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Lisa Simone

![Simone at Stockholm Jazz Festival 2009](./assets/Lisa_Simone_$2 Lisa Simone Kelly (born Lisa Celeste Stroud; September 12, 1962) is an American singer, actress, composer, and producer, recognized as the only child of jazz pianist and civil rights activist Nina Simone. Raised initially by her mother in Liberia and other locations abroad, Simone returned to the United States at age 14 to live with her father, Andrew Stroud, amid reports of abusive conditions, and subsequently enlisted in the United States Air Force despite her mother's opposition. Her entertainment career encompasses Broadway roles in productions including the original cast of Rent as swing and Mimi Marquez on national tour, Aida on Broadway and tour, Les Misérables as Fantine, and The Lion King as Nala, for which she received the National Theatre Award for Best Actress in a Musical, a Jefferson Award, and a Helen Hayes Award. As a vocalist blending , , and soul influences, Simone has released albums such as Here's the Deal (2000) with , earning a , Simone on Simone (2008), All Is Well (2014), and In Need of Love (2019), and tours internationally. She also executive produced the 2015 Netflix documentary What Happened, Miss Simone?, which garnered Emmy, Peabody, and Academy Award nominations.

Early Life

Birth and Family Background

Lisa Simone Kelly was born Lisa Celeste Stroud on September 12, 1962, in . She is the only child of , a prominent American singer, pianist, and civil rights activist known for her contributions to , , and , and Andrew Stroud, a former police officer who managed Nina Simone's career during the early . Nina Simone and Andrew Stroud married in December 1958, with their union marked by professional collaboration—Stroud handled Simone's business affairs amid her rising fame—but also personal tensions that later contributed to their divorce in 1970. Lisa Simone has no full siblings, as this was the only child born to the couple; Nina Simone's prior marriage to Layton in the 1950s produced no offspring. Stroud's background in and subsequent role in the music industry provided a contrasting dynamic to Simone's artistic and activist pursuits, shaping the early family environment in which Lisa Simone was raised.

Childhood Experiences

Lisa Simone Kelly spent her early years in the orbit of her mother's rising fame, playing in Nina Simone's bedroom amid mirrors, wigs, and records of artists like Miriam Makeba and Otis Redding, where she sang and danced freely. She often sat at the piano with Nina, naturally harmonizing to her mother's playing, fostering an initial bond through music despite the family's nomadic lifestyle of relocating annually for six years after her parents' separation around age eight. By age seven, she had cycled through 13 governesses, indicative of the instability in her upbringing as the sole child of Nina Simone and former police officer Andrew Stroud, who managed her mother's career. Post-separation, Lisa's experiences shifted toward hardship, marked by her mother's volatile temperament amid and professional pressures; she described as transforming into a "monster," with frequent physical beatings and emotional manipulation. At age 10, struck her with a coin-filled , an incident so severe that Lisa's schoolmates wept upon seeing her injuries. The moved internationally—to , where Lisa ran errands and worked from ages 10 to 11; to , offering brief stability with a until 's return disrupted it; and later to and —exacerbating feelings of neglect as allegedly told her that her father did not love her. By her early teens, the intensified; at age 14, after a beating, Lisa left home and contemplated but was prevented by her godmother. On her 16th birthday in 1977, Nina sent a card declaring, "I curse the day you were born," reflecting what Lisa perceived as her mother's resentment, possibly viewing her growing resemblance and talents as competitive threats amid Nina's unresolved personal grievances. These episodes left Lisa emotionally numb, earning her the nickname "Robot" from Nina for not crying during punishments, though she later attributed her mother's actions to the toll of , , and career frustrations rather than personal malice.

Professional Career

Entry into Performing Arts

Lisa Simone Kelly entered the after leaving the U.S. in 1992, at age 29, where she had worked as an engineering assistant. She initially focused on backing vocals, performing under the stage name Simone Kelly with European artists and as part of the chorus on singer Raphael's world tour from 1992 to 1993, during which she adopted the professional moniker SIMONE. Her debut in musical theater came with the national tour of Andrew Lloyd Webber's (1994–1995), in which she played the role of Soul Sister while understudying . These early experiences established her foundation in vocal performance and stage work, preceding principal roles in major productions.

Broadway and Theater Achievements

Lisa Simone Kelly's theater career commenced with a national tour of , in which she performed as Soul Sister and understudied the role of . In 1996, she joined the original production of as a swing, covering principal female roles including Mimi Marquez and Joanne Jefferson. She later took on the role of Mimi Marquez during the musical's first national tour, earning the and for in a Musical. Kelly participated in developmental workshops for , portraying , a role she originated in pre- productions. She also performed as Fantine in . Her most prominent Broadway lead came in , where she served as understudy to the title role in the original cast before assuming the part of Aida herself during the first national tour and on Broadway at the Palace Theatre. For this performance, she received the National Theatre Award for Best Actress in a Musical. These roles established Kelly as a versatile performer capable of handling demanding leads in major musical productions.

Music Recordings and Performances

![Simone at Stockholm Jazz Festival 2009](./assets/Lisa_Simone_$2 Lisa Simone Kelly debuted her recording career with the album Simone on Simone in 2008, featuring interpretations of her mother Nina Simone's repertoire. This was followed by All Is Well in 2014, her first collection of original compositions, released on Laborie Jazz. Subsequent releases include in 2016 on Sound Surveyor Music, blending and elements. In 2017, she issued Live at the Edge, a concert recording with the Tromsø Big Band capturing a performance in . Her most recent studio album, In Need of Love, arrived in 2019, showcasing personal lyrics and vocal depth. Kelly's live performances emphasize jazz standards and tributes to , with global tours selling out venues. Notable appearances include the Estival in 2016, where she performed tracks like "My World" and "Let It All Go," and in Marciac in 2016. She has also played at the Festival in 2009 and Festival Da in 2021, delivering energetic sets of soulful . These concerts highlight her commanding stage presence and ability to evoke emotional resonance through powerful vocals.

Producing and Executive Roles

Lisa Simone Kelly has primarily engaged in producing roles for documentary and musical films tied to her mother's legacy. She executive produced the 2015 Netflix documentary What Happened, Miss Simone?, directed by , which examines Nina Simone's personal struggles, civil rights activism, and career through archival material, interviews with contemporaries, and family correspondence. The project earned an Award nomination for Best Documentary Feature, a Peabody Award, and an Emmy Award. Kelly also produced the 2023 film adaptation of Soul Doctor, a musical narrative centered on Nina Simone's relationship with Rabbi Shlomo Carlebach, blending their artistic collaboration and personal dynamics. This role built on the original stage production's exploration of cultural and spiritual intersections in mid-20th-century New York. Her earlier producing credit includes the 2000 documentary Buena Vista Fight Club, a project focused on Cuban boxing culture, marking an initial foray into nonfiction filmmaking outside her immediate family context. These efforts highlight Kelly's selective involvement in executive oversight for content preserving musical heritage and biographical storytelling, often leveraging her firsthand insights as Nina Simone's sole child.

Relationship with Nina Simone

Familial Dynamics and Challenges

Lisa Simone's relationship with her mother, , was marked by profound challenges stemming from Nina's untreated issues, including and , which manifested in erratic moods and toward her daughter. Following Nina's divorce from Andrew Stroud in 1970, the family dynamics deteriorated sharply; Nina relocated to with Lisa, then eight years old, where the singer's volatility intensified, including violent outbursts directed at her child. Lisa has recounted enduring severe beatings and verbal abuse from , who struggled with alcoholism alongside her psychological conditions, creating an environment of fear and instability. On her 16th birthday in 1978, Nina reportedly cursed the day of Lisa's birth, exacerbating the emotional toll; Lisa later described periods where she contemplated suicide amid the ongoing trauma. These familial strains were compounded by Nina's professional demands and personal demons, which Lisa attributed to her mother's unaddressed pain from and career setbacks, though she emphasized that such factors did not justify the . The Netflix documentary What Happened, Miss Simone? (2015), featuring 's testimony, highlighted these dynamics, with director noting the evident impact of Nina's and Stroud's abusive behaviors on their daughter. Despite the hardships, Lisa has framed her perspective through understanding Nina's illnesses rather than excusing them, underscoring a causal link between untreated conditions and the relational breakdown.

Reconciliation and Post-Death Involvement

In adulthood, Lisa Simone pursued reconciliation with her mother, Nina Simone, beginning in her thirties amid a history of strained relations marked by emotional and physical volatility. Over approximately a decade leading to Nina's death on April 21, 2003, Lisa enforced boundaries, such as abruptly ending phone conversations when Nina became abusive, which gradually shifted their dynamic toward mutual respect. Nina began supporting Lisa's career, attending her high school graduation and endorsing her Broadway performance in Rent, and the two discussed potential joint recordings. Signs of improved rapport included Nina inviting Lisa to open for her at the Royal Albert Hall in 1998 and their sole joint live performance in in 1999, where they shared the stage for two songs, including Music for Lovers, with Nina accompanying on . Their bond deepened as they sang together privately, with Nina expressing emotion over Lisa's familiarity with her repertoire. Following Nina's death, Lisa engaged personally with her mother's legacy by adopting the stage name "Simone" and releasing the album Simone on Simone in 2008, a big-band featuring interpretations of Nina's songs. In 2013, she moved into Nina's former home in , , residing there for eight years to immerse herself in the life they had not shared, during which she composed and recorded three albums. Lisa also performed at a concert in 2004 and continues to present intimate shows emphasizing family ties to Nina's music.

Estate Management and Legacy Preservation

Responsibilities as Trustee

Lisa Simone Kelly was appointed special administrator of Nina Simone's estate on September 1, 2004, by the in Case No. BP 079 597, with full authority granted on October 12, 2005. She also succeeded as trustee of the Charitable Trust in January 2004, following designation by , the initial trustee. Her core responsibilities involved overseeing the and administration of the estate, including the collection and management of assets such as music royalties, rights, and , to align with Nina Simone's will executed prior to her death on April 21, 2003, in . The will directed the bulk of the residue into the for the musical education of Black African children specifically from , , and , excluding certain assets like a French residence. As , was obligated to act prudently in preserving and distributing assets for the charitable purpose, filing required tax returns, maintaining accurate accountings, and ensuring funds supported qualifying music programs in the designated regions, such as scholarships and educational initiatives. This included navigating cross-jurisdictional challenges from the estate's international elements, such as rejecting a claim on non-condo assets. She held these roles until resigning as both administrator and trustee in 2013, after which San Pasqual Fiduciary Trust Company was appointed successor.

Tributes and Public Advocacy

Lisa Simone has honored her mother's legacy through live tribute performances, including the touring show A Daughter's Tribute to Dr. Nina Simone, which features interpretations of 's classics alongside original compositions by both artists and personal storytelling to illustrate the ongoing influence of Nina's music and . The production, described by Simone as an extension of her mother's spirit rather than imitation, toured cities in July 2025, with dates including July 23 at the in and July 26 at Her Majesty's Theatre in . She contributed vocals to the 2015 tribute album NINA REVISITED: A Tribute to Nina Simone, a compilation produced by and featuring covers of Nina's songs by various s, including Simone's rendition of "Stars." Additionally, Simone executive-produced the 2015 Netflix documentary What Happened, Miss Simone?, granting director creative control to depict Nina's life as a classical , , and civil rights figure accurately, in fulfillment of a promise to ensure her mother would not be forgotten. In public advocacy, Simone has supported preservation efforts for Nina's cultural roots, performing at the Nina Simone Weekend event on August 17, 2019, at the to raise awareness and funds for restoring Nina's childhood home in , designated a National Treasure by the . She opened the Council of Europe's World Forum for Democracy on November 8, 2017, in , , with a performance that emphasized Nina's civil rights advocacy for justice, framing her own work as a continuation of uplifting messages against and for . Following Nina's death in 2003, Simone assumed primary responsibility for safeguarding the legacy, including through regular tours and public reflections on Nina's genius amid personal challenges.

Controversies and Criticisms

Biopic "Nina" Dispute

The biopic , directed by and released on April 22, 2016, depicted the life of , focusing primarily on her later years, mental health struggles, and a romantic relationship with her assistant Clifton Henderson, while portraying her more peripherally. The film was produced without authorization from Simone's estate, which Lisa Simone Kelly, as executor, had opposed since its announcement in 2006. Kelly publicly criticized the project as "tainted from the very beginning" and asserted that it contained "full of lies" and did not represent "the truth about my mother's life," emphasizing distortions in Simone's story, relationships, and legacy. In March 2016, the estate's official Twitter account condemned lead actress Zoe Saldana, stating she should "take Nina's name out your mouth" amid backlash over Saldana's skin-darkening makeup to portray the dark-skinned Simone, though Kelly distanced herself from the tweet and defended Saldana personally, stating she was "not upset" with the actress and viewing her involvement as separate from the film's flaws. Kelly reiterated that the core issues lay with the screenplay and production, not casting, describing the film as centering unduly on a "fictional" romance rather than Simone's musical genius, civil rights advocacy, and broader complexities. In response to the biopic, Kelly served as a on the 2015 Netflix documentary What Happened, Miss Simone?, which she endorsed as a more accurate depiction drawing from Simone's diaries, interviews, and archival material, positioning it as a counter-narrative to the dramatized . The Nina biopic received widespread critical derision for factual inaccuracies and superficial treatment, aligning with Kelly's concerns, though no formal legal action by the estate against its producers was reported.

Allegations of Financial Mismanagement

In 2013, the Attorney General's office petitioned the of , alleging that Lisa Simone , as administrator of 's estate from 2004 to 2013, breached her duties by diverting approximately $5.9 million in estate assets intended for charitable purposes. The funds were designated under 's will for the Nina Simone Charitable Trust, established to provide musical education and scholarships for Black children in , , and . Kelly was accused of failing to distribute these assets to the trust and instead using them for personal benefit or other unauthorized purposes, prompting demands for repayment plus over $2.5 million in interest. Kelly denied the allegations, maintaining that her actions were taken in good faith and that she was entitled to a portion of the estate under forced heirship laws applicable to Nina Simone's assets. The dispute arose amid ongoing litigation over the estate's international assets, including a 2011 French claim Kelly initiated to address non-U.S. holdings. Critics, including estate beneficiaries, highlighted Kelly's prior involvement in estate disputes, such as lawsuits against Nina Simone's ex-husband Andrew Stroud dating back to , as contributing to administrative delays and complications. The matter concluded with a approved by the on February 19, 2016, following an agreement signed on October 21, 2015. Under its terms, agreed to pay $400,000 to the Attorney General to cover investigative and legal costs, remit $2.1 million to the 's new fiduciary, San Pasqual Fiduciary Trust Company, and transfer additional assets including a Franklin, condominium and Nina Simone's personal diaries, without admitting liability. Control of the shifted to the professional trustee, a change later cited by 's , RéAnna Simone , as effectively stripping the of oversight, with blame attributed to then-Attorney General Kamala Harris's office for aggressive enforcement. This outcome preserved some charitable intent but reduced involvement in legacy management, amid claims from relatives that the overlooked legal nuances and prior mismanagement by others.

Personal Life and Recent Developments

Private Life and Health Insights

Lisa Simone has maintained a relatively private , focusing primarily on her career and her mother's legacy rather than public disclosures about her family. She married Robert Kelly in 1995 and has three children, including a daughter named Reanna Simone Kelly. The family resides in . Prior to her entertainment pursuits, Simone served 10 years in the U.S. Air Force, reflecting a period of discipline and structure in her early adulthood. In interviews, Simone has shared insights into the psychological toll of her upbringing under her mother Nina Simone's influence, marked by the latter's untreated and episodes of verbal and physical volatility. These experiences culminated in Simone contemplating during her teenage years, a averted by from a family friend. She has since emphasized healing and reconciliation with her past, reclaiming her identity and advocating indirectly through public reflections on familial trauma's long-term effects. No indicate ongoing conditions for Simone herself, with her disclosures centering on resilience gained from and time apart from her mother during formative years spent with her father and aunt.

Ongoing Tours and Recognition (2024–2025)

In 2024, Lisa Simone performed at the Festival, delivering a to her mother that was described as spellbinding by reviewers. This appearance built on prior sold-out shows, highlighting her continued draw as a performer channeling 's legacy through original interpretations. Throughout 2025, Simone undertook an tour titled A Daughter's Tribute to Nina Simone, featuring live band accompaniment and selections from her mother's catalog alongside her own compositions. Key dates included July 13 at Hamer Hall in , July 23 at QPAC Concert Hall in , July 26 at Her Majesty's Theatre in , and additional stops in . The tour received acclaim for Simone's vocal prowess and emotional depth, with critics noting her ability to honor 's influence while establishing her distinct style, including Grammy-nominated elements from her solo work. These performances underscored Simone's global touring presence, with audiences credited for reinvigorating her passion for live amid her broader career spanning five solo albums. No major new awards were announced in this period, but the tour's success reinforced her recognition as a custodian of Nina Simone's musical heritage, evidenced by repeat engagements following prior sell-outs.

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