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Leslie Howe

Leslie Howe is a Canadian , songwriter, and musician, best known for producing and co-writing the early albums of , including her debut Alanis (1991) and follow-up (1992). Howe first gained prominence as a member of the Ottawa-based pop duo , formed in the early 1980s with vocalist Louise Reny, originally evolving from their rock cover band . The duo released several albums, including Forward Your Emotions (1985) and 1-2-1 (1988), achieving moderate success in with hits like "," which he co-produced and performed on as and . In the late 1980s, Howe transitioned into production work, signing a deal that led to his collaboration with a young Alanis Morissette, whom he met through industry connections in Ottawa; together, they crafted her MCA Records debut, featuring synth-heavy tracks like "Too Hot" and "Feel Your Love," which peaked on Canadian charts but contrasted sharply with her later alternative rock success. Their professional relationship, which began when Morissette was a teenager, later became a point of public contention, inspiring elements of her 2002 song "Hands Clean" amid allegations of exploitation during her early career.

Early career

Formation of One to One

Leslie Howe was born in , , . In the 1970s, he entered the local music scene as a member of the Ottawa-based rock cover band , where he performed alongside vocalist Louise Reny. The group toured the circuit and expanded to eastern and parts of the , building a foundation in live performances that honed Howe's skills on guitar, bass, and keyboards. By the early 1980s, Howe and Reny sought to create original material, leading them to depart from around 1983. They formed the pop duo in 1984, with Reny serving as the and Howe taking on and duties. The duo quickly recorded demo tracks at Howe's Distortion Studios in , showcasing a shift toward synth-driven pop sounds. Impressed by the demos, England's Bonaire Records signed One to One to a two-album deal in 1984, providing resources for professional recording. The creative process for their debut album emphasized Howe's vision of blending electronic elements with rock influences, drawing from his multi-instrumental background to layer synthesizers, guitar riffs, and programmed rhythms. Forward Your Emotions was recorded in studios in West Germany and released in 1985, featuring key tracks such as "There Was a Time," "Angel in My Pocket," and the title song, which highlighted the duo's polished, dance-oriented style. As producer and multi-instrumentalist, Howe oversaw the sessions, utilizing early digital recording tools and analog synthesizers to achieve a tight, radio-friendly sound without relying heavily on session musicians.

Breakthrough success with One to One

One to One's debut album, Forward Your Emotions, was released in 1985 on Bonaire Records, showcasing a style characterized by electronic instrumentation and dance-oriented rhythms that aligned with mid-1980s trends. Leslie Howe, who handled , , and mixing, incorporated innovative home-studio techniques to craft layered synth arrangements and polished vocal effects, contributing to the album's vibrant pop-dance sound. While the album achieved modest commercial reception in , generating buzz through radio play and live performances—with the lead single "There Was a Time" peaking at No. 14 on the RPM 100 Singles chart—it did not chart prominently but established the duo's reputation for accessible, upbeat electronic pop. The album's impact was recognized at the 1986 , where Howe received nominations for Producer of the Year and Recording Engineer of the Year for his work on Forward Your Emotions. These accolades highlighted Howe's technical prowess and the duo's emerging talent, alongside a nomination for Most Promising Group of the Year. Building on this momentum, One to One's single "Do You Believe," from their 1988 album 1-2-1, marked a by entering the RPM 100 Singles in June and July 1989, peaking at number 34 and demonstrating sustained radio support. By the early 1990s, rebranded as One 2 One and released their third album, Imagine It, on in 1992, shifting toward a more mature pop sound with subtle influences. The , "Peace of Mind (Love Goes On)," achieved notable chart success, peaking at number 11 on the RPM 100 Singles chart and maintaining a trajectory through mid-1992 with consistent top-20 presence. Following this release, the duo dissolved in 1993 amid a desire for new musical directions, with Howe transitioning fully into production work for other artists.

Production work

Collaboration with Alanis Morissette

Leslie Howe's collaboration with Alanis Morissette began in 1988, when Morissette was 14 years old and her parents sought production assistance for their daughter's budding music career by tracking down Howe, an established Canadian producer. In October of that year, Morissette signed with Howe's production company, Ghettovale, where he took on the role of her primary producer and co-writer, marking the start of a formative partnership that shaped her early pop sound. Howe produced Morissette's debut album, Alanis, released in April 1991 by , co-writing most tracks alongside Morissette and Serge Côté to craft a style influenced by Howe's prior experience with synth-heavy arrangements in his band . The album featured key singles such as "Too Hot," which reached number 14 on the RPM singles chart, and "Feel Your Love," both exemplifying the upbeat, electronic production Howe brought to Morissette's youthful vocals and lyrics exploring teen emotions.) Alanis achieved platinum status in , selling over 100,000 copies and establishing Morissette as an emerging artist under Howe's guidance. The partnership continued with the follow-up album , released in August 1992, also produced by Howe and featuring co-writing credits shared with Morissette and Côté on all tracks, maintaining a polished pop-dance aesthetic with synth-driven beats and themes of young romance and self-discovery. This release captured Morissette's evolution from a child performer—known for her early TV appearances—to a more mature teen artist, though it received less commercial attention than her debut, fulfilling her MCA contract before her stylistic shift. During this period, around age 15 while promoting her early work, Morissette faced intense industry pressures from her label, including demands to lose weight and restrictions on eating during music video shoots, which she later revealed contributed to the onset of her long-term eating disorder. These experiences resurfaced in the 2021 documentary Jagged, directed by Alison Klayman, where Howe provided his perspective on their working relationship, describing Morissette's talent and the creative process behind her demos and albums. However, Morissette publicly denounced the film upon its release, criticizing it for including unauthorized interviews with early collaborators like Howe, whom she had explicitly asked the director to exclude, and accusing the project of a "salacious agenda" that misrepresented her story.

Other production credits

In the early 1990s, Leslie Howe focused on , , and mixing for Canadian pop artists, particularly Ottawa-based acts emerging from the local scene. He contributed to his band One to One's albums 1-2-1 (1988) and Imagine It (1992), handling , arrangement, guitar, bass, drums, and additional keyboards, refining the group's polished pop aesthetic on singles such as "Do You Believe" from 1-2-1 and "Peace of Mind (Love Goes On)" from Imagine It. These efforts highlighted his expertise in crafting accessible, radio-friendly tracks for up-and-coming Canadian talent. Beyond full albums, Howe contributed to singles and remixes for emerging pop acts in the same period, including input on One to One's "Angel in My Pocket" (original release 1985, mixes in 1986), where he provided production and writing input to enhance its upbeat, synth-driven appeal. His work during this time emphasized engineering precision and mixing that amplified vocal performances against layered electronic backdrops, supporting Ottawa's vibrant community. By the mid-1990s, Howe's production involvement shifted toward , coinciding with his transitions into new musical projects and reflecting a broader evolution from 's glossy production to grittier, guitar-oriented sounds. This stylistic bridge was influenced by his earlier experiments, allowing him to incorporate alternative textures in subsequent endeavors.

Band memberships

Sal's Birdland

In 1993, Leslie Howe co-founded the band Sal's Birdland in , , alongside vocalist Louise "Sal" Reny—his former collaborator from the pop duo —along with guitarist Michael Goyette, bassist Tim DuPont, and drummer Andrew Lamarche. Howe's prior experience as a with positioned him to take on multiple roles within the band, including guitarist, keyboardist, and co-producer. The group's formation marked Howe's shift from mainstream pop production to the emerging scene, drawing on influences like and synth elements to create a layered, atmospheric sound. Sal's Birdland released their self-funded debut album, So Very Happy, in 1994 on the independent label Ghetto Records. The record showcased the band's style, blending dreamy guitar textures with Reny's emotive vocals and Howe's keyboard accents, as heard in key tracks like "My Heaven," "That's The Way," and "California Au Revoir." Howe contributed to songwriting, instrumentation, and production, helping craft the album's introspective themes of personal struggle and fleeting joy. While the release gained modest traction on Canadian radio, it received limited broader attention due to the band's independent status. The follow-up album, Nude Photos Inside, arrived in 1995, distributed in Canada by Ghetto Records and in the U.S. by Discovery Records, expanding the band's reach slightly beyond domestic borders. Building on the debut's foundation, the album incorporated harder rock edges and flourishes, with standout tracks such as "Love Is Groovy" and "" highlighting the group's evolving sound. Howe's songwriting and multi-instrumental input were central, co-authoring several songs and co-producing alongside Michael James, which facilitated a transition toward more experimental influences while retaining shoegaze-inspired haze. Critically, the album earned mixed reviews in , praised for its bold energy on outlets but critiqued for uneven ; it achieved some radio play in yet saw constrained U.S. exposure despite the distribution deal.

Artificial Joy Club

Artificial Joy Club emerged in the mid-1990s as a stylistic evolution from the rawer of Sal's , incorporating more and elements into its sound. Formed initially in 1993 by Leslie Howe and vocalist Louise Reny (performing as Sal) in , , the band expanded with the addition of guitarist Michael Goyette, bassist Tim Dupont, and drummer Andrew Lamarche before signing with and adopting its new name in 1997. Howe's experience as a and shaped the group's fusion of with influences, creating a polished, melodic style that addressed heavy emotional themes through accessible lyrics. The band's commercial breakthrough came with the 1997 single "Sick and Beautiful," which peaked at number 17 on the Modern Rock Tracks chart and number 35 on Canada's RPM Top Singles chart, marking their highest-profile release. This track exemplified their -alternative fusion, blending driving guitar riffs with synthesized beats and Reny's emotive vocals to explore themes of intoxicating yet destructive relationships. The single's success propelled the debut album Melt, released later that year on Interscope, which Howe produced, engineered, and mixed while also contributing guitar and keyboards across most tracks. On songs like the "Spaceman," Howe co-wrote and performed, infusing introspective lyrics about and with atmospheric layers that highlighted the band's shift toward a more commercial, radio-friendly sound. Amid this peak, Artificial Joy Club gained visibility through high-profile tours, including a slot on the second stage of 1997, where they performed alongside acts like and , exposing their synth-infused to large festival audiences across 16 cities. Despite the momentum from Melt—which showcased the band's ability to merge electronic production with rock energy—follow-up efforts faltered, leading to the group's dissolution in 1999 after limited activity in 1998. Following the breakup, Howe's band involvement diminished, as he pivoted toward production work and reduced public visibility in the music scene.

Legacy

Awards and recognition

Leslie Howe earned two nominations at the 1986 for his contributions to One to One's debut album Forward Your Emotions: Producer of the Year and Recording Engineer of the Year. In 1997, Howe's work as producer and co-founder of Artificial Joy Club garnered industry attention when the single "Sick and Beautiful" from their album Melt charted at number 92 on the , number 17 on the US chart, and number 35 on Canada's RPM 100 Hit Tracks chart, marking a commercial breakthrough in the genre. Howe has received acknowledgments in Canadian music publications for his foundational role in Ottawa's local scene, including a 2018 SOCAN Magazine profile that credits him as a key local figure who connected emerging talents like with publishers and labels, fostering early career opportunities. Retrospectives have highlighted Howe's instrumental contributions to 's initial rise, as he produced and co-wrote her debut album Alanis (1991) and follow-up (1992), which together sold over 200,000 copies in and helped Morissette secure the 1992 Juno Award for Most Promising Female Vocalist.

Later career and influence

After the release of Artificial Joy Club's album Melt in 1997, Leslie Howe adopted a lower public profile, focusing on studio operations and behind-the-scenes contributions in Ottawa's music community. He maintained a production facility in the city, where he collaborated with up-and-coming engineers and producers, including Jay Ruston, who apprenticed under him in the early 2000s before both relocating to . This period marked Howe's shift toward mentoring roles within the local scene, providing technical guidance and resources to emerging talent without seeking major credits. In 2003, Howe expanded his operations by constructing a in , hiring Ruston to manage it and continuing his work in a more private capacity. While specific projects from this era remain largely uncredited, his involvement underscores a sustained presence production, emphasizing engineering and facilitation over high-visibility releases up to the mid-2000s. No major public appearances or interviews featuring Howe have surfaced in the or , aligning with his preference for low-key contributions. Howe's influence on Alanis Morissette's early career has been revisited in retrospective media, particularly the 2021 HBO documentary Jagged, which highlights his production on her debut albums Alanis (1991) and Now Is the Time (1992) as foundational to her pop-oriented sound. The film credits Howe with co-writing tracks that established her initial commercial style in , laying the groundwork for her evolution into with Jagged Little Pill (1995). Morissette has acknowledged this phase in broader discussions of her trajectory, noting Howe's role in her formative years without delving into specifics in personal writings. As a key figure in Ottawa's music ecosystem, Howe served as a bridge between the polished pop acts he helped launch—such as —and the grittier 1990s alternative wave, influencing local producers through his Ghettovale studio and networks. His facilitation of talent, as seen in early connections like introducing acts to labels, positioned him as an informal mentor in the region's scene, per accounts from industry contemporaries. This legacy endures in Canada's as a connector of eras, fostering transitions from synth-driven pop to more raw expressions without claiming the spotlight himself.

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