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Middle of the Night

''Middle of the Night'' may refer to several works of theatre, film, music, and literature:

Theatre and film

Middle of the Night (play)

Middle of the Night is a drama written by that premiered as a teleplay on NBC's on September 19, 1954, directed by . The one-hour production starred as the widowed garment manufacturer Jerry Kingsley and as his young secretary Betty Preisser, exploring themes of loneliness and unlikely romance in a realistic, working-class setting. Chayefsky adapted the teleplay for the stage, marking his transition from television to Broadway after successes like . The Broadway production opened on February 8, 1956, at the ANTA Playhouse (now the ), produced by and directed by , with incidental music by . It starred as the 53-year-old Jerry Kingsley, a lonely widower struggling with grief two years after his wife's death, and in her Broadway debut as the 24-year-old Betty Preisser, a recently divorced receptionist at Jerry's garment firm, separated from her musician ex-husband. The cast also included as Betty's sister, with supporting roles filled by actors like and , capturing the everyday tensions of family and workplace dynamics. The plot centers on Jerry's growing emotional and romantic attachment to Betty, sparked by shared vulnerabilities during late-night office encounters and evolving into a deeper relationship that challenges societal norms. As their bond strengthens, Jerry proposes marriage, prompting backlash from his adult children—who view Betty as a gold-digger—and Betty's overprotective family, who see Jerry as an unsuitable older suitor. The narrative delves into personal insecurities, with Jerry confronting his fear of aging alone and Betty grappling with her impulsive decisions and , culminating in a poignant examination of love's redemptive potential amid external pressures. Key scenes highlight intimate conversations in Jerry's apartment and Betty's family home, underscoring the generational and class divides that threaten their union. Central themes include the May-December romance, portraying an age-gap relationship not as scandalous but as a mutual escape from , with Chayefsky emphasizing emotional compatibility over physical differences. in is a core focus, depicted through Jerry's routine existence disrupted by newfound passion, while generational conflicts arise from familial interference rooted in protectiveness and . The play also explores emotional rejuvenation through , suggesting that vulnerability can lead to personal , all rendered in Chayefsky's signature naturalistic style that humanizes . These elements reflect post-war anxieties about aging, , and in urban life. The Broadway run lasted 477 performances, closing on May 25, 1957, a testament to its commercial success despite mixed critical responses to its sentimentality. Critics praised Chayefsky's realistic dialogue for its authenticity in capturing accents and everyday speech, lending emotional depth to the characters' inner lives. The production earned four Tony Award nominations in 1957: Best Actor in a Play for , Best Featured Actress in a Play for , Best Scenic Design for Jo Mielziner, and Best Stage Technician won by Harry Green, though it won only the latter. Robinson's performance was particularly lauded for conveying quiet desperation, while Rowlands brought fresh vulnerability to Betty. A notable revival occurred Off-Broadway in 2014 by Keen Company at Theatre Row, directed by Jonathan Silverstein, running from February 11 to March 22. The production starred as Jerry Kingsley and Nicole Lowrance as Betty Preisser, with supporting cast including Todd Bartels and , updating the play's relevance to contemporary discussions of age and relationships while preserving its mid-20th-century setting. Critics noted the revival's intimate staging highlighted the script's warmth and humor, earning positive reviews for its emotional resonance. The play was later adapted into a 1959 film directed by , starring and .

Middle of the Night (film)

Middle of the Night is a 1959 American drama film directed by Delbert Mann and written by Paddy Chayefsky, who adapted his own 1956 Broadway play of the same name. Produced by George Justin for Columbia Pictures, the film was released in the United States on June 17, 1959, with a runtime of 118 minutes. It stars Fredric March as widowed garment manufacturer Jerry Kingsley, who develops a romantic relationship with his much younger employee, and Kim Novak as Betty Preisser. The supporting cast includes Glenda Farrell as Mrs. Mueller, Betty's mother; Jan Norris as his daughter, Dorothy; and Effie Afton as his employee, Rita. March took on the role originally played by Edward G. Robinson on stage. The film expands on the play's plot by incorporating additional scenes set in real New York City locations, such as the garment district offices on West 37th Street and various apartments, to enhance the visual depiction of the characters' emotional isolation. Cinematographer employed black-and-white photography to emphasize themes of loneliness through diffuse lighting and intimate framing. Shot on a of approximately $1 million, the production preserved much of Chayefsky's authentic dialogue while adapting the script to build dramatic tension through these expanded visual elements. Upon release, Middle of the Night grossed $1.5 million at the U.S. box office. It received a Palme d'Or nomination at the 1959 and was selected as one of the year's top ten films by the . earned a Golden Globe nomination for in a for his performance. Critics praised the lead actors' sensitive portrayals of the taboo May-December romance but noted melodramatic aspects in the storytelling. The film is remembered for its thoughtful exploration of age-gap relationships and urban solitude in mid-20th-century . In 2010, the film was released on DVD as part of ' Columbia Classics collection, with a Blu-ray edition following in 2024 from Imprint. By 2025, it has entered the in certain international regions due to expired copyrights, making it widely available on streaming platforms like .

Music

"Middle of the Night" (Elley Duhé song)

"Middle of the Night" (stylized in all caps) is a by American Elley Duhé, released as her debut single on January 10, 2020, through Not Fit for Society and . The track was written by Duhé alongside Andrew Wells and Samuel Elliot Roman (known as RØMANS), with Wells also handling production. It marks Duhé's breakthrough into mainstream recognition following her earlier independent releases, including the 2018 EP Dragon Mentality. Musically, the song blends alternative pop and elements, characterized by dark synths, ethereal vocals, and a sensual rock structure that evokes nocturnal intimacy. The delve into themes of desire, vulnerability, and unspoken longing, with lines like "I summoned you, please come to me / Don't bury thoughts that you really want" capturing a plea for connection in the quiet hours. The accompanying , directed by Loris Russier and released on May 5, 2022, features surreal, dream-like imagery that complements the song's atmospheric tone. The single gained significant traction through , particularly exploding in popularity on in 2022 via , challenges, and slowed-down remixes that amplified its haunting vibe. This virality propelled it to chart success, peaking at number five on the in May 2022 and earning RIAA certification for one million units sold in the United States. By November 2025, "Middle of the Night" had amassed over 1.38 billion streams on , underscoring its enduring . Critics have praised the track's immersive production and Duhé's emotive delivery, with outlets highlighting its seductive allure and as a modern pop standout. The song's success catalyzed Duhé's career momentum, leading to collaborations such as features on Meduza's "Bad Memories" (2022) and her contributions to ' projects in 2023, alongside live performances that solidified her presence in the alternative pop scene, including a feature on Alan Walker's "" released on October 25, 2025.

"Middle of the Night" (The Vamps and Martin Jensen song)

"Middle of the Night" is a song by British pop rock band the Vamps featuring Danish DJ and producer Martin Jensen. Released as a digital download on April 28, 2017, through , it served as the second single from the band's third studio album, Night & Day (Night Edition). The track was written by , Matt Rad, Anders Christensen, Martin Jensen, Steve James, and , with production handled by Martin Jensen alongside Christensen and Young Skeptics. It blends upbeat pop with and electronic elements, including riffs, pulsating drops, and the band's signature harmonious vocals. The explore themes of impulsive late-night romance, as in the : "In the middle of the night, when the lights are low / Pull the blinds and run away with me." The accompanying music video, directed by , was released on May 15, 2017, and features the band performing in neon-lit urban environments, emphasizing the song's energetic nightlife vibe. The Vamps promoted the single through live performances, including on The Voice Kids in July 2017 and during their Middle of the Night Tour, which supported the album and ran from May to December 2017 across arenas in the , , , and . The song marked a collaborative effort with Jensen, known for his tropical house hits like "," aligning with the band's evolving sound. Commercially, "Middle of the Night" debuted and peaked at number 44 on the , while peaking at number 22 on the . It peaked at number 8 on the Scottish Singles Chart and gained airplay in and . The (BPI) certified the single silver on November 15, 2019, for and streaming equivalent to 200,000 units. In the context of Night & Day, which debuted at number 1 on the , the song reflected the band's shift toward more mature pop themes, including heartbreak and personal growth, moving beyond their earlier teen-oriented material. Critics praised the track's catchy hooks and summery electronic production, with noting its blend of danceable energy and emotional undertones as a step toward greater maturity. While not charting on Billboard's main US tallies, it contributed to the Vamps' growing international profile, though its popularity was later overshadowed by viral reinterpretations like Elley Duhé's 2020 version.

"Middle of the Night" (Jacquees song)

"Middle of the Night" is a song by American R&B singer (born Rodriquez Jacquees Broadnax), released on November 1, 2024, as the seventh track on his fourth studio album Baby Making through and . The track was produced by TayTay, with providing lead vocals and contributing to the songwriting. It forms part of an album that delves into themes of romantic and intimate relationship dynamics, aligning with ' established persona in . This release follows his earlier hits like "B.E.D." (2018), which peaked at number 69 on the and helped solidify his reputation for seductive, bedroom-oriented tracks. The song exemplifies smooth , characterized by a slow , lush synth arrangements, and ' emotive delivery. Its lyrics revolve around sensual late-night intimacy and emotional connection, exemplified by the : "Middle of the night, girl, I need you right here / I know you're asleep, but I need you right here." This intimate narrative evokes a suited for personal, , emphasizing reassurance and physical closeness . The production creates a velvety, atmospheric that enhances the track's appeal as a modern R&B . Promotion for "Middle of the Night" included an official lyric video released on October 31, 2024, which highlights the song's against subtle, dimly lit visuals suggestive of a candlelit ambiance. An extended , directed by B Pace Productions and , premiered on December 3, 2024, further amplifying its sensual theme through visual storytelling of late-night encounters. The track received exposure via , where a was featured, tying into ' ongoing theme of seduction across the Baby Making project. Early streaming metrics show strong engagement, with the music video accumulating over 1.6 million views on by mid-2025. In reception, the song has been noted for its contribution to new R&B releases, praised in outlets like for fitting seamlessly into playlists centered on intimate, vibe-driven tracks. As a recent addition to ' discography in 2025, coverage remains emerging, but it reinforces his role in sustaining sensual R&B traditions amid evolving genre trends.

Literature

Middle of the Night (novel)

Middle of the Night is a 2024 psychological thriller written by , the pseudonym of author Todd Ritter. Published on June 18, 2024, by Dutton, an imprint of , the hardcover edition spans 384 pages and carries the ISBN 978-0-593-47237-8. The audiobook version, released simultaneously, is narrated by and runs approximately 11 hours and 22 minutes. The story centers on Ethan Marsh, who returns to his childhood home in the suburban neighborhood of Hemlock Circle after personal setbacks, including a failed . Thirty years earlier, in the summer of , 10-year-old and his best friend Barringer vanished from a backyard tent during a , with only waking to find Billy gone—an event that has haunted him ever since, fueling and unresolved guilt. As Ethan reconnects with former neighbors, including a childhood turned and a former bully now a , eerie signs suggest Billy's disappearance may involve hidden family secrets, unreliable memories, and hints of the amid the facade of small-town normalcy. Sager explores key themes of , , the unreliability of memory, and the lingering impact of small-town secrets, blending psychological suspense with subtle horror elements like ghostly apparitions and suburban dread. The narrative alternates between past and present, building tension through Ethan's introspective first-person perspective while examining how time distorts truth and community bonds fracture under suspicion. This approach echoes Sager's signature style seen in earlier works like his debut Final Girls (2017), which also delved into trauma and survival through genre tropes. The novel debuted as a Times bestseller in the Hardcover Fiction category, appearing on the list for multiple weeks following its release. Reception has been mixed: readers on Goodreads have given it an average rating of 3.7 out of 5 based on over 168,000 reviews, praising its atmospheric tension and twists while noting some predictability. Kirkus Reviews critiqued it as "intensely boring" with a "punishingly slow" pace and a resolution that raises more questions than answers, marking it as a disappointment despite Sager's use of horror tropes. A paperback edition followed on May 20, 2025.

The Middle of the Night (short story collection)

The Middle of the Night is a debut collection of short stories by American author Daniel Stolar, published in hardcover by , an imprint of , on June 1, 2003. The book spans 256 pages and carries the 978-0-312-30409-6. It comprises eight interconnected stories that delve into the lives of ordinary Midwestern characters, primarily set in , , capturing pivotal moments of emotional turmoil and introspection. Stolar, who holds an AB from and an MFA in from the , draws on his background as a native of and his experiences as a professor of English at to portray relatable human struggles. The stories follow everyday individuals navigating crises such as family tragedies, personal loss, and relational strains, often triggered by illness, , or generational conflicts. For instance, narratives explore characters grappling with over a parent's from cancer or attempts to reconnect with estranged friends amid shifting social circumstances. These vignettes emphasize quiet revelations amid or late-night reflections, highlighting themes of , loss, desire, longing, and the search for redemption in mundane settings. Stolar's prose is noted for its simple yet precise style, blending realism with subtle emotional depth to reveal vulnerabilities in human connections. As Stolar's first book, The Middle of the Night emerged from his earlier publications in literary journals and reflects his observational approach to urban and suburban life in the Midwest. The collection received praise for its thoughtful craftsmanship and memorable character studies, though some critics observed occasional detachment in the narrative voice. Publishers Weekly described it as "intelligent [and] precise," commending its focus on life's unanticipated turns. highlighted the genuine portrayal of family dynamics despite minor structural seams, suggesting Stolar's strength in longer-form fiction. On , it holds an average rating of 3.7 out of 5 stars based on 38 user reviews. The work has been recognized in literary circles for its emotional resonance, influencing discussions on contemporary American short fiction centered on personal epiphanies.

References

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