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Keith Lockhart

Keith Lockhart is an American conductor renowned for his long tenure as the Julian and Eunice Cohen Conductor of the Boston Pops Orchestra since 1995, where he has led over 2,250 performances, including 45 national tours, five international tours, and 80 television shows. Born in Poughkeepsie, New York, he began studying piano at age seven and later pursued formal education in music, earning degrees from Furman University and a Master of Music in orchestral conducting from Carnegie Mellon University in 1981, along with several honorary doctorates from institutions including Boston University and Furman University. Lockhart's early career included positions as assistant conductor of the Akron Symphony Orchestra in 1988 and associate conductor of the Cincinnati Symphony Orchestra and Cincinnati Pops from 1990 to 1995, as well as music director of the Cincinnati Chamber Orchestra from 1992 to 1999. Throughout his career, Lockhart has held prominent leadership roles beyond the , serving as of the Utah Symphony from 1998 to 2009, during which he conducted the complete symphonies of and led performances at the ; as principal conductor of the from 2010 to 2018, including the 2012 for Queen Elizabeth II; and as artistic director of the Brevard Music Center since 2007, an institution he attended as a in 1974 and 1975. He has guest-conducted major orchestras worldwide, such as the Royal Concertgebouw Orchestra and the London Philharmonic, and worked in with companies including the Atlanta Opera and Boston Lyric Opera. Lockhart's contributions to music have been recognized with awards including the Bob Hope Patriot Award in 2006, the Commonwealth Award in 2017, and an Emmy for the regional Salute to the Symphony. In 2025, he marks his 30th anniversary with the , solidifying his legacy in blending with popular entertainment.

Early life and education

Early years

Keith Alan Lockhart was born on November 7, 1959, in , to parents Newton Frederick and Marilyn Jean (née Woodyard) Lockhart, both computer technicians, making him the oldest of two children. He was raised in nearby , where he attended public schools in Dutchess County and spent childhood vacations on the coast of . As a young boy in this small-town environment, Lockhart initially aspired to a career in , reflecting the interests of many children in his community. Lockhart's family played a key role in fostering his early interest in music, purchasing a for the home when he was six years old. He began formal lessons at age seven, which marked a pivotal shift away from sports and introduced him to instruments like the and through local opportunities. These experiences, including exposure to recordings of the orchestra, ignited his passion for music during his formative years. This early foundation in music soon led him toward more structured academic pursuits.

Formal education

Lockhart earned dual bachelor's degrees from in , in 1981: a in piano performance and a in German, both awarded summa cum laude. During his undergraduate years, he immersed himself in piano studies and formed close connections with fellow musicians, fostering a collaborative environment that deepened his engagement with . His piano instructor recognized Lockhart's analytical approach to interpreting scores and encouraged him to explore conducting as a potential path, an insight that influenced his career trajectory. Following his time at Furman, Lockhart pursued advanced training at in , , where he obtained a degree in orchestral from the College of Fine Arts in 1983. Under the mentorship of conductor István Járay, he honed his technical skills through rigorous coursework in conducting techniques and orchestral , emphasizing interpretive precision and ensemble leadership. Lockhart's graduate experience extended beyond the degree program; he remained at Carnegie Mellon for eight additional years, serving as interim director of orchestral studies and of the Pittsburgh Civic Orchestra, roles that provided hands-on opportunities to lead rehearsals and performances, building his expertise in managing professional ensembles. During this period, orchestra members affectionately nicknamed him the "Prince of " for his versatile interpretations, particularly in lighter , highlighting his growing reputation for dynamic .

Conducting career

Early positions

Following his master's degree in orchestral conducting from in 1983, Lockhart assumed the role of interim director of orchestral studies at the university, later becoming the full director and serving in that capacity for eight years. During this period, he also conducted the Civic Orchestra, a community ensemble, where he honed his skills in leading diverse repertoires and building ensemble cohesion. In 1988, at age 29, Lockhart was appointed assistant conductor of the Akron Symphony Orchestra, marking his entry into professional symphonic beyond academic settings. The following year, he participated as a conducting fellow at the Institute, gaining intensive experience under prominent mentors and preparing for larger orchestral responsibilities. Lockhart's career advanced significantly in 1990 when he was named associate conductor of both the and the Cincinnati Pops Orchestra, positions he held until 1995. Beginning with the 1992–93 season, he concurrently served as music director of the Cincinnati Chamber Orchestra, a role that extended until 1999. These appointments under the guidance of provided foundational experience in managing full symphonic programs, pops concerts, and chamber ensembles, establishing Lockhart as a versatile conductor capable of bridging classical and popular genres. In his Cincinnati roles, Lockhart achieved notable success with the Chamber Orchestra, doubling its performance schedule and elevating its status as one of the most respected ensembles in the United States through innovative programming and commercial recordings. His work with the and Pops orchestras included conducting a range of subscription series and concerts, which helped solidify his reputation for dynamic and audience engagement during the early to mid-1990s.

Boston Pops leadership

Keith Lockhart was named the 20th conductor of the Orchestra on February 6, 1995, succeeding after serving as associate conductor of the . He made his debut with the ensemble on May 10, 1995, at Symphony Hall, opening the spring season with guest artists including . Lockhart's prior experience in , where he had guest-conducted and built a reputation for engaging programming, contributed to his selection for the high-profile role. Over his nearly three decades of leadership, Lockhart has conducted more than 2,250 performances with the , encompassing the orchestra's signature spring season at Symphony Hall, the festive Holiday Pops series in December, and the massive July 4th concerts that draw hundreds of thousands of attendees annually. These events have maintained the Pops' tradition of blending classical repertoire with , film scores, and contemporary genres to appeal to diverse audiences. Lockhart has introduced innovative initiatives to evolve the Pops' programming, including collaborations with prominent popular artists and themed concerts that explore topics like space exploration, Halloween spectacles, and Hollywood soundtracks. Notable examples include multimedia presentations such as "Drift Among the Stars," which intersects music with science fiction, and live screenings like Disney's Hocus Pocus accompanied by the orchestra. During the COVID-19 pandemic, he adapted by leading virtual tributes, such as the 2020 video performance of John Williams' "Summon the Heroes," recorded remotely by orchestra members to honor frontline workers. Post-pandemic, the July 4th spectacles resumed with enhanced safety measures and broadcast integrations, sustaining public engagement. The 2024-2025 season celebrated Lockhart's 30th as conductor, featuring a yearlong series of special events and reflections on his tenure's cultural impact. Highlights included a star-studded at Symphony Hall on June 6, 2025, with guest performers, and a gala on August 22, 2025, emphasizing themes of joy and community connection. Lockhart has reflected on the role's demands and rewards, noting the orchestra's role in bridging generations through accessible, high-energy performances. In this role, Lockhart has overseen the production of numerous recordings that capture the Pops' eclectic style, including the 1996 album Runnin' Wild: The Boston Pops Plays on Victor and later tributes to composers like and . The orchestra has also embarked on 45 national tours reaching over 150 cities, alongside international excursions to and starting in 1997, expanding the Pops' global footprint.

Other orchestral roles

From 1998 to 2009, Keith Lockhart served as Music Director of the Utah Symphony, leading the ensemble through 11 seasons that included performances of the complete symphonic works of . Under his direction, the orchestra undertook its first European tour in two decades in spring 2005, visiting , , and for 13 concerts, and he conducted the opening ceremonies of the in , featuring artists such as and . Lockhart oversaw the merger of the Utah Symphony with the Utah Opera in 2002, creating a unified organization, and produced notable recordings such as Symphonic Dances (2006) featuring Leonard Bernstein's Symphonic Dances from and Sergei Rachmaninoff's Symphonic Dances, alongside a CD of Olympic-themed music; his tenure also included Emmy-winning television specials and a nationally broadcast performance of ' Hodie with the Mormon Tabernacle Choir in 2000. Lockhart expanded his international presence as Principal Conductor of the from 2010 to 2017, followed by a two-year term as Chief Guest Conductor until 2020. During this period, he led three critically acclaimed North American tours, conducted annual performances at the , and helmed the orchestra's 60th anniversary celebrations in 2012, as well as the televised II that same year. Since 2007, Lockhart has been of the Brevard Music Center Summer Institute and Festival in , succeeding David Effron and continuing to guide its programs focused on intensive training for young musicians aged 14 to 30 through orchestral performances, , and composition workshops. A Brevard alumnus himself from summers in 1974 and 1975, Lockhart has emphasized educational initiatives that foster emerging talent in . Beyond these primary roles, Lockhart has maintained an active schedule of guest conducting with leading ensembles worldwide. In the United States, he appeared with the for a commemorative concert at the in August 2013 and led a gala performance featuring vocalist in April 2023. Internationally, his debuts include the London Philharmonic Orchestra at the Royal Albert Hall in October 2012, alongside engagements with the Royal Concertgebouw Orchestra, , and . Recent guest appearances up to 2025 encompass a January 2025 program with the Buffalo Philharmonic Orchestra featuring Grofé's , a 2023 tribute to with the Esplanade Orchestra in , and a performance of Bartók's Concerto for Orchestra with the Des Moines Symphony in 2024.

Personal life

Marriages

Lockhart's first marriage was to Ann Louise Heatherington, his college sweetheart, shortly after his graduation from in 1981; the union lasted only two years and ended in . In 1996, Lockhart married Lucia Lin, a violinist with the , in a ceremony held at his holiday home in northern ; the couple had met through professional circles in . Their marriage ended in in 2005 after nearly nine years, with the separation announced amicably the previous year. Lockhart's third marriage took place on October 7, 2007, to Emiley Elizabeth Zalesky, then an assistant in the Massachusetts Attorney General's health care division, at Emmanuel in . The couple met in 2005 at a restaurant, where Zalesky approached him during her own unsuccessful date, leading to their eventual relationship. As of 2025, the marriage remains ongoing.

Family

Keith Lockhart has three sons from his marriages. His eldest son, Aaron Lockhart, was born in 2003 to his second wife, violinist Lucia Lin. With his third wife, attorney Emiley Zalesky, whom he married in 2007, Lockhart has two younger sons: Edward Kellan Lockhart, born on April 1, 2010, and Christopher Zalesky Lockhart, born on February 27, 2012. The family resides in the area in , where Lockhart balances his demanding role as conductor with parenting responsibilities. His schedule, which often involves nightly performances—particularly during holiday seasons—limits family time, as he has noted working every evening until . However, periods like the lockdown provided rare opportunities for deeper involvement, such as coaching his sons' baseball teams and engaging in home activities like practice and educational games. Lockhart's sons show interest in music, reflecting his own background, though he encourages them to pursue it recreationally rather than professionally due to the field's challenges. Aaron plays cello and piano while studying computers; Kellan and Christopher both play piano and trumpet. He has publicly credited his family for providing emotional stability amid his career, highlighting their support during quarantines and family-oriented holidays spent together in Massachusetts.

Recognition

Awards

In 2006, Keith Lockhart received the Bob Hope Patriot Award from the Congressional Medal of Honor Society, recognizing his outstanding contributions to the morale of American personnel through musical performances and entertainment that support the armed forces. The award, named after entertainer for his decades of service to troops, honors individuals in the entertainment industry for lifelong efforts portraying the U.S. positively and providing uplift during times of crisis. Lockhart's recognition stemmed from his work, including concerts and initiatives that connected music with communities, enhancing their . Lockhart was awarded the 2017 Commonwealth Award for Achievement in the Arts by the Massachusetts Cultural Council, the state's highest honor in the arts, humanities, and sciences, presented biennially to individuals whose creative work enriches life in Massachusetts. This accolade highlighted his 22 years of leadership with the Boston Pops Orchestra, where he fostered cultural vitality through innovative programming, educational outreach, and charitable performances at institutions like Boston Children's Hospital and Spaulding Rehabilitation Hospital. The ceremony at the Massachusetts State House celebrated his role in advancing economic and communal benefits through the arts. Lockhart has also earned several institutional honors, including honorary doctorates from , his alma mater; in 2004; ; the Boston Conservatory; and in 2009. These degrees acknowledge his profound impact on orchestral conducting and . Additionally, during his tenure with the Utah Symphony from 1998 to 2009, he received an Emmy Award for directing a regional "Salute to the Symphony" , underscoring his contributions to broadcast music programming.

Nominations and honors

Lockhart's work with the Boston Pops has earned nominations from the Recording Academy, underscoring the orchestra's innovative blend of classical and popular genres in highly competitive categories determined by peer votes from music professionals. The 1998 recording The Celtic Album, featuring arrangements of Irish and Scottish music, received a nomination for Best Classical Crossover Album at the 41st Annual Grammy Awards in 1999, marking the first such recognition for the Boston Pops. Similarly, the 2001 album The Latin Album, which explored Latin American rhythms and compositions, was nominated for Best Instrumental Album at the 2nd Annual Latin Grammy Awards, highlighting Lockhart's ability to bridge orchestral traditions with global influences in a field dominated by instrumental ensembles and soloists. In addition to award nominations, Lockhart has been conferred numerous honorary degrees by academic and musical institutions, affirming his stature among educators and performers in the community. These include an honorary Doctor of Music from in 2004, recognizing his leadership in revitalizing the Pops' repertoire and audience engagement. He also holds honorary doctorates from the , , (his alma mater), in 2007, in 2009, and UMass Lowell in 2016, each bestowed for his enduring contributions to orchestral conducting and . These honors reflect the esteem in which Lockhart is held by peers and institutions within the fiercely competitive world of symphonic music, where nominations and titles often signify exceptional artistic impact amid thousands of annual submissions and candidates.

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