Fact-checked by Grok 2 weeks ago

Kate Millett

Katherine Murray Millett (September 14, 1934 – September 6, 2017) was an American feminist writer, educator, sculptor, and activist whose 1970 book established her as a pivotal figure in . Born in St. Paul, Minnesota, Millett earned degrees from the , St. Hilda's College at University, and , where her PhD dissertation critiqued patriarchal in by authors including , , and , arguing that male sexual dominance underpins broader structures of political power. The work popularized the term "" to describe how relations enforce and called for a revolution against institutions like monogamous marriage and the , positions that drew both acclaim for galvanizing and controversy for their perceived extremism. Beyond writing, Millett produced , participated in anti-Vietnam War protests, and documented her struggles with in later memoirs such as The Loony-Bin Trip (1990), highlighting tensions between personal autonomy and psychiatric intervention. Her uncompromising critiques of heteronormativity and cultural norms, including backlash after her public identification as bisexual, underscored divisions within the women's movement over sexuality and radicalism.

Early Life and Education

Upbringing and Family Influences

Katherine Murray Millett was born on September 14, 1934, in St. Paul, , to James Albert Millett, an engineer, and Helen Feely Millett, a teacher. The family was of Irish Catholic heritage and middle-class standing, with Millett as the second of three daughters. Raised in a strict Catholic household, she attended parochial schools in St. Paul during her childhood, where religious observance shaped early family life amid growing personal doubts about faith. Millett's father, an alcoholic, physically abused the children and expressed disappointment at her birth as a girl, later abandoning the when she was 14 years old around 1948, which imposed financial hardship. This desertion left lasting psychological impact, as Millett reportedly remained haunted by his behavior into adulthood. Her mother, , supported the household afterward by teaching and selling insurance, instilling resilience while the daughters contributed to sustenance. These dynamics—marked by patriarchal authority, abandonment, and maternal self-reliance—contrasted with the era's traditional gender expectations and informed Millett's later critiques of structures, though she attributed her rebelliousness partly to waning religious adherence during adolescence.

Academic Training and Early Intellectual Development

Millett earned a degree in from the in 1956, graduating magna cum laude and as a member of . Her undergraduate studies emphasized literary analysis, laying the groundwork for her later critical examinations of power dynamics in canonical texts. Following graduation, Millett pursued postgraduate studies at St Hilda's College, Oxford University, where she received a degree with first-class honors in 1958, becoming the first American woman to achieve this distinction at the institution. This period immersed her in British literary traditions and honed her analytical skills, influencing her approach to deconstructing gender hierarchies through close reading of authors like D.H. Lawrence and Henry Miller in subsequent work. Millett completed a Ph.D. at Columbia University in 1970, with her dissertation—"Sexual Politics"—expanding into a book that applied structuralist and psychoanalytic lenses to literary representations of male dominance and female subordination. The thesis originated from coursework and qualifying exams amid the 1968 Columbia student strikes, during which she balanced academic pursuits with emerging political activism, fostering her synthesis of literary criticism and ideological critique. This doctoral research marked a pivotal shift in her intellectual trajectory, prioritizing empirical textual evidence over traditional aesthetic evaluations to argue for systemic patriarchal control in culture.

Professional Career

Artistic Pursuits and Exhibitions

Millett identified primarily as a sculptor throughout her career, maintaining a dedicated studio practice alongside her writing and activism. Her sculptural work often explored themes of gender roles, domesticity, and eroticism through unconventional furniture forms and installations, incorporating elements of Fluxus performance and surrealism. Beginning in the early 1960s, she produced pieces such as Piano & Stool (1965) and Dinnerware (1966), which reimagined everyday objects to critique societal norms. In 1961, Millett relocated to , where she taught English at while developing her sculptural skills; during this period from 1961 to 1963, she held her first solo exhibition at Minami Gallery in 1963. There, she met and married Japanese sculptor , further immersing herself in artistic production before returning to the . Subsequent group exhibitions included the 1967 12 Evenings of Manipulation at Judson Gallery in and shows at the Women's Center in . Millett's installations gained prominence with Terminal Piece (1972), a large-scale work featuring 46 wooden chairs arranged in rows to evoke institutional control and dynamics, originally presented at the Women's Interart Center and restaged in 2021 at CCS Bard. Her Fantasy Furniture series (1967) transformed domestic items like beds and chairs into provocative, sculptural critiques of heterosexual norms, with pieces exhibited posthumously at Salon 94 Design in 2022. Since 1966, her oeuvre emphasized large-scale sculptures and installations addressing cultural patterns of and . A major retrospective, Kate Millett, Sculptor: The First 38 Years, was held at the in 1997, surveying her early production. Millett also established an for women at her Poughkeepsie farm, fostering collaborative work; this inspired the 2021 exhibition Life After the Revolution: Kate Millett's Art Colony for Women at SUNY New Paltz, displaying her s alongside resident artists' contributions. Additional venues included the Dorsky Museum and international shows through 2009, encompassing , drawings, serigraphs, and .

Teaching and Academic Roles

Millett commenced her academic career as an English instructor at the University of North Carolina at Greensboro following her graduate studies. In 1961, she relocated to , where she taught English at while pursuing sculpture studies. Upon returning to the , Millett joined as an instructor in , with records indicating her appointment by 1965. Her tenure there ended in 1968 when she was fired from her position as an English lecturer, a decision linked at least partly to her support for student protests against the . Some accounts also attribute the dismissal to her open lesbianism and involvement in campus disruptions. In the ensuing years, Millett held teaching positions at and Sacramento State University, contributing to English and related departments amid her rising prominence in feminist scholarship. These roles were often adjunct or temporary, reflecting challenges in securing permanent academic appointments following her Barnard dismissal and public .

Feminist Activism and Ideology

Involvement in Second-Wave Feminism

Millett became deeply involved in during the late in , joining a range of organizations including the (NOW), New York Radical Women (NYRW), , Radical Women, the , and Radicalesbians. She regularly attended meetings across these groups—such as Uptown, Downtown, and Columbia feminist circles—and participated in consciousness-raising sessions, which fostered collective analysis of personal experiences as political. Through her affiliation with NYRW, Millett joined the protest against the pageant on September 7, 1968, in , where demonstrators critiqued the event's promotion of restrictive beauty ideals and commodification of women; the action, involving symbolic elements like a "freedom trash can" for discarded feminine products, achieved widespread media coverage and epitomized early radical feminist tactics. Millett's activism extended to broader radical efforts, including abortion speak-outs that broke taboos around women's reproductive experiences and protests targeting sexist representations, such as the 1970 occupation of Ladies' Home Journal's offices demanding fairer content. She also advocated for integrating feminist demands into larger student unrest, taking a prominent role in the 1968 strikes to highlight gender inequities amid anti-war mobilizations. These engagements positioned Millett as a bridge between artistic, academic, and street-level , though she later described the intensity of constant organizing and public scrutiny as both liberating and exhausting.

Critiques of Patriarchy and Gender Roles

In Sexual Politics, published in 1970, Kate Millett framed as a foundational political characterized by the control of women by men across ideological, psychological, economic, and institutional dimensions. She contended that this system subordinates one-half of the population—females—to the other half—males—rendering sexual relations inherently political and power-laden. Millett's analysis prioritized sex-based over or economic factors, arguing that patriarchal structures predate and underpin other forms of , with Western institutions like the , , and enforcing male supremacy. Millett critiqued gender roles as mechanisms of patriarchal enforcement, identifying three key ideological supports: differences in temperament (portraying women as passive and emotional), prescribed sex roles (confining women to reproduction and domesticity), and hierarchical status (elevating men in authority and prestige). She asserted that these roles are not biologically innate but socially constructed to maintain male dominance, linking guilt and repression in sexuality primarily to women under patriarchal norms. In her view, such conditioning leads women to internalize inferiority, perpetuating the system without overt coercion. Through literary criticism, Millett demonstrated how canonical works reflect and reinforce these dynamics, analyzing authors , , , and for their depictions of women as submissive, inferior beings or sexual objects. For instance, she condemned portrayal of heterosexual relations as sadomasochistic rituals affirming male power, and as battles where women serve male ego and conquest. Millett argued that such representations in "great " normalize , embedding patriarchal assumptions in cultural consciousness and hindering recognition of women's . Her approach treated as evidence of rather than isolated artistic expression, urging feminist reevaluation of artistic traditions.

Major Writings and Intellectual Contributions

Sexual Politics and Literary Analysis

Sexual Politics, published in 1970 by Doubleday, served as the foundation for Kate Millett's doctoral dissertation in at . The work advances the central thesis that sexual relations constitute a political realm where male dominance, termed , enforces female subordination through ideological means, including cultural artifacts like literature. Millett contends that traditional narratives portraying male superiority in sex as biologically innate legitimize power imbalances, extending this argument to critique how literature perpetuates such myths. Millett's literary analysis dissects selected 20th-century texts to expose embedded patriarchal assumptions, focusing on depictions of heterosexual encounters as arenas of conquest and submission. She employs to interpret scenes of intimacy, arguing that they reflect broader societal ideologies rather than neutral artistic expression. This approach, rooted in her academic training, prioritizes uncovering power dynamics over aesthetic evaluation, positing literature as a tool for reinforcing gender hierarchies. In examining , Millett highlights his advocacy for phallocentric sexuality, where male potency symbolizes authority and female roles emphasize yielding, as seen in (1928), which she views as endorsing ritualized male supremacy under guises of natural harmony. For , she analyzes works like (1934) for their pornographic elements, interpreting explicit sadism and objectification of women as unmasked expressions of misogynistic aggression masked as liberation. Norman Mailer's portrayals, such as in An American Dream (1965), are critiqued for framing violence and existential combat within sexual acts, equating dominance with authenticity and reducing women to adversaries or prizes. receives treatment as a partial exception, with Millett noting his homosexual narratives in (1943) subvert heterosexual norms yet retain hierarchical power plays, failing to fully dismantle patriarchal logic. Through these critiques, Millett illustrates how esteemed literature sustains by normalizing male prerogatives, urging readers to recognize art's complicity in ideological reproduction. Her method, while influential in feminist scholarship, relies on interpretive frameworks that attribute intentional or to authors, often drawing from selective textual evidence to support claims of universal patriarchal encoding.

Subsequent Books on Personal and Political Experiences

In 1974, Millett published Flying, an autobiographical account detailing the personal upheavals following the success of Sexual Politics. The book chronicles her experiences during a transformative year marked by sudden fame, exploring her struggles with sexuality, relationships—including her to Japanese sculptor —and the psychological toll of public scrutiny. Millett reflects on her Irish-Catholic upbringing and early sexual awakenings, juxtaposing personal guilt and joy against her evolving feminist identity. Flying also delves into Millett's interactions within feminist circles and her travels, such as a visit to for a film project, blending intimate self-examination with observations on celebrity's isolating effects. Critics noted its raw, stream-of-consciousness style, which captured the disorientation of reconciling private desires with political expectations. Millett's 1977 memoir focuses on the emotional disintegration of her romantic relationship with an older woman named Sita, a divorced mother of three. The narrative provides a minute-by-minute record of love's decline, emphasizing themes of dependency, betrayal, and recovery amid personal vulnerability. Through this lens, Millett examines broader dynamics of power and attachment in same-sex relationships, drawing from her own experiences without broader political theorizing. In The Basement: Meditations on a Human Sacrifice (1979), Millett shifts to a political analysis of the 1965 torture and of teenager Sylvia Likens by Gertrude Baniszewski and accomplices in . The book combines trial details with philosophical reflections on , , and societal complicity in . Millett interprets the case as emblematic of patriarchal cruelty, linking it to historical and cultural patterns of female subjugation. Going to Iran (1982), co-authored with photographer Sophie Keir, recounts Millett's 1979 visit to shortly after the Islamic Revolution. The work documents encounters with Iranian feminists and dissidents amid revolutionary fervor, highlighting clashes between Western and emerging theocratic restrictions on women. Millett critiques the revolution's anti-feminist turn, based on direct observations of protests and interviews, while reflecting on her outsider perspective.

Controversial Views

Positions on Pedophilia and Age of Consent

In a 1980 interview conducted by Mark Blasius and published in the Semiotext(e) special issue Loving Boys and later in The Age Taboo (1981), Kate Millett advocated for the sexual emancipation of children as part of broader liberation efforts, stating that "one of children's essential rights is to express themselves sexually, probably primarily with each other but with adults as well." She acknowledged the potential for exploitation in intergenerational relationships, describing them as capable of being "non-exploitative and, considering the circumstances, they are probably heroic and very wonderful," while also admitting they could involve power imbalances due to children's lack of rights and resources. Millett critiqued existing age-of-consent laws as originally intended to shield children from but observed that contemporary against them was often led by "older men and not youths," suggesting a disconnect from children's own voices. She called for an " for children," reframing the debate around rather than adult access, positioning youth liberation as integral to dismantling patriarchal . These positions aligned with Millett's essay "Women, Homosexuals and Youth: Latent Sexual Liberation," originally appearing in a Semiotext(e) publication on man/boy love and reprinted in Hatred of Capitalism: A Semiotext(e) Reader (2001), where she extended sexual politics to challenge age-based restrictions on youth sexuality as forms of latent oppression. Her views reflected 1970s-1980s radical feminist and queer theory circles that sought to politicize consent across generational lines, though they drew criticism for minimizing empirical risks of adult-child power dynamics documented in psychological studies on developmental vulnerability.

Perspectives on Family Structures and Motherhood

Millett posited in Sexual Politics (1970) that the constitutes patriarchy's chief institution, functioning as a microcosm of societal power dynamics where male is normalized through intergenerational transmission. She contended that familial roles—particularly the father's disciplinary influence and the mother's supportive domesticity—instill hierarchical attitudes in children, with girls conditioned for subordination and boys for dominance, thereby sustaining broader patriarchal control. This , Millett argued, occurs via parental example and admonition, rendering the a key mechanism for perpetuating gender-based rather than a neutral or benevolent unit. On motherhood specifically, Millett framed it as an extension of this oppressive , linking women's reproductive roles to their in dependency and limited . She critiqued how motherhood naturalizes women's subordination by prioritizing biological imperatives and child-rearing over personal or professional agency, viewing it as a cultural construct that reinforces patriarchal division of labor. In her analysis, traditional motherhood thus embodies "total" psychological oppression, embedding sexist assumptions that constrain women's psychological development and societal participation. Millett advocated dismantling conventional family structures to achieve sexual liberation, proposing alternatives that decouple reproduction from relational norms and state intervention in child-rearing to erode patriarchal inheritance. She extended this critique to historical examples, decrying family-centric ideologies in fascist or counterrevolutionary contexts as tools for regressive control, while favoring models that prioritize individual autonomy over kinship ties. These perspectives, drawn from her theoretical examination of power rather than empirical family studies, positioned the nuclear family and motherhood as barriers to feminist revolution.

Critiques of Heterosexuality and Traditional Marriage

In her 1970 book Sexual Politics, Kate Millett contended that functions as a political embedded within patriarchal structures, where sexual relations exemplify and perpetuate a caste-like system of male supremacy over women. She asserted that "coitus can scarcely be said to take place in a ; that is, all that is involved in the act is not just physical, but a complex of cultural attitudes and values." Millett argued that patriarchal conditions women to derive identity and purpose primarily through gratifying male sexuality, reinforcing female subordination as a cultural norm rather than a natural outcome. Millett extended this analysis to , portraying it as an economic alliance that operates akin to a corporate entity, with husbands holding authority over wives and children as forms of under historical patriarchal . "Traditionally, patriarchy granted the father nearly total ownership over wife or wives and children," she wrote, emphasizing how entrenches women's legal and financial dependency on men. She viewed the , sustained by such marriages, as patriarchy's primary institution for socializing gender hierarchies and transmitting male dominance across generations. To dismantle these structures, Millett advocated a sexual revolution that rejected compulsory heterosexuality, monogamous marriage, and romantic love, which she described as mechanisms of ideological control designed to bind women to patriarchal roles. In line with radical feminist aims, she expressed support for the "complete destruction of traditional marriage and the nuclear family" as a utopian objective to liberate women from enforced domesticity and reproductive obligations. Her positions, drawn from literary and theoretical analysis rather than empirical data on marital outcomes, positioned heterosexuality and marriage not as consensual unions but as coercive systems requiring political overthrow for gender equality.

Personal Life and Struggles

Relationships and Sexuality

Kate Millett married Japanese sculptor in 1965, maintaining an that permitted her extramarital affairs with women while Yoshimura pursued his own sexual interests; the lasted until their divorce in 1985, though they lived apart for much of that period. In late 1970, during a public speech at Barnard College, Millett publicly acknowledged her bisexuality following audience pressure to disclose her sexual orientation, an event that drew significant media attention including a Time magazine cover story outing her further in December of that year; this revelation strained her standing within segments of the feminist movement, where some activists viewed bisexuality as diluting lesbian separatism. Millett's 1974 memoir Flying detailed her primary sexual and romantic involvements with women, portraying a series of intense but often tumultuous relationships that reflected her struggles with emotional dependency and the political tensions of amid ; despite her public bisexual label, these accounts emphasized her attractions and commitments predominantly toward women. In her later years, Millett lived with Australian artist Sophie Keir, her longtime partner described in some accounts as her , sharing a home at Millett's Poughkeepsie farm until Millett's in 2017; this relationship provided a stable personal foundation amid her ongoing and health challenges.

Mental Health Issues and Institutionalization

Kate Millett's challenges began in 1973 while she was living with her husband in , manifesting in behaviors that family members and physicians attributed to manic-depressive illness, now termed . She was involuntarily committed that year to several facilities, including Highland Hospital in Oakland, Herrick Hospital in , and , where she remained for approximately 10 days before release; these events involved forced medication with Thorazine, which she resisted by consuming coffee to counteract its sedative effects. Later in the summer of 1973, her mother arranged another involuntary to a mental clinic in , lasting two weeks until Millett secured release through a civil lawyer. These episodes prompted a of manic , leading to a seven-year regimen of to stabilize her mood, which Millett later discontinued in 1980 , resulting in a second breakdown characterized by rapid speech, excessive spending, , and hallucinations. That year, she was detained at in Ireland and held for three weeks at Our Lady of Clare, a state mental hospital she described as housing "thirty-five tired female captives," before being freed amid pressure from feminist allies and a local . Family and friends urged continued medication, viewing her refusal as exacerbating her condition, but Millett signed voluntary patient forms under duress in some instances and hid or discarded pills, framing institutionalization as a betrayal and violation of . Millett contested the manic depression diagnosis throughout her life, portraying psychiatric interventions as mechanisms of rather than therapeutic necessities, drawing on anti-psychiatry thinkers like and to argue that "mental illness" was a myth used to suppress nonconformity. Her 1990 memoir, The Loony-Bin Trip, chronicles these institutionalizations across the , , and elsewhere, depicting facilities as "nightmarish" environments akin to prisons and critiquing forced medication as eroding personal agency. These experiences disrupted her professional endeavors, including her women artists' colony in , yet she advocated for humane treatment of the mentally ill, emphasizing tolerance for manic states as potentially creative rather than pathological.

Later Activism and Property Initiatives

In the 1970s, Millett purchased a dilapidated farmhouse and surrounding acreage in (near Poughkeepsie), using proceeds from the advance for Sexual Politics, initially envisioning it as a private retreat that evolved into a communal space for women. By 1978, she co-founded the Women's Art Colony Farm with Sophie Keir, establishing it as a self-sustaining colony dedicated to fostering women's creative work amid the era's feminist and . The initiative combined agricultural labor—such as renovating barns, maintaining the property, and cultivating trees for income—with artistic production, attracting volunteers, writers, and visual artists from the women's movement to build living quarters and studios. The colony served as a site for radical feminist , providing a haven for women confronting and homophobia, where participants engaged in collective labor and art-making to realize visions of and outside patriarchal structures. Over four decades, it hosted several hundred and writers, functioning until Millett's death in 2017 as a model of "life after the revolution"—a term she used to describe post-liberation communal living. Sustainability relied on farm revenues and resident contributions, though the project's longevity reflected Millett's commitment to blending with practical self-reliance rather than institutional funding. This endeavor extended her earlier theoretical work into tangible property-based initiatives, prioritizing women's creative and political independence.

Reception and Legacy

Academic and Feminist Impact

Kate Millett's (1970), adapted from her PhD dissertation defended in 1968, marked a pivotal intervention in by framing as a site of patriarchal power dynamics. The book systematically dissected canonical works by male authors—including D.H. Lawrence's , Henry Miller's , and Norman Mailer's An American Dream—arguing that their portrayals of heterosexual relations perpetuated male supremacy and female subjugation. This approach pioneered the application of "sexual politics," a term Millett coined to denote the interplay of sex roles and power structures, influencing subsequent feminist analyses of gender in narrative. In academic circles, accelerated the shift from formalist , which emphasized textual autonomy, toward ideologically driven critiques that situated literature within socio-political contexts. It garnered over 10,000 citations in scholarly databases by the early 21st century, underscoring its role in establishing feminist as a subfield, though often critiqued for subordinating aesthetic evaluation to partisan readings. Scholars like Cora Kaplan faulted Millett's method for imposing contemporary feminist ideology onto texts, reducing complex characterizations to binary oppressions rather than engaging their ambiguities empirically. Despite such rebukes from figures including and Mailer himself, who dismissed it as strident pamphleteering, the work's dense footnoting and theoretical ambition lent it scholarly veneer, embedding it in curricula. Within , Millett's text galvanized second-wave by theorizing not merely as institutional but as embedded in cultural artifacts, inspiring critiques of heteronormativity and male-authored dominance. It was dubbed the "bible of the women's movement" in the for mobilizing intellectual challenges to traditional roles, yet its radicalism—equating with political —drew internal feminist dissent for essentializing sex differences without robust causal evidence. Later works like Flying (1974) and The Politics of Cruelty (1994) extended her purview to personal memoirs and global tyrannies but elicited lesser academic traction, overshadowed by controversies over her views on and family abolition. Overall, while Sexual Politics endures as a foundational in , its legacy reflects academia's preferential amplification of ideologically aligned critiques amid systemic biases favoring progressive narratives over detached textual empiricism.

Broader Societal Criticisms and Empirical Rebuttals

Critics, particularly from conservative and family-policy perspectives, have contended that Millett's portrayal of the traditional family as a patriarchal perpetuating subordination contributed to cultural and legal shifts that undermined marital and welfare. In Sexual Politics (1970), Millett described family-centric societies as "fascistic and counterrevolutionary," advocating their restructuring to prioritize individual autonomy over collective bonds, a view that aligned with radical feminist calls for abolishing norms. This ideology, critics argue, influenced the push for laws in the , which correlated with U.S. divorce rates doubling from 2.2 per 1,000 people in 1960 to 5.2 in 1980, exacerbating single-parent households. Empirical research rebuts the notion that dismantling traditional structures yields societal benefits, demonstrating instead that intact, married two-parent families foster superior outcomes for children across metrics of health, education, and behavior. Longitudinal analyses, such as those from the Institute for Family Studies, indicate children in such families experience lower rates (8% vs. 31% in single-parent homes), higher high school graduation rates (90% vs. 75%), and reduced involvement in delinquency, attributing these to dual , , and role modeling. Similarly, a Fordham Institute review of national datasets confirms that students from stable two-parent households outperform peers from disrupted families by 10-20 percentile points in standardized tests, controlling for income and race, underscoring causal links via parental supervision and resource pooling rather than mere correlation. These findings, drawn from large-scale surveys like the National Longitudinal Survey of Youth, challenge Millett's dismissal of differences and family hierarchies, as evolutionary and neuroscientific evidence highlights innate dimorphisms—e.g., higher variance in spatial abilities and female nurturing tendencies—that traditional structures accommodate effectively. Millett's broader critique of heterosexuality as a coercive political regime has faced rebuttal through data on marital satisfaction and longevity, where heterosexual unions report higher reported happiness (65% very satisfied after 20 years per General Social Survey waves) compared to cohabiting or non-traditional arrangements, suggesting mutual complementarity over oppression. While academic sources often amplify deconstructive narratives due to institutional biases favoring ideological conformity, independent policy analyses emphasize that policies inspired by such views, like expansive welfare for single mothers, inadvertently incentivize family fragmentation, with single-mother households comprising 23% of U.S. families by 2023 and linked to intergenerational poverty cycles. These patterns affirm causal realism: stable families mitigate risks, not exacerbate them, rendering radical reconfiguration empirically unsubstantiated.

Awards, Honors, and Posthumous Evaluations

Millett received the Best Books of the Year award in 2001 for her Mother Millett, recognizing its exploration of familial estrangement and reconciliation. In 2012, the Lambda Literary Foundation presented her with the Pioneer Award at its 24th annual ceremony, honoring her enduring impact on LGBTQ+ and . That same year, she was given the Lennon Courage Award for the Arts, acknowledging her activism and artistic defiance against conventional norms. In 2013, the , her , conferred an honorary Doctorate of Science upon her, citing her interdisciplinary contributions as a , , and . Later that year, on October 12, she was inducted into the in , alongside eight other inductees, for her role in advancing and . Following her death on September 6, 2017, posthumous evaluations largely affirmed Millett's status as a foundational figure in , with Sexual Politics (1970) praised for pioneering the examination of patriarchal power in literary canon, influencing subsequent despite methodological critiques for subordinating aesthetic to ideology. Obituaries and remembrances, such as those in and Lambda Literary, emphasized her radical spirit and boundary-breaking activism, though some noted the marginalization of her later works amid evolving feminist priorities on . Her archival papers, donated to , continue to support scholarship on her unorthodox views, including defenses of sexual liberation that clashed with mainstream sensibilities, prompting reevaluations of her influence beyond progressive circles.

Death and Final Years

Health Decline and Passing

In her later years, Kate Millett experienced physical deterioration, including severe that left her bent over a walker and reliant on assistance for mobility. Earlier, around the early , she had undergone for a benign that had been misdiagnosed for years by her , contributing to prior health challenges but not directly linked to her final decline. Millett died suddenly on September 6, 2017, at the age of 82, while vacationing in with her partner, Sophie Keir, to celebrate their shared birthdays. The cause was , as confirmed by Keir. Her ashes were later returned to the .

Archival Legacy and Ongoing Scholarship

Following her death on September 6, 2017, Kate Millett's personal papers and artistic output were preserved through the Kate Millett Papers collection at the Sallie Bingham Center for and Culture, part of Libraries. Acquired via purchase and gift between 2000 and 2017, the collection spans 93.25 linear feet across 199 boxes and 29 oversize folders, covering materials from 1912 to 2002 with a bulk from 1951 to 2001. It encompasses extensive correspondence with figures such as and ; drafts and manuscripts of key works including (1970) and The Loony-bin Trip (1990); over 250 pieces of artwork such as ink drawings and sculptures; audiovisual recordings of lectures and interviews; subject files on topics like gay and communities, efforts, and global campaigns in regions including , , and the ; and family photographs dating to 1912. These materials document Millett's integration of personal experience with political activism, providing primary sources for examining the internal dynamics of , artistic responses to , and critiques of psychiatric institutionalization. The collection's restricted elements, such as correspondence with partner Sophie Keir (closed until Keir's lifetime ends) and unprocessed post-2004 additions, limit immediate access but underscore its ongoing curation for scholarly integrity. Related holdings, including records from Millett's , reside at Smith College's Special Collections, preserving documentation of that self-sustaining artist community founded in the mid-1980s as a space for women's labor and creative practice. Together, these archives sustain Millett's multifaceted legacy, enabling researchers to trace causal links between her theoretical writings, visual art, and activist interventions without reliance on secondary interpretations. Posthumous scholarship has leveraged these archives to reassess Millett's contributions amid evolving critiques of feminist and narratives. A 2024 peer-reviewed article in the Journal of Literary & Cultural Disability Studies analyzes how "sanist" discourse—pathologizing non-normative behaviors—framed Millett's , , and institutionalization experiences as illnesses to undermine her radical critiques, drawing on her autobiographical accounts and correspondence for evidence of in psychiatric labeling. In 2025, researcher utilized the collection to explore Millett's fourteen-year fixation on the 1965 Sylvia Likens murder case, interpreting her unfinished artwork and writings as meditations on female vulnerability and societal complicity, distinct from her partner Clarissa Sligh's photographic responses. Exhibitions have further activated the archives, such as the 2021 Dorsky Museum show "Life After the Revolution: Kate Millett's Art Colony for Women," which incorporated historical film footage and archival photographs from to depict its communal ethos of blending manual labor with artistic production, funded in part by the and the Foundation. These efforts highlight persistent academic interest in Millett's practical , though scholarship remains niche, often confronting her era's ideological tensions—such as tensions between sexual liberation and institutional power—without uncritical endorsement of her positions.

References

  1. [1]
    Kate Millett, Ground-Breaking Feminist Writer, Is Dead at 82
    Sep 6, 2017 · Kate Millett's first and most famous book, “Sexual Politics” (1970), is credited with inciting a Copernican revolution in the understanding of gender roles.Missing: major | Show results with:major
  2. [2]
    Kate Millett, renowned feminist who shed light on 'Sexual ... - PBS
    Sep 7, 2017 · American author and activist Kate Millett, best known for her 1970 book “Sexual Politics,” a landmark feminist critique, died Wednesday in France at the age of ...Missing: biography major
  3. [3]
    Postscript: Kate Millett's Radical Spirit | The New Yorker
    Sep 7, 2017 · The efforts of latter-day feminists, she argued, should not be incremental but revolutionary—should consist in the over-all repudiation of the ...Missing: controversies | Show results with:controversies
  4. [4]
    Kate Millett pioneered the term 'sexual politics' and explained the ...
    May 2, 2024 · Kate Millett pioneered the term 'sexual politics' and explained the links between sex and power. Her book changed my life · Power, sex, Miller ...
  5. [5]
    https://www.tutor2u.net/politics/reference/kate-millett-1934
  6. [6]
    Kate Millett: 'Sexual Politics' & Family Values | Judith Shulevitz
    Sep 29, 2017 · Millett devoted most of a chapter of Sexual Politics to attacking as fascistic and counterrevolutionary societies that emphasized family over ...Missing: consent | Show results with:consent
  7. [7]
    The Politics Shed - Kate Millett (1934– ) - Google Sites
    Millett argued that female oppression was both political and cultural, and suggested that undoing the traditional family was the key to true sexual revolution.
  8. [8]
    The Importance of Kate Millett - The Cut
    Sep 8, 2017 · Millett, who was then married to a man, but also slept with women, was quoted (or misquoted) in a magazine distancing herself from lesbianism.
  9. [9]
    Why We Need Kate Millett's 'Sexual Politics' | The New Republic
    Mar 23, 2016 · She first came out as bisexual (disappointing her Catholic family), then later as a lesbian. This drew her into new organizing circles, where ...
  10. [10]
    Feminist Philosopher Katharine Murray Millett - The New York Times
    Aug 27, 1970 · Katharine Murray Millett was born on Sept. 14, 1934, into an unhappy, middle‐class Irish family in St. Paul, Minn. Advertisement. SKIP ...<|separator|>
  11. [11]
    Millett, Kate (1934—) - Encyclopedia.com
    Millett, Kate (1934—)American writer, feminist, political activist and sculptor whose 1970 book Sexual Politics has become a feminist classic.Missing: major | Show results with:major
  12. [12]
    The Courageous Radicalism of Kate Millett | The New Republic
    Sep 8, 2017 · She was born in 1934 to Irish Catholic parents living in St. Paul, Minnesota. She was the second of three daughters. As she later told Time, her ...
  13. [13]
    Kate Millett obituary | Feminism - The Guardian
    Sep 7, 2017 · Born in St Paul, Minnesota, Kate was raised by strict Catholic parents. ... In her later years, Millett and Keir lived on a farm in ...Missing: childhood | Show results with:childhood
  14. [14]
    Kate Millett | Research Starters - EBSCO
    Kate Millett was an influential American feminist writer, artist, and activist, best known for her groundbreaking work "Sexual Politics," which critically ...
  15. [15]
    St. Paul native Kate Millett, feminist author of 'Sexual Politics,' dies at ...
    Sep 7, 2017 · The daughter of Irish Catholics, Millett was born in St. Paul, and was long haunted by her father, an alcoholic who beat his children and left ...
  16. [16]
    Kate Millett | University Awards & Honors
    Kate Millett, Minnesota native, author, artist and activist, received her bachelor of arts in English from the College of Science, Literature, and the Arts ( ...
  17. [17]
    Kate Millett | Encyclopedia.com
    In 1956 she received her B.A. degree magna cum laude and phi beta kappa from the University of Minnesota. She majored in English. After graduation she attended ...Missing: influences training
  18. [18]
    [PDF] Sexual politics / Kate Millett - Monoskop
    It is a great pleasure to me to see a new edition of this work, my first book, back in print after an absence of nearly seven years.<|separator|>
  19. [19]
    1968: The Global Revolutions - Columbia University
    In 1970, Kate Millet published Sexual Politics, a work of feminist critical theory she had previously defended as her doctoral thesis at Columbia University.Missing: Oxford | Show results with:Oxford
  20. [20]
    Jewels in Her Crown: Treasures of Columbia University Libraries ...
    In her groundbreaking Columbia University dissertation, Kate Millett proposed an end to patriarchy. Using passages from Henry Miller, Jean Genet and Norman ...Missing: Oxford | Show results with:Oxford
  21. [21]
    Kate Millett Archives - Carnegie Museum of Art
    Kate Millett (b. 1934 in St. Paul, MN; d. 2017 in Paris) described herself first and foremost as a sculptor.
  22. [22]
    Kate Millett | Salon 94 Design
    Kate's sculptural work has been exhibited at Minami Gallery in Tokyo, Judson Gallery in New York, the Women's Center in Los Angeles, the Dorsky museum in ...
  23. [23]
    Kate Millett's Fantasy Furniture: Our Q&A with William J. Simmons
    An exhibition of the artist, writer, and activist Kate Millett's furniture pieces is on view at New York City's Salon 94 through March 5.
  24. [24]
    Kate Millett - MoMA
    Kate Millett, American, 1934–2017. Works, Exhibition Works, 2 works online, Kate Millett Piano & Stool 1965, Kate Millett Dinnerware 1966.
  25. [25]
    3 x Figuration: Kate Millett, Takako Saito, Fumio Yoshimura Opening ...
    Nov 13, 2024 · ... artist and kindergarten teacher Kate Millett (1934-2017) moved to Japan to continue her artistic career, where she met and married the Japanese ...
  26. [26]
    Kate Millett: Terminal Piece - CCS Bard
    The exhibition Kate Millett: Terminal Piece restages this original installation and, in doing so, considers how the issues Millett sought to contest in her work ...Missing: sculptor | Show results with:sculptor
  27. [27]
    Kate Millett: Terminal Piece - The Brooklyn Rail
    Master's thesis exhibition curated by Jenni Crain. Photo: Olympia Shannon 2021. Alongside her prolific writing, Millett maintained a dedicated studio practice.
  28. [28]
    Fantasy Furniture, 1967 - Salon 94 Design
    Jan 19, 2022 · Salon 94 Design presents Fantasy Furniture, 1967, an exhibition of work by the late writer, activist, and Fluxus artist Kate Millett.<|separator|>
  29. [29]
    Kate Millett, Sculptor: The First 38 Years
    Kate Millett, Sculptor: The First 38 Years is the first major retrospective of the art production of internationally known writer and feminist Kate Millett.
  30. [30]
    Life After the Revolution: Kate Millett's Art Colony for Women
    Life After the Revolution: Kate Millett's Art Colony for Women features never-before-exhibited artwork by Millett and by artists who visited the Farm as art ...Missing: sculptor | Show results with:sculptor
  31. [31]
    Kate Millett - National Women's Hall of Fame
    A feminist activist, writer, visual artist, filmmaker, teacher and human rights advocate, Kate Millett has been described as one of the most influential ...Missing: major | Show results with:major
  32. [32]
    Kate Millett, influential feminist writer, dead at 82 | | rutlandherald.com
    After teaching briefly at the University of North Carolina, she pursued her art career in Japan and then New York, where she took a job at Barnard College ...
  33. [33]
    Kate Millett, feminist author of 'Sexual Politics,' dies at 82
    Sep 7, 2017 · The activist, artist and educator whose best-selling "Sexual Politics" was a landmark of cultural criticism and a manifesto for the modern ...
  34. [34]
    https://listserv.jmu.edu/cgi-bin/wa?A3=ind1709&L=FEAST-L&E=Quoted-printable&P=220154&B=--94eb2c1a2ef8b784bd05588f07ad&T=text%252Fhtml%3B%2520charset=UTF-8%26XSS=3%26header=1
  35. [35]
    Kate Millett papers, 1912-2002, bulk 1951-2001
    Sep 6, 2017 · The papers of Kate Millett provide rich documentation of Millett's activities as a feminist activist, artist, and author of numerous works.Missing: reliable | Show results with:reliable
  36. [36]
    Kate Millett - Veteran Feminists of America
    Oct 29, 2011 · Kate pursued her doctoral studies at Columbia University and was graduated with distinction. But she also delivered a dissertation so brilliant ...Missing: reliable | Show results with:reliable
  37. [37]
    A Farewell To Kate Millett, Author Of Sexual Politics & Teacher - Patch
    Dec 29, 2017 · She was not offered professorships. Barnard didn't even continue her contract as an adjunct, although Mothersill did arrange for her to stay on ...
  38. [38]
    Interview with Kate Millett : BREAKING THE BARRIERS
    Jun 10, 1988 · I joined them all…Uptown, Downtown, Columbia, Now, Radical Women, Redstockings, the Lavender Menace, Radical Lesbians…I went to meetings all the ...
  39. [39]
    Kate Millett (1934–2017) - Jacobin
    Sep 14, 2017 · It was a moment in which radical groups like Redstockings and New York Radical Women, in which Millett was active, had vigorous debates about ...
  40. [40]
    Dancing Into Shadow: For Kate - Women's Media Center
    Oct 4, 2017 · Anti-intellectual, ultra-egalitarian rhetoric was popular, and verbal arrows were lobbed at “individualistic tendencies” spied in any woman ...Missing: early | Show results with:early
  41. [41]
    Sexual Politics | Columbia University Press
    A sensation upon its publication in 1970, Sexual Politics documents the subjugation of women in great literature and art. Kate Millett's analysis targets ...
  42. [42]
    Episodes 35 & 36: Sexual Politics by Kate Millett
    Nov 25, 2021 · Millett argues that patriarchy is a political institution that relies on subordinating the roles of women, and that Western social institutions ...
  43. [43]
    Kate Millett. Sexual Politics 1968 - Marxists Internet Archive
    Sexual politics obtains consent through the "socialisation" of both sexes to basic patriarchal polities with regard to temperament, role, and status. As to ...
  44. [44]
    Sexual Politics Quotes by Kate Millett - Goodreads
    Patriarchy, reformed or unreformed, is patriarchy still: its worst abuses purged or foresworn, it might actually be more stable and secure than before.
  45. [45]
    Sexual Politics by Kate Millett | Research Starters - EBSCO
    Millett argues that male-dominated societies create works that often degrade women and hinder progress toward gender equality.
  46. [46]
    What Kate Did — On the Legacy of Kate Millett's "Sexual Politics"
    Mar 28, 2016 · Sexual Politics, which was Millett's revised dissertation for a literature PhD., reflected her belief that “reading could produce a better way to live.”
  47. [47]
    Sexual Politics Summary and Study Guide | SuperSummary
    Millett explores how traditional claims of male dominance as “natural” enforce legitimization, before critiquing this understanding and presenting traditional ...Missing: impact | Show results with:impact
  48. [48]
    Sexual Politics Summary - eNotes.com
    Millett analyzes how modern Western concepts of gender have evolved through history and argues that, because they are social constructs evolving from specific ...Missing: impact | Show results with:impact
  49. [49]
    Flying: Millett, Kate - Books - Amazon.com
    Kate Millett chronicles her life during a transformative year after "Sexual Politics" made her famous, exploring her sexuality, relationships, and role in ...
  50. [50]
    Flying - Kate Millett - Google Books
    Millett retraces her strict Irish-Catholic upbringing in St. Paul, Minnesota, and the shock of early sexual feelings and events. She recounts the guilt of her ...Missing: summary | Show results with:summary
  51. [51]
    Flying - Kate Millett - Google Books
    Traces the author's strict Irish-Catholic upbringing in St Paul, Minnesota, and the shock of early sexual feelings and events. This book recounts the guilt ...<|separator|>
  52. [52]
    Sexual apologetics - The New York Times
    Jun 23, 1974 · The best part of “Flying” is about a visit to England where she is to edit a “talking heads” movie she has made about some friends in the ...Missing: summary | Show results with:summary
  53. [53]
    Flying: Kate Millett: Amazon.com: Books
    In a kaleidoscopic, almost cinematic style, Kate Millett unreels her inner and outer life during one decisive the year after Sexual Politics transformed her ...
  54. [54]
    Sita: Millett, Kate: 9780252068874 - Books - Amazon.com
    A wrenching and intimate autobiography, Sita is an unsparing, moment-by-moment record of the fading of love, with all of its agony and false-dawn respites.
  55. [55]
    Sita - Kate Millett - Google Books
    This book follows the disintegration of the author's love affair with a woman who is ten years her senior, a veteran of several marriages, and the mother of ...
  56. [56]
    Sita by Kate Millett | Goodreads
    Rating 3.8 (321) A wrenching and intimate autobiography, Sita is an unsparing, moment-by-moment record of the fading of love, with all of its agony and false-dawn respites.
  57. [57]
    The Basement: Meditations on a Human Sacrifice by Kate Millett
    Rating 3.6 (193) Kate Millett's The Basement was published in 1979 after a decades long obsession with the Sylvia Likens torture/murder case. It's ahead of its time for it's ...
  58. [58]
    To Be Female Is to Die - The New York Times
    Sep 9, 1979 · “The Basement” is partly an account of the trial of Gertrude Baniszewski and her family for the murder of Sylvia Likens, partly a brooding ...<|separator|>
  59. [59]
    The Basement: Meditations on a Human Sacrifice - Kate Millett
    The Basement: Meditations on a Human Sacrifice. Front Cover. Kate Millett. Simon and Schuster, 1979 - True Crime - 341 pages. From inside the book. Contents ...
  60. [60]
    Going to Iran by Kate Millett | Goodreads
    Rating 3.2 (16) "Going to Iran" is the dramatic, highly personal account of their extraordinary stay in the "new" Iran, where they made friendships with courageous Iranian ...
  61. [61]
    Going to Iran - Kate Millett - Google Books
    "Going to Iran" is the dramatic, highly personal account of their extraordinary stay in the "new" Iran, where they made friendships with courageous Iranian ...
  62. [62]
    When the Revolution Left Kate Millett Behind - Public Books
    Sep 21, 2020 · In March 1979, the white American feminist Kate Millett landed in Tehran, in the wake of one of the most significant revolutions of the 20th ...
  63. [63]
    Sexual Revolution and the Liberation of Children - IPCE
    Kate Millett: A sexual revolution begins with the emancipation of women, who are the chief victims of patriarchy, and also with ending of homosexual oppression.
  64. [64]
    [PDF] HATRED OF CAPITALISM - /A Semiotext(e) Reader - Monoskop
    335 Kate Millett. Liberation. 341 Chris Kraus. 355 Félix Guattari. Armed ... Women, Homosexuals and Youth: Latent Sexual. The Exegesis. Becoming-Woman. LIFE ...
  65. [65]
    Feminist theories of the family - ReviseSociology
    Feb 10, 2014 · Kate Millett: On the sociology of Patriarchy​​ It is both a mirror of and a connection with the larger society; a patriarchal unit within a ...
  66. [66]
    The Feminist Critique of Motherhood - UC Press E-Books Collection
    ... Kate Millett, and Betty Friedan, early second-wave feminists who point out a strong link between women's oppression and women's naturalized position as mothers.
  67. [67]
    Quotes by Kate Millett (Author of Sexual Politics) - Goodreads
    Whatever the “real” differences between the sexes may be, we are not likely to know them until the sexes are treated differently, that is alike.
  68. [68]
    Kate Millett. Sexual Politics 1968 - Marxists Internet Archive
    This 1968 essay by Kate Millett was given as a lecture at Cornell University and circulated before the publication of her book Sexual Politics.Missing: thesis | Show results with:thesis
  69. [69]
    TOP 25 QUOTES BY KATE MILLETT (of 72) | A-Z Quotes
    A sexual revolution begins with the emancipation of women, who are the chief victims of patriarchy, and also with the ending of homosexual oppression.
  70. [70]
    Remembering Kate Millett, Radical Feminist Warrior - Dame Magazine
    Sep 8, 2017 · Hers was an impressive academic pedigree, including a Ph.D. from Columbia University and a master's degree from Oxford University's St Hilda's ...<|control11|><|separator|>
  71. [71]
    Kate Millett, Author of a Revolutionary Book
    Feb 23, 2018 · Her father, an engineer, abandoned the family when Millett was in her early teens. She was educated at the University of Minnesota, St. Hilda's ...Missing: upbringing siblings
  72. [72]
    Kate Millett - Bi.org
    She attended Oxford University and was the first American woman to be awarded a degree with first-class honors after studying at St Hilda's College, Oxford.
  73. [73]
    Kate Millett's 'Flying': Lesbians in the Eye of the Storm
    Oct 6, 2022 · Millett was in fact married to Fumio Yoshiomura at the time, but most of her sexual relationships were with women. Several of them end in ...Missing: partners personal
  74. [74]
    Remembering Kate Millett - Ms. Magazine
    Sep 8, 2017 · The last years of her life were spent with her longtime partner and spouse Sophie Keir.Missing: personal | Show results with:personal<|separator|>
  75. [75]
    In a Mind Field : Books: Kate Millett attacks psychiatry in 'The Loony ...
    Jun 13, 1990 · Millett's new book, “The Loony-Bin Trip” (Simon & Schuster), is a dramatic account of her little-known fights against hospitalization for manic depression.Missing: institutionalization | Show results with:institutionalization
  76. [76]
    KATE MILLETT'S MENTAL POLITICS - The Washington Post
    May 12, 1990 · Without the lithium prescribed for her manic-depressive condition, she experienced the "high" characterized by mile-a-minute speech ...Missing: bipolar disorder
  77. [77]
    Kate Millett, second-wave feminist who wrote about cruelty and ...
    Sep 14, 2017 · Sexual Politics, Millett's debut book, emerged from her doctoral thesis at Columbia University. ... Oxford in 1958. With Sexual Politics ...
  78. [78]
    Life After the Revolution: Kate Milllet's Art Colony for Women - Artguide
    In 1970, with the advance from her book Sexual Politics, Kate Millett bought a run-down farmhouse in Poughkeepsie, NY, to create a women's art colony.
  79. [79]
    KATE MILLETT'S ART COLONY FOR WOMEN - Salon 94 Design
    Friends, artists, and volunteers from the Women's Movement journeyed to the Farm to renovate the dilapidated barns and create living quarters as well as art ...
  80. [80]
    Kate Millett's loony-bin trip just got over - National Herald
    She founded the Women's Art Colony Farm in New York which she ran with the income from growing Christmas trees. Once asked by The Guardian about feminism in ...
  81. [81]
    Life after the Revolution: Kate Millett's Art Colony for Women ...
    For over four decades Millett Farm was a dynamic haven where artists facing pervasive sexism and homophobia boldly built a space where they could create ...
  82. [82]
    VFA PIONEER HISTORIES PROJECT: KATE MILLETT
    Sep 24, 2023 · Described as “a seminal influence on second-wave feminism,” best known for her book Sexual Politics (1970) based on her doctoral dissertation at ...
  83. [83]
    Kate Millett | FCA Grant Recipient - Foundation for Contemporary Arts
    Kate Millett is a visual artist, writer, and leader of the feminist movement. Her writings serve as statements on the feminist, human rights, peace, civil ...Missing: education background
  84. [84]
    Kate Millett, Eng Lit and the The Farm in Poughkeepsie
    Sep 14, 2017 · A sustainable farm and later a women's arts colony – a community for women combining outdoor labor with creative work.Missing: initiatives | Show results with:initiatives
  85. [85]
    From New Criticism to Postcritique: Kate Millett's Method in The ...
    Dec 24, 2021 · Kate Millett has not been adequately located in the history of literary criticism. Although her 1970 text Sexual Politics was part of the breakdown of New ...
  86. [86]
    [PDF] Key Thinkers Lecture on Kate Millett - DigitalCommons@URI
    Sexual Politics is comprehensive and persuasive and has aged well. Unlike the other two main feminist books of that year, Germaine Greer's The Female Eu- nuch ( ...
  87. [87]
    FROM NEW CRITICISM TO POSTCRITIQUE: KATE MILLETT'S ...
    Millett's hybrid position as an activist, artist, and academic influenced the media's rush to categorize her with Greer and Friedan. While the text was ...
  88. [88]
    Why We Need Kate Millett's 'Sexual Politics' | The New Republic
    Mar 23, 2016 · ” Sexual Politics is polemical, but it's also academic. It's dense, heavily footnoted, and one could fairly call its style plodding. The ...
  89. [89]
    [PDF] Revisiting Feminism: Academics versus Activism - VTechWorks
    Apr 13, 2001 · Kate. Millett's Sexual Politics has been called both “the bible of the women's movement in the 1970s” (Lipovenko par 3), and “a manifesto of the ...
  90. [90]
    Kate Millett and the Feminist Critique - Cheryl M Taylor
    This lecture surveys post-World War II developments in feminist consciousness and literary criticism, focusing on approaches developed and applied by Kate ...Missing: controversies | Show results with:controversies
  91. [91]
    [PDF] Sexual Politicsand After: Thinking with Kate Millett
    May 26, 2018 · For "Sexual Politics and After: Thinking with Kate Millett," four scholars working broadly on gender, feminism and sexuality gathered to pay ...
  92. [92]
    Nevertheless, She Persisted: A Conservative Perspective on Feminism
    Nov 25, 2021 · Spurred by Kate Millett's fanatical book Sexual Politics, the movement called for the erosion of the family and proposed that solely social ...Missing: criticism | Show results with:criticism
  93. [93]
    Children First: Why Family Structure and Stability Matter for Children
    Feb 28, 2022 · For example, children in married-parent families have access to higher levels of income and assets, more involvement by fathers, better physical ...
  94. [94]
    Family structure and academic outcomes
    Sep 6, 2022 · Research has long demonstrated that, in general, children tend to do better in two-parent, married families.
  95. [95]
    Kate Millett and Her Critics - New Politics
    Apr 13, 2010 · She has been criticized for her unrelieved attack on Freud and for an imbalance in her treatment of biological differences between the sexes.
  96. [96]
    Groundbreaking Author Kate Millett, 82, has Died - Lambda Literary
    Millett, 82, died on Sept 6–the details surrounding her death have yet to be released. Millett, an author, filmmaker, and sculptor, established her voice in ...Missing: major | Show results with:major<|separator|>
  97. [97]
    Celebrating Kate Millett's feminist literary criticism - Washington Blade
    Jan 21, 2020 · In her literary criticism, Millett used literature to show how women had internalized sexist assumptions about themselves. “Many women do not ...
  98. [98]
    Breaking Every Taboo: A Remembrance of Kate Millett (1934-2017)
    Sep 12, 2017 · Born in 1934 in St. Paul, Minnesota, Kate Millett was an internationally acclaimed artist, writer, and activist. A founding member of the Noho ...Missing: biography | Show results with:biography
  99. [99]
    Kate Millett: a tribute by Rosita Sweetman - The Irish Times
    Sep 8, 2017 · Bent almost double over a walker, crippled with arthritis and failing health, her mind was as strong as ever. No martyr to the cause, she loved ...
  100. [100]
    Return of the troublemaker: Kate Millett | Gender - The Guardian
    Jun 19, 2001 · Kate Millett is the author of Sexual Politics, the book that gave birth to radical feminism. It caused a storm when it was published in 1970.
  101. [101]
    This morning in Paris, Kate Millett died of cardiac arrest. Her ashes ...
    Sep 6, 2017 · This morning in Paris, Kate Millett died of cardiac arrest. Her ashes will come home, but for now, remember that, as Andrea Dworkin said, ...
  102. [102]
    Women's Art Colony Farm records - Smith College Finding Aids
    These records were a gift of Kate Millett in 1998, with the additional gift of the sculpture in 2010. ... The Smith College Special Collections Finding Aids ...Missing: papers | Show results with:papers
  103. [103]
    The Impact of Sanism on the Life and Career of Kate Millett
    Oct 21, 2024 · It draws a connection between Millett's public outing in 1970, her first involuntary psychiatric hospitalization in 1973, and the unfavourable ...Missing: institutionalization | Show results with:institutionalization
  104. [104]
    Profiles in Research: Paula Ramos on Kate Millett and Clarissa Sligh
    Mar 24, 2025 · For fourteen years, Kate Millett was preoccupied with the story of Sylvia Likens, a sixteen-year-old white girl found dead in a basement in ...Missing: death | Show results with:death