to intimate, indoor puja accessible to lay households without priestly mediation. This transition, prominent in the Puranic era (300–750 CE), democratized worship by incorporating iconography and simpler oblations, reducing reliance on animal or large-scale offerings. Tantric influences from the medieval period further enriched domestic practices by integrating esoteric mantras, yantras (geometric diagrams), and energy visualizations (shakti) into home rituals, enhancing personal empowerment and subtle body engagement without altering the altar's core simplicity.^[109]

Temple and Ritual Altars

In Hindu temples, known as mandirs, the central altar is located within the garbhagriha, the innermost sanctum sanctorum, which houses the primary murti or consecrated idol of the deity. This altar serves as the focal point for public worship, where devotees offer prayers and receive darshan, or divine vision, of the deity. A prominent example is the Venkateswara Temple in Tirumala, also called Tirupati Balaji, where the murti of Lord Venkateswara stands on a gold-plated platform within the garbhagriha, symbolizing divine opulence and eternal presence; the sanctum's outer walls and the Ananda Nilayam gopuram above it were gold-plated using 12 kilograms of gold donated by devotees in 1958, with further enhancements in the 1960s.^[110] Rituals performed at these temple altars emphasize devotion and purification, including abhisheka, the ceremonial anointing and bathing of the murti with substances such as milk, honey, water, and sandalwood paste to invoke the deity's blessings and cleanse negative energies. Aarti, the waving of lamps before the deity accompanied by chants and bells, follows abhisheka during evening worship, creating a mesmerizing display of light and sound that draws thousands of pilgrims. Major sites like the ghats of Varanasi along the Ganges River host elaborate Ganga Aarti rituals, where priests honor the river goddess with synchronized lamp offerings at Dashashwamedh Ghat, blending temple altar practices with riverine worship to affirm the Ganges' sacred status as a purifying force.^[111]^[112] Architecturally, temple altars are integrated into structures featuring multi-tiered vimanas, the towering superstructures over the garbhagriha, which in South Indian Dravida style rise as stepped pyramids with intricate carvings and finials, contrasting with the curvilinear shikhara towers of North Indian Nagara style that evoke a mountain-like ascent to the divine. Consecration follows Agama texts, ancient treatises like the Kamika Agama, which prescribe rituals such as prana pratishta—the infusion of life force into the murti—along with site selection, foundation deposits, and orientation using gnomon shadows to align with cosmic principles, ensuring the altar's spiritual potency. Regional variations reflect climatic and cultural influences: South Indian temples emphasize expansive enclosures with towering gopurams at entrances, as seen in Chola-era structures like Brihadisvara with its 66-meter vimana, while North Indian designs prioritize compact, beehive-shaped shikharas, such as those at Khajuraho.^[113]^[114] Since 1950, Hindu temple construction has expanded globally among diaspora communities, adapting traditional altar designs to new contexts while preserving Agama-guided consecration. Examples include the BAPS Shri Swaminarayan Mandir in London, inaugurated in 1995 as Europe's first traditional Hindu temple with a marble-carved garbhagriha housing murtis of central deities, and similar structures in North America like the Houston mandir opened in 2004. In Southeast Asia, India's Archaeological Survey of India has led post-1950 restorations of ancient Hindu sites, such as Angkor Wat in Cambodia, where efforts since 1986 have reinforced foundations and preserved its towers, revitalizing these altars for contemporary worship and cultural continuity.^[115]^[116]

Altars in East Asian Religions

Buddhism

In Buddhist traditions, altars serve as focal points for meditation, veneration of relics and images, and ritual offerings, evolving from early Indian worship spaces known as chaityas, which date to the 3rd century BCE during the reign of Emperor Ashoka.^[117] These rock-cut halls, such as those at Bhaja Caves, centered on stupas as reliquaries symbolizing the Buddha's presence, facilitating circumambulation and communal reflection without anthropomorphic images in the initial Theravada phase.^[117] As Buddhism spread along trade routes, it reached China by the late 1st century CE, where altars integrated with ancestral veneration practices; lay households adapted Buddhist icons alongside ancestor tablets, offering vegetarian meals and incense in place of traditional sacrifices to align with non-violent principles.^[118] By the 6th century, this syncretism had proliferated, with thousands of temples incorporating such hybrid home shrines across China.^[118] In Theravada Buddhism, prevalent in Southeast Asia, altars often manifest as elevated bases or pedestals within temple complexes, housing Buddha images and serving as reliquaries at the foundation of stupas. For instance, at Wat Phra Kaew in Bangkok, Thailand—the most sacred Theravada site—the Emerald Buddha statue rests on an 11-meter-high golden altar-like throne within the ordination hall (ubosot), surrounded by additional royal-commissioned Buddha figures for veneration and offerings.^[119] These structures emphasize the Buddha's teachings on impermanence (anicca), with transient floral and incense offerings reminding practitioners of the ephemeral nature of all phenomena.^[120] Mahayana and Vajrayana traditions adapt altars for more elaborate devotional practices, incorporating symbolic elements to aid visualization and enlightenment. In Tibetan Vajrayana, altars feature butter lamps—bowls filled with yak butter or oil, lit to represent wisdom dispelling ignorance—positioned among seven offering bowls containing water, flowers, and incense, arranged before central images of Shakyamuni Buddha or deities.^[121] Japanese Mahayana home altars, known as butsudan, are cabinet shrines containing painted scrolls of the Buddha and ancestral memorial tablets (ihai), where families perform daily rituals like bowing (gassho) and offering rice or fruit to honor both enlightened figures and forebears.^[122] These altars underscore anicca through perishable offerings, such as wilting flowers symbolizing life's transience.^[123] Across Buddhist altars, functions center on non-violent rituals promoting mindfulness and merit accumulation, including chanting sutras, burning incense to evoke purity, and presenting symbolic gifts like light and fragrance, without animal sacrifices that contradict the first precept against harming life.^[124] Such practices reinforce core doctrines like anicca, encouraging contemplation of change and non-attachment during meditation sessions.^[120] In Japan, butsudan occasionally blend with Shinto elements in syncretic households, though Buddhist altars remain distinct in their focus on enlightenment over deity propitiation.^[122]

Taoism and Shinto

In Taoism, household altars typically feature spirit tablets for ancestors and deities, symbolizing cosmic harmony through the three powers of heaven, earth, and humanity. These tablets serve as focal points for daily offerings, where incense is burned to purify the space and connect the living with spiritual forces across these domains.^[125] In temple settings, fumigation rites involve elaborate use of incense to sanctify the altar, invoking deities like the Three Pure Ones and facilitating rituals that align human actions with natural and celestial orders.^[126] Shinto altars, particularly the kamidana or god-shelf found in many homes, consist of a raised wooden shelf adorned with a shimenawa rope of twisted straw to demarcate sacred space and a sacred mirror (shinkyo) as the primary shintai, or object housing the kami spirit for invocation and daily worship.^[127] This setup allows practitioners to honor local or ancestral kami through simple rituals, emphasizing purity and harmony with nature. During seasonal matsuri festivals, temporary altars at shrines incorporate similar elements, with offerings placed to celebrate agricultural cycles or community events, such as the autumn harvest rites that reinforce communal bonds with divine forces.^[128] Taoist and Shinto altars share elements like incense burning for purification and offerings of sake or rice wine to express gratitude and seek blessings, often in portable forms during rituals such as Japan's New Year celebrations, where household kamidana receive special libations alongside temple visits.^[129] These practices highlight a mutual emphasis on ancestral and natural harmony, with incense smoke acting as a bridge between the material and spiritual worlds in both traditions.^[130] In modern urban settings post-World War II, Taoist altars have adapted through the proliferation of private dao tan in Chinese megacities, simplifying traditional structures to fit apartment spaces while maintaining core rites for personal spiritual balance amid rapid urbanization.^[131] Similarly, Shinto kamidana have seen simplifications in compact urban homes, with eco-spiritual revivals integrating environmental themes, such as enhanced nature kami veneration to address contemporary ecological concerns through shrine-based initiatives.^[132]

Altars in Revival and Indigenous Traditions

Norse Paganism and Ásatrú

In Norse paganism, sacred sites known as vé—often groves or enclosures—served as primary locations for altars, where rituals including sacrifices (blót) to deities such as Odin and Thor were conducted to ensure fertility, victory, and divine favor.^[133] These altars typically consisted of simple stone heaps called hörgr or turf constructions, upon which offerings like animal blood were placed or poured during ceremonies. A prominent example is the Uppsala temple complex in Sweden, dating to the 9th century, where every nine years large-scale sacrifices of humans, horses, and other animals occurred at a vé with associated altars, as described by the chronicler Adam of Bremen.^[133] Archaeological evidence supports the use of such altars in blót rites, including Gotland picture stones from the 8th-10th centuries that depict sacrificial scenes, such as figures offering victims on raised platforms interpreted as altars to Odin.^[134] Additionally, runic inscriptions on stone slabs, like the 7th-century Stentoften Runestone in Sweden, reference blót rituals involving offerings of goats and stallions for land fertility, suggesting these slabs functioned as altar-like memorials or dedicatory surfaces. These artifacts highlight the integration of altars into communal and seasonal worship in Iron Age Scandinavia. The revival of Norse paganism in modern Ásatrú, emerging prominently after the 1970s with organizations like the Ásatrúarfélagið in Iceland (founded 1972), reconstructs these traditions through outdoor vevis—contemporary vé sites—for blót ceremonies. Many inclusive groups, such as Ásatrúarfélagið and The Troth (founded 1987), emphasize ethical non-violence and reject animal sacrifices, offering mead, bread, or symbolic items in a communal horn-passing ritual to honor the gods, drawing inspiration from Eddic texts like the Poetic Edda for invocations and structure.^[135] This approach focuses on reciprocity, often described as the gifting cycle, to foster community and connection to ancestral practices, though some smaller or folkish groups may incorporate animal offerings where legally permissible.^[136] Key modern sites include kindred gatherings in the United States, such as those organized by The Troth in various states, and in Europe, like events by the Asatruarfélagið at natural outdoor venues in Iceland, where participants recreate blót to celebrate solstices and honor the Æsir.^[137] These assemblies, often in forests or fields to evoke historical vé, reinforce Ásatrú's emphasis on living in harmony with nature and the gods as described in the Eddas.^[138]

Neopaganism and Wicca

In Neopaganism and Wicca, altars serve as focal points for ritual magic, symbolizing the intersection of the mundane and divine realms. Emerging in the mid-20th century, these altars emphasize personal empowerment, elemental balance, and ethical harmony with nature, drawing from revived European folk traditions while adapting to contemporary values.^[139] Wiccan altars, particularly in the Gardnerian tradition founded by Gerald Gardner in the 1950s, are typically "working altars" equipped with specific ritual tools to facilitate spellwork and ceremonies. Central items include the athame (a double-edged ritual knife representing masculine energy and used to direct magical intent), the chalice (a cup for libations symbolizing the feminine and the womb of the Goddess), and the pentacle (a disc inscribed with a five-pointed star, invoking protection and the unity of the five elements: earth, air, fire, water, and spirit). These tools are arranged on the altar to reflect a quartered circle layout, dividing the space into four quadrants corresponding to the cardinal directions and elements—East for air (intellect), South for fire (passion), West for water (emotions), and North for earth (stability)—to invoke balance during rituals like circle casting. This setup, detailed in Gardner's foundational text Witchcraft Today (1954), underscores Wicca's duotheistic framework of God and Goddess polarities.^[139]^[140] In Neo-Druidism, a parallel Neopagan movement, altars often manifest as natural or reconstructed stone circles inspired by prehistoric sites, transforming landscapes into sacred spaces for communal rites. Practitioners frequently utilize Avebury's ancient stone circle in Wiltshire, England—Europe's largest Neolithic henge—as an outdoor altar for solstice celebrations, where stones serve as symbolic boundaries and focal points for invoking seasonal energies. During summer solstice rites (Alban Hefin), Druids gather at dawn to perform invocations, drumming, and offerings amid the megaliths, viewing the site as a "Druidical temple" that connects modern practice to ancestral reverence, as interpreted through 18th-century antiquarian influences like William Stukeley's works. This approach emphasizes ecological attunement over permanent fixtures, with temporary altars formed by arranging natural elements like flowers or crystals on the ground.^[141] Eclectic Neopaganism extends altar practices into highly personalized, DIY constructions that blend elements from multiple traditions, reflecting the movement's syncretic ethos. These altars might incorporate Wiccan tools alongside Celtic runes, Egyptian symbols, or even Norse motifs (such as briefly honoring deities like Freyja in mixed rituals), assembled from found objects, handmade crafts, or household items to create bespoke sacred spaces. Post-2000, online communities have amplified this trend, with forums and social platforms enabling practitioners to share virtual altar designs—digital collages or photo-shared setups—that adapt physical practices to remote or urban lifestyles, fostering global exchange of ideas. Scholarly examinations highlight how such altars embody "making things whole" through artistic expression, allowing individuals to weave diverse spiritual threads into cohesive personal narratives.^[142]^[143] Ethical considerations in Neopagan and Wiccan altars prioritize non-violence and sustainability, shifting away from historical animal sacrifices toward vegetarian or vegan offerings like fruits, grains, herbs, and incense to honor deities without harm. This aligns with the Wiccan Rede's principle of "harm none," emphasizing energy work—such as raising and directing personal or collective vitality through chants, visualizations, and tool manipulations—over physical bloodshed. Practitioners often consecrate plant-based items on the altar to symbolize abundance and reciprocity with nature, reinforcing a worldview where ritual efficacy stems from intention and ethical alignment rather than material destruction.^[144]^[145]^[146]

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Chapter V: The Arrangement and Ornamentation of Churches for the ...
In the Dioceses of the United States of America, wood which is dignified, solid, and well-crafted may be used, provided that the altar is structurally immobile.
[73]
Crucifixes in the Lutheran Church
Lutheranism has always considered the crucifix to be a powerful reminder of the sacrifice our Lord Jesus made for us and our salvation, on the cross.Missing: design liturgical
[74]
Table or Altar? - Center for Reformation Anglicanism
Jun 16, 2025 · They called it a “communion table” but not on “altar” - and it was wooden. Something is offered for sacrifice on an altar, but not on tables where meals are ...Missing: rail central sources
[75]
What Is an Altar (Part III)? The Ecumenical Dimension - Adoremus
Oct 25, 2022 · There is a visible central altar with a cross and, in most cases, candles, and the ambo or pulpit is placed to one side, usually on the left.
[76]
Iconostasis - OrthodoxWiki
The iconostasis is perhaps the most distintive feature of Byzantine Rite churches. It evolved from the Byzantine templon, originally a small rail without ...
[77]
Descending from the Throne: Byzantine Bishops, Ritual and Spaces ...
... altar or Holy Table, which stood in the center of the bema area. The Byzantines interpreted the altar in various ways simultaneously. As a “table,” it ...
[78]
(PDF) Icons made of relics. Creating holy matter in Byzantium
The tradition was formally established by the Seventh Ecumenical Council in 787, which mandated that authentic relics be preserved in every altar's foundation.
[79]
The Orthodox Faith - Volume II - The Church Building - Altar Table
The antimension usually contains a relic (normally a part of the body) of a saint which shows that the Church is built on the blood of the martyrs and the ...
[80]
(PDF) Altar Crosses in Romanian-Armenian Church Tradition
The research highlights the influence of Byzantine and Western artistic traditions on Armenian altar crosses in Romania. Armenian altar crosses in Romania ...Missing: scholarly | Show results with:scholarly
[81]
The Mystical Dimension in Armenian Church Architecture
May 9, 2025 · The abundant use of crosses—in plans, structures, and surfaces, is another. These features symbolize transformation through the Cross.
[82]
What is the significance of Veil/Curtain in an Orthodox Church?
Sep 18, 2017 · The first and most obvious meaning is separation. The chasm dividing God from humanity—nothing greater can be conceived. · The veil closing off ...
[83]
Behind the Iconostasis: Who May Enter Beyond It, and How We ...
Mar 18, 2015 · Even though in most Coptic Churches there is a curtain there instead of actual doors or a gate, the curtain is simply a covering and not to be ...
[84]
[PDF] 1 The Holy Qurbana: A Study Material Introduction
Veila (Syriac, meaning veil or curtain):. Veil or the altar curtain separates the Madbaha from the congregational seating area. The Veil is referred to as ...
[85]
THE DIVINE LITURGY According to the Rite of the Ethiopian (Ge'ez ...
It is generally round, divided into three concentric circles in ... Tabot or the altar is placed. Here, only the officiating ministers may enter ...
[86]
[PDF] THE LITURGY OF THE ETHIOPIAN CHURCH
To this day every Ethiopian Church has an Ark (Tabot) on the altar which is the focal point of worship. Ullendorff suggests that “Antiphonal singing as part ...
[87]
Why Do the Altars of Orthodox Churches Face the East?
Jul 15, 2022 · It is part of the ancient Sacred Tradition, in which the east (as opposed to the west), is a symbol of truth, light and goodness.Missing: prothesis access
[88]
House of God: What's Inside an Orthodox Church?
There is a Deacon Door on either side, and the center entrance which is called the Royal Door. A curtain or door, usually conceals the Altar when services are ...Missing: prothesis | Show results with:prothesis
[89]
Altar - OrthodoxWiki
It is the tradition of the Orthodox Church that the laity stand in the nave, and do not enter the sanctuary without reason. Only people whose ministry or ...
[90]
Maronite liturgy draws from Eastern and Western traditions
May 12, 2016 · The Maronite Qurbono is celebrated at an altar that is open to the church, not, as in the case in some Eastern liturgies, behind a screen. In ...Missing: fusion | Show results with:fusion
[91]
Common Statement on 'Sacramental Life'
Nov 24, 2017 · ... Assyrian Church of the East tradition make provision for the anointing of the sick. This anointing has to be administered by an ordained ...<|control11|><|separator|>
[92]
Assyrian Church's Theology of Icons: Part 1 - East Meets East
Sep 28, 2012 · The whole church prays the above Anthem, during the liturgy on the Feast of the Cross. When an altar is anointed the clergy read the rubrics ...
[93]
Portable Altars - McClintock and Strong Biblical Cyclopedia
The monks of St. Denis carried a table of wood, covered with a linen cloth. in Charlemagne's campaign against the Saxons. There were examples also of stone, ...
[94]
Dark Ages Worship on the Road: Portable Altars
Jul 15, 2015 · A portable altar was as important as swords and horses. Used at sickbeds, on Christian missions to pagan lands, and by invading armies.Missing: campaign 8th<|separator|>
[95]
Field Communion set | National WWI Museum and Memorial
Crucifix. A small cross with Christ enduring crucifixion that is worn, carried or displayed by the chaplain as a religious emblem of sacrifice and redemption.Missing: Tommy's | Show results with:Tommy's
[96]
Portable Mass Kits and American Catholics in WWI
May 24, 2022 · The altar, “fully equipped with the objects required to enable him to conduct religious services in the field in accordance with the ritual of ...Missing: Tommy's crucifix
[97]
WW2 Era | The Chaplain Kit
“Portable altar with three panels that fold into a compact, fabric-lined carrying case with a leather strap handle. Used by Father George R. Metcalf of St. Paul ...Missing: Tommy's | Show results with:Tommy's
[98]
Use of an Antimension in the Latin Church | EWTN
Dec 8, 2015 · ... altar stone containing a small relic. When celebrating outside of a church with a consecrated altar, a portable altar stone was used. After ...
[99]
A Gift to the Soldiers- Chaplain Brings Mass to the Frontlines | Article
Dec 20, 2009 · Celebrating Mass in the field for the soldiers gives them a chance to do that, when otherwise they would go months without the sacraments.Missing: chapels modern<|separator|>
[100]
Modern Portable Altars and Mass Kits - Sarah C. Luginbill
During World War I, U.S. Catholics launched an unprecedented initiative to supply portable Mass kits, including an altar stone, crucifix, chalice, ...Missing: British Tommy's
[101]
[PDF] VEDIC HINDUISM by S. W. Jamison and M. Witzel - Mathematics
Introduction*. The Vedic period is the earliest period of Indian history for which we have direct textual evidence, but even with this evidence it is ...
[102]
Mandapa of the Hindu temple and the VEDI Part 4 ... - Academia.edu
Yajna, a Vedic sacrificial ritual, involves offerings to the fire and reflects a spiritual exchange with deities. Vedi, the sacrificial altar, has evolved from ...
[103]
Home Rituals - BAPS Swaminarayan Sanstha
Home rituals include a vast array of daily practices of worship, such as, awakening the deity; bathing the deity physically or in mansi; offering adornments, ...
[104]
Puja – Religion 100Q: Hinduism Project - ScholarBlogs
Nov 25, 2015 · Scholars believe that puja became popular during the later puranic age of 300-750 C.E. (Cush, Robinson, and York 633). This period was known for ...
[105]
How should one set up a home altar (puja sthan)? - hinduvigyan.com
Oct 26, 2025 · A home altar should be placed in a clean, quiet area facing east or north as recommended in the Vishnu Purana. Essential elements include ...
[106]
[PDF] INDIAN CULTURE AND HERITAGE - DDCE Utkal University
Yajna, and Pitriyajna by daily chanting vedic mantras, offering ghee or clarified butter in fire, giving some portion of food to different creatures ...
[107]
[PDF] The Forgotten Continuum Between Sacred Groves, Tribal and Vedic ...
Jun 6, 2025 · Tantric influences, for example, added esoteric elements to temple symbolism. Sacred groves and tribal altars were among the earliest forms ...
[108]
Ananda Nilayam - Wikipedia
Ananda Nilayam (Abode of Happiness) is the gold-plated gopuram atop the inner sanctum of the Tirumala Venkateswara Temple. In Vaishnavism, gopurams of the ...
[109]
Purifying the soul: Exploring the Abhisheka ritual
Abhisheka ritual (also called Abhishekam ritual) is a Hindu ritual that involves the ceremonial bathing of a deity with sanctified substances.
[110]
Ganga Aarti In Varanasi - A Dance Of Light And Devotion
Jan 19, 2025 · The Ganga Aarti (often called the “Aarti of Ganga”) is a daily spiritual ritual held along the banks of the Ganges River, primarily at Dashashwamedh Ghat in ...Story and History of Varanasi... · Where is Ganga Aarti...
[111]
[PDF] Agamas&Indian-temples.pdf - POLITECNICO DI MILANO
This dissertation focuses on the study of the Hindu temples on which a large body of data is already available from the works of various historians, here it is ...
[112]
Indian Temple Architecture Explained: Dravidian, Nagara & Vesara ...
Apr 3, 2025 · The three primary styles of Indian temple architecture are Dravidian (South Indian temple architecture), Nagara (North Indian style), and Vesara (a fusion of ...
[113]
History and Milestones - BAPS Swaminarayan Sanstha
May 21, 1950 ... August 20, 1995 – BAPS Swaminarayan Mandir in London, the first traditional Hindu mandir in all of Europe, is inaugurated by Pramukh Swami ...
[114]
India restoring Angkor Wat temple in Cambodia: Jaishankar
Dec 11, 2022 · The Angkor Wat temple complex in Cambodia is being restored by India because our civilisation is not limited to India, but is spread across countries.
[115]
Buddhist monasteries - Smarthistory
During Ashoka's reign in the 3rd century B.C.E., the Mahabodhi Temple (the Great Temple of Enlightenment where Buddha achieved his knowledge of the dharma—the ...
[116]
[PDF] The Successful Integration of Buddhism with Chinese Culture
Apr 3, 2012 · The penetration of Buddhism into China and its subsequent amalgamation with the native religious culture formulate an interesting enigma.
[117]
Wat Phra Kaew (Temple of the Emerald Buddha) - Smarthistory
Aug 8, 2022 · Wat Phra Kaew (also known as the Temple of the Emerald Buddha) is arguably the most important Buddhist temple in Thailand.Missing: Theravada | Show results with:Theravada
[118]
The Three Basic Facts of Existence: I. Impermanence (Anicca)
It is this single and simple word Impermanence (anicca) which is the very core of the Buddha's teaching, being also the basis for the other two characteristics ...
[119]
Tibetan Altars
### Summary of Tibetan Buddhist Altars (Vajrayana Tradition)
[120]
The Butsudan: A Family Buddha Altar | SOTOZEN.COM
The inside of the altar represents Mt. Sumeru, the world where Buddha resides, and Shakyamuni Buddha is the main image enshrined in the center of the altar.
[121]
[PDF] Rites Of Passage In Buddhism
Offerings: Flowers, incense, candles, and food offerings symbolize impermanence, purity, and generosity. Physical Acts: Shaving the head, prostrations, and ...
[122]
THE BASIC TEACHING OF BUDDHA
Buddhists bow or make offerings of flowers and incense in reverence to the Buddha, not to the image. When they do so they reflect on the virtues of the ...Missing: functions | Show results with:functions<|control11|><|separator|>
[123]
Settling the Dead: Beliefs Concerning the Afterlife - Asia for Educators
Families burned incense every day on the domestic ancestral altar, which houses the family spirit tablets in hierarchical order. In front of the tablets ...<|separator|>
[124]
Ceremonial Forms of the Taoist Altar - Learn Religions
Jun 25, 2019 · Central to ceremonial forms of Taoist practice is the Taoist altar—the external representation of both Taoist cosmology and of the Internal ...Missing: fumigation rites
[125]
Incense and ritual plant use in Southwest China: A case study ...
Dec 13, 2011 · Fumigations at temples. Communal incense use usually takes place on special occasions, such as ceremonies in temples. Both incense sticks and ...<|separator|>
[126]
mirror | British Museum
This altar represents worship of Amaterasu no mikami through the mirror on a stand, her vehicle (literally a representation of the sun). Kamidana altars are ...
[127]
Religions - Shinto: Shinto festivals - Matsuri - BBC
Sep 16, 2009 · Matsuri are Shinto festivals for offering thanks, combining solemn rituals with joyful celebrations, processions, performances, and feasting, ...
[128]
What are shinto offerings? - Living Guide in Japan
Jul 8, 2024 · Shinto offerings, called o-sonaemono or shinsen, are made to deities for blessings. Common offerings include rice, sake, and salt/water.Missing: Taoism shared incense
[129]
Taoist Incense Culture - 道教香文化 - Dao World
Feb 13, 2022 · It is recommended to use cypress wood incense, cedar incense, agarwood incense, or some incense according to the incense recipe. It should be ...Missing: fumigation rites
[130]
Temples and Taoist in Modern Chinese Cities
One of the religious mutations in modern Chinese cities, especially in megacities, is the creation of private Taoist altars (dao tan) that offer religious ...
[131]
(PDF) Shinto & Ecology - Academia.edu
This research investigates the potential of the Japanese belief system Shinto as to responding to ecological issues.
[132]
Pagan Religious Practices of the Viking Age - Hurstwic
Adam wrote that every nine years, sacrifices of animals and men were made at the temple at Uppsala. Afterwards, the bodies of the victims were hung on trees by ...
[133]
Human sacrifices? - National Museum of Denmark
This scene carved onto a picture stone can be interpreted as a blót (sacrifice) to Odin. In the middle a person is apparently being sacrificed on an altar.
[134]
[PDF] Odinism/Ásatrú
Teutons worshiped their Gods and Goddess in holy groves and by sacred rivers and springs. Blots and other sacred rituals are generally performed outdoors today.Missing: Odin | Show results with:Odin
[135]
Blót | The Troth | Rituals in Asatru
Blót is the Old Norse word for “sacrifice.” Sacrifice is a ritual of offering a gift to the Gods wherein the gift itself is made sacred.
[136]
The Troth | Inclusive Heathenry
The Troth is an inclusive organization that brings together various traditions like Ásatrú and Norse Paganism, welcoming all who share its values. It is not a ...Join · Resources · How to Become Ásatrú · Heathen Essentials Course
[137]
The Asatru Alliance Homepage
The Asatru Alliance is a family oriented association of independent kindreds that practice an indiginous faith that originates before Christianity.Bylaws · Alliance Kindreds · The Role of the Gothar · Contact Us
[138]
[PDF] The Gendered Altar: Wiccan Concepts Of Gender And Ritual Objects
Berger contrasts Gardnerian-inspired. Wiccan traditions with feminist Witchcraft. “Wicca, as it came from England, requires the balancing of male and female ...
[139]
Gerald Gardner and the Creation of Wicca
Oct 10, 2025 · Gerald Gardner (1884–1964) provided the central inspiration for Wicca, as a modern, revived, form of Pagan witchcraft.
[140]
[PDF] 5 Authenticity, Artifĳice and the Druidical Temple of Avebury
The prehistoric stone circle complex at Avebury on the Wiltshire chalk- land of southern England is the largest of its kind in Europe (fĳigure 5.1). A 420-metre ...
[141]
https://eprints.bournemouth.ac.uk/33453/1/Gillings_Pollard_corrected_proof.pdf
[142]
Imagining a Virtual Religious Community: Neo-pagans on The Internet
This paper answers the seeming paradox of why neo-Paganism, a self-proclaimed nature religion, pervades cyberspace.
[143]
Perspectives: Sacrifice and Modern Paganisms - The Wild Hunt
Mar 14, 2014 · I've been trending toward using the term 'sacrifice' to refer to the whole large ritual in which formal offerings are made and blessings ...
[144]
Simple Witchery: Simple Offerings—What You Bring To The Altar
Nov 14, 2019 · Some cultural spiritual traditions may still call for live sacrifice, but most modern-day pagans do not engage in harming or killing living ...
[145]
[PDF] Pagan Ritual as a Means of Therapy and Self-Empowerment
The aim is to accept energy from these sources of spiritual energy, and use that spiritual power for self-empowerment and for changing reality. The ...