Jon Connor
Jon Connor (born Jon Kevin Freeman Jr.; April 13, 1985) is an American rapper, record producer, and independent label executive from Flint, Michigan, acclaimed for his gritty lyricism, freestyle prowess, and socially conscious themes rooted in urban struggles.[1][2][3]
Connor founded his own record label at age 14, inspired by local Flint hip-hop artists, and built a home studio during high school, launching a career marked by mixtapes and independent releases that gained underground traction.[3][4]
In 2013, he signed with Dr. Dre's Aftermath Entertainment, earning a spot on XXL Magazine's 2014 Freshman Class and contributing to the soundtrack album Compton, which received RIAA gold certification.[4][3]
After delays stalled his debut album Vehicle City, Connor parted ways with Aftermath in 2019, embracing full independence through his rebranded All Varsity Music Group to prioritize artistic control and community impact.[4][3]
His discography includes charting projects like Unconscious State (2013), which peaked at number 7 on Billboard's Heatseekers Albums, and recent albums such as III (2024), alongside contributions to media themes for UFC and AEW events.[3][4]
Dubbed "The People's Rapper," Connor uses his platform to address issues like the Flint water crisis and youth empowerment, maintaining a focus on authenticity over commercial conformity despite limited mainstream breakthroughs.[5][4]
Early life
Childhood and family background
Jon Kevin Freeman Jr., known professionally as Jon Connor, was born on April 13, 1985, in Flint, Michigan.[2][6] He grew up on the city's North Side in a neighborhood near Dayton Avenue, an area marked by economic hardship and urban challenges characteristic of Flint during the late 20th century.[7] Connor was primarily raised by his mother, Mahaley Freeman, in a single-parent household.[7] His father, Jon Freeman Sr., was an accomplished musician who later transitioned to becoming a Christian minister; the elder Freeman's musical background provided early exposure to music for his son, though the family dynamics emphasized resilience amid Flint's socioeconomic difficulties.[2][7] Among family and close associates, Connor is known by the nickname "Ducie," derived from the "II" suffix in his given name, reflecting his roots as Jon Freeman II.[8]Initial exposure to music and influences
Jon Connor's initial exposure to music stemmed from his father, Jon Freeman Sr., a multi-instrumentalist who played guitar, drums, keyboards, and performed in various bands before becoming a Christian minister.[9][2] Connor has described being surrounded by music from birth, with his father's performances introducing him to diverse genres and fostering an early appreciation for live instrumentation.[10] At age 10, Connor began writing songs and producing beats, marking the onset of his hands-on engagement with hip-hop creation.[2][11] By middle school, he was selling self-made mixtapes from his backpack and the trunk of his mother's car, reflecting an independent entrepreneurial approach influenced by local Flint, Michigan, MCs such as those from the city's rap scene.[12][3] This early hustle extended to cassette tapes predating CDs, as he transitioned to high school sales around age 14, when he founded his own label, Avie Squad Records.[13][7]Career
Formative years and independent beginnings (pre-2011)
Jon Connor was born Jon Kevin Freeman Jr. on April 13, 1985, in Flint, Michigan, where he was raised in an environment influenced by local hip-hop culture and his family's musical background.[2] His father, Jon Freeman Sr., a former musician who later became a minister, exposed him to music from an early age.[2] Connor began writing and producing songs at age 10, drawing initial inspiration from Flint-based artists such as MC Breed, Top Authority, and the Dayton Family, as well as national figures like Eminem and Jay-Z.[2] By age 11, he had started recording tracks using a children's radio device, creating songs for himself and organizing neighborhood peers into solo acts and groups, effectively managing informal recording sessions.[14] His independent pursuits intensified during high school at Flint Powers Catholic High School, where he founded his own record label, Avie Squad Records, at age 14 and constructed a basement studio with equipment gifted by his mother over Christmases and birthdays.[3][2][14] Connor self-produced and burned CDs, selling them for $10 apiece at school and local spots, having previously distributed cassette tapes of his work.[14] After graduating, he briefly attended Full Sail University in Winter Park, Florida, to study sound engineering and production but returned to Flint after five months following a friend's death.[14] He honed his craft through performances at small Flint bars and venues, including a 2006 show attended by just 15 people that drew attention from local figure Mateen Cleaves.[14] Connor entered the rap scene formally in 2005 with his debut mixtape The Calling Pt. 1, followed by Everybody Hates Connor in 2006, The Calling Pt. 2: The Second Coming in 2008, Salvation (a collaboration with Rob "Reef" Tewlow) in 2010, and Jon Connor as Vinnie Chase: Season 1 in 2010.[3][15] These independent releases, totaling at least eight mixtapes and projects by 2011, emphasized raw lyrics reflecting Flint's socioeconomic struggles and built a grassroots following through direct sales and local buzz.[2][14]Breakthrough mixtapes and rising recognition (2011–2012)
In early 2011, Jon Connor received a significant endorsement from Nas, which boosted his visibility in the hip-hop community, as highlighted in a January interview where he discussed the co-sign's impact on his career trajectory and potential label opportunities.[15] Additional support came from established figures including Busta Rhymes, DJ Kay Slay, and Saigon, who praised his technical skill and authenticity in reviews and public statements.[16] [17] On June 1, 2011, Connor released the mixtape Reppin' 4 Flint, a project emphasizing his origins in Flint, Michigan, through aggressive lyricism and local pride themes, distributed freely to expand his independent reach.[18] This was followed on July 12 by Salvation, a 17-track effort blending original production with sampled beats, noted for its dense wordplay and narrative depth in contemporary critiques, further solidifying co-signs from industry veterans.[17] Later that year, on December 12, he dropped Season 2, a 24-track sequel to his prior Jon Connor as Vinnie Chase: Season One, featuring guest appearances and extended storytelling arcs that demonstrated his prolific output and endurance in freestyling over instrumentals.[19] Transitioning into 2012, Connor initiated the Best in the World series with Best in the World: The People's Rapper LP on April 13, a conceptual mixtape rapping over remixed beats from artists like Kanye West and Jay-Z, positioning him as a battle-ready lyricist challenging mainstream norms.[20] Culminating the period, While You Were Sleeping arrived on July 26 as a 17-track mixtape with raw, unfiltered bars over high-profile productions, earning immediate review coverage for its intensity and sleeper-hit potential in underground circuits.[21] [22] These releases, often self-produced under his All Varsity Music imprint, amplified his reputation for versatility and independence, drawing comparisons to golden-era emcees while attracting broader listener engagement through free digital distribution platforms.[23]Signing with Aftermath Entertainment and label tenure (2013–2018)
In late September 2013, reports surfaced that Flint, Michigan rapper Jon Connor had signed a recording deal with Dr. Dre's Aftermath Entertainment imprint under Interscope Records.[24] [25] Connor formally announced the signing on October 15, 2013, during a freestyle cypher at the BET Hip Hop Awards, where he rapped over 50 Cent's "Many Men (Wish a Nigga Would)," declaring his new label affiliation and becoming labelmates with artists including Eminem and 50 Cent.[26] [27] He credited the deal to personal chemistry developed with Dr. Dre, emphasizing that Aftermath prioritized hit records over mere artistic output.[26] Following the signing, Connor contributed a guest verse to Dr. Dre's August 2015 album Compton, marking his first major label-affiliated appearance and drawing attention for his dense lyricism amid the project's high-profile rollout.[28] In June 2014, he earned recognition as part of XXL magazine's annual Freshman Class, highlighting emerging hip-hop talent alongside peers like Ty Dolla $ign and Rich Homie Quan.[29] Connor focused primarily on developing his debut studio album for Aftermath, collaborating intensively with Dre; by March 2016, he reported finalizing tracks in Dre's personal studio, with the project tentatively titled Vehicle City as a nod to his Flint roots.[30] Despite these efforts, Connor released no full-length album through Aftermath during the 2013–2018 period, with the label's selective release strategy—centered on Dre's oversight—contributing to delays common among its roster.[31] In 2018, he issued the promotional single "I'm Back," featuring production and vocal endorsement from Dre teasing the forthcoming Vehicle City as Connor's major-label breakthrough.[32] The track underscored ongoing anticipation but exemplified the tenure's pattern of unreleased material, as Connor balanced label commitments with independent freestyles and features to maintain visibility.[31]Transition to independence and sustained output (2019–present)
In May 2019, Jon Connor announced his departure from Aftermath Entertainment and Interscope Records after a six-year tenure that yielded no full-length album releases.[4] The split allowed him to regain creative control, prompting a return to his roots in Flint, Michigan, and a focus on independent production through his relaunched All Varsity Music Group imprint.[33] [28] Connor's first major post-label project, the album SOS, arrived on April 27, 2020, marking his return to consistent output with 14 tracks emphasizing resilience and introspection.[34] Subsequent releases demonstrated sustained productivity, including W.A.R. (The Care Package) in 2022, a conceptual set exploring conflict and growth.[35] In 2024, he issued III on January 30, a 21-track effort described by Connor as his most personal work, addressing themes of love, unity, and reflections on his label experience.[36] That year also saw W.A.R. Extended Play and collaborations like the Twin Flames EP with Tootsie The Rapper.[5] [35] By 2025, Connor maintained momentum with 24, a collaborative album with producer KLC featuring 24 tracks of raw lyricism, alongside Food for the Soul, which centers philosophical and conscious hip-hop elements.[37] [5] These projects, distributed via streaming platforms and his Connor Culture platform, underscore a shift to self-directed artistry, enabling frequent releases without major-label constraints.[3] Additional output included singles like "We Don't Like Ya Kind" with Stretch Money and the free mixtape The Appetizer, reinforcing his emphasis on accessibility and direct fan engagement.[5]Musical style and artistry
Lyrical themes and content
Jon Connor's lyrics frequently center on themes of personal resilience and the grind of blue-collar life, drawing from his upbringing in Flint, Michigan, where economic hardship and environmental crises shaped his worldview. Tracks like "Everyday Struggle" depict the relentless daily challenges faced by working-class individuals, emphasizing perseverance amid adversity.[38] His self-identification as "the people's rapper" underscores a commitment to authentic storytelling that resonates with marginalized communities, often incorporating gritty, no-nonsense wordplay to highlight systemic struggles such as the Flint water crisis, which he has addressed through music and social media.[13][28] Social commentary forms a core element of his content, blending philosophical insights with critiques of societal norms, including gender dynamics and cultural unity. In "The Great Design," Connor advocates for mutual respect between men and women, portraying their interdependence as essential for broader harmony across diverse groups.[13] Songs such as "So Much Pressure" delve into relatable interpersonal tensions, like the burdens of parenting and their influence on personal development, while albums like Food for the Soul (2025) infuse nostalgic boom bap production with messages urging listeners to embrace differences and foster appreciation for others.[13][3] Motivational undertones permeate his work, promoting self-improvement and spiritual alignment as antidotes to despair. Connor's narratives encourage tapping into one's "higher self," maintaining focus, and rejecting defeatism, as evident in the optimistic drive of projects like III (2024) and SOS (2020), which combine high-energy flows with calls to authenticity and ethical living.[13][3] He attributes deeper layers to themes of divine purpose and human evolution, aiming to inspire long-term personal and communal growth without overt preachiness.[13] This blend of introspection and outward advocacy distinguishes his lyricism, prioritizing visceral truth over commercial polish.[28]Production techniques and influences
Jon Connor began producing his own music early in his career, motivated by frustration with limited local options in Flint, Michigan, and established Connor Culture Studios to handle in-house production. He built his initial setup while in high school and further honed his skills through studies in sound engineering and software at Full Sail University. Much of his early output, including mixtapes such as While You Were Sleeping (2012), featured self-produced beats, a practice that impressed Dr. Dre upon signing Connor to Aftermath Entertainment in 2013, as Dre noted surprise at the extent of Connor's independent production capabilities.[14] Connor's production approach emphasizes emotional resonance and adaptability, where he selects beats that evoke specific feelings and crafts lyrics as verbal extensions of those moods, prioritizing a free-flowing process focused on enjoyment, intuition, and thematic education over rigid structure. For full-length projects like his 2024 album III, he curates sounds for overall fluidity and cohesion, valuing how the music "feels" above loyalty to particular producers, which results in unified sonic palettes blending motivational, conceptual, and commentary-driven elements. His remix series, reinterpreting classics over beats from artists like Jay-Z and Eminem, further demonstrates technique in layering rapid, technical flows onto established instrumental frameworks to homage origins while innovating.[39][10][14] Influences on Connor's production stem heavily from Southern hip-hop, particularly the late 1990s No Limit Records era, Cash Money, and Three 6 Mafia, which shaped his affinity for gritty, high-energy beats with regional flavors like New Orleans bounce and trap elements. Local Flint acts such as The Dayton Family and MC Breed provided foundational inspiration, while later exposure broadened to East and West Coast styles. This manifests in collaborations like his 2025 album 24, entirely produced by KLC of Beats by the Pound, which fuses nostalgic No Limit horn sections and dirty South percussion with modern twists such as jazz-infused pianos and strings to evoke era-specific vibes while updating for contemporary lyricism. Mentorship from Dr. Dre also informed a polished, versatile edge, evident in Connor's Aftermath-era contributions to Compton (2015).[39][40][2]Performance and live elements
Jon Connor's live performances emphasize high-energy delivery, lyrical precision, and direct audience interaction, often incorporating freestyles and thematic storytelling drawn from his Flint roots. Critics and observers have noted his commanding stage presence, marked by passionate execution that blends raw intensity with rhythmic flow, fostering a sense of communal resilience among attendees.[41][42] Early breakthroughs included uninvited "guerilla-style" interventions at major events, such as his 2012 takeover at South by Southwest (SXSW), where he commandeered stages to perform tracks like "SOS," gaining visibility without formal booking.[43][44] He further showcased improvisational skills through freestyles on radio and TV platforms, including Hot 97, Shade 45's Showoff Radio in 2012, and BET's 106 & Park, where his rapid, content-dense rhymes highlighted technical prowess and social commentary.[43][45] In his independent phase, Connor has prioritized regional tours and community-focused shows, such as the Michigan State of Mind Tour in September-October 2025, featuring stops at venues like The Regal Beagle in Ypsilanti on October 10, The Local 432 in Flint on October 11, and Old Miami in Detroit on September 13, often alongside local acts like Nike LL Denise and Cainaen.[46][47][48] These performances integrate live instrumentation and guest vocalists, as seen in renditions of tracks like "Bulletproof" with drummer Drumologist and vocalist Nike LL Denise.[49] Local Flint events underscore his grassroots approach, including a July 2025 appearance at Porch Fest delivering "Dreams" and "Thank You" with faith-infused themes, and recurring "Wine & Rhymes" gatherings at Queens Provisions, emphasizing intimate, rhyme-centric experiences over large-scale production.[50][5]Reception and impact
Critical reception
Jon Connor's mixtapes and albums have received predominantly positive reviews from hip-hop publications, with critics commending his technical lyricism, storytelling ability, and versatility over diverse beats, though some note occasional repetitiveness in themes or shifts toward preachier content.[51][52] Early independent releases like the 2012 mixtape The People's Rapper LP were lauded by HipHopDX for Connor's "concentrated fury" in flipping Eminem instrumentals, demonstrating multisyllabic patterns and flow switches that resonated with everyday listeners and aspiring artists, though the review critiqued repetitive industry critiques as limiting variety.[51] His 2014 project Best in the World, built on Kanye West beats as a recent Aftermath Entertainment signee, earned acclaim from XXL for its mastery of voice, humor, and double-time flows, described as a "joy to listen to" without weak tracks, despite surface-level perceptions of arrogance in remixing iconic productions.[52] Following his 2019 departure from Aftermath, Connor's independent output faced mixed fan feedback on platforms like HipHopDX for the 2020 album SOS, with some praising local shoutouts and cyphers but others decrying a pivot to trap-influenced beats and cadences as diminishing his earlier strengths.[34] Later works, however, solidified his reputation; III (2024) was rated 3.5 out of 5 by Legends Will Never Die for capably concluding thematic trilogies with standout sample flips and heartfelt tracks reflecting 19 years of evolution.[53] Similarly, Food for the Soul (2025) scored 7 out of 10 from Underground Hip Hop Blog, highlighting introspective perseverance themes, soulful production blending trap and boom bap, and contributions from guests like Stalley, positioning it as a balanced, nourishing effort for dedicated listeners.[54] Critics consistently attribute Connor's enduring appeal to his raw skill and independence, fostering a cult following in niche hip-hop communities rather than widespread mainstream endorsement.[52][53]Commercial performance
Jon Connor's debut studio album, Unconscious State (2013), marked his initial commercial breakthrough, debuting at number 35 on the US Billboard Top R&B/Hip-Hop Albums chart and number 7 on the Heatseekers Albums chart.[55] [3] These positions reflected modest sales driven by independent promotion and features from artists including Danny Brown and Talib Kweli, though specific unit sales figures were not publicly detailed.[55] Subsequent mixtapes, such as The People's Rapper (2012) and Best in the World (2014, hosted by DJ Drama), achieved popularity through free digital distribution on platforms like DatPiff and LiveMixtapes, amassing downloads in the underground hip-hop circuit, but lacked formal sales tracking or chart entries due to their non-commercial release model.[56] [57] No verified aggregate download numbers were reported, underscoring Connor's reliance on grassroots fan engagement over traditional retail metrics during his pre-label phase. Independent releases post-2019, including Look Over Your Shoulder (2020), did not chart on major Billboard lists, aligning with Connor's shift toward streaming platforms where individual tracks like "One Shot One Kill" and "2 Week Notice" have garnered over 4 million Spotify streams each.[35] His Aftermath Entertainment tenure (2013–2018) yielded no major-label albums or singles with reported sales, contributing to limited mainstream commercial traction despite hype around potential collaborations.[13] Overall, Connor's output has prioritized artistic output and fan loyalty over blockbuster sales, with streaming metrics indicating sustained niche appeal rather than broad market dominance.[35]Cultural influence and legacy
Jon Connor's tenure with Aftermath Entertainment, including his feature on Dr. Dre's 2015 album Compton alongside Eminem on the track "Medicine Man," positioned him as a bridge between underground lyricism and major-label production, drawing attention to Flint, Michigan's rap scene amid its socioeconomic struggles.[58][25] This association underscored the viability of raw, battle-tested Midwestern styles in broader hip-hop discourse, influencing perceptions of regional authenticity over polished mainstream appeal. Dubbed "The People's Rapper," Connor's emphasis on gritty narratives, technical dexterity, and social realism has cultivated a niche following in lyrical hip-hop communities, where fans credit his remix reinterpretations of classics—like those emulating Jay-Z and Eminem—for reviving appreciation for conceptual depth amid content-driven trends.[59] His post-label independence since 2019 exemplifies self-sustained artistry, providing a model for emerging rappers prioritizing creative control and community ties over commercial breakthroughs.[4] In Flint, Connor's legacy centers on local empowerment, with initiatives like platforming young artists and reflecting urban resilience, aspiring to be remembered for inspiring ethical action and perseverance.[60][13] While broader cultural permeation remains limited by subdued commercial metrics, his endorsements from figures like Dr. Dre affirm a foundational role in sustaining substantive, uncompromised hip-hop voices.[61]Business ventures
Founding of Connor Culture
Connor Culture emerged as Jon Connor's independent music and media brand following his departure from Dr. Dre's Aftermath Entertainment in 2019. Building on his earlier entrepreneurial efforts, Connor rebranded his longstanding All Varsity Music Group in 2020 to establish Connor Culture as a multifaceted platform encompassing music releases, podcasts, apparel, and content creation.[3] This shift allowed him to maintain full creative control and direct-to-fan distribution, exemplified by the exclusive release of his album S.O.S. in 2020 through the Connor Culture website.[3] The foundational roots of Connor's label operations trace back to 1999, when, at age 14, he launched All Varsity Music with maternal support amid the resource constraints of Flint, Michigan.[62] By high school, Connor had self-financed an in-house recording studio, enabling early mixtape and album productions such as The Calling pt. 1 (2005) and The Calling pt. 2 (2008).[3] The 2020 rebranding to Connor Culture expanded this independent model into a broader cultural enterprise, including Connor Culture TV for documenting hip-hop artistry and the Connor Culture Podcast for personal insights into his career.[3] Subsequent releases like S.O.S. II (2022), III (2024), and Food For The Soul (2025) were issued under this banner, prioritizing authenticity and community engagement over major-label constraints.[3] Connor Culture Studios, an extension of the brand, aims to evolve into a multi-purpose facility for music, film, and television production, reflecting Connor's vision for self-sustained artistic output.[39] This development underscores a commitment to amplifying socially conscious hip-hop while fostering direct artist-fan connections, free from traditional industry intermediaries.[13]Advocacy and community involvement
Connor has actively advocated for his hometown of Flint, Michigan, amid its lead-contaminated water crisis that began in April 2014 after the city's water source switched to the Flint River without adequate corrosion controls.[63] In January 2016, he released the track "Fresh Water for Flint" featuring Keke Palmer, which directly addressed the contamination's health impacts, including lead poisoning risks to residents, and called for federal intervention and clean water access.[64] [65] The song's release coincided with national attention on the crisis, where testing later confirmed elevated lead levels in homes and schools, affecting over 100,000 residents.[66] In response to the unfolding disaster, Connor returned to Flint in early 2016 to volunteer, distributing bottled water and checking on family and friends while documenting the crisis's personal toll through interviews.[67] He has continued raising awareness via music and social media, emphasizing long-term effects like elevated miscarriage rates and developmental issues in children exposed to the tainted supply.[13] In a 2021 discussion, he highlighted broader health disparities in Black communities, linking them to environmental neglect similar to Flint's.[68] Earlier community efforts include co-hosting a "Benefit Bash for the Homeless" concert in downtown Flint on December 23, 2011, alongside former NBA player Mateen Cleaves, aimed at supporting local homeless services through proceeds and donations.[69] Connor positions his advocacy as an extension of his role as a socially conscious artist, using platforms to amplify marginalized voices without formal affiliations to large nonprofits.[5]Discography
Studio albums
Jon Connor's debut studio album, Unconscious State, was released on July 2, 2013, through his independent label All Varsity Music.[70][71] The project featured collaborations with artists including Danny Brown, Freddie Gibbs, and Saigon, and marked his first entry on the Billboard charts, reflecting his growing recognition in underground hip-hop circles prior to his brief association with Aftermath Entertainment.[3] The album's themes centered on personal struggle, ambition, and social commentary, drawing from Connor's Flint, Michigan roots. Following his departure from Aftermath in 2019, Connor continued releasing independent projects under Connor Culture, with recent works classified as studio albums. 24, a collaboration with producer KLC, was issued in 2025 as a digital album emphasizing raw lyricism and Southern-influenced beats.[72] Similarly, Food for the Soul, released in 2025, incorporates introspective tracks with production aimed at redefining hip-hop's narrative depth through thought-provoking content.[73] These releases highlight Connor's self-reliant approach, bypassing traditional major-label distribution in favor of direct-to-fan digital sales.| Title | Release Date | Label | Notable Features |
|---|---|---|---|
| Unconscious State | July 2, 2013 | All Varsity Music | Guests: Danny Brown, Freddie Gibbs; Billboard debut[3] |
| 24 | 2025 | Connor Culture | Collaboration with KLC[72] |
| Food for the Soul | 2025 | Connor Culture | Focus on lyrical introspection[73] |
Mixtapes and EPs
Jon Connor's mixtapes, often released as free downloads via his independent label Connor Culture, have served as platforms for him to showcase technical lyricism over popular instrumentals, frequently as homages to hip-hop icons. These projects, including entries in his ongoing "Best in the World" series, preceded many of his commercial albums and helped cultivate an underground following by demonstrating his ability to reinterpret classic and contemporary beats.[74] A pivotal early mixtape, The Blue Album (also stylized as BITW: The Blue Album), was released on February 14, 2012, consisting of 13 tracks where Connor raps over production from Jay-Z's The Blueprint, including renditions of "The Ruler's Back" and "Takeover."[75][76] The project, available for free download, highlighted his aggressive flow and storytelling, drawing comparisons to Jay-Z's blueprint for success in battle rap circles.[77] The "Best in the World" series expanded this formula, with Connor freestyling over high-profile beats to assert dominance in the rap landscape. Best in the World, released in March 2014 and hosted by DJ Drama, features 20 tracks including takes on Kanye West's "Power" and Nas's "Hate Me Now," emphasizing Connor's versatility across eras.[78][79] Later installments include Best In The World: Delirium (November 2021), which reworks 2021 hits like Lil Nas X's "Industry Baby" and Cardi B's "Up"; Best In The World: The N Tape (June 23, 2022), with tracks over Nas classics such as "The Message"; and Best in the World: The Appetizer (December 26, 2024), a free promotional tape previewing his 2025 album Food for the Soul via freestyles over recent viral beats like Drake's "Teleport."[80][81][82] Fewer EPs appear in his catalog, with W.A.R. Extended Play (2024) standing out as a shorter project blending original production and collaborations, released amid his independent output phase.[35] These mixtapes and EPs underscore Connor's commitment to prolific, no-budget releases, prioritizing skill demonstration over commercial packaging.[83]| Title | Release Date | Type | Key Details |
|---|---|---|---|
| The Blue Album | February 14, 2012 | Mixtape | 13 tracks over The Blueprint beats; free download.[75] |
| Best in the World | March 2014 | Mixtape | Hosted by DJ Drama; 20 tracks over various hits.[79] |
| Best In The World: Delirium | November 2021 | Mixtape | Freestyles over 2021 tracks like "Industry Baby."[80] |
| Best In The World: The N Tape | June 23, 2022 | Mixtape | Tributes to Nas with 10+ tracks.[81] |
| Best in the World: The Appetizer | December 26, 2024 | Mixtape | Free promo for Food for the Soul; recent beats.[82] |
| W.A.R. Extended Play | 2024 | EP | Shorter collection with collaborations.[35] |