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Julio Torres

Julio Torres is a Salvadoran-American , , actor, and director renowned for his surreal, whimsical humor that often explores themes of identity, immigration, and absurdity. Born on February 11, 1987, in , , during the final years of the country's , Torres grew up in a creative family environment, with his mother, an architect and designer, fostering his early interest in toys and imaginative play. He studied at university in as the closest field to his passion for before moving to in 2009 on a to , where he navigated financial hardships and visa challenges to establish himself. Torres began his comedy career in 2012 with stand-up performances in , quickly gaining attention for his delivery and offbeat sketches, which led to his hiring as a writer for in 2016. During his five-year tenure on the show (2016–2021), he earned four Emmy nominations for sketches like the viral "" and "Wells for Boys," showcasing his talent for blending the mundane with the fantastical. Transitioning to creating his own projects, Torres co-created the series (2019–2022) with and , a Spanish-language comedy about staging fake horrors that received critical acclaim and won a 2023 Peabody Award, Award, and Award for its second season. In 2023, Torres made his directorial feature debut with , an film he wrote, directed, and starred in, drawing from his experiences and premiering at SXSW before a 2024 theatrical release to widespread praise for its satirical take on the and U.S. system. He followed this with Fantasmas (2024), an HBO surrealist anthology series he created, wrote, directed, and starred in, which earned a 2025 Peabody Award in and multiple Emmy nominations. Torres has also expanded into with his 2023 children's I Want to Be a Vase and theater, debuting the off-Broadway solo show Color Theories in 2025, a blend of stand-up, , and that explores color, emotion, and identity, set for an HBO special. Additionally, HBO greenlit his series Little Films in 2022, further cementing his reputation as a Peabody- and WGA-winning artist recognized in TIME's 2023 100 Next list. Now based in , Torres continues to influence through his unique, boundary-pushing voice.

Early years

Childhood in El Salvador

Julio Torres was born on February 11, 1987, in , , to Salvadoran parents Julio, a , and Tita, an and fashion designer who owned a clothing store. Torres spent his early childhood in during the final years of the (1980–1992), a period marked by intense and social upheaval. He retains dim memories of hiding under the family dining table with his mother as military helicopters hovered overhead, reflecting the pervasive fear and instability that affected daily life. The family's circumstances shifted amid the war's aftermath and economic pressures; following the death of Torres' grandfather, which left significant debts, they relocated from their stylish apartment above the mother's store to a more modest farmhouse outside the city, an experience of displacement that underscored the broader instability in . Toys became a key source of for young Torres, who immersed himself in elaborate play scenarios using miniature cars and customized dollhouses, often collaborating with his mother to modify Dream Houses into fantastical structures. These limited resources and close family dynamics— including his mother's creative of clothes for Torres and his sister Marta, whom she affectionately called "my dolls"—fostered his early fascination with and humor as means of invention and joy. This environment of constrained yet imaginative play shaped Torres' innate drive to conjure worlds and objects that did not yet exist, laying the groundwork for his later comedic sensibilities. The persistent political and economic instability in , lingering from the , ultimately influenced his family's decision to seek opportunities abroad, prompting Torres' eventual move to the in 2009.

Move to the and

In 2009, at the age of 22, Julio Torres immigrated from to to pursue . As a non-native English speaker from a Spanish-speaking background, he faced initial cultural and linguistic adjustments while navigating the challenges of urban life and bureaucracy as an . Torres enrolled at in , where he studied literary studies and earned a degree in 2011. During his time there, he took on part-time work limited by his visa status, including a role as a campus tour guide at the school's Welcome Center, which he later described as a difficult experience. Amid these adjustments, Torres began exploring as a major, using the academic environment as an incubation space for offbeat ideas influenced by his immigrant perspective and childhood creativity with toys. He developed early sketches drawing from his experiences of cultural displacement, laying the groundwork for a bilingual humor style that incorporated elements alongside English.

Career

Early writing and comedy

After graduating from with a degree in literary studies in 2011, Julio Torres began pursuing comedy in , initially through stand-up performances that showcased his emerging interest in surreal and offbeat humor. His first significant writing opportunity came in 2014 when he joined the staff of on , contributing sketches known for their absurd and otherworldly premises, such as brainstorming overly ambitious, budget-breaking video ideas that veered into fantastical territory. Torres' work on the show, which ran until 2015, earned him an in-house reputation for pushing boundaries with surreal concepts that highlighted everyday absurdities. Torres expanded his writing portfolio with contributions to , a game show hosted by , where he helped craft short-form comedic segments that blended quick-witted street interviews with exaggerated, humorous scenarios. In , he released his first HBO special, My Favorite Shapes by Julio Torres, featuring prop-based humor. Throughout these early efforts, Torres' signature style began to crystallize, characterized by that amplified mundane details into dreamlike narratives, interwoven with themes of identity and belonging, as well as immigrant perspectives on displacement and cultural dislocation. His sketches and stand-up routines frequently explored these elements through prop-based comedy and visual metaphors, establishing a voice that prioritized emotional vulnerability beneath layers of whimsy and .

Saturday Night Live

Torres joined the writing staff of Saturday Night Live in September 2016 as a Salvadoran-born writer, marking a notable addition to the show's efforts to diversify its team. Prior to his full-time hire, he had served as a guest writer during the summer hiatus, pitching ideas that aligned with the show's evolving needs. His hiring came amid broader industry pressure on SNL to include more voices from underrepresented backgrounds, and Torres brought a fresh perspective shaped by his immigrant experiences. During his tenure from 2016 to 2019, Torres contributed to numerous sketches, infusing the series with his signature surreal and identity-exploring humor that often blended absurdity with poignant cultural observations. His style stood out for its dreamlike quality, diverging from traditional SNL formats by emphasizing fantastical elements and subtle explorations of queerness and immigration. Among his most celebrated works were the 2017 sketch "Papyrus," a font-themed parody featuring as a man obsessed with the niche used in the film , which highlighted Torres' knack for turning mundane details into comedic gold. Another standout, "Wells for Boys" from the same year, starred in a tender yet bizarre commercial for a line aimed at boys, subtly addressing gender norms through whimsical advertising satire. Torres' contributions earned him four Primetime Emmy nominations for Outstanding Writing for a Variety Series, shared with the SNL writing team, in 2017, 2018, 2019, and 2020. These nods recognized the innovative sketches that helped redefine the show's comedic boundaries during his time there, solidifying his reputation as a key talent in .

Co-created television series

Torres co-created the HBO comedy series Los Espookys (2019–2022) alongside and , drawing on his experiences as an SNL writer to craft a surreal horror-comedy centered on a group of friends who stage spooky scenarios for clients in a fictional Latin American country. The series originated as a pilot ordered by in late 2017, which impressed executives enough to greenlight a full season in 2018, leading to two seasons that blended absurd humor with cultural homage to Latin American . Torres served as , , of select episodes, and star, portraying Andrés, the group's eccentric dreamer whose obsession with the drives the narrative's thematic exploration of friendship, ambition, and the . Los Espookys earned a Peabody Award in 2023 for its innovative storytelling and bilingual approach, which captured the eerie whimsy of its Latin-inspired setting while subverting horror tropes through deadpan comedy. Building on the success of , Torres created Fantasmas (2024), a six-episode surreal produced by for , where he again wrote, directed, executive produced, and starred as a fictionalized version of himself navigating an alternate in search of a lost gold oyster earring. Premiering on June 7, 2024, the series delves into themes of , , and artistic expression through episodic sketches and narrative vignettes, using fantastical elements to satirize bureaucratic absurdities and personal reinvention in a queer, immigrant context. Torres' hands-on role extended to directing all episodes, allowing him to infuse the production with his signature visual style—vibrant, hand-crafted sets and non-sequitur humor—that underscores the show's conceptual focus on defying categorization and embracing multiplicity. Fantasmas received a Peabody Award in 2025, recognized for its bold genre-blending and poignant commentary on existence in .

Film and directing

Torres began transitioning into film acting with supporting roles that showcased his comedic timing and nuanced character work. In the 2021 comedy Together Together, directed by Nikole Beckwith, he portrayed Jules, a supportive gay barista who provides emotional guidance to the protagonist amid her surrogacy journey, contributing to the film's exploration of unconventional family dynamics. His performance highlighted the empathetic, offbeat persona that would become central to his later directorial efforts. Torres made his feature directorial debut with (2023), a semi-autobiographical comedy-drama that he also wrote and starred in, drawing from his own experiences as a Salvadoran immigrant navigating U.S. visa challenges. Produced by and featuring as the eccentric Elizabeth, an art world curator who becomes the unlikely mentor to Torres's character, , an aspiring toy designer frozen in bureaucratic limbo, the film blends surreal humor with poignant . It premiered at (SXSW) on March 13, 2023, before receiving a on March 1, 2024, and expanding wide on March 22, 2024. Critics praised for its inventive take on immigrant struggles, with Swinton's over-the-top performance complementing Torres's vulnerability, resulting in an 85% approval rating on based on 136 reviews. Reviewers highlighted the 's ability to humanize the absurdities of the visa process through Torres's signature surreal style, reminiscent of his television work but adapted to a more intimate, feature-length narrative. Prior to Problemista, Torres honed his directing skills through short films, including the 2020 satirical piece On Labor and Management, which examined workplace absurdities, and various cameos and collaborative projects that built toward his autonomy. These efforts underscored his evolution from television sketches to cinematic , emphasizing visual whimsy and thematic depth.

Personal life

Relationships and identity

Torres has been openly gay since the early stages of his career in the United States. When he joined the writing staff of in 2016, media outlets described him as an out gay and comedian, reflecting his public acknowledgment of his at that time. In interviews, he has described his in as a "soft launch" rather than a dramatic revelation, emphasizing that his identity was integrated into his life without a singular defining moment. Torres has been in a long-term with James Scully since 2022. The couple confirmed their partnership publicly through social media and joint appearances, including Scully's affectionate Instagram posts celebrating Torres' birthday in 2024. They have appeared together at events such as the 2025 Film , where they were photographed alongside friends. In a 2024 interview, Torres discussed casting Scully as his character's nemesis in the film , highlighting their personal and professional rapport. Torres has consistently addressed the pressures of , rejecting in his work and public persona. He has stated that he does not aim to represent all , immigrants, , or people, but rather to share personal stories drawn from his own experiences. In a 2019 interview, he reflected, "I have been placed in situations early on where I felt like, ‘Am I checking a box?’ But I don’t think that the work that I’ve done — and that I’m proud of — checks any boxes." Similarly, in 2020, he elaborated, "I never want to claim to speak for anybody else's experience. I am not here representing immigrants. I am not here representing , or Hispanics, or gay people. I can only share what's in me." His identity subtly informs the themes of otherness and outsider perspectives in his creative output, allowing him to explore surreal narratives that resonate with feelings of displacement without claiming broader representational authority.

Lifestyle and views

Torres adopted a in the summer of 2012 during a period of personal upheaval in , when he sought focus by simplifying his wardrobe to black and white and eliminating animal products from his diet. He has since woven his vegan experiences into his ethical comedy, humorously exploring the social awkwardness and apologies that accompany the choice, as in his stand-up routines where he laments missing human connection more than meat or dairy. Advocacy groups like have highlighted Torres as a Latin activist who promotes through these comedic integrations, emphasizing compassion without overt preaching. In discussions of his creative process, Torres describes as a vital coping mechanism for processing and life's , particularly drawing from his Salvadoran immigrant background and the disorienting realities of . In a 2024 Los Angeles Times interview, he elaborated that his surreal narratives stem directly from "life as I see it," transforming personal losses—like misplacing a cherished —into expansive fictional worlds as a form of optimistic rather than despair. This approach allows him to address deeper emotional undercurrents indirectly, using whimsy to navigate inherited optimism amid adversity. Torres engages in limited activism, focusing on support for immigrant rights and LGBTQ+ visibility primarily through his art rather than frontline political involvement. In 2020, he organized a comedy benefit that raised over $50,000 for undocumented workers and families affected by the , channeling his platform toward practical aid for the Salvadoran community. He has expressed a preference for embedding and immigrant perspectives in his inclusive —such as portraying multifaceted identities in Problemista (2024)—over declarative , viewing as a more authentic vehicle for . Living in , Torres immerses himself in design aesthetics, with a particular fascination for shapes and colors that permeates his daily environment and creative output. He has described preferring rounded forms over sharp ones and evolving from a "clear" favorite color to embracing vibrant hues like , which inform his home decor and artistic decisions. These interests prefigure his thematic explorations in specials such as My Favorite Shapes (2019), where he anthropomorphizes geometric forms, and the 2025 stage show Color Theories, which delves into the emotional symbolism of pigments.

Works

Television

Torres began his television career as a writer and performer on The Show on , contributing to sketches such as "Julio's Extremely Expensive Visions" across approximately 20 episodes from 2014 to 2015. He joined as a in 2016, penning over 70 sketches during his tenure from 2016 to 2021, including notable segments like "Wells for Boys," "," and "" that showcased his surreal, off-kilter humor. Torres co-created, wrote, executive produced, and starred in the HBO series Los Espookys (2019–2022), playing Andrés Valdez in all 10 episodes across two seasons; the surreal , set in a fictional Latin American country, follows a group staging spooky scenarios for clients. In 2024, he created, wrote, directed, executive produced, and starred as a fictionalized version of himself in Fantasmas on and , a six-episode surreal blending quest with comedic vignettes about loss and . Torres made guest appearances as an art school kid in the High Maintenance episode "Tick" (2018) on . He also appeared as Quique in the Search Party episode "Kings" (season 5, 2022) on HBO Max.

Film

Torres began his film career with supporting acting roles in independent comedies. In the 2021 dramedy Together Together, directed by Nikole Beckwith, he portrayed Jules, a barista navigating personal relationships alongside stars Ed Helms and Patti Harrison. In animation, Torres lent his voice to Diego the Squire, a minor character in the 2023 Netflix feature Nimona, an adaptation of the graphic novel by ND Stevenson that explores themes of identity and rebellion, co-directed by Nick Bruno and Troy Quane. Torres achieved a significant milestone with Problemista (2023), his feature directorial debut, which he also wrote, produced, and starred in as the lead Alejandro, a Salvadoran immigrant and aspiring toy designer struggling with visa issues in New York City while assisting eccentric artist Elizabeth (Tilda Swinton). The surreal comedy-drama premiered at South by Southwest in 2023 and received a wide theatrical release by A24 in March 2024, earning praise for its inventive visuals and satirical take on the American Dream. Torres continued voice work in the 2025 animated comedy Boys Go to Jupiter, directed by Julian Glander, voicing multiple characters including T-Bone, Gas Station Guy, and in a lo-fi tale critiquing through a fast-food employee's odyssey. The film premiered at festivals in 2024 before a limited theatrical run.

Stand-up and specials

Torres developed his in prior to joining Saturday Night Live in 2016, performing at venues such as the and earning a spot in the 2015 showcase at the festival in . His early routines often featured absurd, surreal humor that evolved from short sketches into more expansive performative works. In 2019, Torres released his debut HBO comedy special, My Favorite Shapes, directed by Dave McCary and filmed live at Elsewhere in Brooklyn. The hour-long multimedia production presents an array of unconventional shapes on a custom industrial conveyor belt, each inspiring fantastical anecdotes, jokes, and visual gags that highlight Torres's whimsical take on everyday objects. Torres continued exploring digital formats with "Papyrus 2," a 2024 sketch he wrote as a sequel to his iconic 2017 SNL short, which was cut for time during a live episode but released online via YouTube. Starring Ryan Gosling as the exasperated customer fixated on the Papyrus font's use in the Avatar trailers, the piece extends the original's deadpan absurdity into new territory, emphasizing Torres's knack for turning mundane frustrations into viral comedy. In 2025, Torres debuted Color Theories as an production at Performance Space New York, with previews beginning September 3, an official opening on September 10, and an extended run closing October 10 due to popular demand. The show blends stand-up, surreal design elements, and dreamlike logic to whimsically examine color's ties to emotion and identity, including segments on bureaucratic anger symbolized by as a fusion of red and blue. Written, directed, and performed by Torres with additional performers, it serves as a thematic follow-up to My Favorite Shapes. An special adaptation, taped during the run, was announced in October 2025 for a forthcoming premiere.

Literature

In 2022, Torres published his debut children's book I Want to Be a Vase, illustrated by Glander, in which household objects like a aspire to different roles, exploring themes of and through surreal humor.

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