John Comer
John Comer (1 March 1924 – 11 February 1984) was an English comic actor best known for his portrayals of gruff, working-class everymen in British television sitcoms.[1][2] He achieved widespread recognition for playing Sid, the pragmatic café owner and husband to the domineering Ivy, in the long-running BBC series Last of the Summer Wine from its inception in 1973 until his death a decade later.[1][3] Comer also starred as the long-suffering Les Brandon, endlessly exasperated by his overbearing mother and wife, in the Yorkshire Television sitcom I Didn't Know You Cared across all four series from 1975 to 1979.[1][2] Born in Manchester, England, Comer entered the acting profession in the late 1950s, initially appearing in supporting roles that capitalized on his robust Lancashire accent and affable demeanor.[2] His early film credits included the role of a shop steward in the Ealing Studios satire I'm All Right Jack (1959), alongside Peter Sellers and Ian Carmichael, and a plainclothes police driver in the crime thriller Hell Is a City (1960).[2][3] Throughout the 1960s and 1970s, he built a steady career in television, with guest appearances in popular dramas and soaps such as Coronation Street, where he played multiple characters including the tailor Mr. Birtles in 1961 and a taxi driver in later episodes, as well as farmer Ernie Shuttleworth in Emmerdale Farm.[3][2] Other notable film roles encompassed a butcher in Heavens Above! (1963), a police constable in Rotten to the Core (1965), and a minor part in the ensemble war epic Battle of Britain (1969).[2][3] In his later years, Comer's health declined due to throat cancer, which severely impacted his voice and required his lines to be dubbed in his final television appearance during the 1983 Christmas special of Last of the Summer Wine.[4][5] He died of the disease on 11 February 1984 in Blackpool, Lancashire, at the age of 59.[2][5] Following his death, his character Sid was written out of Last of the Summer Wine off-screen, with the series continuing successfully for another two decades.[1][2] In 2013, Comer's family donated nearly £250,000 from his estate to support cancer care at Trinity Hospice in Blackpool, honoring his legacy amid his battle with the illness.[5]Early life and education
Childhood and family
John Comer was born on 1 March 1924 in Stretford, Lancashire, England, into a family of five children.[6] The family resided in the Manchester area, a hub of industrial activity during the interwar years.[6] Comer's early years unfolded amid the economic hardships of the Great Depression, which severely impacted working-class communities in northern England, including Stretford and surrounding Manchester districts where unemployment and poverty were widespread. He attended the Roman Catholic parish school in St Ann's, Stretford, from 1928 to 1939, receiving a basic education typical of the era's local institutions.[6] Central to family dynamics was Comer's relationship with his brother Tony, one of his four siblings; the brothers shared a close bond that later influenced their joint ventures in entertainment, beginning with informal performances in local venues during the 1930s and 1940s.[6][5] This sibling connection provided early support and creative inspiration within the household.[4]Early employment and wartime service
After leaving Stretford Parish School in 1939 at the age of 15, John Comer entered the workforce in a practical trade influenced by his working-class family background in Manchester's industrial heartland.[7] He began his early employment as a Bevin Boy, conscripted into coal mining as part of a British government program initiated in December 1943 to address severe labor shortages in the pits caused by wartime enlistments in the military.[8][7] This scheme directed approximately 48,000 young men aged 18 to 25 into underground mining work essential for fueling the war effort, running until March 1948, though many like Comer served for several years during the conflict.[9][7] Post-war, Comer pursued an engineering apprenticeship at Metropolitan-Vickers in Trafford Park, a major industrial complex near Manchester known for electrical engineering and heavy machinery production.[7][10] This training, starting in his late teens or early twenties, provided him with technical skills in a field aligned with the region's manufacturing economy, reflecting the era's emphasis on vocational trades for young workers from similar backgrounds.[7] Amid these labors, Comer developed an interest in performance through local amateur dramatics, performing comedy routines at social clubs and pubs in the Manchester area during the 1930s and 1940s.[7] These informal activities offered an early outlet for his emerging comedic talents, though they remained secondary to his primary occupations at the time.[7]Career
Early career in comedy and theatre
John Comer began performing comedy routines in local pubs and social clubs around Manchester during the 1930s and 1940s, marking his initial foray into entertainment while working in manual labor.[6] In 1952, he partnered with his younger brother Tony to form the Comer Brothers, a double act characterized by comedic sketches combined with singing, in which John served as the primary comedian and instigator while Tony provided vocal support.[6][5] The duo built their early reputation through performances in northern England's social clubs and pubs, entertaining working-class audiences with light-hearted, relatable humor reflective of post-war British life.[6] Following World War II, Comer engaged in repertory theatre and variety shows, undertaking regional tours in Lancashire and surrounding areas to sharpen his stagecraft and comedic timing.[6] The Comer Brothers' act gained traction in these venues, where they delivered polished routines that blended verbal wit with musical interludes, appealing to holiday camp and theatre crowds.[5] Their career breakthrough arrived in 1959 with a first-place victory at Butlin’s National Talent Contest, earning them a £1,000 prize and a film contract with the Boulting Brothers, which opened doors to broader professional opportunities.[5][4]Film roles
John Comer's transition to film was facilitated by his 1959 win in the Butlin's National Talent Contest alongside his brother Tony, which awarded them £1,000 and a contract with the Boulting Brothers, leading directly to his screen debut.[4] His first major film role was as the Union Shop Steward in the Boulting Brothers' satirical comedy I'm All Right Jack (1959), where he delivered a memorable performance lampooning trade union bureaucracy opposite Peter Sellers' iconic Fred Kite, establishing Comer as a go-to actor for working-class comic support in British cinema.[11][12] Over the next decade, Comer built a steady presence in British films, often in minor but characterful roles that leveraged his gruff Mancunian persona for humor or pathos amid social realism and satire. In Hell Is a City (1960), he appeared as a plainclothes police driver in Val Guest's gritty Manchester-set crime thriller starring Stanley Baker.[13] He followed with an uncredited but notable appearance in the kitchen sink drama A Taste of Honey (1961), contributing to its authentic portrayal of northern working-class life alongside Rita Tushingham and his brother Tony.[5] In 1963, Comer played the butcher in the Boulting Brothers' Heavens Above!, a sharp critique of class and religion featuring Peter Sellers as a bumbling vicar.[14][1] A standout role came in 1966 as Leslie Piper, the exasperated father-in-law, in The Family Way, Roy Boulting's black-and-white comedy-drama about a troubled young marriage, where Comer's deadpan delivery added warmth and levity to the family tensions opposite Hayley Mills and John Mills. Into the 1970s, Comer's film appearances diversified across genres while retaining his signature comic relief as relatable everyman figures. He portrayed a policeman in the star-studded ensemble war epic Battle of Britain (1969), capturing the stoic resolve of ordinary Britons during the Blitz. In Peter Sykes' There's a Girl in My Soup (1970), he played John the porter, providing grounded humor in the romantic farce starring Peter Sellers and Goldie Hawn. Other credits included a minor role in Robert Fuest's Wuthering Heights (1970) adaptation and Ship's Officer in Robert Fuest's horror sequel Dr. Phibes Rises Again (1972). His final major film role was as Geoffrey's Dad in the big-screen adaptation of the ITV sitcom The Lovers! (1973), reinforcing his affinity for awkward paternal figures in domestic comedies. Comer appeared in a total of 15 feature films, consistently embodying working-class characters—shop stewards, tradesmen, porters, and family patriarchs—that offered comic relief and social commentary in post-war British cinema.[2]| Year | Title | Role | Notes |
|---|---|---|---|
| 1959 | I'm All Right Jack | Union Shop Steward | Satirical debut with Peter Sellers; launched screen career |
| 1960 | Hell Is a City | Plainclothes Police Driver (uncredited) | Crime thriller set in Manchester |
| 1961 | A Taste of Honey | Minor role (with brother Tony) | Kitchen sink realism drama |
| 1963 | Heavens Above! | Butcher | Boulting Brothers class satire |
| 1966 | The Family Way | Leslie Piper | Key comic supporting role in family comedy |
| 1969 | Battle of Britain | Policeman | WWII ensemble epic |
| 1970 | There's a Girl in My Soup | John, the porter | Romantic farce with Sellers and Hawn |
| 1970 | Wuthering Heights | Minor role | Gothic literary adaptation |
| 1972 | Dr. Phibes Rises Again | Ship's Officer | Horror comedy sequel |
| 1973 | The Lovers! | Geoffrey’s Dad | Sitcom spin-off comedy |