Martin Hynes
Martin Hynes is an American screenwriter, film director, actor, and producer born and raised in Eugene, Oregon.[1] He graduated from Columbia University with a degree in history before attending the USC School of Cinematic Arts graduate film program, where he received a Paramount Pictures Writing Fellowship.[1] Hynes began his career in New York theater and sketch comedy, later transitioning to film with early acting roles and short films.[2] Hynes gained recognition as a screenwriter and director with his debut feature The Big Split (1999), which he wrote, directed, and co-starred in, premiering at the AFI Los Angeles International Film Festival.[2] His breakthrough independent film, The Go-Getter (2007), which he wrote and directed, premiered at the Sundance Film Festival and explored themes of loss and self-discovery through a road trip narrative starring Lou Taylor Pucci, Zooey Deschanel, and Jena Malone; the film was inspired by Hynes' personal experiences following his mother's death and the end of his marriage.[2] Shot on 35mm with a modest budget secured quickly by producer Lucy Barzun Donnelly, it featured an original soundtrack by musician M. Ward and received praise for its emotional authenticity and vibrant style.[3] In addition to directing, Hynes has written spec scripts sold to major studios, including Stealing Harvard (2002, originally titled Stealing Stanford), a comedy starring Tom Green, and unproduced projects like Expiration Date for Martin Lawrence and a remake of The Incredible Shrinking Man.[2] Hynes' work in animation includes co-writing the story for Pixar's Toy Story 4 (2019), an Academy Award-winning film directed by Josh Cooley that grossed over $1 billion worldwide and continued the adventures of Woody and Buzz Lightyear.[4] He also penned the screenplay for Netflix's animated adaptation The Magician's Elephant (2023), based on Kate DiCamillo's novel, which follows a boy's quest to fulfill a prophecy amid themes of hope and family.[5] Hynes co-wrote the screenplay for the planned musical feature Atlantis, directed by Michel Gondry and produced by Pharrell Williams, a semi-autobiographical coming-of-age story set in 1977 Virginia Beach drawing from Williams' childhood; however, the project was cancelled in February 2025.[6][7] Earlier, he appeared as an actor in the mockumentary short George Lucas in Love (1999), earning a Best Actor award at the San Sebastian Film Festival.[1] Influenced by filmmakers like Hal Ashby, Wong Kar-wai, and Hirokazu Kore-eda, Hynes continues to focus on character-driven narratives blending humor, pathos, and personal introspection.[2]Early life and education
Early life
Martin Hynes was born in Eugene, Oregon, U.S., in the Willamette Valley region of the Pacific Northwest.[2][8] He grew up in this midsized college town, surrounded by the area's distinctive natural environment, including dense stands of Douglas-fir trees and historic pioneer cemeteries that contributed to his early sense of place and narrative inspiration.[2]Education
Martin Hynes earned a Bachelor of Arts degree in History from Columbia University in New York City.[8] During his undergraduate studies, he participated in extracurricular activities focused on theater and sketch comedy, which sparked his interest in performance and storytelling.[2][8] After graduating from Columbia, Hynes pursued graduate studies in the University of Southern California's School of Cinematic Arts.[8] While at USC, he received the Paramount Pictures Fellowship, a competitive award recognizing promising student filmmakers.[8] This fellowship supported his transition from academic history and performance to professional filmmaking.[2]Career
Early career
After graduating from Columbia University, Martin Hynes pursued opportunities in New York City's theater and comedy scenes, where he founded a sketch comedy and improv group that performed at venues including The Duplex and Stand Up New York.[9] This early involvement honed his skills in performance and writing, bridging his academic background in history to creative endeavors in live entertainment.[9] Hynes later enrolled in the University of Southern California's graduate film program, supported by the Paramount Pictures Fellowship, which facilitated his transition to filmmaking.[9] During his studies, he wrote and directed the short film Al as in Al (1995), a comedic exploration of a young man's attempt to reconstruct the events leading to his breakup with his girlfriend, in which Hynes also starred.[10] Produced on a student budget with a runtime of approximately 15 minutes, the film premiered at HBO's U.S. Comedy Arts Festival in Aspen, Colorado, where it received positive attention for its witty dialogue and relatable humor.[9] Critics and festival audiences regarded it as a standout student project, and it was later selected by USC as one of its exemplary works from the program.[2] Following his time at USC, Hynes directed his first feature-length project, the low-budget independent romantic comedy The Big Split (1999), which he also wrote and co-starred in alongside Judy Greer as a driving instructor navigating post-divorce romance.[11] Shot on a modest production scale with a focus on character-driven storytelling reminiscent of Woody Allen's style, the film premiered at the AFI Los Angeles International Film Festival, earning praise as an "appealing charmer" for its clever take on impulsive marriages and breakups.[12][9] This debut marked Hynes' entry into professional independent cinema, blending his theater-honed comedic timing with narrative filmmaking.[2]Acting roles
Martin Hynes began his acting career with a foundation in New York theater and sketch comedy during and after his college years.[9] Hynes gained breakthrough recognition for his leading role as a young George Lucas in the 1999 parody short film George Lucas in Love, directed by Joe Nussbaum. In the eight-minute comedy, which spoofs Shakespeare in Love by depicting the fictional origins of Star Wars concepts, Hynes portrays a 1967 film student grappling with writer's block on his script Space Wheat; his character's romantic encounter with a British-accented classmate (Lisa Jakub) sparks imaginative visions that birth iconic elements like the Force, lightsabers, and characters such as Princess Leia and Darth Vader.[13] The film's clever production, blending low-budget humor with affectionate nods to Lucasfilm lore, propelled it to viral success via early internet distribution and festival circuits.[13] For his nuanced performance capturing the awkward genius of the aspiring filmmaker, Hynes won the Best Actor award at the 10th San Sebastián International Horror and Fantasy Film Festival.[14] In the same year, Hynes took on a starring role as Frank, a struggling composer moonlighting as a driving instructor who navigates post-divorce romance, in the independent romantic comedy The Big Split, marking an early feature-length acting credit amid his multifaceted involvement in the project.Directing work
Hynes began his directorial career during his time at the University of Southern California (USC) School of Cinematic Arts with the short film Al as in Al (1995), a comedic exploration of a young man attempting to reconstruct the events leading to his breakup with his girlfriend.[10] The film premiered at HBO's U.S. Comedy Arts Festival in Aspen and was selected by USC as one of the standout student works from its 75-year history, highlighting his early command of narrative pacing and character-driven humor.[9] Immediately after graduating from USC, Hynes directed his first feature, The Big Split (1999), a low-budget independent romantic comedy that he also wrote, produced, and starred in alongside Judy Greer. The story centers on a composer navigating love amid the chaos of impulsive marriages and quick divorces, offering a witty take on relational mishaps with a focus on ensemble dynamics and lighthearted absurdity.[12] It premiered at the AFI Los Angeles International Film Festival, where it was noted for its charming, clever spin on familiar rom-com tropes despite its modest production scale.[11] Hynes achieved his feature directorial debut with The Go-Getter (2007), a coming-of-age road-trip drama that he wrote, directed, and executive produced, following a teenage drifter who steals a car to search for his estranged brother after his mother's death. Starring Lou Taylor Pucci in the lead role, with Zooey Deschanel, Jena Malone, and Nick Offerman in supporting parts, the film employs a gritty, naturalistic visual style to capture the vast American landscape and themes of loss, reinvention, and fleeting connections.[15] Premiering at the Sundance Film Festival to generally favorable reviews, it was praised for its evocative cinematography—described as among the festival's best—and the authentic performances that underscore its emotional core, though some critics found its indie sensibilities meandering.[16] The film holds a Metacritic score of 69 out of 100 based on 12 reviews, reflecting its solid if mixed reception for blending personal tragedy with open-road wanderlust.[17]Screenwriting credits
Martin Hynes' screenwriting career began to gain prominence with his original screenplay for the 2007 independent road movie The Go-Getter, which he also directed. The script follows a grieving teenager's journey across the American West in a stolen car to find his estranged brother, blending themes of loss, self-discovery, and fleeting connections. Inspired by Hynes' own experiences with transient youth culture and personal reinvention, the development process involved drawing from real-life road trips and emotional introspection to craft a narrative that emphasizes quiet introspection over dramatic confrontation.[18][2] Earlier, Hynes wrote the spec script Stealing Stanford, which was optioned by Imagine Entertainment in 1997 for $150,000 against $400,000[19] and later adapted into the 2002 comedy Stealing Harvard starring Jason Lee and Tom Green. While the core premise of a man resorting to crime to fund his daughter's education remained, the adaptation significantly altered the setting, tone, and characters, shifting from a Stanford University focus to Harvard and transforming Hynes' more satirical take into a broader family farce.[20][2][18] Hynes contributed to the story development for Pixar's Toy Story 4 (2019), sharing "Story by" credit with a team including John Lasseter, Andrew Stanton, Josh Cooley, Valerie LaPointe, Rashida Jones, Will McCormack, and Stephany Folsom. The collaboration involved multiple writers brainstorming the sequel's road-trip adventure, where Woody and the toys grapple with purpose and change, refining the narrative through iterative Pixar braintrust sessions to balance humor, emotion, and franchise continuity. The film earned the Academy Award for Best Animated Feature at the 92nd Oscars.[21][22] In 2023, Hynes penned the screenplay adaptation for Netflix's animated fantasy The Magician's Elephant, directed by Wendy Rogers and based on Kate DiCamillo's 2009 Newbery Honor novel. The script centers on an orphaned boy in a medieval city who seeks an elephant to fulfill a prophecy and reunite with his sister, emphasizing themes of faith and impossible tasks. Adapting the story for animation presented challenges in visualizing the elephant's majestic yet symbolic presence, requiring a hybrid style that blended painterly 2D aesthetics with 3D modeling to evoke the book's whimsical illustrations while maintaining emotional depth.[23] Hynes co-wrote the screenplay for the musical film Atlantis (initially titled Golden), a coming-of-age story inspired by Pharrell Williams' childhood in Virginia Beach's Atlantis Apartments during the summer of 1977, directed by Michel Gondry with songs co-written by Benj Pasek and Justin Paul. The project, which Hynes developed alongside Steven Levenson, faced delays due to the 2023 Hollywood strikes, pushing principal photography from mid-2023 to early 2024, but was ultimately shut down in post-production in February 2025 after completing filming, rendering it a cancelled collaboration.[24][25][26]Filmography
As writer
Martin Hynes has contributed to several film projects as a screenwriter, with credits spanning short films, independent features, and major animated productions. His writing often involves original screenplays, story contributions, and adaptations.| Year | Title | Role/Notes | Status |
|---|---|---|---|
| 1995 | Al as in Al | Original screenplay (short film) | Released IMDb |
| 2002 | Stealing Harvard | Story (original spec titled Stealing Stanford; screenplay by Peter Tolan) | Released IMDb |
| 2007 | The Go-Getter | Original screenplay | Released IMDb |
| 2019 | Toy Story 4 | Original story (co-written with Andrew Stanton and Stephany Folsom) | Released; the film won the Academy Award for Best Animated Feature Oscars.org |
| 2023 | The Magician's Elephant | Screenplay (adaptation of Kate DiCamillo's novel) | Released IMDb |
| 2025 | Atlantis (aka Golden) | Screenplay (co-written with Steven Levenson) | Unreleased; shelved in post-production (February 2025) Variety Variety |
As director
Hynes directed his first short film, Al as in Al, in 1995 while attending the USC School of Cinematic Arts; it premiered at HBO's U.S. Comedy Arts Festival and was selected as one of the school's best student works.[10][27] His feature directorial debut, The Big Split (1999), is a romantic comedy in which he also starred alongside Judy Greer; the low-budget independent film premiered at the AFI Fest in Los Angeles.[11][9] Hynes wrote and directed the road drama feature The Go-Getter (2007), starring Lou Taylor Pucci, Zooey Deschanel, and Jena Malone; it premiered to critical acclaim at the Sundance Film Festival.[28][2][16]As actor
Hynes began his performing career with experience in New York theater and sketch comedy following his college graduation.[9] His on-screen acting roles are few but include lead performances in two early short and feature films.| Year | Title | Role |
|---|---|---|
| 1999 | George Lucas in Love | George |
| 1999 | The Big Split | Frank [29] |