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Neo-prog

Neo-prog, short for neo-progressive rock, is a subgenre of progressive rock that emerged in the United Kingdom in the late 1970s and early 1980s as a revival of the complex, ambitious style of 1970s prog rock amid the dominance of punk and new wave.^[1]^[2] This movement sought to recapture the symphonic grandeur, intricate compositions, and thematic depth of earlier prog bands, particularly drawing influences from groups like Genesis, Yes, Pink Floyd, and Camel, while incorporating more accessible song structures and a focus on dynamic guitar and keyboard solos.^[1]^[2] Key characteristics include lush, atmospheric production; extended instrumental passages with a "noodling" improvisational feel; and lyrics often exploring introspective, fantastical, or socially acerbic themes, though critics sometimes viewed it as less innovative than classic symphonic prog.^[1] Pioneered by bands such as Marillion, IQ, Pendragon, Twelfth Night, and Pallas, neo-prog gained underground momentum through independent labels and festivals, with Marillion achieving mainstream breakthrough in 1985 via their UK number-one album Misplaced Childhood, which blended prog complexity with radio-friendly hooks.^[2] The genre's classic era peaked in the mid-1980s but waned after lineup changes, such as the departure of Marillion's vocalist Fish in 1987, leading to a shift toward more eclectic modern prog influences in subsequent decades.^[1] Despite commercial challenges, neo-prog sustained a dedicated fanbase and contributed to later prog revivals, influencing acts like Radiohead and helping preserve progressive rock's legacy into the 21st century. As of 2025, pioneering bands like Marillion and IQ continue to release new albums and perform, maintaining the genre's relevance.^[2]^[3]^[4]

Musical Characteristics

Song Structure and Composition

Neo-prog compositions typically emphasize verse-chorus structures augmented by progressive extensions, such as extended instrumental sections or thematic reprises, which provide accessibility while diverging from the through-composed, multi-part forms prevalent in classic progressive rock.^[1]^[5] This approach prioritizes songwriting clarity and emotional flow over elaborate conceptual suites, allowing for radio-friendly lengths that still incorporate symphonic flourishes and dynamic builds.^[4] Central to neo-prog's composition is a focus on catchy, emotive melodies that convey personal introspection, romance, and social commentary, often delivered through theatrical vocal styles rich in imagery and drama.^[4]^[5] Lyrical content frequently explores melancholy themes of lost love or inner turmoil, paired with hooks and refrains that enhance memorability and emotional resonance, setting neo-prog apart from the more abstract or narrative-driven lyrics of its predecessors.^[5] To integrate progressive elements without sacrificing approachability, neo-prog songs often feature selective use of odd time signatures, such as 7/8 or 5/4 in bridges, alongside sweeping dynamic shifts from intimate ballads to bombastic climaxes.^[1] These contrasts heighten dramatic tension, supported by layered harmonies and instrumental interplay that build to cathartic peaks. A representative example is Marillion's "Kayleigh" (1985), a concise prog ballad that employs a straightforward verse-chorus form with emotive hooks and harmonious vocal overlays to capture themes of romantic longing, exemplifying the genre's blend of pop sensibility and subtle complexity.^[5]

Instrumentation and Production Techniques

Neo-prog typically features a core instrumental lineup consisting of electric guitar, keyboards (including synthesizers and organs), bass guitar, drums, and prominent lead vocals, which provides a foundation that balances symphonic expansiveness with rock drive. Keyboards play a central role, often employing analog synthesizers such as the Moog, ARP Pro Soloist, Yamaha CS15, Jupiter 8, and PPG Wave 2.2 to generate lush, layered textures that evoke orchestral illusions reminiscent of 1970s progressive rock.^[6]^[7] Atmospheric color is frequently added through woodwind emulations, with bands like Marillion using the Emulator sampler to replicate flute, saxophone, and choir sounds for melodic and harmonic depth.^[7] Arrangements in neo-prog are predominantly keyboard-driven, utilizing Mellotron emulations and sequencers—such as the Sequential Circuits Pro One—to introduce rhythmic complexity and symphonic swells while grounding the sound in electric guitar riffs for a harder, more accessible edge. These layered synth progressions create a sense of grandeur, often featuring counter-melodies between keyboards and guitars, as heard in tracks where guitar lines harmonize with Minimoog leads or arpeggiated synth parts.^[6]^[7] The style emphasizes tight, rehearsed performances over extensive improvisation, prioritizing melodic solos—particularly clean, emotive electric guitar work influenced by David Gilmour—that integrate dynamically with the keyboard foundation.^[1]^[2] Production techniques in neo-prog favor clean, multi-tracked recordings that simulate live-band energy, drawing from 1980s adult-oriented rock (AOR) aesthetics with reverb-heavy vocals and gated drums to enhance clarity and punch. Vocals, often delivered with harmonizers and echo effects like the Roland 505 Stage Echo, receive prominent treatment, while guitars undergo double-tracking and panning for a wide stereo image; drums employ manual gating on toms via volume automation to maintain an organic yet precise feel.^[6]^[7] Additional effects, such as reversed sampling on the Emulator or desk overdriving for fuzz tones, contribute to the polished, atmospheric quality, ensuring the symphonic elements retain a rock-oriented immediacy.^[7]^[2]

Historical Development

Origins in the Late 1970s

The late 1970s marked a pivotal shift in the UK rock landscape, where the punk movement's vehement dismissal of 1970s progressive rock as overly pretentious and self-indulgent drove the genre underground.^[2] This backlash, coupled with the rise of post-punk's DIY ethos from 1978 onward, prompted a grassroots revival among dedicated fans and musicians who sought to reclaim progressive traditions while incorporating punk's energy and independence.^[8] Neo-prog emerged as this "new wave" of the genre, featuring simplified structures and tighter compositions that toned down the excesses of earlier prog, making it more accessible yet still rooted in symphonic and theatrical elements.^[9] Early precursors to neo-prog bridged the stylistic gap from mid-1970s progressive rock, with bands like the UK-based National Health maintaining Canterbury scene complexities into the late decade through jazz-inflected instrumentation, while American act Starcastle offered Yes-inspired symphonic prog that echoed revivalist tendencies.^[10] However, the true origins of neo-prog crystallized with UK formations such as Pallas in Aberdeen in 1977, which blended Genesis and Yes influences with initial punk aggression to create a "symphonic punk" hybrid before leaning fully progressive.^[9] Similarly, Twelfth Night coalesced at Reading University in 1978, drawing on Peter Gabriel-era Genesis while infusing punk's raw edge through members' backgrounds, establishing an instrumental foundation that emphasized melody and drama.^[9] A landmark event came with Marillion's formation in Aylesbury in 1979, initially as Silmarillion, where early demos captured the band's homage to Peter Gabriel-period Genesis through theatrical vocals, intricate arrangements, and narrative-driven songs, effectively templating the neo-prog revival.^[2] These recordings, shared via live circuits, highlighted a focus on emotional storytelling over technical virtuosity, setting neo-prog apart as a more song-oriented evolution.^[8] Amid the mainstream pivot to new wave, cultural factors sustained this underground scene, with fan conventions providing spaces for live performances and community building across Britain, while fanzines disseminated news, reviews, and tape trades to nurture a loyal audience.^[9] These grassroots networks, emphasizing self-sufficiency, were essential in countering punk's dominance and preserving progressive ideals for the 1980s resurgence.^[8]

Expansion and Peak in the 1980s

The neo-prog genre gained substantial momentum in the 1980s through a series of breakthrough albums that demonstrated its commercial appeal and artistic viability. Marillion's debut studio album, Script for a Jester's Tear, released on March 14, 1983, by EMI Records, peaked at number 7 on the UK Albums Chart and remained in the chart for 31 weeks, marking a pivotal moment that popularized the style and prompted the formation of numerous imitator bands.^[11] IQ followed with their debut Tales from the Lush Attic in 1983 on the independent Acacia label, establishing a darker, more intricate sound within the genre, while their 1985 follow-up The Wake on Sahara Records further refined neo-prog's symphonic elements and concept-album approach.^[2] Pendragon's debut full-length The Jewel, issued in 1985 on Elusive Records, echoed Marillion's melodic grandeur with extended compositions and theatrical flair, contributing to the genre's maturation.^[12] Major record labels played a crucial role in elevating neo-prog's profile, signing key acts and facilitating extensive touring and festival exposure. EMI's 1982 deal with Marillion provided resources for national promotion, leading to sold-out residencies at London's Marquee Club and a headline slot at the Hammersmith Odeon in 1983.^[12] Virgin Records inked Twelfth Night in 1985, enabling larger productions, while Pendragon secured support from Marillion's management, resulting in joint tours.^[2] This backing culminated in prominent festival inclusions, such as the 1983 Reading Festival lineup, which featured Marillion, Pendragon, Pallas, Twelfth Night, and Solstice, showcasing the genre's growing cohesion and audience draw.^[12] The movement expanded rapidly within the UK, spawning "Marillion clones" like Jadis, formed in 1982 by guitarist Gary Chandler, whose early demos and live shows mirrored the era's emotive vocals and keyboard-driven arrangements. Solstice, established in 1980 by Andy Glass, blended neo-prog with folk influences in their initial releases, adding to the scene's diversity.^[13] The genre's reach extended internationally across Europe, with Dutch bands like Egdon Heath emerging in 1987 via their self-titled debut on SI Music, and German acts such as Sirius releasing Running to Paradise in 1982, adapting neo-prog's theatricality to local sensibilities.^[14] Key media events amplified neo-prog's visibility, particularly through radio and emerging video platforms. Marillion's debut single "Market Square Heroes," released in October 1982 on EMI, peaked at number 53 on the UK Singles Chart and received significant airplay on BBC Radio 1's Friday Rock Show hosted by Tommy Vance, which broadcast live sessions and festival performances to introduce the band to rock audiences.^[15]^[2] In the mid-1980s, Marillion's promotional videos for tracks like "Kayleigh" and "Lavender" from Misplaced Childhood (1985) gained rotation on MTV, broadening the genre's appeal beyond UK borders and aligning it with the decade's video-driven music culture.

Evolution from the 1990s Onward

In the 1990s, neo-prog encountered substantial hurdles as grunge and Britpop dominated the mainstream music scene, diminishing visibility for the genre's intricate compositions and pushing many acts toward independent labels for survival.^[2] Bands like Marillion adapted by innovating business models, launching a pioneering fan-funding initiative in 1997 that raised $60,000 through an online appeal to finance a North American tour, marking an early use of the internet to sustain direct artist-fan connections.^[16] This period saw neo-prog consolidate as a niche, with groups emphasizing emotional narratives and theatrical elements to retain dedicated audiences amid broader industry shifts. The 2000s brought a notable revival for neo-prog, fueled by the rise of digital distribution platforms that enabled independent releases and global outreach without reliance on major labels.^[17] Acts such as Porcupine Tree exemplified this evolution, integrating neo-prog's melodic progressions with heavier metal influences in albums like In Absentia (2002), which broadened the genre's appeal through aggressive riffs and atmospheric textures.^[18] The ProgDay festival, founded in 1995 in North Carolina, emerged as a key annual hub, showcasing emerging and established neo-prog performers and fostering community growth in the post-millennium era.^[19] From the 2010s into the 2020s, neo-prog diversified through fusions with post-rock and electronica, as demonstrated by The Pineapple Thief's atmospheric, introspective soundscapes that layer progressive structures with ambient electronics and subtle rhythms.^[20] The genre experienced international expansion, particularly across Europe, with Polish outfit Riverside contributing to this growth via their melancholic, riff-driven progressive explorations that echoed neo-prog's emotional core while incorporating modern production techniques.^[21] Scandinavian scenes also nurtured acts blending neo-prog with symphonic and experimental elements, enhancing the genre's global footprint. As of 2025, streaming platforms continue to bolster neo-prog's endurance as a niche yet vibrant style, facilitating discovery among younger listeners and supporting consistent output from veteran ensembles.^[5] Bands like IQ maintain momentum with releases such as their 2025 album Dominion, which upholds the genre's tradition of conceptual depth and virtuosic interplay.^[22] Emerging groups prioritize emotional resonance in their compositions, ensuring neo-prog's adaptation to contemporary listening habits while preserving its foundational emphasis on narrative-driven innovation.

Notable Artists and Bands

Pioneering British Acts

Marillion, formed in 1979 in Aylesbury, England, by drummer Mick Pointer and bassist/vocalist Doug Irvine (initially as Silmarillion), emerged as a cornerstone of the neo-prog movement with their signing to EMI in 1982.^[23] The band's early lineup solidified with the addition of Scottish vocalist Derek William Dick, known as Fish, whose dramatic, theatrical delivery and poetic lyrics became synonymous with their sound, drawing comparisons to Peter Gabriel's era with Genesis.^[24] Marillion's debut album, Script for a Jester's Tear (1983), introduced their concept-driven approach, exploring themes of personal turmoil through multi-part suites and intricate arrangements, setting a benchmark for the genre's revival of progressive rock's narrative depth.^[2] This was followed by Fugazi (1984), addressing social alienation, and the landmark Misplaced Childhood (1985), a semi-autobiographical concept album inspired by Fish's experiences with substance use and lost youth, which topped the UK charts and brought neo-prog mainstream visibility.^[2] Their 1987 release, Clutching at Straws, continued the concept series with a tale of an alcoholic songwriter, cementing Marillion's role as standard-bearers who blended 1970s prog influences with accessible, radio-friendly elements to popularize the subgenre.^[25] IQ, established in Southampton in 1981 by keyboardist Martin Orford, drummer Paul Cook, and bassist Tim Esau, quickly distinguished themselves through their technical virtuosity and emphasis on complex, concept-oriented compositions that pushed neo-prog's boundaries beyond melodic accessibility.^[2] Their debut album, Tales from the Lush Attic (1983), captured live recordings from earlier performances but was polished in studio, showcasing Orford's layered keyboards and intricate rhythms alongside vocalist Peter Nicholls' emotive delivery in tracks like the multi-movement "The Last Human Gateway."^[26] The album's conceptual framework, weaving dystopian narratives through extended instrumental passages, highlighted IQ's prowess in fusing symphonic prog with a raw, energetic edge, influencing the genre's shift toward more experimental structures.^[27] Subsequent works like The Wake (1985) further exemplified their commitment to concept albums, exploring themes of isolation with technically demanding arrangements that prioritized musicianship over commercial polish, establishing IQ as innovators who challenged Marillion's dominance in the British scene.^[2] Pendragon, founded in 1978 in Stroud, Gloucestershire, by guitarist and vocalist Nick Barrett (initially as Zeus Pendragon), carved a niche in neo-prog with Barrett's signature melodic guitar work, evoking pastoral English landscapes through fluid solos and atmospheric textures reminiscent of Camel.^[28] Their debut full-length album, The Jewel (1985), delved into themes of environmental harmony and introspection via tracks like "Images of Heaven," blending symphonic keyboards with Barrett's emotive playing to create a lush, idyllic soundscape that contrasted the era's more bombastic tendencies.^[2] Despite lineup flux—including shifts in drummers and keyboardists—Barrett's steadfast leadership ensured Pendragon's longevity, sustaining output through the 1980s and beyond while maintaining a focus on thematic cohesion and guitar-driven prog that resonated with fans seeking evocative, countryside-inspired narratives.^[29] Among other early British contributors, Twelfth Night, originating from Reading in the late 1970s as an offshoot of the Andy Revell Band, infused neo-prog with high-octane live energy, blending Pink Floyd's atmospherics with punk-inflected urgency in performances that captivated underground audiences.^[2] Their breakthrough came with the live album Live at the Target (1981) and studio follow-up Fact and Fiction (1982), where vocalist Geoff Mann's charismatic presence and the band's dynamic stage presence—marked by extended improvisations—helped pioneer the genre's revival through grassroots gigs.^[30] Similarly, Scottish outfit Pallas, formed in Aberdeen in 1975, brought a northern grit to neo-prog with their theatrical flair and innovative multi-part suites, as heard in The Sentinel (1984), which featured epic tracks like "Shock Treatment" exploring dystopian futures through heavy riffs and choral vocals.^[2] Signing to EMI that year, Pallas contributed to the scene's expansion by emphasizing narrative-driven compositions that integrated hard rock edges with progressive ambition, fostering a distinctly Scottish voice in the predominantly English movement.^[31]

International and Later Contributors

As neo-prog expanded beyond its British origins, European acts began incorporating the genre's melodic and symphonic elements with regional influences, fostering a broader international appeal. Arena, formed in the United Kingdom in 1995, emerged as a prominent later contributor with a style rooted in the symphonic traditions of Yes and Marillion, featuring former members from those bands and achieving dominance in the 1990s neo-prog scene through albums like The Visitor (1998), which showcased intricate song structures and soaring vocals.^[32] In Wales, Magenta, established in 2001, brought a female-fronted perspective to neo-prog, led by vocalist Christina Booth, blending 1970s symphonic influences with modern production on releases such as Seven (2004), emphasizing emotional depth and keyboard-driven arrangements.^[33]^[34] The Netherlands contributed through Flamborough Head, founded in 1990 in Friesland, whose melodic neo-prog infused folk-tinged symphonics and 1970s retro elements, as heard in Magician's Theatre (1998), reflecting a distinctly Dutch emphasis on atmospheric storytelling.^[35] North American bands adapted neo-prog's core by emphasizing accessibility and grandeur, often drawing on classic prog's symphonic palette while incorporating local melodic sensibilities. Canada's Mystery, originating in Montreal in 1986 but gaining prominence with their full-length debut Theatre of the Mind in 1996, focused on lush, vocal-led compositions with intricate instrumentation, evolving from AOR roots to a polished neo-prog sound on albums like Destiny? (1998).^[36] In the United States, Glass Hammer, formed in Chattanooga, Tennessee, in 1992, emulated the symphonic expansiveness of 1970s prog giants like Yes through multi-instrumental wizardry, delivering epic suites on works such as Journey of the Dunadan (1993) that highlighted orchestral keyboards and narrative-driven themes.^[37] The 2000s and beyond saw further diversification, with acts integrating neo-prog into hybrid forms while maintaining its foundational complexity. Karnataka, a Welsh band formed in 1997, blended neo-prog with folk and Celtic motifs in the 2000s, featuring strong female vocals on albums like The Gathering Light (2010), which combined acoustic introspection with progressive swells to create an ethereal, accessible sound. Germany's RPWL, established in 1997, contributed introspective neo-prog with psychedelic undertones, drawing from Pink Floyd's legacy in releases such as God Has Failed (2000), marked by emotive lyrics and layered guitars that appealed to European audiences seeking emotional resonance. Into the 2020s, Pure Reason Revolution, a British outfit reformed in 2019 after an earlier stint, emerged as a fresh voice by fusing neo-prog with electronica and alternative rock on Coming Up to Consciousness (2024), offering expansive, melody-rich tracks that bridged classic influences with contemporary production.^[38] International bands often localized neo-prog by infusing cultural flavors, enhancing its global adaptability. Italy's Banco del Mutuo Soccorso, a 1970s prog pioneer, entered a neo-phase in the 1980s and beyond, revitalizing their symphonic style with more concise, melodic structures on later works like Il Giardino del Mago (1999), incorporating Mediterranean lyricism and jazz-inflected keyboards to evolve alongside the genre's resurgence. This adaptation exemplified how non-British acts preserved neo-prog's theatricality while adding unique ethnic textures, contributing to its enduring vitality.

Influences and Legacy

Roots in Classic Progressive Rock

Neo-progressive rock, or neo-prog, traces its stylistic foundations directly to the symphonic and conceptual innovations of 1970s progressive rock bands, particularly those emphasizing theatrical storytelling and intricate arrangements. The Peter Gabriel-era Genesis profoundly shaped neo-prog's dramatic flair and narrative-driven compositions, with bands like Marillion drawing on Genesis's blend of mythological lyrics and stage-like theatricality to create emotionally resonant epics.^[39]^[40] Similarly, Yes's lush vocal harmonies and prominent keyboard textures, as exemplified in albums like Close to the Edge, influenced neo-prog's melodic layering and instrumental interplay, evident in later acts' adoption of soaring choruses and atmospheric synth work.^[39] Gentle Giant's rhythmic complexity and use of mini-suites for thematic development also left a mark, inspiring neo-prog ensembles to incorporate multifaceted song structures that balanced accessibility with sophistication.^[39] Neo-prog borrowed symphonic elements from King Crimson's experimental intensity and Emerson, Lake & Palmer's orchestral rock grandeur, but adapted them into more streamlined forms suitable for a post-punk audience. King Crimson's fusion of jazz-inflected improvisation and dark, atmospheric orchestration informed neo-prog's exploratory passages, while ELP's bombastic keyboard-driven epics contributed to the genre's emphasis on sweeping, classical-inspired soundscapes.^[41]^[39] However, these borrowings were simplified, focusing on evocative textures rather than the full-scale orchestral ambition of the originals, allowing neo-prog to evoke prog's majesty without overwhelming production scales.^[41] In contrast to classic progressive rock's indulgences, neo-prog deliberately rejected the genre's more esoteric excesses, steering clear of dense jazz fusion explorations and avant-garde abstractions in favor of cohesive emotional narratives. While 1970s prog often prioritized technical virtuosity and genre-blending experimentation—such as Return to Forever's fusion or Henry Cow's avant-garde leanings—neo-prog emphasized lyrical introspection and melodic accessibility to rebuild audience connection.^[41]^[39] This shift toned down the grandiose solos and conceptual sprawl, prioritizing storytelling that resonated on a personal level over instrumental showmanship.^[41] The genre's emergence was bolstered by a grassroots revival in the late 1970s, where cover bands and tribute acts kept classic prog alive in underground clubs, paving the way for stylistic homages in early neo-prog works. These fan-led performances, often replicating Genesis and Yes sets, fostered a community of young musicians who channeled their inspirations into original compositions by the early 1980s.^[39] This lineage directly informed the sound of pioneering neo-prog bands like Marillion and IQ, who integrated these homages into their debut albums.^[40]

Impact on Contemporary Genres

Neo-prog's revival of progressive rock elements in the late 1970s and 1980s laid foundational groundwork for the resurgence of the genre in the 1990s and 2000s, particularly influencing the development of progressive metal through its melodic structures and emotional depth in heavier compositions. Similarly, modern progressive acts like Porcupine Tree and Steven Wilson's solo projects extended the legacy of progressive rock, blending atmospheric soundscapes and conceptual storytelling to reinvigorate the genre for contemporary listeners.^[42] The melodic and atmospheric qualities of neo-prog also permeated alternative rock, infusing it with layered builds and introspective narratives that echoed the genre's emphasis on emotional articulation over raw aggression. Neo-prog fostered a robust fan culture that sustained independent progressive scenes, establishing models for direct artist-fan engagement through crowdfunding and dedicated festivals. Marillion pioneered this approach in 1997 by rallying fans to fund a North American tour via early internet campaigns, raising $60,000 and setting a precedent for fan-funded projects.^[16] By 2001, the band expanded this to album production with Anoraknophobia, securing pre-orders from 12,000 supporters and granting creative autonomy outside major labels, a strategy that empowered other independent prog acts to thrive via platforms like PledgeMusic.^[17] This legacy manifested in events like the Night of the Prog Festival, held annually from 2006 to 2024 at Germany's Loreley Amphitheatre, which showcased neo-prog stalwarts such as Arena and Pendragon alongside modern acts, drawing 5,000–8,000 attendees to celebrate the genre's enduring community.^[43] Despite its contributions, neo-prog faced criticism from purists who dismissed it as "prog lite" for its perceived lack of the original progressive rock's boldness and originality, often viewing it as a derivative revival overly reliant on 1970s symphonic templates like early Genesis.^[44] However, this evolution sustained the genre's vitality into the 2020s through hybrid forms like prog-pop, where neo-prog's catchy melodies and accessible structures merged with pop sensibilities, as seen in acts like IQ's continued output, including tours and a new album announced for 2025.^[45]^[46]^[47] These hybrids maintained progressive rock's relevance, emphasizing emotional complexity amid mainstream trends.

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A Mellotron-Shaped Grave: Deconstructing the Death of Progressive ...
Progressive rock was among the most successful genres of the 1970s, yet only recently has it partly regained the respect it once had.
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Dream Theater plagerises Marillion? | The Gear Page
Apr 23, 2014 · Petrucci and DT are big Marillion fans, have opened for them and have even jammed with H and Rothery for the Change of Seasons cover tunes show.
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How Steven Wilson Made Prog Rock Cool Again - uDiscover Music
With his original band, Porcupine Tree, Steven Wilson nearly single-handedly sparked a prog revival and it continues with his concert film 'Home Invasion'.<|separator|>
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“They are always adventurous and challenging. And like Yes and ...
May 20, 2022 · From grungy indie to avant-garde rock, Radiohead have always been restlessly creative. Here's their proggiest tracks.
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Is the new Coldplay single prog? - The Prog Report
Jul 26, 2021 · To put it simply, it's atmospheric, much in the same way that classic Pink Floyd is atmospheric. While this emphasis on atmosphere has often put ...
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The 17th and final edition of the Night of the Prog Festival.
Sep 11, 2024 · Ritual followed, blending progressive rock and folk, though their performance lacked the live energy expected. Karnataka delivered symphonic and ...<|control11|><|separator|>
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Prog 2017: The Year In Review - The Fire Note
Dec 11, 2017 · Some fans were upset that he turned his back on Prog but Wilson never hid his love of Kate Bush, XTC and the prog-lite that came out of the 80's ...
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The 11 Best Prog Rock Albums of the 2020s (So Far) - Loudwire
May 26, 2025 · Founded in 1981, IQ are arguably the biggest and best of the neo-prog forerunners. Everything they've done has been outstanding (including their ...