Jonathan Hadary
Jonathan Hadary (born October 11, 1948) is an American actor renowned for his versatile performances across theater, film, and television.[1][2] Hadary made his Broadway debut in 1977 as Herschel Weinberger in the long-running production of Gemini, which he followed with notable roles such as Saul in As Is (1985), earning an Obie Award for his performance.[3][4] His theater career includes critically acclaimed turns in revivals like Herbie in Gypsy (1989–1991), for which he received a Tony Award nomination for Best Featured Actor in a Musical and a Drama Desk Award nomination, as well as Nathan Detroit in Guys and Dolls (1992–1995).[2][3] Later highlights encompass King Arthur in Spamalot (2005–2009), Jim Haller in All Shook Up (2005), Myron Berger in Awake and Sing! (2006), where he won a Drama Desk Award for Outstanding Ensemble Performance, and Mr. Carp in Golden Boy (2012–2013).[2][3] More recently, he appeared as Waffles in a 2024 revival of Uncle Vanya.[2] Off-Broadway and regional work includes roles in Angels in America, earning Helen Hayes Awards, and Rocket to the Moon (2015), which brought another Drama Desk nomination.[3][4] In film, Hadary has portrayed a range of characters, including Baron Krauss von Espy in the Coen Brothers' comedy Intolerable Cruelty (2003), Norman Reinfield in A Time to Kill (1996), and the eccentric radio executive in Private Parts (1997).[1][4] Other credits include supporting roles in Margaret (2011), A Simple Wish (1997), Bait (2000), The New Age (1994), Montana (1990), and the animated The Swan Princess (1994), where he provided the singing voice for Speed.[1][4][5] On television, Hadary has appeared in series such as Veep, Russian Doll, and Girls5eva, alongside the TV movie adaptation of As Is (1986).[3][1] His multifaceted career underscores his reputation as a character actor with a strong foundation in stage drama and comedy.[3][4]Early life and education
Early life
Jonathan Hadary was born on October 11, 1948, in Chicago, Illinois.[6] Born in Chicago and initially raised in nearby Evanston, Illinois, Hadary's family relocated to Bethesda, Maryland, during his eighth grade, where he attended Walter Johnson High School.[7][8] From a young age, Hadary showed an interest in theater, volunteering as an usher at Arena Stage with encouragement from his parents, who drove him downtown for these opportunities.[9] In 1965, at age 16, he co-founded Wildwood Summer Theatre along with other students from Walter Johnson High School, serving as its first producer and director; the community-based program continues to operate today.[10][11] This early involvement in performance laid the groundwork for his later pursuits, leading him to attend Tufts University.[12]Education
Jonathan Hadary attended Tufts University in Medford, Massachusetts, beginning in 1966. Raised initially near Chicago before relocating to Bethesda, Maryland, during his early teens, Hadary arrived on campus with prior acting experience that fueled his engagement with the university's theater scene.[7] During his time at Tufts, Hadary played Schroeder in the national tour of the musical You're a Good Man, Charlie Brown (1968–1970). This opportunity marked his first significant professional acting credit and led him to drop out of Tufts temporarily to tour with the company.[7][13][14] Hadary made a brief return to Tufts afterward but ultimately left without completing a degree, later joking that he remained a perpetual junior; his time at the university nonetheless provided foundational theater training through student productions and this early professional exposure.[7][14]Career
Early career and breakthrough
Hadary began his professional theater career shortly after attending Tufts University, where he gained early acting experience in student and faculty-directed productions. In 1968, while still a student, he joined the national touring company of You're a Good Man, Charlie Brown as Schroeder, performing across U.S. cities through 1970 and marking his entry into professional stage work.[13][8] His Off-Broadway debut came in 1974 with White Nights, a production that introduced him to New York audiences. Following this, Hadary appeared in the revue Songs from Pins and Needles at the Manhattan Theatre Club in 1976, revisiting labor-themed songs from the 1937 musical. That same year, he originated a role in Albert Innaurato's Gemini at Playwrights Horizons, portraying a character in the comedy-drama set in a South Philadelphia neighborhood. The play transferred to Broadway in 1977 at the Little Theatre, where Hadary took on the role of Herschel Weinberger; it became a major success, running for 1,819 performances over four years and establishing Hadary as a rising talent in American theater.[15][16][17] By the mid-1980s, Hadary had transitioned to more prominent roles addressing contemporary social issues. In William M. Hoffman's As Is, which premiered Off-Broadway in March 1985 before moving to Broadway's Lyceum Theatre in May, he portrayed Saul, the longtime lover of a poet diagnosed with AIDS. The play, one of the earliest theatrical works to confront the AIDS crisis directly, explored themes of love, loss, and societal stigma within the gay community during the epidemic's early years, earning critical praise for its raw emotional depth and Hadary's sensitive performance as a devoted partner navigating grief and abandonment. This role solidified his reputation for handling complex, character-driven parts and broadened his recognition beyond comedic ensembles.[18][19][20]Major theater roles
Hadary earned acclaim for his portrayal of Herbie in the 1989 Broadway revival of Gypsy, opposite Tyne Daly as Mama Rose, a role that showcased his ability to embody a patient, beleaguered candy salesman navigating familial chaos. His performance, marked by gentle vulnerability and understated humor, drew praise for its generosity and emotional depth, contributing to the production's success during its run through 1991. For this work, Hadary received a Tony Award nomination for Best Featured Actor in a Musical and a Drama Desk Award nomination.[21][22][23] In the mid-1990s, Hadary took on the complex and villainous role of Roy Cohn in the national tour of Tony Kushner's Angels in America (1994-1996), delivering a commanding depiction of the closeted lawyer and political figure grappling with AIDS and denial. The tour, which spanned major U.S. cities over nearly two years, highlighted Hadary's versatility in capturing Cohn's ruthless charm and inner torment, making the character's moral ambiguities vividly human. Critics lauded his interpretation as a consummate and intriguing performance that balanced menace with pathos, enhancing the epic's exploration of American identity and crisis.[24][25][26][27] Hadary brought sly charisma to Nathan Detroit in the long-running 1992 Broadway revival of Guys and Dolls, joining as a replacement in 1993 opposite Faith Prince's Miss Adelaide. His take on the gambling hustler emphasized the character's streetwise desperation and romantic devotion, fitting seamlessly into the production's vibrant ensemble and helping sustain its appeal through 1995. The role underscored Hadary's skill in musical comedy, blending verbal wit with physical comedy in Frank Loesser's classic score. Hadary portrayed Jim Haller, the father of the protagonist, in the 2005 Broadway production of All Shook Up, a jukebox musical featuring Elvis Presley songs, which ran from March to September 2005 and highlighted his comedic timing in a lighthearted ensemble role.[28] From 2006 to 2008, Hadary reigned as King Arthur in the Broadway production of Monty Python's Spamalot, stepping into the lead role in a hit musical parody that ran for over 1,500 performances and won three Tony Awards. His dry, clueless portrayal of the bumbling monarch infused the show's absurd quests with winning absurdity and timing, contributing to its broad comedic success and later national tour, which he joined from September 2008 to February 2009. Reviewers noted his appropriate and engaging interpretation as a highlight amid the production's lavish silliness and satirical nods to Broadway tropes.[29][30][31][32] In Clifford Odets's 2006 Broadway revival of Awake and Sing!, Hadary portrayed the timid Myron Berger, a hapless patriarch in a Depression-era Jewish family, earning laughs through his depiction of quiet resignation and fleeting optimism. The role, part of an ensemble that received the Drama Desk Award for Outstanding Revival, allowed Hadary to explore themes of economic struggle and familial tension with poignant subtlety. His performance added emotional layers to the play's raw portrait of working-class endurance during its limited run at the Belasco Theatre.[33][34] Hadary played Mr. Carp, a principled socialist neighbor, in the 2012–2013 Broadway revival of Clifford Odets's Golden Boy at the Eugene O'Neill Theatre, contributing to the production's exploration of ambition and corruption in the boxing world during its limited run.[35] In the 2015 Off-Broadway revival of Clifford Odets's Rocket to the Moon presented by The Peccadillo Theater Company, Hadary portrayed Mr. Prince, the meddlesome father-in-law of the protagonist, in a production that earned him a Drama Desk Award nomination for Outstanding Featured Actor in a Play.[36][2] More recently, in the 2019 Public Theater's Shakespeare in the Park production of Coriolanus directed by Daniel Sullivan, Hadary played the scheming tribune Sicinius Velutus, embodying craven political manipulation amid Rome's class unrest. His outstanding, wonderfully craven performance alongside Jonathan Cake's title role heightened the production's timely commentary on power and populism, earning strong notices for its sharp intensity in the free outdoor staging at the Delacorte Theater.[37][38][39] In 2024, Hadary appeared as Waffles in the Broadway revival of Anton Chekhov's Uncle Vanya at Lincoln Center Theater's Vivian Beaumont Theatre, directed by Lila Neugebauer, bringing humor and pathos to the ensemble in a modern adaptation that ran from April to June.[40]Film and television work
Jonathan Hadary made his feature film debut in The New Age (1994), playing a supporting role, followed later that year by providing the singing voice for Speed in the animated The Swan Princess (1994). His breakthrough in cinema came with A Time to Kill (1996), where he portrayed Norman Reinfield, a supporting character in the legal drama directed by Joel Schumacher and adapted from John Grisham's novel.[1] This was followed by a role as Griff, a radio station executive, in Private Parts (1997), the biographical comedy starring Howard Stern, which highlighted Hadary's ability to handle comedic timing in ensemble casts.[41] By the early 2000s, he appeared as Heinz, the Baron Krauss von Espy, in the Coen brothers' screwball comedy Intolerable Cruelty (2003), playing a flamboyant witness whose testimony adds to the film's satirical take on divorce law.[42] On television, Hadary's early screen work included guest spots in popular procedural and crime dramas. He played Hank Frazier, a reporter, in the Miami Vice episode "Vote of Confidence" (1988), marking one of his initial forays into episodic TV.[43] Throughout the 1990s and early 2000s, he made recurring appearances in the Law & Order franchise, notably as Alex Petrovich in the 1991 episode "The Serpent's Tooth" of the original series and as Hall Richmond in a 2002 episode of Law & Order: Criminal Intent.[44] He also guest-starred as Vincent, a building superintendent, in the Sex and the City episode "Out of the Frying Pan" (2004), contributing to the show's blend of humor and urban life.[45] In his later career, Hadary embraced more sustained television roles that allowed for character development. He portrayed Sherman Tanz, a wealthy private prison magnate and political donor, across seven episodes of HBO's Veep from 2017 to 2019, bringing a mix of eccentricity and menace to the satirical series.[1] This was followed by a guest role as a rabbi in the Netflix series Russian Doll (2019), where he appeared in the episode "A Warm Body," aiding the protagonist's existential quest.[46] More recently, Hadary played Larry Plumb, the sleazy former manager of the girl group in Girls5eva (2021–2022), a recurring role across multiple episodes that showcased his comedic flair in the Peacock comedy. Hadary's screen work has often served as a complement to his primary focus on theater, providing opportunities to explore diverse characters in shorter formats while maintaining his stage-honed precision in dialogue and physicality.[47]Filmography
Film
| Year | Title | Role |
|---|---|---|
| 1994 | The New Age | Paul Hartmann |
| 1994 | The Swan Princess | Speed (singing voice) |
| 1996 | A Time to Kill | Norman Reinfield |
| 1997 | Private Parts | Griff |
| 1997 | A Simple Wish | Lord Richard |
| 1998 | Montana | St. John |
| 2000 | Bait | Cafe Owner |
| 2001 | Love the Hard Way | Boris |
| 2003 | Intolerable Cruelty | Heinz, the Baron Krauss von Espy |
| 2006 | Falling for Grace | Max |
| 2011 | Margaret | Deutsch |
| 2023 | Ode to Psyche | Adam's Father |