Mister Heavenly
Mister Heavenly is an American indie rock supergroup known for its "doom wop" style, blending 1950s R&B and doo-wop influences with grunge, art-punk, and ominous themes of romance.[1][2] Formed in 2010 as a collaborative side project, the band consists of Nick Thorburn (also of Islands and The Unicorns), Ryan Kattner (aka Honus Honus of Man Man), and Joe Plummer (formerly of Modest Mouse and The Shins).[3][4] The trio met through overlapping tours and shared indie rock scenes in Philadelphia and Brooklyn, initially writing songs during downtime that evolved from planned singles into a full band.[1] Their debut album, Out of Love, was recorded live to tape in just 12 days at Bear Creek Studio in Woodinville, Washington, and released on August 16, 2011, via Sub Pop Records.[5][1] After a six-year hiatus, Mister Heavenly returned with their second album, Boxing the Moonlight, released on October 6, 2017, through Polyvinyl Records, featuring a tougher sound incorporating 1960s garage rock, 1970s Krautrock, and hip-hop elements.[3][6] The band has released singles like "Bronx Sniper" and "Beat Down," and while they have not issued new material since 2017, their work remains noted for its unique fusion of retro vocal harmonies and modern indie experimentation.[1][3]History
Formation (2010)
Mister Heavenly originated from longstanding connections among its core members, Ryan Kattner (of Man Man), Nicholas Thorburn (of Islands and The Unicorns), and Joe Plummer (of Modest Mouse).[1] Man Man and Modest Mouse toured together repeatedly starting in 2007, during which Kattner and Plummer developed a close friendship, while Thorburn and Kattner had first met years earlier in Philadelphia amid the dissolution of The Unicorns and the early formation of Man Man.[1] These shared experiences fostered mutual admiration and laid the groundwork for their collaboration.[7] The band formed in 2010 as an indie rock supergroup, driven by a mutual desire to create music collaboratively with friends, free from immediate commercial expectations.[1] Kattner, Thorburn, and Plummer began writing songs together that year, emphasizing creative freedom over industry demands.[8] They recorded their debut album in late 2010, capturing a batch of tracks that reflected their combined influences.[1] Shortly after completing the recordings, Mister Heavenly signed with Sub Pop Records in November 2010, securing a platform for their project without prior publicity.[8] For their initial live performances, including a string of tour dates opening for Passion Pit at the end of 2010, the trio enlisted actor and musician Michael Cera as their touring bassist.[9]Out of Love (2011)
In January 2011, Mister Heavenly released their debut singles, the self-titled "Mister Heavenly" and "Pineapple Girl," which introduced the band's eclectic sound to audiences ahead of their full-length debut.[10] The band's first album, Out of Love, was released on August 16, 2011, through Sub Pop Records, marking their entry into the indie rock scene as a supergroup featuring members from Man Man, Islands, and Modest Mouse.[11][4] Following the album's release, Mister Heavenly embarked on a U.S. tour to promote Out of Love, building on their initial live performances earlier that year, where they opened for Passion Pit with touring bassist Michael Cera.[11][4][12] These early shows and the album's rollout garnered attention for the band as a promising supergroup collaboration, highlighting their chemistry despite members' busy schedules with other projects.[4] After the 2011 release on Sub Pop, Mister Heavenly transitioned to Polyvinyl Record Co. for their subsequent album, signaling a shift in their label partnership.[13]Boxing the Moonlight (2017)
Following the release of their debut album Out of Love in 2011, Mister Heavenly entered a hiatus from 2012 to 2016, during which the core members—Ryan Kattner (Honus Honus) of Man Man, Nick Thorburn of Islands and The Unicorns, and Joe Plummer of Modest Mouse, Cold War Kids, and The Shins—shifted their focus to their respective primary projects.[3] This period of inactivity allowed each musician to pursue solo endeavors and commitments with their main bands, effectively placing the supergroup on hold. The band announced their return in July 2017 with the release of the lead single "Beat Down" on July 26, marking their first new music in over six years.[13] This track previewed their second studio album, Boxing the Moonlight, which was released on October 6, 2017, through Polyvinyl Record Co.[6] The album featured a tougher, more scrappy sound compared to their earlier work, produced by the core trio. In support of the release, bassist Brett Morris—previously a guitarist in Man Man and an audio engineer—joined the lineup in fall 2017, expanding the group to a quartet for live performances.[14] Mister Heavenly embarked on a tour in late 2017 to promote Boxing the Moonlight, followed by additional shows in 2018, including a performance at Noise Pop in San Francisco on February 22 at The Fillmore, where they shared the bill with WHY? and Florist.[15] These appearances highlighted the band's revival but were limited in scope. Since 2018, Mister Heavenly has remained largely dormant, with no new releases, tours, or major announcements through 2025, as the members continue to prioritize their other musical commitments.Music and style
Musical style
Mister Heavenly's music is primarily characterized as indie rock, emerging from the collaborative efforts of a supergroup featuring members from established acts like Islands, Man Man, and Modest Mouse.[16][17] The band's style is encapsulated by the term "doom wop," a concept coined by frontman Nicholas Thorburn to describe their signature blend of slow, low-frequency tempos infused with doo-wop harmonies and an underlying ominous tone, more a mindset than a rigid genre.[16][11] On their debut album Out of Love (2011), this manifests in reverb-heavy production that evokes 1950s R&B and rock & roll reverence, with multi-layered vocals alternating between Thorburn's childlike calm and Ryan Kattner's raspy edge, creating rhythmic contrasts through sludgy rocksteady beats and grunge-inflected crunch.[11][16] By their second album Boxing the Moonlight (2017), the sound evolves into a tougher, more physical iteration, departing from the debut's emotional doo-wop leanings toward a diverse palette of scrappy power pop, '60s garage rock, surf elements, and even early '90s hip-hop grooves, while retaining energetic keyboards, crisp bass lines, and terse rhythms for a gritty, vibrant feel.[18][17] This progression highlights the band's use of buzzing chaos and spacious guitars to balance playful whimsy with aggressive undertones, underscoring their genre-blending innovation.[18][17] In 2025, the band released the single "We're a Dancing Machine," continuing their eclectic indie rock approach.[19]Influences
Mister Heavenly's sound draws foundational inspiration from 1950s rock & roll and rhythm and blues, particularly through the incorporation of doo-wop harmonies and vocal stylings that evoke the era's simplicity and emotional directness.[20][21] This influence is rooted in the band's appreciation for the melodic structures and group dynamics of early R&B acts, providing a harmonic base that contrasts with their more experimental tendencies.[22] In their second album, the band incorporated 1960s garage rock's raw aggression and energetic drive, adding a tougher edge to their compositions.[23] This period's influence is complemented by 1970s Krautrock, exemplified by the repetitive rhythms and experimental textures of bands like Faust, which shaped the rhythmic foundations during songwriting.[18] Additionally, the beat-driven production techniques of 1980s and 1990s hip-hop informed the album's percussive and looping elements, blending urban groove with rock instrumentation.[18][23] The members' backgrounds in indie rock bands such as Man Man and Islands contribute broader influences, infusing the group's work with eclectic songwriting and genre-blending approaches characteristic of the indie scene.[24][20] These prior experiences emphasize a playful yet introspective aesthetic that permeates Mister Heavenly's overall output.Band members
Current members
The current lineup of Mister Heavenly consists of four members who have been active with the band since the release of their 2017 album Boxing the Moonlight.[25]- Ryan Kattner (Honus Honus): Handles vocals and keyboards; he is also the frontman of the indie rock band Man Man.[1]
- Nicholas Thorburn: Plays guitar and provides vocals; he fronts the band Islands and was previously a member of The Unicorns.[1]
- Joe Plummer: Serves as the drummer; he has also performed with Modest Mouse and The Shins.[26]
- Brett Morris: Plays bass; he joined the band in fall 2017 and was formerly the guitarist for Man Man.[25]
Former members
The only former contributor to Mister Heavenly was actor and musician Michael Cera, who served as the band's touring bassist during select dates in late 2010 and early 2011.[9][27] Cera, known for his roles in films like Superbad and Scott Pilgrim vs. the World, joined the supergroup—formed by Honus Honus of Man Man, Nicholas Thorburn of Islands, and Joe Plummer of Modest Mouse—for live performances but did not participate in songwriting or studio recordings.[28] Cera's brief tenure garnered significant media attention due to his rising fame as a comedic actor transitioning into music, with outlets describing the collaboration as an unlikely "supergroup" pairing that highlighted the band's indie rock credentials.[9][29] However, he was never a permanent member, instead acting as a temporary friend of the band to assist on tour, and parted ways amicably by mid-2011 without any formal departure announcement.[29] No other individuals have been identified as former members, underscoring the core trio's stability since the band's inception.[29]Discography
Studio albums
Mister Heavenly has released two studio albums, both showcasing the band's eclectic indie rock sound through collaborations among its core members. Their debut, Out of Love, marked the supergroup's entry into the indie scene with a blend of doo-wop influences and energetic arrangements, while their sophomore effort, Boxing the Moonlight, expanded on these elements with more diverse production after a six-year hiatus. Both albums were issued on respected indie labels and available in multiple formats, though neither achieved major commercial chart success, instead garnering positive reception within indie music circles for their creative songwriting and musicianship.[11][18][16] Out of Love was released on August 16, 2011, by Sub Pop Records.[11] The album was recorded live to tape at Bear Creek Studio in Woodinville, Washington, capturing the band's raw, collaborative energy.[11] It was issued in vinyl (LP), CD, and digital formats.[30] The 12-track album features notable songs like "Bronx Sniper" and "Pineapple Girl," which highlight the band's playful yet intense style, drawing from surf rock and barbershop quartet elements.[11] While it did not chart on major Billboard lists, the album received favorable indie reviews for its inventive arrangements and lyrical whimsy, with Pitchfork praising its focused "doom wop" aesthetic.[16]| No. | Title | Length |
|---|---|---|
| 1 | Bronx Sniper | 3:39 |
| 2 | I Am a Hologram | 2:36 |
| 3 | Charlyne | 2:25 |
| 4 | Mister Heavenly | 3:06 |
| 5 | Harm You | 3:41 |
| 6 | Reggae Pie | 5:29 |
| 7 | Pineapple Girl | 2:20 |
| 8 | Diddy Eyes | 3:46 |
| 9 | Hold My Hand | 2:50 |
| 10 | Doom Wop | 1:38 |
| 11 | Your Girl | 2:27 |
| 12 | Wise Men | 2:19 |
| No. | Title | Length |
|---|---|---|
| 1 | Beat Down | 3:14 |
| 2 | Blue Lines | 3:30 |
| 3 | Makin' Excuses | 3:54 |
| 4 | Hammer Drop | 4:21 |
| 5 | George's Garden | 3:57 |
| 6 | No Floor | 1:44 |
| 7 | Magic Is Gone | 4:10 |
| 8 | Pink Cloud Compression | 3:48 |
| 9 | Crazy Love, Vol. III | 4:02 |
| 10 | Dead Duck | 3:41 |
| 11 | Out of Time | 2:37 |