Fact-checked by Grok 2 weeks ago

Kelly Hogan

Kelly Hogan (born January 11, 1965) is an American and from , , best known for her powerful, versatile voice that blends , , , and jazz-pop influences. She rose to prominence as a and band member for starting in 1998, contributing to numerous tours and recordings while establishing herself as a respected collaborator in the alt-country and scenes. Hogan has released four solo albums over her career, including her debut The Whistle Only Dogs Can Hear in 1996 and her most recent, I Like to Keep Myself in Pain, in 2012 on Anti- Records, which features original songs written for her by artists such as , , and . Hogan's early career began in Atlanta, where she sang in bar bands during high school and formed the eclectic cabaret-punk group the Jody Grind in the early 1990s with guitarist Bill Taft, releasing two albums that drew praise from R.E.M.'s Michael Stipe. She later joined the southern gothic rock band the RockATeens as a guitarist and backing singer, contributing to their cult-favorite albums before launching her solo career. In 1997, Hogan relocated to Chicago, where she worked as a publicist for Bloodshot Records and immersed herself in the local music community, performing at the Hideout venue and co-hosting a radio show. Her Bloodshot solo releases, Beneath the Country Underdog (2000) with Jon Langford's Pine Valley Cosmonauts and Because It Feel Good (2001), showcased her interpretive skills through covers of songs by artists like the Statler Brothers and Randy Newman. Beyond her solo work, Hogan has been a prolific collaborator, providing vocals for projects by , , , , and the group Wee Hairy Beasties, while leading her own quartet, Kelly Hogan and the Wooden Leg. Her longstanding role in Case's band has included high-profile performances, such as NPR's Tiny Desk Concert series, highlighting her as a "backup singing ninja" whose harmonies and stage presence are integral to Case's sound. Hogan continues to tour and contribute to recordings, maintaining an active presence in indie and roots music circles as of 2025.

Early life

Family and upbringing

Kelly Hogan was born on January 11, 1965, in , . She was raised in , where she spent much of her childhood exploring local green spaces such as . Hogan's father served as a policeman in the Atlanta area and later retired from the force; he occasionally shared aspects of his professional life with her, such as taking her to a firing range during a family visit. Her mother, known for her skills as a master , remarried, and the maintained close ties through shared activities like attending her performances in alongside her stepfather and extended circle. A cherished underscores her mother's resourceful , particularly her talent for preserving foods, with Hogan recalling that her mom could "make a out of anything."

Initial musical experiences

Kelly Hogan displayed an early affinity for music, along to radio songs and memorizing by age two or three. Her family home in exposed her to a diverse array of sounds, including artists like and Charlie Pride, soul performers such as and , and pop-rock acts like and , often broadcast on local station WPLO AM. She received her first record player around age four, pressing her ear against the speaker to immerse herself in the music, and by , she had a model with a built-in , using it to play DJ alongside her brother. These childhood experiences, supplemented by weekly viewings of the variety show with her grandmother, fostered her initial vocal talents without formal training. Despite her shyness, Hogan's first public performance came at age 11 during a Girl Scout camp in , where she sang "Memories" from after a prank left her without clothes, earning unexpected applause that encouraged her further. In high school during the 1980s, she auditioned for and joined the school chorus, advancing to the All-State Chorus annually and performing with the on Beethoven's Ninth Symphony. Atlanta's burgeoning music scene at the time, blending rock, punk, and country elements through local radio and venues, influenced her growing interest; a friend's introduction to icons like and shifted her tastes from heavy metal bands such as to more sophisticated vocal styles. These choral activities honed her natural ability to harmonize and project her voice. Hogan began developing her performance skills through informal gigs while still in high school, singing in bars with ad hoc groups often pieced together last-minute for standards or tunes. These early outings, which she described as challenging yet formative, required quick adaptation to various band dynamics and audiences, building her confidence and vocal versatility amid the city's vibrant 1980s and undercurrents. Though guitar came later, her bar experiences emphasized vocal prowess, teaching her to "lose a little " for -inflected delivery while maintaining emotional depth. support for her creative pursuits, including music, provided a stable backdrop for these initial steps.

Musical career

Atlanta bands

Kelly Hogan began her professional music career in Atlanta's burgeoning alternative scene as the lead vocalist for The Jody Grind, a Cabbagetown-based trio formed in the late 1980s. The band, consisting of Hogan, guitarist Bill Taft, and drummer Walter Brewer, drew from , , and , creating a distinctive sound that blended playful covers like "" and originals such as "Eight-Ball." Their debut album, One Man's Trash Is Another Man's Treasure, released in 1990 on DB Records, captured this eclectic vibe with Hogan's agile, potent vocals leaping over , slap bass, and brush-stick drumming. The record established the group within Atlanta's community, known for its gritty, unpolished energy. The Jody Grind expanded to a quartet with the addition of Robert Hayes for their 1992 sophomore album, Lefty's Deceiver, also on DB Records and produced by John Keane. This release shifted toward a moodier tone, incorporating pedal steel and —courtesy of guest —on tracks like "3rd of July" and the rock-leaning "Hands of June," while Hogan's versatile singing bridged country, folk, and indie elements. However, the band's promising trajectory ended abruptly on April 19, 1992, when a collided with their van on Highway 65 in , killing Robert Hayes and Rob Clayton as they returned from a gig in Pensacola, Florida. Hogan, who had stayed overnight at the venue, survived the crash but described it as profoundly traumatic, instilling a lasting fear of road travel and marking the end of the group, which disbanded soon after. She later reflected on the band's "kick-ass memories" and the "amazing people" involved, noting their influence persists in descriptions of similar Atlanta acts as "Jody Grind-esque." In the mid-1990s, Hogan joined the RockATeens, an outfit from 's Cabbagetown neighborhood, contributing as and starting in spring 1994. The band, led by Chris Lopez and blending revivalism with and influences from the local scene, released their sophomore Cry in 1997 on Daemon Records. Hogan's spare, stirring vocals provided essential contrast to Lopez's raw delivery on tracks like "Black Ice" and "Nightmare on Elm Street," helping define the album's passionate, freewheeling sound. She departed the group in 1997, shortly after Cry's release, amid personal challenges tied to the Atlanta music community's losses.

Solo work and relocation

In 1996, while still a member of the RockATeens, Kelly Hogan released her debut solo album, The Whistle Only Dogs Can Hear, on Records. The record featured a collection of torch songs and covers, including tracks by and others, showcasing her versatile voice in a blend of and rock influences. In early 1997, Hogan relocated from to , initially taking a position as a publicist for while intending to step away from music to address personal debts. However, she soon transitioned to full-time performing and recording, immersing herself in Chicago's alt-country scene. This move marked a pivotal shift, allowing her greater artistic independence after years in band settings. Hogan's association with Bloodshot led to two key solo albums: Beneath the Country Underdog in 2000 and Because It Feel Good in 2001, both released on the label. The former, recorded with the Pine Valley Cosmonauts and featuring contributions from , emphasized with jazzy undertones and included songwriting collaborations with Andy . Because It Feel Good continued in a similar vein, blending alt-country and jazz-pop elements; Hogan co-wrote several tracks with Hopkins and incorporated covers from artists like , highlighting her interpretive style and emotional depth. These releases established her as a distinctive voice in the genre, prioritizing lyrical intimacy over commercial polish. After a decade focused on collaborations, Hogan returned to solo work with I Like to Keep Myself in Pain in 2012 on ANTI- Records, her first full-length in 11 years. Produced by Andy Kaulkin and Hogan herself, the album drew on an eclectic mix of classic pop, country, and soul, featuring original interpretations of songs by , , , and others, with session contributions from and . This record underscored her growth as a of material that amplified her soaring vocals and narrative prowess. Post-release, Hogan occasionally performed solo material with The Flat Five, a group she co-founded around 2013 with Nora O'Connor, Scott Ligon, Casey McDonough, and Alex Hall, blending covers and originals in intimate settings.

Collaborations and live performances

Kelly Hogan has built a reputation as a sought-after and performer, contributing her versatile tenor and harmonies to numerous artists across , , and genres since the late 1990s. Her relocation to in 1997, which facilitated connections at where she initially worked in publicity, evolved into extensive recording and touring commitments with prominent musicians. By the mid-2010s, particularly after , Hogan transitioned to full-time touring as a core member of several ensembles, emphasizing live performances that highlight her dynamic stage presence. Hogan's most enduring collaboration began with in the late 1990s, serving as a primary and onstage partner for over two decades, including on Case's 2018 album Hell-On, where she provided harmonies and additional vocals across multiple tracks. Their partnership extended to co-created performances, such as the 2014 comedic "These Aren't the Droids," and extensive North American and international tours that showcased Hogan's ability to complement Case's powerful delivery with subtle, emotive support. This long-term role not only amplified Hogan's visibility but also influenced her approach to interpreting complex arrangements in live settings. Hogan also contributed backing vocals to ' 2015 album What a Terrible World, What a Beautiful World, enhancing tracks like "Make You Better" with her rich harmonies, and continued this support on their 2018 release , appearing on songs such as "Severed" and joining their subsequent world tour as a touring vocalist. Her work with soul legend includes ongoing tours as an official band member as of 2025, including performances at the 2025 Jazz Festival. These contributions underscore Hogan's adaptability, blending gospel-infused depth with indie sensibilities. Earlier collaborations include guest appearances with , such as singing lead on "Fletcher Christian" during their 2007 live shows at Chicago's Hideout, and providing backup vocals for on tours in the early 2000s, where her support added emotional layering to his introspective songwriting. Hogan has also shared stages with , opening for them in 2012 at Chicago's and frequently performing their compositions like "Papa Was a Rodeo" in her sets, fostering a mutual appreciation for witty, narrative-driven . These partnerships reflect Hogan's early roots in alt-country and scenes, transitioning into broader genre explorations. In live performances, Hogan shines through her work with The Flat Five, a Chicago-based supergroup featuring vocalists Nora O'Connor and herself alongside Scott Ligon, Casey McDonough, and Alex Hall; the band delivered energetic sets in 2025, including a show at Stoughton in that was streamed live for broader audiences. She also maintains solo-leaning tours, such as a December 2025 appearance at Evanston's alongside O'Connor, Ligon, and McDonough, where her repertoire draws from covers and originals to engage intimate crowds with her warm, storytelling style. These outings, often in mid-sized venues, exemplify Hogan's evolution from promotional roles to a central figure in live music circuits.

Discography

Solo releases

Kelly Hogan's debut solo album, The Whistle Only Dogs Can Hear, was released in 1996 on Records. The 15-track collection features a mix of original songs and covers, including Vic Chesnutt's "Soft Picasso" and Will Oldham's "King Me," highlighting Hogan's early versatility in and pop styles. Production was co-handled by Hogan herself, with contributions from musicians like guitarist Chris Lopez and player Bill Taft on tracks such as "Waiting" and "The Idea of You." Her second solo album, Beneath the Country Underdog, was released in 2000 on in collaboration with Jon Langford's Valley Cosmonauts. The album consists primarily of covers of country and Americana songs, reinterpreted with a backing band featuring members like and , showcasing Hogan's roots in alt-country. Her third solo effort, Because It Feel Good, arrived in 2001 via , marking a stylistic shift toward jazz-inflected pop with a heavy emphasis on covers. The 12-track album includes reinterpretations like Smog's "Strayed" and Charlie Rich's "Stay," alongside originals such as the bittersweet "Sugarbowl," showcasing Hogan's sultry, angelic voice in lounge-like arrangements. Produced with input from violinist and pedal steel player Jon Rauhouse, it earned mixed reviews for its uneven song selection but was noted for Hogan's distinctive Nashville wail blended with indie-rock elements. awarded it 6.1 out of 10, commending tracks like the doo-wop-tinged "No, Bobby Don’t" for their emotional depth. Hogan's fourth solo album, I Like to Keep Myself in Pain, was issued on June 5, 2012, by Anti- Records, consisting of 10 tracks entirely written by other artists including , , and . Themes of heartache and resilience dominate, with Hogan's intuitive vocal phrasing turning the material into intimate narratives, as on the Merritt-penned "Plant White Roses" and Bird's "We Can't Have Nice Things." Recorded at with a backing band featuring drummer and guitarist Scott Ligon, the production leans toward polished soul but was critiqued for occasional slickness. The album received widespread acclaim for Hogan's commanding yet subtle delivery, earning a 7.8 from and praise as a long-overdue showcase of her interpretive prowess after years of backing work.

Guest and compilation appearances

Hogan has made numerous guest vocal contributions to other artists' recordings and appeared on various compilation albums, showcasing her versatile harmonies and lead interpretations across genres like alt-country, , and . Her work often emphasizes backing vocals that enhance the emotional depth of tracks, while her compilation appearances highlight covers and collaborative originals. In 2002, Hogan dueted with (now Wesley Stace) on the cover "," featured on the compilation Making Singles, Drinking Doubles: A Bloodshot Records Collection. The previous year, she contributed the track "13 Nights" alongside The Pine Valley Cosmonauts to the retrospective compilation Down to the : 5 Years of , a double-disc set celebrating the label's early roster with her twangy, heartfelt delivery. During the early 2000s, Hogan recorded over 50 cover songs for Chicago's WXRT radio series "The Eclectic Company," including renditions of tracks by artists like and , which aired weekly and highlighted her interpretive range without formal compilation release. She also provided backing vocals on recordings, including contributions to their 2000 album Journey to the End of the Night, where her harmonies added a layer of rustic warmth to the band's punk-folk sound. A pivotal guest spot came in 2006 on Neko Case's , where Hogan's ethereal backing vocals elevated tracks like "Maybe Sparrow" and "The Needle Has Landed," blending seamlessly with Case's powerful leads. This collaboration underscored her role as a sought-after harmonizer in indie and Americana circles. Hogan continued her pattern of high-profile backing work with . On their 2015 album What a Terrible World, What a Beautiful World, she supplied harmonies on songs such as "" and "Better Not Wake the Baby," contributing to the band's lush, narrative-driven folk-rock. She reprised this role in 2018 on , providing vocals that complemented the album's shift toward synth-pop elements. In recent years, Hogan's contributions have extended to and influences. As a longtime member of ' backing band, Hogan provided harmonies on Staples' 2025 album Sad and Beautiful World, including the , infusing the record with her rich, supportive amid themes of and . Additionally, through her involvement with The Flat Five—a supergroup featuring Nora O'Connor and others—Hogan participated in group recordings like the 2020 album Another World, where her lead and harmony vocals drove tracks such as "Freaky Friday," though these are collaborative efforts rather than strict guest spots. These appearances reflect Hogan's enduring impact as a vocalist-for-hire, often amplifying ongoing live collaborations without overlapping her solo catalog.

Acting and media

Stage and voice roles

In the mid-1990s, Kelly Hogan took on starring roles in Atlanta's local theater scene, leveraging her vocal talents in productions at the Theatrical Outfit. She appeared in the holiday play Appalachian Christmas in 1993, where her role emphasized singing over extensive acting, as she noted in a contemporary interview that she was grateful for the focus on performance rather than dramatic demands. Hogan followed this with a lead role in The Dead Sea Scrolls and Other Chilling Tales of the Sea, a collection of short plays blending and supernatural elements, further showcasing her stage presence within Atlanta's burgeoning alternative arts community. These early theater experiences connected to Hogan's Atlanta roots, where her musical background with local bands occasionally intersected with performative arts, though her stage work remained distinct from live concert settings. In 1994, she expanded her theatrical credits by portraying Simon Zealotes in a rock-infused revival of produced by the and Daemon Records, featuring over 100 musicians and challenging gender norms in casting. Hogan's voice acting debut came later in animation, providing the singing voice for the character Ice Fox (uncredited) in the 2017 Adventure Time episode "Elements Part 3: Winter Light." In this installment from the series' "Elements" miniseries, her vocals contributed to the episode's musical sequence, including a cover of the song "Blue Magic," highlighting her versatility in blending song with narrative storytelling.

Radio and other media contributions

Kelly Hogan has made notable contributions to through her work with Chicago's WXRT, where she recorded a cover song each week for an entire year to support airplay of her music. This project, which took place during her time in , showcased her vocal versatility across genres and helped build her profile in the local music scene. Additionally, Hogan served as one of three DJs on WXRT's popular program The Eclectic Company Radio Hour, contributing to its eclectic mix of music and conversation. In 2012, Hogan appeared on NPR's Weekend Edition Saturday, where she discussed her solo album I Like to Keep Myself in Pain with host , reflecting on her career as a backup vocalist and the collaborative process behind the record. Later that year, she joined NPR's World Cafe for an interview with host David Dye, sharing insights into securing her record deal and recruiting over 40 musicians, including and , while performing tracks like "Golden" and "We Can't Have Nice Things." These sessions highlighted her transition from backup singer to solo artist and featured live performances that extended her reach in public radio. Hogan also engaged with print and regional media around the same period. In a 2012 Q&A for Atlanta Magazine, she reflected on her early career with the Jody Grind and the release of her new album, connecting her Atlanta roots to her evolving musical path. The following year, she performed on NPR's Mountain Stage in 2013, delivering a set from I Like to Keep Myself in Pain with her band, including songs like "We Can't Have Nice Things" and "Haunted," alongside a backstage interview with host Larry Groce. These appearances underscored her growing prominence in broadcast media tied to her solo releases.

Other pursuits

Non-musical employment

To support her burgeoning music career in the late , Kelly Hogan took on a role as publicist for shortly after relocating to in 1997, a position that provided entry into the local while offering steady employment. This job involved promoting the label's roster of and roots artists, allowing her to network within Chicago's vibrant scene without relying solely on performance income. In late 1998, Hogan began working at The Hideout, a storied venue known for its role in the alt-country movement, initially as a before transitioning to bartending duties after training from staff like Marie Marasovich and Anastasia Davies. She tended bar there for a decade, until 2008, handling day shifts that opened at 2 p.m. and interacting with a diverse clientele that included factory workers from a nearby plant—such as regulars named Satchel, Chester, Jerry, and Toni—who taught her local customs like using upside-down shot glasses as drink markers and placing cash on the bar's edge. These shifts bridged the venue's evolution from a neighborhood dive to a music hub, where Hogan fostered a welcoming, family-like atmosphere amid changing crowds, providing financial stability during periods of inconsistent touring and recording. Around 2000, seeking a more reliable non-music income source, Hogan worked as a veterinary assistant in , a role that complemented her bartending by offering daytime hours and a sense of routine outside the unpredictable demands of the music world. This position, held amid her growing collaborations with local artists, underscored her practical approach to balancing artistic pursuits with everyday livelihoods during transitional years in her career.

Creative collaborations outside music

Kelly Hogan has maintained a close creative partnership with and , serving as her assistant for writing workshops since the early . This role involves supporting Barry's interactive classes, such as "Writing The Unthinkable," which emphasize intuitive drawing and narrative techniques to unlock personal storytelling. Hogan's involvement began around 2012, when she relocated part-time to to assist Barry, who teaches at the University of Wisconsin-Madison, and the collaboration has allowed Hogan to immerse herself in Barry's methods of "autobifictionography"—a blend of and fiction that explores childhood memories and emotional truths. Through this partnership, Hogan has contributed to the logistical and artistic aspects of Barry's workshops, helping facilitate sessions that encourage participants to bypass in creative expression. Barry's influence extends to visual elements, as seen in her for the 2014 single cover of "These Aren't the Droids," a collaborative release by Hogan and , where Barry's distinctive comic style captured themes of whimsy and introspection. Hogan has credited this work with deepening her appreciation for interdisciplinary creativity, noting Barry's series The Near-Sighted Monkey as a model for daily artistic practice. Hogan's engagement with Barry has also nurtured her own literary pursuits outside music. She maintains Hogan Here, a Tumblr where she shares personal essays and reflections, often drawing on Barry's techniques to process life experiences like the 1996 van accident involving her band the Jody Grind. These writings, described as "powerful" and forensic in detail, reveal Hogan's vulnerability and have been praised for their emotional depth, serving as a therapeutic outlet that parallels her songwriting process. This non-musical has profoundly shaped Hogan's personal life, providing a counterbalance to her touring schedule and informing the introspective quality of her . By assisting and exploring writing independently, Hogan has fostered a broader artistic identity rooted in community and self-discovery, particularly during her transitions between Chicago's vibrant scene and her home.

References

  1. [1]
    Kelly Hogan - Apple Music
    Hogan collaborated with the likes of Andrew Bird and Drive-By Truckers, and she performed as part of Neko Case's backing band. Her fourth album, I Like to ...
  2. [2]
    Kelly Hogan - First Avenue
    This Atlanta native is a beloved figure throughout the contemporary music landscape, and a multi-faceted artist whose warm southern persona and powerful voice ...Missing: career | Show results with:career
  3. [3]
    Kelly Hogan | Anti Records
    On her new album Hogan curates an ambitious and moving labor of love, mining the perfect intersection between classic pop, country and soul.Missing: biography | Show results with:biography
  4. [4]
    Kelly Hogan - Free Music Archive
    Kelly was born and raised in Atlanta where her dad is a policeman and her mom can make a pickle out of anything. She's been singing as long as she can remember.
  5. [5]
    Kelly Hogan: Tiny Desk Concert - NPR
    Jun 4, 2012 · Hogan took 11 years off between her last solo record and I Like to Keep Myself in Pain, in large part because she's been working constantly ...Missing: biography | Show results with:biography
  6. [6]
    Kelly Hogan - Biography - IMDb
    Insufficient relevant content. The provided URL (https://www.imdb.com/name/nm0389558/bio/) contains only a title, a link to contribute, and a suggestion to edit or add content, with no detailed biography, birth information, career milestones, albums, or collaborations available.
  7. [7]
    Q&A with Kelly Hogan - Atlanta Magazine
    Jul 1, 2012 · Singer Kelly Hogan may live in Evansville, Wisconsin, these days, but the Atlanta native was enjoying a late breakfast of a pimento cheese ...
  8. [8]
    Kelly Hogan - AV Club
    Kelly Hogan. ... I finally got my nerve up to go audition for chorus in that school year. ... high school. You have to lose a little bit of your diction to ...
  9. [9]
    Nada Mucho » A Voice Forged From Diamonds: An Interview with ...
    Kelly Hogan, however, is one of those few. Born ... I joined chorus and I really liked it. I mean I ... There was a Billie Holliday Verve double album set that a ...
  10. [10]
    Kelly Hogan - Feature Stories - Stomp And Stammer
    Jun 1, 2012 · Hogan grew up in Atlanta. But she hasn't lived here for a long time. Way back when, she worked as a record store clerk at Turtles and Wax n' ...Missing: biography | Show results with:biography
  11. [11]
    Kelly Hogan: Cashing In An Album's Worth Of Favors - NPR
    Jun 1, 2012 · "I started singing in bars when I was still in high school," says Kelly Hogan. "It's not the easiest thing to do if you like to eat ...Missing: Atlanta influences
  12. [12]
    Jody Grind - Trouser Press
    With the potent, pliant vocals of Kelly Hogan leaping over slap bass, brush-stick drumming and acoustic guitar, the Jody Grind (reusing the name of a ...
  13. [13]
    Risks of the road - Atlanta Journal-Constitution
    Apr 22, 1992 · On Easter Sunday 1992, Atlanta lost two member of the band Jody Grind ... Kelly Hogan, the Jody Grind's vocalist, who had stayed overnight ...
  14. [14]
    When the Fire Broke Out - Oxford American
    Jan 25, 2016 · Kelly Hogan was the neighborhood's prized vocalist; her passionate, sultry voice endeared her to the entire community. She sang with many bands, ...Missing: experiences chorus
  15. [15]
    The Rock-A-Teens - Daemon Records
    They released 2 heavily praised records on Daemon and then went on to record for Merge Records. Their second release, Cry came out in 1997 with more songs, more ...
  16. [16]
    Support Women Artists Sunday: Kelly Hogan
    Jul 14, 2012 · In the 1990s, Hogan sang with The Jody Grind, singing on their full-lengths One Man's Trash Is Another Man's Treasure (1990) and Lefty's ...
  17. [17]
    Whistle Only Dogs Can Hear - Kelly Hogan | Album - AllMusic
    Rating 7.8/10 (14) Whistle Only Dogs Can Hear by Kelly Hogan released in 1996. Find album reviews, track lists, credits, awards and more at AllMusic.Missing: solo | Show results with:solo
  18. [18]
    Kelly Hogan - Rockabilly Central
    KELLY HOGAN, Where She's Coming From. After moving from Atlanta to Chicago in early 1997, Kelly Hogan vowed to stay out of bands until she paid off her debts ...Missing: relocation | Show results with:relocation
  19. [19]
    That Kelly girl - Jim DeRogatis
    Oct 5, 2001 · ... Chicago in 1997 and kicked her own career into high gear by linking up with Bloodshot Records. Her second solo album, last year's "Beneath ...Missing: relocation | Show results with:relocation
  20. [20]
    Beneath the Country Underdog - Kelly Hogan, Th... - AllMusic
    Rating 6.4/10 (18) Beneath the Country Underdog by Kelly Hogan, The Pine Valley Cosmonauts released in 2000. Find album reviews, track lists, credits, awards and more...Missing: songwriting | Show results with:songwriting
  21. [21]
    Perfect Sound Forever: Kelly Hogan - Furious.com
    Kelly Hogan, you're an enormously talented singer. As you know, you write or co-write many of your songs, but somehow the label singer/songwriter doesn't fit ...Missing: career 2025
  22. [22]
    Kelly Hogan: Because It Feel Good Album Review | Pitchfork
    A group of stellar musicians, for example, including Andrew Bird on the catgut, Bloodshot session guy Jon Rauhouse, and RockATeens frontman ...
  23. [23]
    Kelly Hogan - I Like To Keep Myself In Pain - Anti Records
    On her new album I Like To Keep Myself In Pain, Hogan curates an ambitious and moving labor of love, mining the perfect intersection between ...Missing: 2013 | Show results with:2013
  24. [24]
    https://www.discogs.com/release/12854567-Kelly-Hogan-I-Like-To-Keep-Myself-In-Pain
  25. [25]
    The Flat Five: Interviews with Scott Ligon and Kelly Hogan
    Nov 10, 2014 · The Flat Five are a supergroup of the Chicago music scene, combining five terrific talents: Kelly Hogan, Nora O'Connor, Scott Ligon, Casey ...
  26. [26]
    Kelly Hogan :: Ink 19
    Sep 16, 1998 · She moved to take a job as publicist for Bloodshot Records, the home of people like Neko Case and the Waco Brothers, leaders of the “insurgent” ...Missing: career | Show results with:career
  27. [27]
    From The Desk Of Kelly Hogan: Home Sweet Van - Magnet Magazine
    Jan 18, 2013 · Neko Case has called her pal Kelly Hogan “the Zelig of rock 'n' roll.” Her name appears in the credits for albums by Mavis Staples, ...
  28. [28]
    Hell-On | Neko Case - Neon Grey Midnight Green
    Free delivery'Hell-On' features performances by Beth Ditto, Mark Lanegan, k.d. Lang, AC Newman, Eric Bachmann, Kelly Hogan, Doug Gillard, Laura Veirs, Joey Burns and many ...
  29. [29]
    Neko Case and Kelly Hogan Imagine a Sci-Fi Future Invented by ...
    Jun 3, 2014 · She is the author of The Raincoats, a short book on the feminist punk band, and currently co-authors the newsletter Cryptophasia. ... Read ...
  30. [30]
    Neko Case opens up about the labour of love that went into ...
    Dec 23, 2015 · Hogan has been Neko Case's vocal and onstage foil for the last fifteen years. The lovely Kelly Hogan who was extremely conspicuous by her ...
  31. [31]
    What a Terrible World, What a Beautiful World by The Decemberists
    Jan 20, 2015 · What is the most popular song on What a Terrible World, What a Beautiful World by The Decemberists? ... Background Vocals Kelly Hogan, Laura Veirs ...
  32. [32]
    https://www.discogs.com/release/11719838-The-Decemberists-Ill-Be-Your-Girl
  33. [33]
    Mavis Staples Announces 14th Solo Studio Album 'Sad And ...
    News. Mavis Staples Announces 14th Solo Studio Album 'Sad And Beautiful World' Out November 7 Tuesday, August 26th, 2025. Mavis Staples Announces 14th Solo ...
  34. [34]
    Mekons Live at The Hideout on 2007-10-12 - Internet Archive
    Oct 17, 2007 · Fletcher Christian (sung by Kelly Hogan) 11. (banter) 12. Millionaire 13. Hole In The Ground 14. (banter) 15. Ghosts Of American Astronauts
  35. [35]
    Kelly Hogan: Cashing In An Album's Worth Of Favors - KUNC
    Jun 1, 2012 · The result: I Like to Keep Myself in Pain, Kelly Hogan's first album in 11 years, which features songs written by M. Ward, Andrew Bird, Robyn ...
  36. [36]
    The Magnetic Fields & Kelly Hogan @ the Vic (night 2 pics, review ...
    Mar 29, 2012 · Tuesday night (3/28), the Magnetic Fields polished off their two-night affair at the Vic with opener, Chicago songstress Kelly Hogan.
  37. [37]
    The Flat Five (2025) - Stoughton Opera House
    Sat. Feb. 22 7:30 PM $25. The Flat Five is Chicago's beloved band of in-demand music biz touring and recording ringers - Kelly Hogan and Nora O'Connor (Neko ...
  38. [38]
    MIXED DOUBLES - Hogan, Ligon, McDonough, O'Connor
    Dec 18, 2025 · Thu Dec 18, 2025 ▪︎ 7:30PM. MIXED DOUBLES - Hogan, Ligon, McDonough, O'Connor. SPACE. Evanston, IL. Buy Tickets. Lineup. Kelly Hogan.
  39. [39]
    Kelly Hogan - The Whistle Only Dogs Can Hear
    ### Tracklist for *The Whistle Only Dogs Can Hear* by Kelly Hogan
  40. [40]
    https://www.allmusic.com/album/beneath-the-country-underdog-mw0000025309
  41. [41]
    Kelly Hogan: I Like to Keep Myself in Pain Album Review | Pitchfork
    Jun 19, 2012 · Her 20-year career has yielded only four solo albums, one of which shares equal billing with the Pine Valley Cosmonauts; I Like to Keep Myself ...Missing: discography | Show results with:discography
  42. [42]
    Kelly Hogan & John Wesley Harding - It's Only Make Believe
    Kelly Hogan & John Wesley Harding - It's Only Make Believe from Making Singles, Drinking Doubles by Bloodshot Records. Buy Track $1 USD.
  43. [43]
    Down to Promised Land: 5 Years of Bloodshot Records
    13 Nights - Kelly Hogan & The Pine Valley Cosmonauts ... Highway To Hell - Red Star Belgrade. 21, Bonus Track - Down To The Promised Land: 5 Years Of Bloodshot ...
  44. [44]
    Kelly Hogan: Sing 'Em If You Got 'Em - Magnet Magazine
    Jan 14, 2013 · Neko Case has called her pal Kelly Hogan “the Zelig of rock 'n' roll.” Her name appears in the credits for albums by Mavis Staples, the Mekons ...
  45. [45]
    https://www.discogs.com/release/10060016-Neko-Case-Fox-Confessor-Brings-The-Flood
  46. [46]
    https://www.discogs.com/release/6536737-The-Decemberists-What-A-Terrible-World-What-A-Beautiful-World
  47. [47]
    Music credits for Kelly Hogan
    Cover art: Beneath the Country Underdog · Beneath the Country Underdog • Kelly Hogan & The Pine Valley Cosmonauts. 2000 vocals, composer. 3.50. 1. 1 -. Cover ...
  48. [48]
    Stephin Merritt Interviewed - MAKE Literary Magazine
    Dec 2, 2014 · I was sitting right next to our mutual friend Kelly Hogan, who was sobbing for much of the show— ... With the Magnetic Fields, Stephin Merritt has ...Missing: guest | Show results with:guest
  49. [49]
    COLBERT DAY I'm so proud to sing with @mavisstaples anywhere ...
    Nov 3, 2025 · Photo by Kelly Hogan on November 03, 2025. May be an image of Times ... Beautiful World” out this Fri 11/7) Tune us in!
  50. [50]
    Another World LP Page — The Flat Five
    Another World is being issued by Pravda Records/Augiedisc Records on November 13th on CD, 12” vinyl LP, digital download and via streaming platforms.Missing: 2022 2025<|control11|><|separator|>
  51. [51]
    1993_1119_AJC Singer's Angel Kissed Voice Again Will Grace ...
    Nov 19, 1993 · Theatrical Outfit "Luckily, I don't have to do much acting," Kelly Hogan (back, left) says of her role in "Appalachian Christmas." The ...
  52. [52]
    Kelly Hogan - IMDb
    ... Atlanta, Hogan went on to join the garage rock revivalist group the Rock*A*Teens. She eventually left the Rock*A*Teens to pursue a solo career and released ...
  53. [53]
    A Resurrection (1994) - Jesus Christ Superstar Zone
    Still, Lorant (who had also cast underground favorite Kelly Hogan in the traditionally male role of Simon Zealotes, and considered sexual politics a non-issue ...
  54. [54]
    "Adventure Time" Elements Part 3: Winter Light (TV Episode 2017)
    Rating 8.4/10 (919) Elements Part 3: Winter Light: Directed by Cole Sanchez. With Jeremy Shada ... Kelly Hogan · Ice Fox; (singing voice); (uncredited). Director. Cole Sanchez.
  55. [55]
    Kelly Hogan On World Cafe - NPR
    and recruited more than 40 musicians to ...
  56. [56]
    Kelly Hogan On Mountain Stage - NPR
    Mar 27, 2013 · Kelly Hogan describes herself as having rabies for music. She has appeared on Mountain Stage many times over the years alongside artists like Neko Case, Jakob ...
  57. [57]
    https://www.chicagotribune.com/2011/09/22/kelly-hogan-looks-back-on-hideout-memories/
  58. [58]
    Kelly Hogan looks back on Hideout memories - Chicago Tribune
    Sep 22, 2011 · On starting as a bartender at the Hideout. “I started in late 1998, cocktail waitressing first. Then I got some day shifts. Marie Marasovich ...
  59. [59]
    Where Album Covers Meet Great Comics - Vol. 1 Brooklyn
    Oct 10, 2014 · Earlier this year, Neko Case and Kelly Hogan released a collaborative single, “These Aren't the Droids.” The cover art came via Lynda Barry, ...
  60. [60]
    From The Desk Of Kelly Hogan: Lynda Barry - Magnet Magazine
    Jan 18, 2013 · I first got hipped to Lynda Barry in the summer of 1988 on the same night that I first heard Duke Ellington & John Coltrane's version of “In A ...Missing: collaborations | Show results with:collaborations
  61. [61]
    hoganhere · Hogan Here - Tumblr
    Hogan Here. @hoganhere / hoganhere.tumblr.com. Welcome aboard, sailor. Ask me anything. Follow. PostsLikes.Missing: writing | Show results with:writing