Jordan Alan
Jordan Alan (born May 24, 1967) is an American film director, producer, writer, and television commercial director known for his work in independent cinema.[1] Born in Bayonne, New Jersey, he began his filmmaking career as a teenager, directing a 35mm film trailer in 1985 that starred a then-unknown Sandra Bullock.[2] Alan's feature film debut was the independent drama Terminal Bliss (1990), which starred Luke Perry in a coming-of-age story set in a suburban beach community. He followed this with the improvised romantic comedy Kiss & Tell (1997), featuring an ensemble cast including Heather Graham and Rose McGowan, noted for its spontaneous dialogue and humor.[3] Other notable directorial efforts include the action thriller Gentleman B. (also known as The Gentleman Bandit, 2000), which earned him a Gold Award for Best Independent Theatrical Feature Film in the Action/Adventure category at WorldFest Houston; the surfing drama Pipeline (2007); and Cats Dancing on Jupiter (2015), a thriller starring his former wife, actress Amanda Righetti, recognized as one of the first feature films released in 4K resolution.[4][5][6] In addition to his narrative films, Alan has directed over 200 television commercials for brands including Nike, Coca-Cola, and Ford, often through his production company Bliss Sinema.[7] His body of work emphasizes character-driven stories, improvisation, and innovative visual techniques, establishing him as a versatile figure in the independent film landscape.[8]Early life
Birth and upbringing
Jordan Alan was born on May 24, 1967, in Bayonne, New Jersey, USA.[1][4] Born in Bayonne, New Jersey, Alan scored high in early abstract reasoning exams and was placed into a visual arts program at a young age. Drawing inspiration from his urban New Jersey upbringing, he began making short films and music videos as a teenager.[9]Entry into filmmaking
Jordan Alan's entry into filmmaking occurred during his late teens, as a self-taught filmmaker.[9] In 1985, at age 18, Alan wrote the script for his debut feature Terminal Bliss and produced a 35mm financing trailer to attract investors in 1986, at age 19, starring a then-unknown Sandra Bullock in a key role.[10][2] Shot independently, the trailer showcased Alan's raw talent and technical ambition, demonstrating his ability to handle professional-grade equipment without formal training. This project represented his first significant foray into production, blending amateur enthusiasm with emerging professional aspirations. The trailer's success in generating interest led to its screening in New York City, where it caught the attention of South African producer Anant Singh at Technicolor facilities, marking Alan's earliest professional exposure in the industry. These efforts culminated in the greenlighting and production of Terminal Bliss, with principal photography beginning in 1989.[11]Career
Feature films
Jordan Alan made his directing debut with Terminal Bliss (1992), a coming-of-age thriller that explores the turbulent lives of affluent teenagers grappling with privilege, jealousy, and self-destructive impulses. The film centers on lifelong friends Alex and Johnnie, whose close bond fractures when the enigmatic Stevie enters their circle, sparking a romantic rivalry that escalates into drug use, betrayal, and tragedy. Featuring notable early performances from Luke Perry as Johnnie and Timothy Owen as Alex, alongside Estee Chandler as Stevie, the movie delves into themes of emotional isolation amid material wealth. Released independently with limited distribution, Terminal Bliss received mixed reviews for its raw portrayal of youth angst but struggled commercially, earning modest box office returns typical of low-budget indies at the time.[11] Following his debut, Alan continued with a series of independent features in the mid-1990s, emphasizing interpersonal dynamics and unconventional relationships. Love and Happiness (1995), a darkly comedic romantic tale, follows Charlie, a struggling actor who moonlights as a high-end escort, navigating love, ambition, and moral ambiguity in Hollywood's underbelly. Improvised elements added a spontaneous edge, highlighting Alan's interest in authentic character interactions. Subsequent works included Kiss & Tell (1997), a satirical drama about a murdered performance artist whose eccentric circle of improv enthusiasts and friends comes under investigation, blending humor with explorations of creativity and intimacy; and the shorter dramatic pieces Cat's Cradle (1997) and Missing Emotions (1997), which focus on intimate emotional confrontations in confined settings, showcasing Alan's skill in taut, character-driven narratives. These films, produced on shoestring budgets, premiered at niche festivals and garnered praise for their bold, unpolished style but limited wider audiences.[12][13][14] In 2007, Alan directed Pipeline, a surfing thriller about a group of friends haunted by repressed memories of a traumatic incident at Banzai Pipeline, starring Jason Momoa and Amanda Righetti. The film explores themes of guilt and recovery amid extreme sports.[15] In the early 2000s, Alan shifted toward more structured crime narratives with The Gentleman Bandit (2002), a drama inspired by the real-life exploits of reformed thief Charles Mattera, who portrays the lead. The story tracks ex-convict Nick Vincent, released from prison and drawn back into polite, non-violent bank heists in Beverly Hills to support his family, underscoring themes of redemption and economic desperation. Mattera's authentic performance as the courteous robber, dubbed the "gentleman bandit" by the press, anchored the film's grounded tone, with critics noting its engaging blend of tension and humanity despite production constraints. Distributed independently, it achieved cult status on home video for its true-crime roots.[16][17][18] Alan's later feature, Cats Dancing on Jupiter (2015), marked a return to introspective drama after a period focused on shorter formats. Completed in 2011 under his production banner Bliss Sinema, the film follows two childhood friends, Jo and Kylie, whose glamorous Los Angeles nightlife masks deep-seated trauma from their past, leading to a confrontation with long-buried secrets. Starring Amanda Righetti as Jo and Erica Taylor as Kylie, it examines grief and resilience in human bonds. Facing distribution hurdles, the movie saw a limited online release in 4K and is available for streaming, praised for its emotional depth but criticized for pacing issues amid post-production challenges like funding delays.[19][20][5] Throughout his feature film career from 1992 to 2015, Alan maintained an independent ethos, self-financing many projects through Bliss Sinema and prioritizing raw explorations of human relationships, emotional vulnerability, and societal fringes over mainstream appeal. His early experience directing a 1985 35mm trailer starring Sandra Bullock informed his narrative approach, emphasizing visual storytelling in intimate dramas. This body of work, though underrecognized commercially, highlights a consistent thematic focus on the complexities of connection and personal turmoil.[21][22]Commercials and television
Jordan Alan transitioned into directing television commercials in the 1990s, focusing on client-driven projects in the health, dental, and vision care sectors. His portfolio includes campaigns for 1-800-DENTIST, emphasizing accessible dental services through engaging narratives; 1-800-USA-EYES, promoting eye care with straightforward messaging; Invisalign, highlighting invisible braces via product-focused spots; and LA Sight Laser Center, showcasing laser vision correction benefits.[21] Additionally, he directed a commercial for LA Solar Group, featuring lead performances in promotional content for solar energy solutions.[23] Alan's approach to commercial directing drew from his feature film background, enabling efficient production of high-impact shorts that balanced visual polish with promotional goals. He founded Terminal Bliss Productions in 1987 to support early projects, which was later acquired by Terminal Bliss Pictures; subsequently, he established and operated Bliss Sinema Inc., a company dedicated to managing his commercial reels, editing, and overall production workflow.[1][1][24] Throughout his career, spanning from 1987 to at least 2017, Alan's commercial work remained a core component of his output, complementing his feature films with concise, market-oriented content rather than episodic television series or pilots.[1] No specific television episodes or pilots are credited to him in major databases, underscoring his emphasis on advertising formats.[1]Personal life
Marriage and family
Jordan Alan married actress Amanda Righetti on April 29, 2006, in a ceremony held on the Hawaiian island of Oahu.[25][26] The couple, who had been dating since 2005, chose the scenic North Shore location for their wedding, which was attended by close friends and family, including Righetti's co-star Alexa Davalos as a bridesmaid.[27] Their union blended personal and professional spheres, as Alan's career in filmmaking intersected with Righetti's acting roles. Throughout their marriage, Alan and Righetti occasionally collaborated on projects, most notably with Righetti starring as Jo in Alan's 2015 film Cats Dancing on Jupiter, a thriller exploring themes of trauma and nightlife in Los Angeles.[19] This professional overlap highlighted their shared creative environment during the mid-2010s. The couple maintained a relatively private family life, focusing on balancing their Hollywood commitments with personal milestones. On January 10, 2013, Alan and Righetti welcomed their first and only child, son Knox Addison Alan, in Los Angeles.[28] Righetti's representative confirmed the birth, noting that the couple was "overjoyed" with the arrival of their healthy baby boy.[29] In the following months, the family appeared together at public events, such as the P.S. ARTS Express Yourself benefit in Santa Monica in November 2013, where they were photographed as a unit, reflecting a period of joyful adjustment to parenthood amid their ongoing careers.[30]Later personal developments
In 2017, after 11 years of marriage, Jordan Alan's wife, actress Amanda Righetti, filed for divorce on February 17 in Los Angeles County Superior Court.[31] The couple, who had welcomed their son Knox Addison Alan in January 2013, cited irreconcilable differences in the filing, though no further details on the reasons were publicly disclosed. Following the divorce, Alan maintained a notably private personal life, with limited public information available about his daily affairs or relationships. He continued to reside in Los Angeles, where he focused on managing his production company, Bliss Sinema Inc., which he founded and operates as owner.[32] This shift toward a lower public profile aligned with his emphasis on behind-the-scenes work in filmmaking rather than high-visibility personal engagements.Filmography
Directed feature films
Jordan Alan has directed eight feature films, spanning from independent dramas in the early 1990s to more recent thrillers.[1] His work often explores themes of youth, crime, and personal turmoil, with several films featuring improvised elements or collaborations on scripts.[13] The following table lists his directed feature films chronologically, including writer credits where applicable, select key cast members, runtimes, and release information.| Year | Title | Writer(s) | Key Cast | Runtime | Release Notes |
|---|---|---|---|---|---|
| 1990 | Terminal Bliss | Jordan Alan | Luke Perry, Estee Chandler, Timothy Owen | 93 minutes | Premiere October 1990 (Mill Valley Film Festival); theatrical release March 1992 by Distant Horizon; rated R for mature themes.[33] |
| 1995 | Love and Happiness | Jordan Alan (improvisational guidelines) | Charlie Mattera, Jodie Fisher, Paul Bartel | 92 minutes | Limited release; black-and-white 16mm production presented by Terminal Bliss Pictures.[13] |
| 1997 | Kiss & Tell | Jordan Alan | Heather Graham, Peter Greene, Rose McGowan, Justine Bateman | 96 minutes | Theatrical release; comedy-drama mystery.[14][34] |
| 1997 | Cat's Cradle | Jordan Alan | Shawn Hoffman | Not available | Limited distribution; drama featuring minimal cast.[35] |
| 1997 | Missing Emotions | Jordan Alan | Not specified in available credits | Not available | Obscure release; dramatic feature with sparse documentation.[36] |
| 2000 | The Gentleman Bandit | Charlie Mattera, Mark J. Petracca | Charlie Mattera, Ed Lauter, Peter Greene, Justine Miceli, Ryan O'Neal | 93 minutes | Festival premiere April 2000 (WorldFest-Houston); theatrical release 2002 retitled Gentleman B.; crime-drama based on real events.[17][16][37] |
| 2007 | Pipeline | Jordan Alan, Joshua Jashinski | Jason Momoa, Amanda Righetti, Kalani Robb | Not available | Limited release; surfing drama inspired by true events.[15] |
| 2015 | Cats Dancing on Jupiter | Jordan Alan, Jeremy Milks | Amanda Righetti, Nicole Andrews, Jocelyn Saenz, Erica Taylor | 90 minutes | Released May 4, 2015; thriller marking the first online 4K feature film release; completed production in 2011 with no major festival screenings noted.[19][20][5] |
Directed commercials and shorts
Jordan Alan has directed a range of television commercials and short-form projects, often produced under his company Bliss Sinema, Inc., where he serves as owner and director specializing in motion pictures and commercials.[7][32] His work in this area spans promotional trailers, financing shorts, and client advertisements, emphasizing concise storytelling and visual impact. Key examples include:- Terminal Bliss Trailer (1985): A 35mm short financing trailer for Alan's debut feature film Terminal Bliss, starring a pre-fame Sandra Bullock as the lead; shot when Alan was 18, it screened at Technicolor in New York and aided in securing production funding.[10]
- The Wedding Video (2007): A 1:43-minute trailer depicting a deranged wedding videographer holding a bride and groom hostage, directed and produced by Alan as a standalone short promotional piece.[1]
- Deconstruction Red Trailer (2012): A teaser for the in-development crime drama feature Deconstruction Red, co-written by Alan and Allison Burnett; the project remains listed in development under Bliss Sinema.[38][1]