Mindfields
Mindfields is the tenth studio album by the American rock band Toto, marking the return of original lead vocalist Bobby Kimball after his departure following the band's 1982 album Toto IV. Released internationally in Europe and Japan in March 1999 and in the United States on November 16, 1999, by Columbia Records, it represents Toto's first studio release in four years since Tambu (1995).[1][2] The album features the band's core lineup, including guitarist and co-lead vocalist Steve Lukather, keyboardist David Paich, bassist Mike Porcaro, drummer Simon Phillips, and keyboardist Steve Porcaro, alongside Kimball's vocals.[3] Produced primarily by Toto themselves with contributions from engineers like Elliot Scheiner, Mindfields spans 14 tracks with a total runtime of approximately 79 minutes, blending styles of hard rock, adult-oriented rock (AOR), and pop rock.[4][2] Key tracks include the title song "Mindfields," the single "Melanie," "Cruel," "Mad About You," and instrumental closer "Spanish Steps," showcasing the band's signature fusion of progressive elements, intricate arrangements, and melodic hooks.[5][2] Notable for its polished production recorded at studios in California such as ATS Studios in Calabasas and Royaltone Studios in North Hollywood, Mindfields received mixed reception from critics and positive response from fans for revitalizing Toto's sound in the late 1990s rock landscape.[4] The album's themes explore personal relationships, societal issues, and introspection, continuing Toto's tradition of sophisticated songwriting established since their 1978 self-titled debut.[2]Background
Development
Following the release of Toto's ninth studio album Tambu in 1995, which achieved significant commercial success in Japan with sales contributing to its global total of 600,000 copies but underperformed elsewhere, the band sought to broaden their international appeal with their next project.[6] Continuing their self-production approach from Tambu, Toto co-produced Mindfields with Elliot Scheiner, aiming to reclaim their progressive rock foundations while incorporating adult-oriented rock (AOR) sensibilities for a more organic and experimental sound.[7][8] This decision was influenced by reflections on their earlier work, including albums like Hydra and Isolation, to honor their intricate arrangements and blend them with contemporary elements amid evolving industry trends.[8] A pivotal event was the return of original lead vocalist Bobby Kimball in 1998, who had left the band in 1984 and rejoined after achieving sobriety, shaping Mindfields toward a more vocal-centric approach that highlighted his distinctive style absent since Toto IV.[9][10] This reunion stabilized the lineup, enabling a focused creative push.[11] Early songwriting for Mindfields began during Toto's 1997–1998 tours, with primary contributions from guitarist Steve Lukather and keyboardist David Paich, who developed core ideas including several tracks co-authored by the pair to drive the album's thematic and musical direction.[8]Band lineup
The lineup for Mindfields featured Toto's core quintet of Steve Lukather on guitar and vocals, David Paich on keyboards and vocals, Mike Porcaro on bass, Simon Phillips on drums, and Bobby Kimball on lead vocals. This configuration represented a return to a more stable ensemble, with Kimball rejoining the band in 1998 after a lengthy absence since the mid-1980s, helping to recapture elements of the group's classic sound.[11][2] Simon Phillips had assumed drumming responsibilities following the death of founding member Jeff Porcaro in 1992, infusing the album with his precise and dynamic approach that complemented Toto's progressive rock influences while honoring Porcaro's legacy. Phillips' contributions were particularly notable in tracks requiring intricate rhythms and fills, marking a pivotal shift in the band's percussion foundation.[12][11] Session and additional musicians enhanced the album's texture, including backing vocalists Jenny Douglas-McRae and John James, who provided layered harmonies on select tracks. These contributions, drawn from Toto's established touring circle, added depth to the vocal arrangements without altering the core band's identity.[2]Recording and production
Studio sessions
The recording sessions for Mindfields took place primarily at Royaltone Studios in North Hollywood, California, with supplementary work at ATS Studios in Calabasas and Hollywood Sound Recorders in Hollywood.[13] Principal tracking occurred in late 1998, after vocalist Bobby Kimball rejoined the band that year, marking the first Toto studio album featuring him since 1982's Toto IV.[9] Overdubs extended into early 1999 ahead of the album's international release in March.[4] The core lineup—guitarist and co-lead vocalist Steve Lukather, keyboardist David Paich, bassist Mike Porcaro, drummer Simon Phillips, keyboardist Steve Porcaro, and lead vocalist Bobby Kimball—handled the bulk of the sessions, with additional percussion by Lenny Castro on select tracks, building on the momentum from a brief mid-1998 reunion tour supporting their live release Toto XX. This schedule compressed the overall production into roughly six months, as the band navigated commitments following the tour.[14]Technical aspects
The band Toto self-produced Mindfields in collaboration with engineer Elliot Scheiner, who handled recording, mixing, and additional production duties to capture the group's live interplay while incorporating modern refinements.[15] Scheiner, known for his meticulous approach, contributed to the album's polished sound.[16] Guitarist Steve Lukather relied on his signature Ernie Ball Music Man Luke model as the primary instrument, a custom-designed electric guitar tailored to his playing style with versatile pickups for clean to overdriven tones.[17] He supplemented this with vintage gear, including a Gibson Les Paul on tracks like "Mysterious Ways" and a hybrid "bastard" guitar combining an Eddie Van Halen body, Luke neck, and DiMarzio single-coils, allowing for layered textures that blended rock drive with nuanced dynamics.[17] Amplified through the custom Bonehead amp—co-developed with Paul Rivera and featuring a three-channel setup with integrated subwoofer—these choices enabled Lukather to achieve a hybrid rock sound that balanced aggression and clarity. Drummer Simon Phillips contributed to the album's rhythmic complexity.[18] Mixing took place at Capitol Studios in Hollywood, California, in 1999.[7] In post-production, the final masters were handled by Ted Jensen at Sterling Sound.[3]Composition
Musical style
_Mindfields exemplifies a fusion of progressive rock, adult-oriented rock (AOR), and soft rock, incorporating elements of jazz-fusion, blues, and world music to create a multifaceted sound.[19][20] The album draws heavily from 1970s influences such as Yes, Steely Dan, and Genesis, blending their sophisticated arrangements with a polished 1990s production aesthetic that emphasizes melodic accessibility over the raw aggression of contemporaneous grunge trends.[21][19] Central to the album's sonic identity is the intricate interplay between keyboards and guitars, highlighted by David Paich's layered keyboard arrangements and Steve Lukather's expressive guitar work, which drive tracks through dynamic shifts and improvisational flourishes.[19] Complex time signatures and rhythmic variations appear throughout, adding a progressive complexity, while orchestral touches—such as horn sections arranged by Paich—infuse select songs with symphonic depth, evoking Chicago-style ensembles.[22][19][23] Clocking in at approximately 79 minutes, Mindfields maintains a balanced pacing with a mix of uptempo rockers, mid-tempo grooves, and ballad-heavy moments that underscore its thematic introspection without overwhelming the listener.[4] This structure supports the album's lyrical depth by providing melodic frameworks that enhance emotional resonance.[24]Lyrical themes
The lyrics of Mindfields predominantly explore themes of personal struggle, fractured relationships, and deep introspection, marking a shift toward more emotionally raw narratives compared to Toto's earlier work. Tracks like the title song depict resilience amid chaos, with imagery of navigating perilous inner landscapes guided by fleeting hope, as co-written by the full band including Bobby Kimball, Steve Lukather, David Paich, Simon Phillips, and Mike Porcaro.[25][26] Similarly, "No Love," penned by Lukather, Paich, and Randy Goodrum, delves into the profound pain of romantic loss and existential isolation at life's end, emphasizing vulnerability in its contemplative verses.[27] Kimball's return as lead vocalist infuses these songs with emotional vulnerability, his lower-register delivery lending a gritty, confessional tone that heightens the introspective quality, particularly on the title track where it underscores the narrative's tension.[26] Many lyrics were co-written by Paich and Lukather, drawing from the band members' personal life experiences during a period of lineup changes and professional reinvention, including Kimball's own contributions to tracks like "Mindfields" and "Cruel."[28][29] Subtle social commentary emerges through motifs of mental health and isolation, encapsulated in the album's central "mindfields" metaphor—a treacherous mental terrain symbolizing deception, inner conflict, and the fight to maintain clarity amid psychological storms. This approach contrasts with the lighter, more radio-friendly themes of romance and escapism in Toto's earlier albums like Toto IV, showcasing a maturation in storytelling toward sophisticated, intelligent lyricism over repetitive hooks.[19] The lyrics' emotional weight is briefly enhanced by the album's melodic structures, allowing introspective passages to resonate through layered harmonies.[26]Release and promotion
Release details
Mindfields was released by Columbia Records, a Sony Music Entertainment subsidiary, in Europe on March 2, 1999, and in Japan in March 1999.[30][31] The United States release was significantly delayed until November 16, 1999, owing to distribution challenges stemming from the band's contractual situation with their U.S. label, leaving American fans waiting approximately eight months after the international launch.[1][32][33] The album appeared in standard CD and cassette formats across regions, alongside a limited vinyl edition pressed for select markets.[34][35][36] The initial Japanese pressing featured an exclusive bonus track, "Spanish Steps of Rome," extending the runtime beyond the standard 13 tracks.[31] The cover artwork depicted abstract imagery evoking mental landscapes, aligning with the album's thematic title.[2]Singles and marketing
The primary single released from Mindfields was "Melanie", issued in April 1999 as a promotional vehicle timed with the album's European and Japanese launches. The track received a music video featuring performance footage of the band, directed to highlight their reunion lineup with Bobby Kimball on vocals.[37] "Mad About You" was also issued as a promotional single in select markets, though it saw limited commercial distribution.[36] Marketing efforts centered on the band's 1999 world tour, dubbed the Mindfields Tour, which encompassed approximately 90 concerts across Europe, Asia, and North America to build momentum for the album.[38] Performances from this tour were captured for the live album Livefields, released later that year as a direct tie-in to sustain post-release visibility.[39] Promotion included tour stops and fan-oriented events leveraging Toto's established popularity in the region. In the US, promotional challenges arose from minimal MTV airplay and a lack of aggressive mainstream radio pushes, with efforts instead focusing on adult contemporary stations and live performances to engage existing fans.[40] The album's tracks, particularly "Melanie", were later incorporated into Toto's 2002 compilation Greatest Hits... and More, aiding retrospective exposure.[41]Commercial performance
Chart positions
Mindfields achieved limited commercial success on international charts, reflecting Toto's niche popularity in the late 1990s. The album did not enter the US Billboard 200. In Switzerland, it peaked at number 10 on the Swiss Albums Chart and spent 9 weeks on the chart.[42] No singles from the album charted on major UK singles charts.[43] Compared to Toto's previous album Tambu, which also did not chart on the Billboard 200, Mindfields showed similar limited mainstream presence in North America.Sales figures
Sales figures for Mindfields are modest. In Japan, the album sold 57,650 copies, according to reported data.[44] It did not receive any certifications from the RIAJ. No verified sales data is available for the United States or worldwide totals. The album's 2018 remaster was included in the All In box set, but no specific sales impact has been reported.[45] The album's performance occurred amid a broader shift in the late 1990s rock market, where the rise of alternative and grunge influences diminished demand for AOR-style bands like Toto.[46] Overall, Mindfields is regarded as a commercial disappointment relative to the band's peak 1980s success.Reception
Critical reviews
Upon its release, Mindfields received mixed reviews from critics, who often praised the band's technical proficiency while critiquing its lack of fresh ideas and excessive length. Michael Gallucci of AllMusic awarded the album 2.5 out of 5 stars, noting that while "the playing is tight—as you would expect from a bunch of studio session musicians," it ultimately comes across as "overlong, overwrought, and devoid of personality, this incredibly dull world-view update of Toto's crassly professional approach to pop-rock."[4] He highlighted the formulaic AOR elements, suggesting that "all the skills in the world can't liven these 14 plodding tracks."[4] Other publications echoed this ambivalence, appreciating the high production quality and strong musicianship but pointing to vocal inconsistencies and a sound that felt dated amid the post-grunge landscape of the late 1990s. Q magazine gave it 3 out of 5 stars.[47]Fan and retrospective views
Over time, Mindfields has cultivated a cult following among progressive rock enthusiasts, who appreciate its fusion of intricate instrumentation, extended compositions, and AOR sensibilities, distinguishing it from Toto's more commercial efforts. Fans often highlight the album's musicianship, particularly the return of vocalist Bobby Kimball, which restored a sense of band cohesion after a turbulent decade. This appreciation is evident in user-driven platforms like Rate Your Music, where it holds an average rating of 3.1 out of 5 from over 400 votes, reflecting its niche appeal within prog-adjacent circles.[48][30] Retrospective assessments in the 2010s have positioned Mindfields as an underrated entry in Toto's catalog, emphasizing its progressive leanings and strong individual tracks. A 2017 Ultimate Classic Rock ranking placed it seventh out of the band's 14 studio albums up to that point, noting its "prog-leaning" songs while affirming the "pure Toto" sound and the healing effect of Kimball's comeback after a decade away. Similarly, a 2010 review by Sea of Tranquility praised standout tracks such as the Lukather-sung ballad "Melanie," described as his finest; the effective pop of "Mad About You"; the R&B-infused "Cruel"; and the riff-driven title track "Mindfields," despite critiques of the album's overall length and filler. In a 2024 buyer's guide, Louder Sound hailed it as Toto's strongest latter-career release, welcomed by the fan base for its mix of heavy rock, prog, and melodic elements, bolstered by Kimball's excellent vocal performance.[49][50][48] The 2018 remaster, included in the All In box set, renewed interest and prompted positive re-evaluations of its enduring AOR appeal, with commentators noting how its mature songwriting and virtuosity hold up in modern listens. Mindfields is often viewed as a pivotal bridge in Toto's evolution, reestablishing lineup stability with Kimball's return and paving the way for the band's creative resurgence on 2015's Toto XIV. Fan loyalty has also supported long-tail sales, contributing to sustained availability and appreciation decades later.[48][49]Track listing and reissues
1999 original release
The 1999 original release of Mindfields consisted of 12 tracks on the standard CD, cassette, and double LP formats, with a total runtime of 68:24. The album was initially issued in Europe and Japan on March 16, 1999, via Columbia Records, followed by the US release on November 16, 1999, through Legacy Recordings. The vinyl edition was a double LP pressed across four sides. Side A featured "After You've Gone," "Mysterious Ways," "Mindfields," and "High Price of Hate." The remaining tracks were distributed across sides B, C, and D.[2][4][1] The standard track listing is as follows:| No. | Title | Duration | Writer(s) |
|---|---|---|---|
| 1 | After You've Gone | 6:37 | Phil Soussan, Steve Lukather |
| 2 | Mysterious Ways | 3:40 | Mark Hudson, Steve Lukather, David Paich, Dean Grakal |
| 3 | Mindfields | 6:01 | Bobby Kimball, Steve Lukather, David Paich, Simon Phillips, Mike Porcaro |
| 4 | High Price of Hate | 9:49 | Steve Lukather, David Paich, Simon Phillips, Mike Porcaro |
| 5 | Selfish | 5:30 | Steve Lukather, David Paich, Stan Lynch |
| 6 | No Love | 4:35 | Steve Lukather, David Paich, Randy Goodrum |
| 7 | Caught in the Balance | 6:21 | Steve Lukather, David Paich, Simon Phillips |
| 8 | Last Love | 4:58 | Steve Lukather, David Paich |
| 9 | Mad About You | 4:24 | David Paich, Joseph Williams |
| 10 | Melanie | 5:19 | Steve Lukather, David Paich, Randy Goodrum |
| 11 | Forever | 5:17 | Steve Lukather, David Paich |
| 12 | Cruel | 5:57 | Steve Lukather, David Paich, Simon Phillips |