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June Taylor

June Taylor (December 14, 1917 – May 16, 2004) was an American choreographer renowned for founding the June Taylor Dancers in 1942 and her innovative overhead camera routines on The Jackie Gleason Show, earning her a 1955 Emmy Award for outstanding choreography. Born Marjorie June Taylor in Chicago, Illinois, she began her career as a nightclub dancer but shifted to choreography after tuberculosis sidelined her performing at age 20. Taylor's troupe made its television debut in 1948 on The Toast of the Town (later The Ed Sullivan Show), marking her entry into broadcast choreography. She first met Jackie Gleason in 1949, joining his Cavalcade of Stars in 1950 and later choreographing for The Jackie Gleason Show from 1952 to 1959 and its revival from 1962 to 1970, often filmed in Miami Beach. Her signature style featured synchronized precision and elaborate productions, including the 1953 ballet Tawny, a 20-minute spectacle that cost $30,000 to produce. Taylor's sister, Marilyn, married Gleason in 1975, further intertwining their professional and personal lives. In her later years, Taylor extended her influence to sports entertainment by choreographing the ' cheerleading squad, the Dolphin Starbrites, from 1978 to 1990. She was married to Sol Lerner for 42 years until his death in 1986 and had no children. Taylor resided in , at the time of her death from natural causes at Miami Heart Institute. Her legacy endures through the enduring popularity of her dancers' performances and their impact on television aesthetics.

Early Life

Childhood in Chicago

June Taylor was born Marjorie June Taylor on December 14, 1917, in , , into a working-class family. Her father, Percival Guy Taylor, worked as a , while her mother, Angela Taylor, was a . The family struggled financially, and Taylor grew up in an environment marked by her parents' unhappy marriage. From a young age, Taylor found solace in dance amid her challenging home life. She often danced to records played on her grandmother's Victrola, using movement as an escape from domestic tensions. This early self-expression sparked her passion for performance. At age eight, she began formal dance lessons, focusing initially on . By ten, she advanced to specialized training at the Muriel Abbott School of Dance in under instructor Ken Murray. Taylor's talent emerged quickly through local opportunities. She entered a children's amateur contest at a Chicago vaudeville house, earning second place with a tap routine to "Stars and Stripes Forever." She also performed at summer fairs as part of Muriel Abbott's troupe, gaining initial stage experience. Despite her youth, Taylor dropped out of school at 14 to commit fully to dancing, reflecting the era's limited educational access for working-class girls pursuing entertainment careers.

Transition to Professional Dance

By her early teens, amid the , financial pressures prompted her to pursue dance professionally. At age 14, she dropped out of High School to join the circuit in , lying about her age to secure performances and support her family. Taylor quickly established herself as a talented performer, beginning with local venues before gaining prominence as a headliner in Chicago's nightlife scene. Her skills in various dance styles, honed through self-study and early training, allowed her to adapt to the demanding environment of . By her late teens, she had expanded her reach, touring internationally and becoming a recognized act during the economic hardships of the era. This period marked Taylor's full immersion into professional , where she performed rigorously until a health crisis interrupted her trajectory. In , at age 20, she collapsed onstage from , leading to an extended recovery that ultimately redirected her career toward .

Career

Pre-Choreography Dancing Career

June Taylor, born in in 1917, developed an early passion for dance, performing to her grandmother's Victrola records as a child before pursuing formal training. She began her professional career in at around age 12 by lying about her age to secure gigs, eventually dropping out of High School at 14 during the height of the to focus on dancing full-time. Throughout , Taylor worked as a on the nightclub circuit, starting locally in and expanding to become an international headliner during the economic hardships of the era. Her performances encompassed various styles, reflecting her versatile , and she built a reputation as a seasoned performer in vaudeville-inspired venues. Taylor's dancing career abruptly ended in 1938 when, at age 21, she collapsed onstage from , requiring two years of recovery in a sanitarium. This health crisis shifted her focus from performing to choreography, though she later reflected that directing dancers allowed her to "live" through their movements.

Founding the June Taylor Dancers

June Taylor's transition to choreography was necessitated by a severe health setback during her early performing career. Born in in 1917, she began professional dancing at age 14 in local nightclubs, including performances with the "Chez Paree Adorables" at the Chez Paree venue. By her late teens, she had toured extensively across the U.S. and as a solo dancer. However, in 1938, at approximately age 20, Taylor collapsed onstage at Chicago's Palace Theatre due to , leading to a two-year hospitalization in a sanitarium where she was bedridden and warned against resuming high-energy dancing. Following her recovery around 1940, Taylor pivoted to , leveraging her performance experience to direct others while accommodating her reduced physical stamina from the illness, which had caused a collapsed lung. She began creating routines for small groups, drawing inspiration from Busby Berkeley-style precision and high-kicking formations reminiscent of film spectacles. This shift allowed her to channel her passion for into a sustainable career path. In 1942, Taylor formally founded the June Taylor Dancers as a professional troupe, initially comprising just four performers. The group debuted at Chicago's Blackhawk Restaurant, where they performed synchronized chorus-line numbers that quickly gained local attention for their energetic, geometric precision. Starting small enabled Taylor to refine her choreographic style, emphasizing overhead camera angles to capture intricate patterns—a technique she would later pioneer on television. By 1948, the ensemble had expanded to six dancers and made its national television debut on The Toast of the Town (later The Ed Sullivan Show), marking the troupe's breakthrough into broader visibility.

Work with Jackie Gleason

June Taylor's professional relationship with Jackie Gleason began in 1950 when her troupe, the June Taylor Dancers, became regulars on Gleason's variety program Cavalcade of Stars on the DuMont Television Network. The collaboration originated from their earlier acquaintance in 1946 at a Baltimore nightclub where Taylor performed as a dancer, but it solidified with the dancers' integration into Gleason's show, featuring elaborate routines that complemented his comedic and musical segments. Initially comprising 16 performers, the group expanded to 32 dancers in 1954 at Gleason's suggestion, enhancing the visual spectacle of the productions. When Cavalcade of Stars transitioned into The Jackie Gleason Show on CBS in 1952, Taylor continued as the lead choreographer, creating signature opening sequences filmed from overhead cameras to produce kaleidoscopic patterns that became a hallmark of the program. Notable contributions included the choreography for the 1953 special "Tawny," a 20-minute ballet starring Gleason, for which Taylor collaborated on the staging and movement; the production cost $30,000 and was praised for its artistic ambition by The New York Times. Other highlights encompassed ice-skating numbers, such as the "Sleigh Ride" routine from Cavalcade of Stars, and dance sequences integrated into color Honeymooners sketches during the show's later years. The program aired from 1952 to 1959 and resumed from 1962 to 1970, with Taylor's work adapting to formats like Jackie Gleason and His American Scene Magazine, which originated in Tampa before relocating to Miami Beach in 1964. Taylor's choreography earned her the Primetime Emmy Award for Outstanding in 1955 for , recognizing her innovative contributions to television variety programming. This accolade underscored the dancers' role in elevating Gleason's shows, blending precision ensemble work with thematic elements that supported his larger-than-life persona and the era's glamorous entertainment style. The partnership lasted until the show's conclusion in 1970, marking one of the longest-running choreographic collaborations in early television history.

Post-Gleason Television and Variety Projects

Following the end of the weekly in 1970, June Taylor maintained her professional relationship with Gleason through occasional television specials in the 1970s. These productions continued to showcase the June Taylor Dancers in synchronized, high-precision routines that echoed the innovative overhead camera techniques pioneered during the variety series era. A documented example is Jackie Gleason Show special on , where Taylor's choreography featured the dancers in promotional imagery alongside Gleason, emphasizing the troupe's enduring role in his variety programming. This special, produced after Gleason's move to in early 1975, highlighted Taylor's ability to adapt her Busby Berkeley-inspired patterns to the evolving landscape of network specials. By the late 1970s, Taylor's involvement in television variety projects tapered off as Gleason reduced his on-air commitments, though her influence on the genre persisted through these final collaborations.

Choreography for Sports and Later Ventures

In 1978, June Taylor was recruited by owner to revitalize the team's squad, then known as the Dolphin Dolls, which he felt projected an outdated image. She rebranded them as the Dolphin Starbrites—named after a sponsor—and Broadway-style routines performed on a custom end-zone stage during home games at the . These performances featured intricate formations accompanied by a 22-piece , emphasizing precision and energy drawn from her television experience. Taylor's demanding training regimen transformed the group into a ensemble, selecting 24 members based on an "All-American" look with strong figures, fresh appearances, and vibrant personalities. Taylor insisted on vintage-inspired costumes for the Starbrites, reflecting her preference for classic aesthetics, though the squad adopted more contemporary uniforms like sneakers only after her departure. She directed the until 1990, applying the same rigorous standards that had defined her work with the June Taylor Dancers, and her routines helped elevate the role of in NFL entertainment. This sports venture marked a significant pivot from her television career, leveraging her expertise in large-scale group choreography to a live audience. Following her retirement from the Dolphins in 1990, Taylor remained active in the area, where she had relocated in 1962 alongside Jackie Gleason's production. Into the late 1990s, she organized fund-raising galas that supported education and aspiring performers, drawing on her network from decades in the industry. These events underscored her ongoing commitment to , though she largely stepped back from high-profile in her final years.

Personal Life

Family Connections

June Taylor was born on December 14, 1917, in , , to parents Percival Taylor and Angeline Taylor. The family resided in the Chicago area during her early years, where her interest in began to develop alongside her sister's shared passion for performance. Taylor's most prominent family connection was her younger sister, Marilyn Taylor (born October 6, 1925), who followed a similar path into dance and became a longtime member of the June Taylor Dancers troupe starting in the late 1940s. Marilyn, who performed under her maiden name before marrying, wed comedian and actor in 1975 as his third wife, a union that lasted until his death in 1987 and further intertwined the sisters' professional and personal lives through Gleason's television projects. Marilyn Gleason passed away on April 2, 2019, at age 93. In 1944, Taylor married attorney Sol Lerner in ; the couple had no children and remained together until Lerner's death in 1986. Through Marilyn's first marriage to George Nathaniel Horwich, Taylor gained a nephew, Craig Horwich, a film preservationist based in who has contributed to archiving and screening rare footage of the June Taylor Dancers, including appearances on . Horwich has spoken publicly about his aunt's influence and the family's close-knit dynamic, often vacationing together in during the 1960s.

Health Challenges and Death

In the late 1930s, at around age 20, Taylor was diagnosed with , which abruptly ended her burgeoning career as a dancer and required her to spend approximately 2.5 years in a sanitarium recovering. This setback forced her to pivot permanently to , as medical advice warned she would never dance professionally again. No other significant health challenges are documented in her later years. Taylor died on May 16, 2004, at the age of 86, from natural causes at the , where she had been admitted the previous week. She was survived by her sister, , and nephew .

Legacy

Awards and Honors

June Taylor is best recognized for her Primetime Emmy Award win in the category of Best Choreographer, awarded in 1955 for her innovative dance routines on . This marked the inaugural presentation of the award, making Taylor the first recipient in its history and highlighting her pioneering role in adapting stage choreography for early television formats. Her Emmy-recognized work featured the signature overhead camera shots of the June Taylor Dancers, which became a hallmark of Gleason's variety programming and influenced subsequent broadcast dance presentations. Throughout her career, Taylor's contributions to choreography garnered widespread acclaim, though no additional major awards are documented beyond this Emmy. Her choreography for Gleason's shows from the early onward solidified her legacy as a trailblazer in the medium, earning her enduring honors within the industry.

Cultural Impact and Recognition

June Taylor's choreography revolutionized the presentation of dance on , particularly through her work with the June Taylor Dancers on , where she adapted traditional chorus lines for the small screen, effectively ushering this performance style into the era. Her innovative routines featured kaleidoscopic patterns inspired by Busby Berkeley's film spectacles, achieved via overhead camera angles that exploited 's square format to create mesmerizing geometric formations. These visual techniques not only enhanced the aesthetic appeal of variety programming but also demonstrated dance's potential as a dynamic, integral component of broadcast during the and . Taylor's contributions extended beyond technical innovation, profoundly influencing by inspiring young audiences, especially girls, to pursue as a career aspiration. Her sister, Marilyn Taylor Gleason, noted that the dancers' performances made them cultural icons, with "all little girls want[ing] to grow up to be June Taylor Dancers." Furthermore, Taylor mentored emerging talents in the field, including Michael Bennett, who later created the landmark musical , and Ron Field, known for his work on and Applause!, thereby shaping subsequent generations of choreographers. In recognition of her artistic vision, Taylor's elaborate productions, such as the 1953 ballet sequence "Tawny" on The Jackie Gleason Show, were lauded by The New York Times critic Jack Gould for showcasing "popular commercial television displaying artistic vision and imagination." This piece, a 20-minute production costing over $30,000, exemplified her ability to elevate television from mere entertainment to a platform for sophisticated dance artistry. Her enduring legacy persists in the foundational role she played in establishing choreographed dance as a staple of American television, influencing the format and visual language of variety shows for decades.

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