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Genesis

Genesis is the inaugural book of the Pentateuch, the core scriptural collection of forming the initial segment of the and the Christian , narrating divine of the cosmos and humanity, the introduction of sin and mortality, a cataclysmic global , and the emergence of the covenantal lineage through the patriarchs Abraham, , , and , culminating in the ' settlement in . Comprising fifty chapters, it divides into (chapters 1–11), addressing universal origins and early human dispersion, and patriarchal narratives (chapters 12–50), focusing on familial covenants and migrations foundational to Israelite identity. Traditionally attributed to circa 1446–1406 BCE during the wilderness wanderings, drawing from earlier records or oral traditions, its authorship faces contestation in academic circles via the documentary hypothesis positing multiple Yahwist, , Deuteronomist, and Priestly sources compiled centuries later, a view rooted in linguistic analysis but critiqued for lacking direct manuscript evidence predating the Sea Scrolls and potentially influenced by presuppositions skeptical of unified ancient testimony. Archaeological correlations, such as Mesopotamian strata and patriarchal-era in Nuzi tablets, lend circumstantial support to select historical elements, though empirical verification remains elusive for claims like six-day or spans, prompting debates between literalist interpretations upheld by geological and genetic data and figurative readings favored in mainstream scholarship.

Book of Genesis

Overview and Structure

The Book of Genesis comprises 50 chapters and approximately 32,046 words in translations like the King James Version. It serves as the inaugural text of the within Jewish scripture and the Pentateuch in Christian canons, establishing foundational narratives on cosmic and human beginnings. The book divides into primeval history (chapters 1–11), recounting the account, humanity's expulsion , Cain's murder of Abel, the global flood preserving Noah's family, and the at Babel; and patriarchal history (chapters 12–50), detailing God's call to Abraham, the lineages through and (renamed ), and Joseph's rise in amid familial strife. Prominent themes encompass the origins of the , , and societies; the of human sinfulness and its recurrent patterns; divine covenants promising land, descendants, and blessing to Abraham's line; and God's providential oversight amid chaos and moral failure.

Authorship and Composition Theories

The traditional attribution of Genesis to , dating to approximately the 15th–13th centuries BCE during period, rests on internal biblical references and longstanding Jewish and early Christian testimonies. Passages such as 17:14, where God commands to "write this as a in a book," and Deuteronomy 31:9, stating that " wrote this law," indicate Mosaic involvement in composing core Pentateuchal material, including Genesis narratives integrated therein. Ancient external corroboration includes first-century historian , who affirmed as the author of the Pentateuch, and of , who echoed this view based on interpretive traditions. references, such as John 5:46 where attributes the law to , further reinforce this consensus among pre-modern scholars, prioritizing direct authorial claims over later speculative divisions. Modern scholarly theories, originating in the 18th–19th centuries, challenge unitary in favor of composite origins, most notably the Documentary Hypothesis (JEDP), proposed by Jean Astruc in 1753 and systematized by around 1878. This posits Genesis as a of four hypothetical sources—J (Yahwist, ca. 10th century BCE), E (, ca. 8th century BCE), D (, ca. 7th century BCE), and P (Priestly, ca. 6th–5th centuries BCE)—compiled post-exilicly, based primarily on stylistic variances like divine name usage ( vs. ) and perceived anachronisms. However, critiques highlight its reliance on unverified assumptions rather than , as no pre-Dead Sea Scrolls artifacts support discrete source documents, and linguistic criteria often reflect subjective interpretations influenced by 19th-century rationalist presuppositions against . Recent analyses, including those from textual critics, argue that such divisions fail empirical tests, with the hypothesis increasingly viewed as outdated due to and lack of . Linguistic and thematic evidence suggests a composite yet cohesive text, with variations in vocabulary and style attributable to oral traditions or genre shifts rather than multiple authors, while maintaining a unified theological framework centered on covenantal themes from creation to patriarchal promises. fragments of Genesis, dating from the 3rd century BCE to 1st century CE, demonstrate remarkable textual stability across copies, undermining claims of late, fragmented redaction and supporting transmission fidelity from an earlier core. Contemporary scholarship increasingly favors models of supplementary growth or earlier unity over JEDP, emphasizing scribal preservation in ancient Near Eastern contexts where authors like could draw from ancestral records without implying disjointed origins. Absent autographs or incontrovertible provenance, no theory commands definitive proof, necessitating evaluation through transmission chains and internal consistency over ideologically driven partitions prevalent in mid-20th-century academia.

Historical and Archaeological Corroboration

Archaeological discoveries from the offer contextual parallels to motifs in Genesis, particularly regarding pre-flood and patriarchal-era customs, though direct evidence for named individuals remains elusive. The , compiled around 2100–1800 BCE, records rulers with extraordinarily long reigns—averaging over 30,000 years—mirroring the extended lifespans of Genesis patriarchs like (969 years) before a cataclysmic , with both traditions showing a sharp decline in post-flood to more plausible figures around 200–400 years initially. This pattern suggests shared cultural memory of a distant era of exceptional vitality, potentially rooted in oral traditions predating written records ca. 3000 BCE. Tablets from , a Syrian flourishing ca. 2500–2300 BCE, include onomastic parallels to patriarchal names, such as "Ab-ra-mu" resembling Abram and references to places like "Zoar," aligning with Genesis locales, though scholars debate whether these constitute direct historical links or coincidental naming conventions prevalent in the region. Similarly, archives from the 18th century BCE document semi-nomadic West tribes engaging in practices akin to those of Abraham, , and , including betrothal customs (e.g., bride-price negotiations), treaties sealed with oaths, and land ownership by pastoralists without fixed urban ties, reflecting a mobile lifestyle in the region during the (ca. 2000–1500 BCE). These texts, numbering over 20,000, portray tribal migrations and social structures consistent with Genesis depictions, supporting a historical setting for patriarchal narratives in the early BCE, contemporaneous with Egyptian interactions with Asiatic groups. Excavations in the , southern , reveal intensive copper mining and smelting operations from the late 13th to 9th centuries BCE, associated with Edomite , corroborating Genesis 36's portrayal of Esau's descendants as early inhabitants of with metallurgical expertise in the region. While the peak activity postdates the proposed patriarchal era, precursor mining (ca. 5th millennium BCE) and continuity indicate longstanding resource exploitation in territories linked to Genesis genealogies. No monumental inscriptions or artifacts directly attest to Abraham or his immediate kin, but the absence aligns with expectations for semi-nomadic figures whose legacy persisted through oral and tribal transmission rather than inscribed records. A discovery of a folded lead tablet from , announced in 2022 as bearing a Proto-Hebrew invoking "YHW" (ca. 1200 BCE), has been linked by proponents to Deuteronomic motifs echoing Genesis themes, potentially supporting early Israelite ritual practices in regions tied to patriarchal wanderings; however, 2023–2025 analyses, including chemical sourcing and inscription scrutiny, question its authenticity, proposing it as a possible fishing weight or natural rather than deliberate writing, with ongoing peer-reviewed debates highlighting methodological challenges in non-destructive analysis. Regarding the Genesis flood, geological strata worldwide lack a unified global sedimentary layer indicative of a singular covering all mountains, as described, with critiques noting the improbability of rapid deposition without disrupting existing ecosystems or human civilizations elsewhere. Local flood models find plausibility in Mesopotamian flood layers, such as Shuruppak's 2900 BCE silt deposit or overflow events preserved in epics like , which parallel Noah's narrative in scale and ark-building but describe regional inundations rather than planetary ones. Creationist interpretations, such as those positing rapid formation from a global event, encounter empirical gaps in uniform sedimentary evidence and consistency across continents. Overall, while Genesis settings align with Near Eastern realities, relies on cumulative cultural and artifactual continuity rather than irrefutable singular proofs, tempering claims of verbatim literalism with the sparsity of perishable nomadic traces.

Scientific Analysis and Debates

The describes a six-day sequence (where the Hebrew word yōm for 'day' can denote a literal 24-hour period or an indefinite span of time, as in Genesis 2:4 which uses it to encompass the entire creation account) of divine fiat forming the , , and , culminating in . This literal conflicts with cosmological indicating the universe originated approximately 13.8 billion years ago in a hot, dense state, as supported by the (CMB) radiation—a uniform glow corresponding to photons from 380,000 years post-Big Bang, measured by satellites like COBE and Planck. The CMB's blackbody spectrum and anisotropies align with inflationary models predicting expansion from a , not instantaneous of mature forms. Biological data further challenge the account: the fossil record documents gradual morphological transitions over billions of years, from prokaryotes ~3.5 billion years ago to eukaryotic complexity and diversification, with genomic of shared ancestry via endogenous retroviruses and pseudogenes contradicting de novo species formation in days. The global flood described in Genesis 6–9, purportedly covering all land ~4,500 years ago, lacks supporting geological strata; continuous deposits in lakes like Suigetsu exceed 70,000 annual layers undisturbed by catastrophe, and coral atolls exhibit growth bands spanning tens of thousands of years without interruption. Young-earth hydrological models fail to predict observed sediment sorting, where precede terrestrial forms in strata, or the gradient from simple to complex absent rapid post-flood diversification evidence. Local Mesopotamian inundations better explain the , such as the ~8–11-foot layer at dated ~2900 BCE via pottery and C14, alongside similar deposits at Kish and , reflecting Euphrates-Tigris overflows rather than universal deluge. Human origins in Genesis imply descent from Adam and Eve, post-flood repopulation from Noah's family creating a genetic bottleneck ~4,500 years ago. Mitochondrial DNA coalesces to "Eve" ~150,000–200,000 years ago in , with Y-chromosome "Adam" estimates ~200,000–300,000 years ago, supported by out-of-Africa migrations ~60,000–70,000 years ago evidenced by distributions and . No severe bottleneck ~4,500 years ago matches the required diversity loss; instead, expansions show regional contractions, but overall heterozygosity refutes single-family repopulation, as expected mutation rates and indicate effective population sizes >10,000 for millennia. The Babel dispersion narrative does not align with linguistic and archaeological patterns of gradual divergence post-migration. Young-earth creationism, asserting a ~6,000–10,000-year , is empirically falsified by concordant radiometric ages across methods (e.g., U-Pb dating yielding 4.4 billion years for rocks, corroborated by Ar-Ar and Rb-Sr), which consistently predate biblical chronologies despite independent decay constants verified in labs. Old-earth progressive creation accommodates geological with punctuated divine interventions at fossil "gaps," while posits God directing and , aligning empirical data with purpose sans literal days. Secular paradigms invoke causal chains from quantum fluctuations via and to biological complexity, rendering ex nihilo creation non-falsifiable yet less parsimonious absent direct evidence; however, of constants—like the balanced to ~1 in 10^120 for galaxy formation—infers potential , though hypotheses offer naturalistic alternatives without empirical verification. Mainstream academia's systemic bias against supernatural explanations often dismisses such inferences a priori, privileging methodological despite data's silence on ultimate .

Interpretations and Influence

Jewish interpretive traditions, particularly through midrashic literature such as Genesis Rabbah compiled around the 5th century CE, often employ allegorical methods to elucidate moral and theological lessons from Genesis narratives, viewing events like the creation account as symbolic of divine order rather than strictly historical chronology. In Christianity, early figures like Augustine of Hippo argued in The Literal Meaning of Genesis (ca. 401–415 CE) that the "days" of creation need not denote literal 24-hour periods but could represent logical or instantaneous divine acts, accommodating philosophical reasoning about eternity. Islamic exegesis, as in tafsirs referencing Quranic parallels (e.g., Surah Al-A'raf 7:54 on six-day creation and Surah Nuh 71 on the flood), aligns Genesis motifs with prophetic history while emphasizing Allah's singular agency, rejecting anthropomorphic literalism. These traditions have underpinned monotheistic foundations, promoting concepts of human dignity via the imago Dei (Genesis 1:26–27), which posits inherent worth derived from divine likeness, countering ethical relativism by grounding morality in transcendent creation. Philosophically, Genesis influenced causality arguments, as Thomas Aquinas in Summa Theologica (1265–1274) integrated the biblical Creator with Aristotelian notions of an , positing God as the necessary first cause initiating contingent existence. Ethically, the imago Dei doctrine has shaped views on human exceptionalism, informing traditions that elevate rational stewardship over mere survival instincts. In Western legal history, Genesis covenants (e.g., Abrahamic in Genesis 15 and 17) modeled bilateral agreements influencing constitutional frameworks, such as pacts emphasizing reciprocal obligations between ruler and ruled. Francis Bacon, in Advancement of Learning (1605), drew from the dominion mandate (Genesis 1:28) to advocate empirical investigation as obedience to divine command, laying groundwork for modern science's inductive method. Culturally, Genesis achieved broad dissemination via the translation into Greek around the 3rd–2nd centuries BCE in , facilitating Hellenistic-Jewish and early Christian engagement. Artistic depictions, notably Michelangelo's frescoes (1508–1512), vividly rendered creation scenes, embedding the text in while emphasizing divine . However, literalist readings have drawn criticism for empirical tensions, such as young-earth timelines conflicting with geological evidence dating formation to approximately 4.54 billion years ago via radiometric methods. Evangelical insistence on six literal days has been faulted for overlooking ancient Near Eastern (ANE) contexts, where Genesis polemically asserts monotheistic causal agency against polytheistic myths (e.g., cycles ca. 1400–1200 BCE), not mere etiological fables. Critiques extend to historical misapplications: Christian , interpreting Genesis promises to as transferred to the (e.g., 3:29), justified exclusionary theologies, while patriarchal structures from Genesis genealogies reinforced hierarchies, though textual emphasis on covenantal tempers . Anthropocentric interpretations have been linked to environmental , prioritizing over , as evidenced by pre-20th-century logging practices rationalized via Genesis 1:28 amid rates exceeding sustainable yields in colonial eras. Conversely, dismissing Genesis as pure ignores its causal —positing unified divine volition over fragmented ANE motifs—undermining left-leaning academeia narratives that favor relativized without engaging primary textual claims, often biased toward secular . These influences underscore Genesis' dual legacy: advancing ethical universals like sanctity of life, yet vulnerable to ideological distortions absent rigorous first-cause scrutiny.

Personal Names

Given Name

Genesis is a given name derived from the Greek word γένεσις (génesis), meaning "origin," "birth," or "creation," often evoking themes of beginnings. Primarily used as a feminine name in contemporary contexts, though occasionally gender-neutral, it draws from the title of the first book of the Bible but functions independently as a modern word name symbolizing new starts or empowerment. Historically rare as a personal name before the 20th century, its adoption surged in the late 1980s amid broader trends toward biblical and virtue-inspired names. In the United States, Genesis first entered the top 1,000 most popular names for girls according to data in 1988, peaking in rank around the early before stabilizing in the top 300–400 by the , with over 3,000 girls receiving the name annually in recent years. This rise correlates with cultural visibility, including the actress (born July 29, 1987), whose career in films like Hours (2013) highlighted the name in Hispanic-American communities. The name remains uncommon for boys, comprising less than 1% of usages. Cultural variants include Génesis in Spanish-speaking regions, reflecting the same etymological roots without significant alterations. No notable controversies surround its use, distinguishing it from more debated biblical names.

Surname

The surname Genesis is exceedingly rare globally, with an estimated incidence of fewer than 1,000 bearers worldwide as of recent data, predominantly concentrated in Africa—86% of cases, and 72% specifically in West Africa, led by Nigeria. This distribution suggests adoption in regions with strong Christian missionary influences, where the name derives from the Greek génesis (γένεσις), meaning "origin" or "beginning," directly referencing the first book of the Christian Bible. Unlike common given names, it functions as an inherited family identifier, potentially emerging from anglicized or Latinized forms in English-speaking or colonial contexts, though no widespread etymological ties to Jewish traditions (where the equivalent Hebrew term is Bereshit) have been documented. In historical records from English-speaking nations, the surname appears sporadically among early immigrants or settlers. United States census data from 1880 records eight Genesis families, primarily in urban areas, indicating possible European or recent origins amid late-19th-century migration waves. United Kingdom vital records trace 59 instances dating to 1885, often linked to working-class households, but without prominent lineages. No major historical figures bear the , underscoring its obscurity compared to more established or occupational names. Modern instances remain limited, often in athletics or niche entertainment. Nigerian sprinter Mercy Genesis (born 1997) has competed internationally, representing her country in track events and highlighting the surname's persistence in African sports. German actor René Genesis (1918–2016) appeared in minor film roles, exemplifying rare European adoption. These cases reflect sporadic, non-hereditary prominence rather than dynastic families, with overall low visibility in global directories.

Fictional Characters

In the compilation, Genesis Rhapsodos serves as the primary antagonist in Crisis Core -Final Fantasy VII-, a 2007 developed by for the , where he is depicted as a SOLDIER operative subjected to genetic enhancements via Jenova cells, leading to cellular degradation and a quest for godhood inspired by the in-universe poem . His character embodies themes of origin and creation through failed experiments mirroring the series' lore of artificial life forms and existential rebellion against Shinra Corporation's scientific hubris. In ' X-Men mythos, Genesis (also known as the or tied to origins) appears as the consort of , a ancient overlord, ruling the demonic realm of Arakko after the prehistoric splitting of the homeland Okkara around 20,000 years ago, wielding powers to reshape landscapes and command armies in eternal wars. Introduced prominently in the 2020 event, her narrative explores primordial genesis, emphasizing survival-of-the-fittest Darwinian and the causal roots of supremacy conflicts. Other minor instances include Genesis as a entity in the comic and TV adaptation Preacher (2016–2019 AMC series based on ' Vertigo Comics), the offspring of an angel and demon whose merger with protagonist grants the "Word of God" command ability, symbolizing hybrid origins disrupting divine order. These portrayals often leverage the name's etymological link to biblical creation, portraying characters as harbingers or perversions of foundational acts, though such motifs vary by medium without uniform canonical ties.

Music

Progressive Rock Band

Genesis formed in 1967 at in , England, by students Tony Banks (keyboards), (bass and guitar), (vocals and flute), (guitar), and Chris Stewart (drums). The band initially drew from folk, classical, and rock influences, releasing their debut album in 1969, though it achieved limited commercial success. Phillips departed in 1970 due to and creative differences, replaced by guitarist in 1971, solidifying the classic lineup. This era produced ambitious works like (1972), featuring extended compositions such as the 23-minute epic "Supper's Ready," characterized by complex time signatures, theatrical narratives, and Gabriel's elaborate stage personas. Gabriel's exit in 1975, amid tensions with Banks over creative direction, prompted drummer to assume lead vocals, marking a pivot toward more accessible song structures while retaining progressive elements in albums like (1976) and (1977). Hackett left in 1977 following intra-band disputes, particularly with Banks, leaving the core trio of Banks, Rutherford, and Collins to handle instrumentation with session players; Rutherford shifted to guitar, simplifying the sound. The saw a pronounced evolution to pop-oriented rock, exemplified by (1986), which sold over 8 million copies worldwide and yielded hits like the title track and "Land of Confusion." This shift drew criticism for diluting the genre's complexity in favor of radio-friendly formats, with detractors accusing the band of commercial concession, though Collins defended it as natural progression amid Gabriel and Hackett's absences. The band's legacy encompasses pioneering progressive rock's narrative depth and instrumental virtuosity while achieving pop crossover success, influencing fusions in artists from to modern acts blending prog and mainstream appeal. Genesis has sold between 100 and 150 million records globally, with U.S. certifications exceeding 21.5 million albums, and was inducted into the Rock and Roll Hall of Fame in 2010. In 2025, Banks, Rutherford, and Hackett participated in interviews commemorating the 50th anniversary of The Lamb Lies Down on Broadway (1974), discussing its remix and reminiscing about the era's ambition, while Collins, sidelined by health issues including spinal problems that ended his touring in 2022, confirmed he is no longer motivated to create music. No full reunions have occurred, with focus on archival releases rather than new performances.

Other Musical Works

Domo , a member of the collective , released his debut studio titled Genesis on March 25, 2016, featuring production from The Alchemist and guest appearances including ; the project received positive reviews for its hazy, introspective style blending elements. Tommy , a Canadian rapper known for experimental and sexually explicit verses, issued her self-titled debut in November 2018 and followed with Genesis on July 25, 2025, incorporating trap beats and personal themes across 16 tracks. , a Ghanaian-Australian artist fusing , , and , has built a career under the moniker since 2017, with like Smiling with No Teeth (2021) earning ARIA Awards for its genre-bending innovation. The French electronic duo Justice opened their 2007 debut album † (Cross) with the instrumental track "Genesis," a brooding synth composition that set the tone for their electro-house sound and peaked at number 64 on the UK Singles Chart. Grimes' "Genesis," from her 2012 album Visions, combines ethereal vocals with pulsating beats, becoming a standout single that influenced dream pop and electronic genres, certified platinum in Canada. Busta Rhymes' "Genesis," the opening track from his 1998 album Extinction Level Event (The Final World Front), delivers rapid-fire rhymes over dramatic production, introducing the project's apocalyptic theme and charting at number 44 on the Billboard Hot Rap Songs. R&B singer Brian McKnight released an album named Genesis in 2017, focusing on smooth ballads and adult contemporary arrangements, though it received mixed reception for lacking innovation compared to his earlier work. British singer RAYE issued "Genesis" as a single in June 2024, a piano-driven composition marking a new musical direction post her label disputes.

Video Games

Sega Genesis / Mega Drive

The Sega Mega Drive, released in Japan on October 29, 1988, and marketed as the in starting August 14, 1989, represented Sega's entry into the 16-bit console market as a direct competitor to Nintendo's (SNES). The console achieved global sales exceeding 30 million units, bolstered by aggressive marketing during the "console wars" era, where positioned it as a faster, more mature alternative to Nintendo's offerings. Key titles like , launched on June 23, 1991, and frequently bundled with the system, contributed significantly to its success, with the game alone accounting for millions of units through hardware-software . This intensified market competition, driving innovations in graphics, sound, and peripherals while highlighting 's willingness to challenge Nintendo's dominance in and . Technically, the Genesis featured a CPU at 7.6 MHz, supporting 512 colors from a 61-color palette and sprite-based graphics capable of handling up to 80 sprites on screen, though with limitations like flicker during intense action in certain genres such as shoot 'em ups. Its audio was powered by the FM synthesis chip, enabling six-channel stereo sound with versatile waveforms for dynamic compositions, from metallic tones to atmospheric effects, which distinguished many titles despite programming challenges. The Sega CD add-on, introduced in in 1991, expanded capabilities with storage for enhanced storage, full-motion video, and additional Ricoh RF5C164 audio processing, though adoption was limited by cost and modest library improvements. Regional variations included the Mega Drive branding outside due to trademark issues with "Genesis," alongside hardware tweaks for PAL video standards in , which sometimes altered game performance like frame rates. The console's software library, exceeding 900 titles, showcased highs like arcade-perfect ports and innovative platformers but drew criticism for inconsistent quality, with numerous low-effort ports, , and region-specific discrepancies in content or optimization contributing to variance in . Sega's influenced later , with emphasized in re-releases and collections rather than native support in successors like the Saturn, preserving access to Genesis titles amid shifting formats. As of 2025, the retro scene sustains the platform through active homebrew development, with over 40 new games in progress, facilitated by tools like the SGDK kit and emerging visual engines such as MD Engine for accessible coding without deep assembly knowledge. Community efforts include commercial cartridge releases via platforms and tracking on dedicated forums, fostering original content like platformers and action titles despite debates over accuracy versus authentic hardware playback. This resurgence underscores the Genesis's enduring hardware appeal, with modern reproductions and FPGA clones enabling preservation without relying solely on aging originals.

Other Video Games

: Genesis is a turn-based developed by Praxis Games and released on March 21, 2019, for Windows via platforms including . In it, players manage empires through phases of , , , and extermination, drawing inspiration from 1990s titles like , with procedurally generated galaxies, diplomacy, research trees, and tactical ship-to-ship combat. The game emphasizes empire customization via ship design and fleet management, receiving praise for its depth despite modest production values typical of releases. Genesis Alpha One, developed by Radiation Blue and published by , launched on February 26, 2019, for PC, , and as a first-person shooter blended with colony simulation. Players captain a procedurally generated , cloning hybrid crew from human, alien, and plant DNA to build and defend against threats like mutating creatures and rival vessels, incorporating mechanics and resource scavenging in a post-apocalyptic sci-fi narrative. Its system allows for , such as creating hybrid lifeforms for combat or utility, though critics noted repetitive missions and technical issues at launch. Genesis Noir, a surreal point-and-click adventure created by solo developer Clove Hutter and published by , debuted on March 26, 2021, for PC, , , and platforms. Set in a cosmic Big Bang-era , players control "No Man," a watch unraveling a amid existential violence through non-linear exploration, minimal puzzles, and jazz-infused art styles evoking 1940s comics. The game's mechanics prioritize narrative delivery over challenge, using tools like a cosmic to rewind time and alter scenes, earning acclaim for its philosophical themes and visual but mixed reception for sparse interactivity.

Film and Television

Films

Genesis: Sum of the Parts (2014) is a authorized by the members of the English Genesis, detailing the group's formation at in 1967 through interviews with , , , , and Tony Banks. The film covers key albums, lineup changes including Gabriel's departure in 1975 and Hackett's in 1977, and the band's evolution into a pop-rock act with Collins as frontman, culminating in their commercial peak in the 1980s and 1990s. It received positive reception for its candid insights into internal dynamics, though some critics noted it glossed over deeper conflicts. Come Rain or Shine (2008) documents Genesis's 2007 European tour, their first in over a decade following a 15-year hiatus from live performances, featuring behind-the-scenes footage and reflections from Collins, Rutherford, and Banks on aging, health challenges like Collins's vocal issues, and the band's enduring fanbase. Directed by Graham Wallington, the film emphasizes the logistical demands of touring with a reduced lineup after Stuermer's long-term role and highlights the group's resilience amid physical tolls, earning praise for its honest portrayal of veteran musicians confronting career longevity. On the biblical front, Genesis: Paradise Lost (2017) employs animation to visualize events from the first chapter of the , including the six days of creation, with contributions from scientists and theologians debating young-earth interpretations. Released in limited theaters on November 13, 2017, the film promotes a literal reading of the Genesis account, countering mainstream evolutionary narratives, and features dynamic sequences of cosmic formation and Eden's establishment. It garnered niche acclaim among creationist audiences for its visual spectacle but faced skepticism from secular reviewers questioning its scientific claims.

Television Productions

"Genesis of the Daleks" is a six-part serial from the British science fiction series , broadcast on from April 8 to May 17, 1975. Written by , who created , and directed by David Maloney, the story centers on the (), (), and Harry Sullivan () being sent by the to the planet during a war between the Kaleds and Thals to prevent ' creation. It introduces , ' creator, portrayed by , and explores moral dilemmas of and technological , with the Doctor contemplating destroying preemptively. The serial received high viewership, averaging 11.3 million viewers per episode, and is regarded as a landmark in the series for its ethical depth and production quality amid 1970s budget constraints. In , "Genesis" serves as the 19th episode of season 7, premiering in syndication on March 21, 1994. Penned by and directed by , the narrative unfolds after a battle with the Pakleds, where Lieutenant (Dwight Schultz) unwittingly triggers a from his protomorphosis , causing the Enterprise-D crew to de-evolve into prehistoric forms, including Captain Picard as a fish-like creature and grappling with emotional programming. The episode emphasizes biological regression and crew survival, resolving via a serum antidote administered by Dr. Crusher, though criticized for pseudoscientific elements like rapid contradicting established Trek . It drew 4.7 million U.S. viewers and highlighted makeup effects for creature transformations. The pilot of the superhero drama , titled "Genesis," aired on September 25, 2006, launching the series created by . It introduces protagonists like Peter Petrelli (Milo Ventimiglia) discovering induced empathy powers, () exhibiting invulnerability, and () achieving , framing a global as a catalyst for emerging abilities amid a solar system threat. Attracting 14.6 million viewers, the 75-minute set up serialized storytelling on and destiny, though later seasons diverged into complex mythologies. "Genesis" also titles the pilot of the Fox sci-fi series , "Genesis: Part 1," broadcast on September 26, 2011. Created by and , it follows the relocating to a 2149 in prehistoric via time portal, depicting encounters and colony conflicts under Commander (Stephen ). The two-part opener averaged 9.22 million viewers but faced production costs exceeding $4 million per episode, contributing to cancellation after one season despite themes of human origins and environmental causality.

Transportation

Automotive Brand

Genesis, Hyundai's luxury vehicle division, originated as a premium sedan model introduced by Hyundai Motor Company in 2008, with the first-generation Hyundai Genesis featuring a 5.0-liter V8 engine option producing up to 375 horsepower. The lineup expanded to include the second-generation Genesis in 2013, incorporating advanced features like adaptive suspension. In November 2015, Genesis was established as a standalone brand separate from Hyundai, with the G90 flagship sedan launching as its inaugural model under the new marque. Key current models include the G80 midsize sedan, offering a 2.5-liter turbocharged inline-four or 3.5-liter twin-turbo V6, and the GV80 midsize SUV, powered by a 2.5-liter turbo four-cylinder or 3.5-liter twin-turbo V6 delivering up to 375 horsepower. Genesis vehicles have earned recognition for reliability and safety, ranking as the top premium brand in the 2022 J.D. Power U.S. Initial Quality Study and achieving high marks in the 2022 U.S. Vehicle Dependability Study. The 2025 GV80 received an IIHS Top Safety Pick+ rating for vehicles built after 2024, reflecting strong performance in crash tests and pedestrian detection. In 2025, Genesis introduced the Magma performance sub-line, with the GV60 Magma electric SUV set to debut by the end of the year, featuring enhanced chassis tuning by former BMW M engineer Albert Biermann and targeting rivals like BMW M models through boosted power exceeding 483 horsepower in dual-motor configuration. Despite these advancements, Genesis faces challenges in brand perception, trailing established German luxury marques like and due to lower awareness and historical associations with Hyundai's mass-market image, particularly in markets outside . Proposed U.S. tariffs post-2025, potentially reaching 25% on imported vehicles and parts, could raise prices significantly, as many Genesis models rely on 70-85% imported components even for U.S.-assembled units like the GV70, exacerbating competitiveness against domestic or lower-tariff rivals. A preview of the GV80 , combining a turbocharged with for improved efficiency, signals adaptation, though full EV transition has been delayed beyond 2030 amid slower adoption. U.S. sales reached 7,925 units in August 2025, marking a record for the month and contributing to Group's overall growth, with Genesis emphasizing through models like the GV60 and Electrified GV70 amid a broader shift. Global targets for including Genesis aim for 4.17 million units in 2025, prioritizing hybrids and EVs to meet regulatory demands while maintaining V6 and V8 powertrains in performance variants.

Space Missions and Vehicles

The Genesis mission, launched on August 8, 2001, from Air Force Station aboard a Delta II , was designed to collect samples of particles at the Sun- L1 for return to , marking the first such sample-return effort beyond the . The spacecraft deployed arrays of ultraclean collector materials, including wafers of , , , and , to capture ions from three solar wind regimes over 884 days of collection from December 2001 to April 2004. On September 8, 2004, during reentry, the spacecraft's failed to deploy due to a design flaw in the parachute release mechanism—later attributed to pins insufficiently secured by their pyrotechnic liners—causing it to crash at 193 mph into the , shattering many collectors and contaminating samples with desert soil. Despite the failure, recovery teams salvaged approximately 10,000 fragments from 455 of 3010 planned wafers; curation at 's enabled isotopic analysis revealing oxygen and nitrogen compositions in the Sun differing from terrestrial values, advancing models of solar system formation and planetary accretion. Bigelow Aerospace's Genesis I, an unmanned inflatable space habitat module, launched on July 12, 2006, from the Yasny launch base in Russia via a Dnepr rocket, serving as a proof-of-concept for expandable orbital structures. The 2.9-meter-diameter, 4.6-meter-long module, constructed from layered Kevlar-like fabrics, inflated successfully to 100 cubic meters volume shortly after deployment at 640 km altitude, with internal sensors monitoring pressure, temperature, and radiation over its operational lifespan exceeding 2,000 days until contact was lost around 2008. A follow-on, Genesis II, launched June 28, 2007, on another Dnepr, incorporated 20 experiments including biological payloads and advanced imaging, validating multi-year durability of the Vector Shield and other proprietary materials for future commercial habitats. These missions demonstrated feasibility of low-mass, scalable architectures for space stations, influencing subsequent designs like NASA's Bigelow Expandable Activity Module tested on the International Space Station in 2016, though Bigelow ceased operations in 2020 amid funding challenges.

Companies

Financial and Technology Firms

Genesis Global Capital, LLC, a cryptocurrency lending subsidiary of , emerged during the 2017-2021 crypto boom, managing over $10 billion in assets under administration at its peak by providing lending services to institutional clients and retail investors via programs like Earn. The firm experienced rapid growth amid high crypto yields but relied heavily on centralized lending models, which critics argue amplified systemic risks through over-leverage and uncollateralized exposures, particularly to failing counterparties like and . Following the November 2022 collapse, Genesis faced a , leading to a suspension of withdrawals in November 2022 and a Chapter 11 filing on January 19, 2023, with $3.5 billion in claims from customers alone. In March 2024, Genesis settled U.S. Securities and Exchange Commission charges for operating an unregistered securities offering through Gemini Earn, agreeing to a $21 million civil penalty subordinated to customer repayments, without admitting or denying wrongdoing. The firm completed its bankruptcy restructuring in August 2024, enabling over 99% recovery for most creditors, though ongoing wind-down processes and litigation persist into 2025, including SEC subordination agreements and disputes over asset distributions. These events highlighted vulnerabilities in crypto lending's centralized structures, where promises of decentralization clashed with reality, as evidenced by Genesis's $1.1 billion exposure to Alameda, underscoring causal links between interconnected failures and broader market contagion. Distinct from the crypto entity, Genesis Global is a UK-based low-code application development platform tailored for financial markets firms, enabling rapid creation of high-performance applications for trading, , and operations. Founded to legacy systems, it secured $20 million in from , , and Citi in 2021, and has supported innovations like modernizing fixed-income trading platforms for clients such as . In September 2025, and recognized Genesis Global as a top fintech innovator in the enterprise category, citing its role in accelerating technology adoption amid regulatory and market pressures. The company underwent a CEO transition in August 2025, with co-founder James Harrison succeeding Stephen Murphy to drive AI-native expansions and address 2025 trends like automated compliance and real-time analytics in volatile markets. While praised for reducing development times by up to 70%, Genesis Global's model emphasizes secure, resilient apps, though it operates in a sector prone to integration risks with infrastructure.

Other Businesses

Genesis Energy, L.P., headquartered in , , operates as a energy master , focusing on transportation of crude oil, , and , as well as crude oil gathering and . The company maintains infrastructure in the , including offshore pipelines and marine transportation, supporting industrial and commercial energy needs since its public trading inception. As of 2025, it trades on the under the ticker GEL, with operations emphasizing integrated services for the crude oil and sectors. In , Genesis Therapeutics employs an advanced molecular to target challenging protein structures for novel , aiming to scale medicinal development beyond traditional methods. The company prioritizes computational approaches to identify therapeutic candidates for previously intractable biological targets. Separately, Genesis Biotechnology Group functions as a vertically integrated delivering diagnostic assays, solutions, and services to advance patient care through expertise in applications. Its operations span research implementation and product delivery in areas like basic science tools for diagnostics.

Literature, Art, and Other Uses

Literary Works

Genesis (2006) is a philosophical by author Bernard Beckett, depicting a stratified society where an aspiring RepGen undergoes an examination revealing historical events involving and human origins. The narrative structure draws on , examining themes of knowledge, isolation, and technological evolution in a walled post-plague. Originally published on 25 August 2006 by , it won the 2007 LIANZA Esther Glen Award for excellence in . Genesis: The Deep Origin of Societies (2019), authored by evolutionary biologist Edward O. Wilson, synthesizes from and to trace societal formation from microbial to civilizations, emphasizing in as a model for altruism without invoking unsubstantiated theories. Published on 19 March 2019 by Liveright, the 160-page work integrates records, genomic data, and behavioral observations to argue that superorganisms precede individualistic societies causally. Wilson, a two-time winner, relies on peer-reviewed studies of to support claims of driving complex structures.

Art and Comics

Numerous paintings throughout illustrate scenes from the . Michelangelo Buonarroti's frescoes on the , executed between 1508 and 1512, include nine central panels depicting Genesis narratives such as the , the , the Temptation and Expulsion from Eden, and the Great Flood. The "Creation of Adam" fresco, measuring approximately 280 by 570 cm, portrays God extending his hand toward the reclining Adam, with their fingers nearly touching to convey the spark of life. Other works include Thomas Cole's "The Subsiding of the Waters of the Deluge" (1829), capturing Genesis 8:1-15 with amid receding floodwaters, and Andrei Rublev's "Three Angels in Harmony" (c. 1410), interpreting the visitation to Abraham in Genesis 18. In comics, Robert Crumb's The Book of Genesis Illustrated (2009, ) offers a 224-page graphic adaptation covering all 50 chapters of the biblical text in over 200 black-and-white pages, with Crumb striving for literal fidelity to the King James Version while incorporating archaeologically informed details on ancient attire, , and from four years of research. The work features sequential panels blending Crumb's signature style—detailed, expressive figures with exaggerated features—with unflinching portrayals of violence, sexuality, and divine wrath, such as the . "Genesis" also serves as a title and character name in superhero comics. Marvel Comics introduced Tyler Dayspring as Genesis in X-Force #1 (1991), portraying him as a techno-organic mutant virus created by the villain Stryfe and opposed by Cable and Wolverine. In later X-Men storylines, such as X of Swords (2020), Genesis appears as an omega-level mutant and wife of Apocalypse, wielding chlorokinesis and ruling the demonic realm of Amenth after leading Arakko's warriors. DC Comics' Genesis miniseries (1997, four issues written by John Byrne with art by Ron Wagner) depicts a cosmic event where the Godwave—a primordial energy source—threatens New Genesis and Apokolips, involving Highfather, Darkseid, and Superman in battles reshaping the universe. Image Comics' Genesis (2014 miniseries by Nathan Edmondson and Alison Ralph) follows a man discovering god-like manifestation powers through thought, exploring creation and destruction themes across five issues.

Miscellaneous

The Genesis Awards, established in 1986 by the Humane Society of the United States, annually recognize journalists, producers, and entertainers for works that increase public awareness of , including exposés on cruelty, habitat loss, and challenges. Recipients have included documentaries on factory farming abuses and news reports on trafficking, with ceremonies held in , to spotlight of systemic issues in animal treatment. The awards emphasize factual reporting over , drawing from verified data on endangerment and ethical lapses in industries, though critics note potential toward narratives aligning with the organization's priorities.

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