Nicky Jam
Nick Rivera Caminero (born March 17, 1981), known professionally as Nicky Jam, is an American singer and songwriter of Puerto Rican and Dominican descent recognized for his contributions to reggaeton and Latin trap music.[1][2] He began his career at age 14 with the release of his debut EP ...Distinto a los demás in 1995, achieving early success through mixtapes and collaborations in Puerto Rico's underground scene before fame led to substance abuse issues and a career decline in the late 2000s.[3][4] Relocating to Colombia in 2014 facilitated his sobriety and resurgence, highlighted by the 2017 album Fénix, which spawned multi-platinum hits like "El Perdón" (with Enrique Iglesias) and "El Amante," both topping Billboard's Hot Latin Songs chart.[5][6] His achievements include 13 Billboard Latin Music Awards and nominations for Latin Grammys, cementing his status as a key figure in reggaeton's global expansion despite ongoing personal challenges with addiction.[7][8]Biography
Early life and career beginnings (1981–1996)
Nick Rivera Caminero, known professionally as Nicky Jam, was born on March 17, 1981, in Lawrence, Massachusetts, to a Puerto Rican father and a Dominican mother.[9][5] Lawrence, an economically challenged mill town, provided an early environment influenced by hip-hop culture, where young Rivera began freestyling and rapping casually.[3][5] At age 10, his family relocated to the Río Hondo suburb of San Juan, Puerto Rico, to reconnect with their cultural roots amid financial difficulties in the U.S.[9][10] The move induced significant culture shock for Rivera, who spoke limited Spanish initially but adapted by immersing himself in local music scenes blending hip-hop with Jamaican-influenced reggae and dancehall, precursors to the emerging underground reggaeton movement in Puerto Rico during the early 1990s.[3][10] Adopting the stage name Nicky Jam, he began performing raps publicly around this time, drawing from American hip-hop idols while incorporating island rhythms.[3] By age 14, Nicky Jam had caught the attention of local producers and released his debut extended play, ...Distinto a los demás, in 1995 under F&K Records. The project, featuring raw hip-hop and reggae fusions, achieved modest underground traction within Puerto Rico's nascent reggaeton circles, establishing him as a teenage prodigy despite limited commercial reach.[3] This early output laid foundational skills in freestyling and beat adaptation, though widespread recognition awaited collaborations in the late 1990s.[11]Rise to prominence and Los Cangris era (1997–2001)
In the late 1990s, Nicky Jam partnered with fellow Puerto Rican artist Daddy Yankee to form the duo Los Cangris, an informal collaboration that became influential in the emerging reggaeton scene.[12] The pair released several underground singles that captured the raw, street-level energy of Puerto Rican hip-hop and reggae fusions, including "Guayando" and "Sentirte," which resonated in local clubs and mixtape circuits.[12] These tracks helped establish Los Cangris as key figures in the island's underground reggaeton movement, where artists operated outside mainstream channels amid police scrutiny of the genre's explicit content.[13] Los Cangris contributed to various mixtapes and compilations circulating in Puerto Rico's rap and reggae enclaves, such as Club Rappers in Carolina, amplifying their visibility among urban youth. A notable joint appearance came on Daddy Yankee's compilation El Cartel II: Los Cangris, released March 15, 2001, which featured multiple artists from the Cartel crew and showcased the duo's gritty, party-oriented sound.[14] Tracks like "En La Cama," a Los Cangris collaboration, exemplified their focus on rhythmic dembow beats and explicit lyrics drawn from barrio life, gaining traction through bootleg tapes and radio play in San Juan.[15] Parallel to duo efforts, Jam pursued solo releases, culminating in the EP Haciendo Escante in 2001, which blended his individual style with features from Yankee and others like Polaco.[16] The project included 13 tracks, such as "Vamos a Perrear" and the Yankee-assisted "En La Cama," emphasizing high-energy perreo rhythms and unpolished production typical of early reggaeton's DIY ethos.[17] Through these works, Jam solidified his footprint in Puerto Rico's reggaeton underground, building a dedicated following for his authentic, street-rooted delivery amid the genre's grassroots expansion.[18]Career peak, decline, and personal struggles (2002–2014)
Following the acrimonious split of Los Cangris with Daddy Yankee in 2004, triggered by a diss track from Nicky Jam and ensuing creative differences, Jam pursued a solo career with the release of his debut studio album Vida Escante on November 23, 2004, via Pina Records.[19][20] The album featured reggaeton tracks like "I'm Not Your Husband" and collaborations with artists such as Polaco and Trebol Clan, achieving moderate airplay in Puerto Rico amid the genre's rising popularity but failing to match the duo's prior commercial peaks.[20] Jam's professional trajectory declined sharply in the mid-2000s, marked by inconsistent releases and diminishing relevance as reggaeton evolved toward more polished, electro-influenced sounds that he did not adapt to effectively.[21] Poor management decisions, compounded by escalating substance abuse involving drugs and alcohol, eroded his focus and output, leading to financial strain and near-bankruptcy by the early 2010s.[4] He gained significant weight, reaching approximately 300 pounds (136 kg), and resorted to odd jobs in Puerto Rico, including performing lounge-style covers at a hotel to sustain his drug habit rather than producing original music.[3][4] Attempts to relocate within Puerto Rico and brief explorations of other markets yielded little success, as lifestyle choices prioritized personal excess over career rebuilding, resulting in virtual obscurity and minimal recorded output by 2014.[4] These struggles intertwined professional stagnation with emerging personal issues, including depression and addiction, though Jam maintained sporadic live performances in local venues.[3]Relocation, recovery, and resurgence (2015–2016)
While based in Medellín, Colombia—where Nicky Jam had relocated in 2007 to address personal struggles—he intensified recovery efforts in 2015, achieving sobriety by quitting drugs and alcohol amid the city's supportive music scene.[4] This turnaround included substantial weight loss of over 100 pounds through adopted healthier routines, enhancing his physical image and public motivation for resurgence.[5] Jam reconnected with music production by collaborating with local Medellín producers, laying groundwork for renewed output without immediate global breakthroughs.[22] Independent releases like the 2014 single "Voy A Beber," produced under his own NJ Music LLC, signaled an early shift toward melodic reggaeton styles and personal reflection on past habits. In 2015, he signed with Sony Music Latin, enabling strategic networking with Latin American artists and modest collaborations, such as a duet with Colombian vallenato singer Silvestre Dangond set for September release.[23] These alliances expanded his regional appeal, culminating in a move to Miami in 2016 while maintaining ties to emerging talents.[18]Breakthrough with Fénix and global hits (2017)
Nicky Jam released his third studio album, Fénix, on January 20, 2017, through Industria Inc., Sony Music Latin, and RCA Records.[24] The album debuted at number one on the Billboard Top Latin Albums chart, marking a significant commercial milestone driven by a mix of pure sales, streaming, and track equivalent units, with streaming accounting for 37 percent of its initial consumption.[25] Fénix generated over 885,000 album-equivalent units worldwide, reflecting robust sales performance amid the rising dominance of digital platforms.[26] Key singles from Fénix, such as "El Amante," propelled its global reach, achieving international acclaim and contributing to the album's streaming totals exceeding 3.4 billion plays on Spotify by later years, underscoring the era's shift toward on-demand audio consumption.[27][28] While earlier hits like "El Perdón" with Enrique Iglesias, which had topped the Billboard Hot Latin Songs chart for 30 weeks starting in 2015, laid groundwork for resurgence, Fénix capitalized on this momentum with new tracks that reinforced Jam's reggaeton prowess and broadened his audience beyond Latin markets.[29] To promote Fénix, Jam embarked on the Fenix Tour in 2017, performing in major venues across Mexico—including Monterrey, Mexico City, and Guadalajara—as well as international stops like Naples, Italy, and Tel Aviv, Israel.[30] Media outlets portrayed the album's success as a testament to personal resilience, with coverage in The New York Times highlighting Jam's transnational strategy and recovery from prior career lows, framing Fénix as a phoenix-like rebirth in the competitive reggaeton landscape.[21] This narrative, rooted in Jam's documented perseverance through addiction and obscurity, aligned with empirical indicators of revival, including sustained chart presence and award nominations like the Latin Grammy for Album of the Year.[10]Sustained success and recent developments (2018–present)
In 2018, Nicky Jam achieved significant commercial success with the single "X" featuring J Balvin, released on March 2, which topped charts in several Latin American countries and peaked at number 18 on the US Billboard [Hot Latin Songs](/page/Hot Latin Songs) chart.[31] The track's popularity was boosted by its performance at the 2018 FIFA World Cup closing ceremony, where Jam delivered it solo, contributing to his sustained visibility in the reggaeton scene.[32] Following this, Jam released the single "Te Robaré" with Ozuna on March 22, 2019, which garnered over 100 million streams on Spotify within months and reinforced his collaborative approach in urban Latin music. That year, his fourth studio album Íntimo debuted on November 1, featuring introspective tracks and collaborations, peaking at number 13 on the Billboard Top Latin Albums chart and maintaining his chart momentum amid the rise of streaming platforms.[33] Jam's Infinity album arrived on August 27, 2021, blending reggaeton with pop elements, supported by the Infinity Tour that included high-energy performances like the March 2022 Miami stop, where he showcased hits to enthusiastic crowds.[34] This period marked an adaptation to streaming dominance, with singles driving playlist placements and global listens. In 2024, INSOMNIO, released September 6, delved into personal themes of anxiety and insomnia, with Jam describing it as his most revealing work yet in interviews, amid rumors of potential retirement that he dismissed.[35] The album's 14 tracks, including "Empleado" with Eladio Carrión, received attention for their emotional depth, reflecting a pivot toward vulnerability in his reggaeton-pop fusion. The 2025 EP Sunshine, dropped February 27 with eight tracks like "Dile a ÉL," followed a brief political controversy over Jam's initial endorsement of Donald Trump, which he later retracted amid fan backlash; the project was hailed as a confident rebound, debuting strongly on Latin streaming charts and fueling the Sunshine Tour that concluded in August with sold-out European dates.[36][37] This release underscored his resilience, with fan reception emphasizing renewed energy in diversified Latin urban sounds.[38]Artistry
Musical style
Nicky Jam's music is fundamentally grounded in reggaeton, a genre defined by its dembow rhythm—a looping, syncopated percussion pattern originating from Jamaican dancehall and adapted into Spanish-language urban Latin sounds, typically played at 80-100 beats per minute.[39] Early releases, such as those from the late 1990s and early 2000s, exemplify raw reggaeton production with heavy basslines, minimalistic synths, and Auto-Tune-modulated vocals designed for high-energy perreo dancing, often featuring party-centric lyrics focused on nightlife, seduction, and bravado.[40] Billboard classifies much of this output under Latin Rhythm and Hot Latin Songs charts, where dembow-driven tracks like "Me Voy Pal Party" (2005) dominated urban radio play.[41] Post-2015 resurgence, particularly with the 2017 album Fénix, Nicky Jam incorporated polished hybrids blending traditional dembow with trap-influenced 808 bass drops and melodic hooks, shifting lyrical emphasis toward romantic ballads about love, heartbreak, and reconciliation—evident in hits like "El Perdón" (2015), which topped Billboard's Hot Latin Songs for 18 weeks through sung choruses over slowed rhythms.[6] This evolution features subtler Auto-Tune for vocal layering and atmospheric production, critiqued in some analyses for formulaic repetition in mid-tempo structures but praised for innovative fusions that broadened reggaeton's appeal beyond perreo intensity.[42] Spotify genre tags consistently categorize his catalog as reggaeton with romantic and urban Latin sub-elements, reflecting streaming data where romantic tracks garner over 70% of his top streams as of 2023.[43]Influences and evolution
Nicky Jam's initial foray into music drew heavily from the raw, underground reggaeton scene of 1990s Puerto Rico, where producers like DJ Playero shaped the genre's foundational sound through mixtapes featuring fast-paced dembow rhythms and street-oriented lyrics. As a teenager, Nicky Jam appeared on Playero's tapes alongside contemporaries such as Daddy Yankee, absorbing the gritty perreo style that emphasized aggressive beats and narratives of urban hardship, which defined early reggaeton's causal link to barrio realities rather than polished production.[44][45] During his relocation to Medellín, Colombia, in the mid-2010s, Nicky Jam's style pivoted toward romanticism, incorporating vallenato's melodic accordion-driven structures and pop-infused hooks inspired by local artists like J Balvin and Maluma, whose urban-Latin fusions broadened reggaeton's appeal beyond hardcore dembow. This shift marked a departure from drug-fueled aggression to more vulnerable, relationship-centric themes, aligning with personal maturation and the genre's commercialization, as reggaeton evolved from Puerto Rican underground exports to global pop hybrids.[18][5] The stylistic adaptation correlated with measurable commercial gains; while earlier works like those from the Los Cangris era achieved niche success in Latin markets, the 2017 album Fénix—emphasizing sung vocals and introspective recovery motifs—sold over 885,000 copies worldwide and debuted at No. 1 on Billboard's Top Latin Albums chart with 13,000 equivalent units in its first week.[26][25] This resurgence highlighted adaptability's role in sustaining relevance amid competition, though some observers attribute later outputs' mainstream polish to over-commercialization at the expense of raw edge, contrasting praise for pioneering reggaeton's pop evolution.[35]Key collaborations
Nicky Jam's formative partnership with Daddy Yankee began in the late 1990s as the duo Los Cangris, producing early reggaeton staples like "Guayando" and "Donde Están las Gatas," which helped establish the genre's underground momentum in Puerto Rico through mixtapes and club play.[12] Following personal and professional estrangement, the pair reconciled and revived Los Cangris in 2019, culminating in the 2020 single "Muévelo" for the Bad Boys for Life soundtrack, which charted on Billboard's Hot Latin Songs and symbolized resolved tensions enabling renewed creative synergy.[19] [46] Post-recovery, Nicky Jam's 2015 duet "El Perdón" with Enrique Iglesias marked a crossover milestone, topping Billboard's Hot Latin Songs chart and logging over 2.8 million U.S. streams in its peak week alone, while surpassing one billion YouTube views.[47] [48] The track secured six shared Billboard Latin Music Awards in 2016, including Hot Latin Song of the Year, and facilitated reggaeton's fusion with pop balladry, broadening its appeal beyond Latin markets.[49] The 2018 collaboration "X" with J Balvin incorporated synth-driven hooks blending reggaeton, dancehall, and Afrobeats, amplifying the genre's rhythmic experimentation and contributing to both artists' roles as architects of reggaeton's worldwide surge.[50] Additional ventures with Ozuna and Anuel AA, such as the 2019 "Whine Up" remix and features on multi-artist tracks like "Otro Trago," yielded hundreds of millions of Spotify streams per release, underscoring how these alliances quantified reggaeton's streaming dominance—collectively billions across platforms—and spurred genre cross-pollination with trap and urban Latin styles for enhanced global chart penetration.[51] [52]Personal life
Family background and relationships
Nick Rivera Caminero, known professionally as Nicky Jam, was born on March 17, 1982, in Lawrence, Massachusetts, to a Puerto Rican father, José Rivera, and a Dominican mother, Ysabel Caminero.[18][53] His mixed heritage reflected the immigrant communities of Lawrence, where he grew up amid economic hardship and familial instability.[54] At age 9, his mother abandoned the family due to her involvement in drug use and prostitution, leaving Jam to navigate early independence without her presence.[55][56] Following his parents' divorce, Jam relocated to Puerto Rico at age 10 with his father and sister, Stephanie, immersing himself in the island's urban music scene. His father played a pivotal role in this transition, providing stability and facilitating Jam's initial exposure to reggaeton through local influences and performances, fostering self-reliance in the absence of maternal support.[57] The move coincided with persistent poverty, as the family struggled financially, and Jam faced early legal issues, including brief incarceration as a minor amid neighborhood crime and survival challenges.[58] These experiences underscored a family dynamic centered on paternal guidance and personal resilience, shaping Jam's emphasis on independence from a young age.[59] Jam has four children from prior relationships: daughters Alyssa, Yarimar, and Luciana (the latter with Carolina Nieto), and son Joe Martin (with Janexsy Figueroa).[60][61] His romantic history includes high-profile partnerships with models and public figures, often intersecting with career highs and lows; for instance, he married Colombian model Angélica Cruz in a private ceremony in Medellín on February 25, 2017, following a two-year relationship, though the union ended in divorce by 2018.[62] These relationships have been marked by publicized separations, with Jam prioritizing co-parenting and family involvement despite logistical challenges, such as one child's partial upbringing by collaborator Arcángel.[63] By 2024, he was in a relationship with Juana Varón, whom he referred to as his wife during public appearances.[64]Addiction struggles and recovery
Nicky Jam began using drugs as early as age 14, influenced by a family environment where both parents struggled with addiction and his mother engaged in prostitution to support habits, leading him to experiment with substances amid early fame in the reggaeton scene.[65] His use escalated in the 2000s with percocet and other drugs, fueled by rapid wealth and youth, resulting in dependency that prioritized substance acquisition over professional commitments.[4] By the late 2000s, chronic abuse had deteriorated his health, culminating in a near-fatal overdose in 2010 that left him partially paralyzed temporarily and prompted a brain scan revealing severe damage.[66] This incident marked a decisive break, as Jam quit drugs cold turkey, enduring intense physical withdrawal—including significant pain and a 100-pound (45 kg) weight loss—without relying on formal rehabilitation programs.[67] His relocation to Medellín, Colombia, around 2011 provided a supportive environment away from Puerto Rican triggers, enabling sobriety through lifestyle changes, personal discipline, and avoidance of enablers, sustaining over 15 years drug-free by prioritizing health over indulgences.[5] Financially, the addiction period erased millions in earnings from squandered opportunities, such as missed collaborations and performances, contrasting sharply with post-2015 resurgence yields exceeding $10 million annually from hits like "El Perdón."[4] Despite this stability, alcohol emerged as a vulnerability in 2023–2024, with Jam admitting resurfaced dependency exacerbated by its legality and ubiquity in social settings, leading to depression, performance issues, and retirement considerations.[35] Recovery from alcohol involved recommitting to willpower, therapy for underlying PTSD and panic attacks from past traumas, and structured abstinence, achieving 2.5 months sober by early 2025 while acknowledging ongoing mental health battles as key to preventing further relapses.[58] Jam attributes sustained progress to self-forgiveness and rejecting shame-driven isolation, emphasizing individual agency over external validation in maintaining sobriety.[68]Political views
In 2017, Nicky Jam expressed support for Deferred Action for Childhood Arrivals (DACA) recipients, producing a video featuring Dreamers and advocating for their protection amid efforts to rescind the program under the Trump administration. This stance aligned with broader advocacy for undocumented immigrants brought to the United States as children, reflecting concerns over family separations and deportation risks associated with Trump-era immigration enforcement.[69] Jam's public political engagement intensified during the 2024 U.S. presidential election, when he endorsed Donald Trump on September 15 at a Las Vegas rally, citing the former president's economic policies as beneficial for Latinos in the U.S.[70][71] He appeared onstage wearing a MAGA hat and stated, "We need you back," emphasizing economic recovery over other issues.[72] On October 30, 2024, Jam withdrew his endorsement following comedian Tony Hinchcliffe's remark at a Trump campaign event labeling Puerto Rico "a floating island of garbage," which drew widespread backlash for disparaging the territory.[73] In an Instagram statement, he declared, "I renounce any support of Donald Trump and am removing myself from any political campaigns," explaining that while his initial support focused on economic priorities affecting Latino communities, Puerto Rico "deserves respect" and he had "learned my lesson."[74][75] He did not endorse any alternative candidate and announced a retreat from political endorsements.[76] Jam has made few other public statements on political matters, with his interventions largely tied to U.S. elections and immigration policies impacting Latino diaspora communities, amid pressures on artists from Puerto Rico and the Dominican Republic to navigate polarized American discourse without alienating fanbases.[77]Controversies
Feud with Daddy Yankee
The professional partnership between Nicky Jam and Daddy Yankee, initially under the duo Los Cangris formed in the late 1990s, dissolved around 2002 primarily due to financial disagreements, clashing egos, and Jam's worsening drug and alcohol addiction, which Yankee had attempted to address without success.[4][78] Yankee prioritized his solo trajectory, distancing himself to avoid association with Jam's self-destructive behavior, leading to an acrimonious split.[4] The rift escalated when Jam released a diss track targeting Yankee in 2004, amid Jam's career decline marked by legal troubles and substance abuse.[19] For over a decade, the feud manifested in public avoidance of collaborations and subtle industry tensions, with both artists pursuing independent paths in reggaeton's burgeoning scene; Jam later reflected that Yankee's interventions were well-intentioned but met with his own immaturity and denial.[4][78] Reconciliation began around 2015, as Jam achieved sobriety and career revival in Colombia, prompting mutual recognition of past errors and Yankee's early support.[79] This thaw enabled their first major joint project since the split: the track "Bella y Sensual" with Romeo Santos, released on July 20, 2017.[80] The resolution underscored personal growth for both, with Jam crediting Yankee's influence on his early development and Yankee affirming no lingering animosity; by 2019, they announced a Los Cangris revival for select performances.[19][81] Despite the conflict, the feud exemplified reggaeton's competitive dynamics, where Yankee's hits like Barrio Fino (2004) and Jam's comeback albums post-2014 propelled individual stardom without derailing the genre's global rise.[4][81]Backlash over political endorsements
In September 2024, Nicky Jam publicly endorsed Donald Trump for president during a campaign rally in Las Vegas on September 15, drawing immediate backlash from DACA recipients, who criticized the singer for supporting a figure who had attempted to terminate the Deferred Action for Childhood Arrivals program during his first term.[82] The endorsement, which included onstage praise for Trump's economic policies, amplified divisions within the Latin music community, where progressive-leaning fans expressed disappointment on social media and in interviews.[70] Mexican rock band Maná, known for its left-leaning activism, responded by withdrawing a planned collaboration with Jam from their upcoming album, citing irreconcilable differences over the endorsement.[83] This move highlighted tensions between reggaeton artists and established Latin rock acts, with Maná's decision receiving coverage in outlets sympathetic to immigrant rights causes.[83] The controversy escalated after a Trump campaign event at Madison Square Garden on October 27, 2024, where comedian Tony Hinchcliffe referred to Puerto Rico as a "floating island of garbage," prompting Jam to retract his endorsement on October 30.[73] In a social media statement, Jam cited the remarks as crossing a line regarding his Puerto Rican heritage, declaring he would refrain from future political endorsements to focus on music.[84] Jam's February 2025 EP Sunshine, released on February 27, marked his return to music amid the fallout, featuring reggaeton tracks emphasizing personal resilience without direct references to the political episode.[36] In subsequent interviews, he described the experience as a lesson in avoiding politics, noting Trump's personal apology for misgendering him as "she" during the rally but emphasizing career priorities over ideological alignment.[75] The episode underscored the risks for Latin artists in politically charged environments, where endorsements can alienate segments of diverse fan bases expecting alignment with identity-based advocacy, though no verifiable data indicated sustained declines in Jam's streaming or sales metrics post-retraction.[85]Other professional activities
Filmography
Nicky Jam entered acting with a supporting role as Lazarus in the action film xXx: Return of Xander Cage (2017), marking his Hollywood debut alongside Vin Diesel; the part integrated elements of his reggaeton persona into the high-octane narrative, though it received limited critical attention beyond boosting Latin artist visibility in mainstream cinema.[86][87] He followed with a cameo as Lorenzo "Zway-Lo" Rodriguez in Bad Boys for Life (2020), a role that emphasized comedic streetwise flair in the buddy-cop franchise, aligning with his music's urban themes but not extending to substantial character development.[86][88] In animation, he voiced Butch Cat in Tom & Jerry (2021), contributing to the hybrid live-action/animated format with a brief but energetic performance tied to the film's chaotic ensemble.[86][88] His most prominent on-screen involvement came in the Netflix biographical series Nicky Jam: El Ganador (2018), where he portrayed a dramatized version of himself across 13 episodes chronicling his rise in reggaeton, addiction battles, and comeback; executive produced in part by his team, the series blended autobiography with scripted reenactments, prioritizing inspirational narrative over nuanced acting and garnering praise for authenticity in depicting Puerto Rican music culture despite formulaic biopic tropes.[89][88]| Year | Title | Role | Type | Notes |
|---|---|---|---|---|
| 2017 | xXx: Return of Xander Cage | Lazarus | Film | Supporting role; debut integrating music ties to action spectacle. |
| 2018 | Nicky Jam: El Ganador | Himself (dramatized) | TV Series | Lead in 13-episode biopic; focuses on career trajectory and recovery. |
| 2020 | Bad Boys for Life | Lorenzo "Zway-Lo" Rodriguez | Film | Cameo in action-comedy; extends reggaeton image to Hollywood franchise. |
| 2021 | Tom & Jerry | Butch Cat (voice) | Film | Animated role; minor contribution to ensemble voicing. |
Business ventures and philanthropy
Nicky Jam has expanded into hospitality and real estate following his musical resurgence. In March 2021, he opened La Industria Bakery & Cafe, a bakery and coffee shop in Miami, Florida, marking his entry into the food service sector.[90] By 2022, he expressed ambitions to scale this venture, including additional restaurants, nightclubs, and hotels, leveraging his business acumen in these areas.[91] His real estate activities, centered around his former base in Medellín, Colombia—where he resided during his career recovery—have included ownership of luxury properties, such as a high-end apartment sold in 2023.[92] In philanthropy, Nicky Jam established the Nicky Jam Scholarship through the Latin GRAMMY Cultural Foundation in 2023, providing up to $200,000 in financial aid for deserving music students pursuing bachelor's degrees at Berklee College of Music, beginning in the fall semester.[93] The inaugural recipient, Dominican pianist Leomar Cordero, received the award in August 2023, supporting the foundation's broader mission that has distributed over $13.9 million in scholarships to date.[94] [95] Following Hurricane Maria's devastation in September 2017, Nicky Jam returned to Puerto Rico within days to participate in relief efforts, collaborating with artists like Luis Fonsi, Ricky Martin, and Chayanne to deliver aid, including water distributions and fundraising initiatives for affected communities.[96] [97] These actions focused on immediate on-the-ground support rather than specified monetary donations, aligning with collective celebrity responses to the crisis.[98]Discography
Studio albums
Nicky Jam's debut studio album, Vida Escante, was released on November 23, 2004, by Pina Records and Universal Music Latino. It reached number four on the Billboard Tropical/Salsa Albums chart.[99][100] His follow-up, The Black Carpet, came out on December 11, 2007, through Pina Records and Universal Music Latino, featuring collaborations with artists like R.K.M & Ken-Y.[101][102] After a hiatus amid personal challenges, Jam returned with Fénix on January 20, 2017, via Sony Music Latin and RCA Records. The album debuted at number one on the Billboard Top Latin Albums chart with 13,000 equivalent album units in its first week and earned 10× Platinum (Latin) certification from the RIAA.[25][103] Later releases include Íntimo on November 1, 2019, Infinity on August 27, 2021—which peaked at number nine on the Top Latin Albums chart—and Insomnio on September 6, 2024, all distributed by Sony Music Latin. Infinity marked his third top 10 entry on the Top Latin Albums chart.[104][105][35]| Title | Release date | Label | Selected peak chart positions | Certifications |
|---|---|---|---|---|
| Vida Escante | November 23, 2004 | Pina Records, Universal Music Latino | US Tropical/Salsa #4[99] | - |
| The Black Carpet | December 11, 2007 | Pina Records, Universal Music Latino | - | - |
| Fénix | January 20, 2017 | Sony Music Latin, RCA Records | US Top Latin Albums #1[25] | RIAA: 10× Platinum (Latin)[103] |
| Íntimo | November 1, 2019 | Sony Music Latin | - | - |
| Infinity | August 27, 2021 | Sony Music Latin | US Top Latin Albums #9[105] | - |
| Insomnio | September 6, 2024 | Sony Music Latin | - | - |
Notable singles and compilations
Nicky Jam's breakthrough single "El Perdón", featuring Enrique Iglesias and released in 2015, topped the Billboard Hot Latin Songs chart after debuting at No. 50 on February 21, 2015, marking a pivotal crossover success that blended reggaeton with mainstream pop appeal and amassed over 1 billion YouTube views.[29][48] The track's extended chart dominance, including 26 consecutive weeks near the top, underscored its role in revitalizing Nicky Jam's career post-recovery and expanding reggaeton's global reach by attracting non-Latin audiences.[106][107] In 2018, "X" with J Balvin achieved No. 1 on Billboard's Latin Pop Songs airplay chart and topped national charts in countries including Spain, Italy, Portugal, Bolivia, El Salvador, Panama, Paraguay, and Peru, contributing to the duo's streaming virality amid reggaeton's international surge.[108][109] The single's performance highlighted collaborative dynamics driving chart longevity, with sustained radio and digital plays reflecting broader Latin urban trends. Early in his career, Nicky Jam participated in Los Cangris-era mixtape compilations with Daddy Yankee, such as the 2001 El Cartel II: Los Cangris, which featured tracks like "Los Cangris" and "Tu Cuerpo en la Cama", helping cement the duo's underground influence in Puerto Rican reggaeton before mainstream breakthroughs.[110] Later mixtape-style releases, including Los Super Amigos The Mixtape (2019 reissue context), echoed this raw, street-level format with songs like "En La Cama" and "Rítmo De La Calle", fostering early fanbases through informal distribution networks.[111] More recently, "Hiekka" featuring Beéle reached No. 1 on Billboard's Latin Rhythm Airplay chart in September 2025, signaling continued airplay strength.[112] Tracks from the 2025 Sunshine EP, such as "Dile a ÉL" released February 27, 2025, have contributed to Nicky Jam's cumulative 23.7 billion Spotify streams, exemplifying streaming-era virality where algorithmic plays amplify standalone releases beyond traditional radio.[113][114]Awards and nominations
Nicky Jam has received more than 100 nominations and 28 awards in his career, with 13 wins at the Billboard Latin Music Awards, recognizing his contributions to Latin music charts and sales.[7] In September 2022, he was inducted into the Billboard Latin Music Hall of Fame for his global influence as a reggaeton pioneer, an honor presented by his father during the ceremony.[115][116] His collaborations have earned specific accolades, such as the 2019 iHeartRadio Music Award for Latin Song of the Year for "X" with J Balvin.[117] At the 2017 SESAC Latin Music Awards, he won Crossover Song of the Year for "Hasta El Amanecer (Remix)" with Enrique Iglesias.[118] Nicky Jam has secured four Latin Grammy nominations but no wins as of 2025, including Best Reggaeton Performance for "Nicky Jam: Bzrp Music Sessions, Vol. 41" and Best Urban Song for "Ojos Rojos" at the 23rd Annual Latin Grammy Awards in 2022.[119] He received additional nominations in 2018 for three categories related to his album Fénix and singles like "El Perdón."[120]| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 2022 | Billboard Latin Music Awards | Hall of Fame | Career achievement | Won[115] |
| 2019 | iHeartRadio Music Awards | Latin Song of the Year | "X" (with J Balvin) | Won[117] |
| 2017 | SESAC Latin Music Awards | Crossover Song of the Year | "Hasta El Amanecer (Remix)" (with Enrique Iglesias) | Won[118] |
| 2022 | Latin Grammy Awards | Best Reggaeton Performance | "Nicky Jam: Bzrp Music Sessions, Vol. 41" | Nominated[119] |
| 2022 | Latin Grammy Awards | Best Urban Song | "Ojos Rojos" | Nominated[119] |