Nancy Gates
Nancy Gates (February 1, 1926 – March 24, 2019) was an American actress whose career spanned radio, film, and television from the early 1940s to the late 1960s.[1][2] Born Nancy Jane Gates in Dallas, Texas, and raised in nearby Denton, she began her entertainment career as a child, hosting her own radio show in Dallas during her early teens.[1] At age 15, she signed a contract with RKO Studios and made her film debut in uncredited roles, quickly progressing to credited parts in features like The Great Gildersleeve (1942) and The Magnificent Ambersons (1942).[3] Gates appeared in over 40 films, often portraying supportive or romantic leads in Westerns, dramas, and thrillers, with notable roles including Ellen Benson in the Frank Sinatra-starring suspense film Suddenly (1954), Edith Barclay in the romantic drama Some Came Running (1958) alongside Sinatra, Dean Martin, and Shirley MacLaine, and Janice in the adaptation of The Member of the Wedding (1952).[4] Her final major film role was as Mrs. Nancy Lowe in the Western Comanche Station (1960), directed by and starring Randolph Scott. On television, Gates was a frequent guest star during the 1950s and 1960s, appearing in popular series such as Perry Mason (in episodes like "The Case of the Mystified Miner" in 1965) and Bonanza, before retiring from acting in 1969.[1][5] In her personal life, Gates married Hollywood attorney and business manager J. William Hayes on May 17, 1948; the couple had four children and remained together until his death on March 30, 1992.[3][1] She passed away at her home in the Holmby Hills neighborhood of Los Angeles, California, at the age of 93.[2]Early life
Family and upbringing
Nancy Jane Gates was born on February 1, 1926, in Dallas, Texas, to parents Virgil William Gates, a traveling salesman, and Elsie Ruth (née Nichols) Gates.[6][2][7] She had two older brothers, Virgil William Gates Jr. (1914–2002) and Pete Gates (b. 1915).[6] She spent her early years in nearby Denton, Texas, where her family relocated, and quickly gained local recognition for her precocious talents in performance, earning her the moniker of a "child wonder" in community circles.[8][9] At the age of six, Gates participated prominently in youth events, including opening and closing the 1932 Denton Kiddie Revue with a Russian dance solo, as covered in the local Denton Record-Chronicle.[10] Within her family, her mother's encouragement played a key role in nurturing Gates' budding interest in the performing arts, enrolling her in local dance classes and supporting her early stage appearances, while her father's occupation often kept him away from home.[7][9]Initial forays into entertainment
Gates demonstrated an early aptitude for performance, earning a local reputation as a "child wonder" in Denton through her participation in school programs and community events. At the age of nine in 1935, she appeared in the local theater production A Kiss for Cinderella alongside future Hollywood stars Brenda Marshall and Ann Sheridan, who also featured in a related Kiwanis Club minstrel show.[8] During her time at Denton High School, Gates expanded her involvement in entertainment by hosting her own radio program on WFAA in Dallas, beginning at age 11. This experience provided her with on-air training and exposure, marking her initial steps into broadcasting while still a teenager.[8] Gates graduated from Denton High School and, at age 15 in 1941, an RKO Pictures talent scout discovered her and signed her to the studio's first contract.[9][11] Later, she attended the University of Oklahoma for one year, where she studied drama to further her performing arts education.[9][11]Career
Film career
Nancy Gates signed with RKO Studios at the age of 15 in 1941, marking her entry into the film industry under a studio contract.[12] Her uncredited film debut came in 1942 with a small role in Orson Welles' The Magnificent Ambersons, followed later that year by her first credited appearance as Marjorie Forrester in the comedy The Great Gildersleeve.[12] These early roles established her presence in Hollywood, though she initially appeared in minor parts within RKO's productions. Gates achieved her breakthrough in 1943 with the leading role of a young American woman confronting Nazi indoctrination in the propaganda thriller Hitler's Children, her first significant credited performance that garnered attention and propelled her career forward.[9] This success led to a string of B-movies and supporting roles throughout the 1940s and early 1950s, culminating in a total of 34 films over her career.[8] In the 1950s, Gates collaborated notably with Frank Sinatra, first portraying the resilient Ellen Benson in the noir thriller Suddenly (1954), where her character heroically thwarts an assassination plot, and later as the supportive Edith Barclay in the drama Some Came Running (1958).[12] These performances highlighted her versatility in tense, character-driven narratives. Gates frequently appeared in Westerns, embodying determined heroines amid rugged frontiers; a standout was her leading role as Nancy Lowe in Budd Boetticher's Comanche Station (1960), opposite Randolph Scott, where she played a kidnapped woman rescued and protected during a perilous journey.[9] By the mid-1950s, Gates transitioned from B-movie leads to more prominent supporting roles in major studio pictures, reflecting her growing reputation for reliability in ensemble casts.[12] Her final film role came in 1960, after which she continued in television until retiring from acting in 1969.[9] Throughout her film work, Gates cultivated an on-screen persona as strong, resilient women who navigated adversity with poise, particularly in noir films like Suddenly, dramatic tales such as Some Came Running, and Westerns including Comanche Station, where her characters often drove emotional stakes amid high-tension scenarios.[9]Radio career
Nancy Gates began her professional radio career at the age of 15 with her debut on the September 29, 1941, episode of CBS Radio's The Orson Welles Show, where she performed opposite Orson Welles in an adaptation of Sherwood Anderson's short story "I'm a Fool."[8] Prior to this national exposure, she had hosted her own show on WFAA in Dallas while attending high school in Denton, Texas, starting at age 11.[8] In the mid-1940s, Gates became a regular in radio anthology series, including the NBC soap opera Masquerade from 1946 to 1947, where she portrayed the character Vicki Wendell.[9] Her voice work during this period encompassed dramatic roles in various productions, contributing to her growing presence in the medium alongside her emerging film commitments.[13] By 1951, Gates participated in radio adaptations of films, recreating supporting roles in episodes of Lux Radio Theatre, such as Betty Schaefer in Sunset Boulevard opposite William Holden and Gloria Swanson.[14] These appearances, along with others in series like Family Theater, numbered about a dozen documented instances and helped solidify her reputation as a versatile performer in audio drama before and during her film career.[15] As television gained prominence in the late 1940s and into the 1950s, Gates' involvement in radio diminished, with her final notable appearances occurring around 1951 as the medium's popularity waned in favor of visual broadcasting.[9]Television career
Gates transitioned to television in the mid-1950s, accumulating a total of 55 appearances across various networks, which provided her with consistent work following the peak of her film career.[4][16] Her television roles frequently featured in anthology series and westerns, where she demonstrated versatility in dramatic parts, often portraying resilient women in tense or emotional scenarios. She appeared in two episodes of the western Maverick, including "Burial Ground of the Gods" (1958) as Laura Stanton and "Passage to Fort Doom" (1959) as a key character in a plot involving deception and survival.[17][18] Similarly, Gates made three guest spots on Wagon Train, such as Millie Davis in "The Millie Davis Story" (1958), where she depicted a woman confronting loss and family ties, Louisa Marriott in "The Shiloh Degnan Story" (1962), and Della in another episode highlighting frontier hardships.[19][20] Gates also took on three roles in the legal drama Perry Mason, beginning with Martha Bradford in "The Case of the Crooked Candle" (1957), a defendant entangled in a murder mystery; Mary Douglas in "The Case of the Woeful Widower" (1964), involving family intrigue and accusation; and Claire Armstrong in "The Case of the Candy Queen" (1965), centered on business rivalry and crime.[21][22] In the suspense genre, she starred in two episodes of Alfred Hitchcock Presents: Lois Williams in "Salvage" (1955), a story of guilt and retribution following a botched robbery, and the lead in "Total Loss" (1959), where she schemed to burn down her business for insurance.[23] These thriller roles underscored her ability to convey moral ambiguity and intensity. Gates' television activity peaked during the 1950s and 1960s, with frequent guest appearances in popular series that capitalized on her poised screen presence, before her roles tapered off toward her retirement in 1969.[12][1]Personal life
Marriage and family
Nancy Gates married J. William Hayes, a Hollywood talent agent and business manager, on May 17, 1948, following one year of attendance at the University of Oklahoma. The couple met when Hayes, then a commercial pilot, flew her as a passenger on one of his flights. Hayes subsequently managed her acting career throughout her professional years.[3][8][2] The marriage produced four children: sons Jeffrey M. Hayes and Chip Hayes, both of whom became film and television producers, and twin daughters Cynthia (also known as Cindy) and Cathleen (also known as Cathy), born on November 5, 1960.[12][7][24] Gates and her family made their home in Los Angeles, where she devoted increasing attention to domestic responsibilities after her initial successes in film and television. Her commitment to family life shaped her career decisions, as she opted for selective television appearances that permitted her to remain close to home, particularly after the birth of her twins.[12][7] J. William Hayes died on March 30, 1992, after 44 years of marriage.[3][7]Retirement and death
Gates retired from acting in 1969 at the age of 43 to focus on her family and raising her four children.[9][2] Following her retirement, Gates led a low-profile life in Los Angeles, devoting her time to family matters and avoiding public appearances or professional comebacks.[12][9] Gates died of natural causes on March 24, 2019, at her home in the Holmby Hills section of Los Angeles, at the age of 93.[2][12] She was predeceased by her husband, J. William Hayes, a Hollywood talent agent and business manager, who died in 1992, and is survived by their twin daughters, Cathleen and Cynthia, and two sons, both Hollywood producers.[9][12] Her passing was noted in industry obituaries, with tributes highlighting her contributions to film and television Westerns.[12][9]Filmography
Films
Nancy Gates appeared in over 40 feature films between 1942 and 1960.[5] The following is a chronological list of selected film credits:| Year | Title | Director | Role | Billing |
|---|---|---|---|---|
| 1942 | The Tuttles of Tahiti | Charles Vidor | Tupa's Daughter | Uncredited |
| 1942 | The Magnificent Ambersons | Orson Welles | Girl | Uncredited |
| 1942 | The Great Gildersleeve | Gordon Douglas | Girl at Drugstore | Uncredited |
| 1943 | Hitler's Children | Edward Dmytryk | Lisa Martinek | Credited |
| 1943 | Gildersleeve's Bad Day | Gordon Douglas | Lola Scott | Credited |
| 1943 | Behind the Rising Sun | Edward Dmytryk | Reiko | Credited |
| 1943 | This Land Is Mine | Jean Renoir | Girl | Uncredited |
| 1944 | The Master Race | Herbert J. Biberman | Nazi girl | Uncredited |
| 1944 | A Night of Adventure | Gordon Douglas | Girl at party | Uncredited |
| 1945 | The Spanish Main | Frank Borzage | Waitress | Uncredited |
| 1947 | Cheyenne Takes Over | Ray Taylor | Fay Wilkins | Credited |
| 1948 | Sleep, My Love | Douglas Sirk | Susan | Credited |
| 1948 | Moonrise | Frank Borzage | Julie | Credited |
| 1948 | Call Northside 777 | Henry Hathaway | Girl in newspaper office | Uncredited |
| 1948 | Luxury Liner | Richard Whorf | Laura | Credited |
| 1949 | Always Leave Them Laughing | Roy Del Ruth | Diana | Credited |
| 1949 | The Velvet Touch | John Sturges | Helen | Uncredited |
| 1950 | The Underworld Story | Cy Endfield | Dolores | Credited |
| 1951 | Inside Straight | Gerald Mayer | Ada | Credited |
| 1951 | The Steel Trap | Andrew L. Stone | Secretary | Uncredited |
| 1952 | The Atomic City | Jerry Hopper | June Macaulay | Credited |
| 1952 | The Member of the Wedding | Fred Zinnemann | Janice | Credited |
| 1952 | Torpedo Alley | Lew Landers | Susan Peabody | Credited |
| 1952 | Here Come the Marines | William Beaudine | Susan | Credited |
| 1952 | The Greatest Show on Earth | Cecil B. DeMille | Spectator | Uncredited |
| 1953 | Torch Song | Charles Walters | Celia Stewart | Uncredited |
| 1953 | Target Hong Kong | Fred F. Sears | Ming Shan | Credited |
| 1954 | Hell's Half Acre | John H. Auer | Sally Lee | Credited |
| 1954 | Suddenly | Lewis Allen | Ellen Benson | Credited |
| 1955 | Stranger on Horseback | Jacques Tourneur | Caroline Webb | Credited |
| 1956 | World Without End | Edward Bernds | Garnet | Credited |
| 1956 | Death of a Scoundrel | Charles Martin | Stephanie North | Credited |
| 1958 | The Rawhide Trail | Robert B. Stacey | Marsha Evans | Credited |
| 1958 | Some Came Running | Vincente Minnelli | Edith Barclay | Credited |
| 1959 | The Gunfight at Dodge City | Joseph M. Newman | Lily | Credited |
| 1960 | Comanche Station | Budd Boetticher | Nancy Lowe | Credited |
Television
Nancy Gates made a total of 55 television appearances from the 1950s to 1969, establishing her as a prominent guest star in anthology dramas, westerns, and crime series.[5] The following table provides a chronological selection of her television credits, highlighting key episodes across major series.| Year | Show | Episode | Air Date | Role | Network |
|---|---|---|---|---|---|
| 1955 | Alfred Hitchcock Presents | "Salvage" | November 6, 1955 | Lois Williams | CBS[23] |
| 1957 | Perry Mason | "The Case of the Crooked Candle" | December 14, 1957 | Martha Bradford | CBS[21] |
| 1958 | Wagon Train | "The Millie Davis Story" | November 5, 1958 | Millie Davis | NBC[19] |
| 1958 | Maverick | "Burial Ground of the Gods" | March 30, 1958 | Laura Stanton | ABC[17] |
| 1959 | Alfred Hitchcock Presents | "Total Loss" | January 25, 1959 | Mary Alexander | CBS |
| 1959 | Maverick | "Passage to Fort Doom" | March 8, 1959 | Dorothy Chapman | ABC[18] |
| 1964 | Perry Mason | "The Case of the Woeful Widower" | February 20, 1964 | Mary Douglas | CBS[22] |
| 1965 | Perry Mason | "The Case of the Candy Queen" | October 7, 1965 | Claire Armstrong | CBS[25] |
| 1969 | The Mod Squad | "An Eye for an Eye" | October 7, 1969 | Liz Weaver | ABC[26] |