Nine Days
Nine Days is an American rock band from Long Island, New York, formed in 1994 by singer-songwriters John Hampson and Brian Desveaux.[1] The band rose to mainstream success in 2000 with the single "Absolutely (Story of a Girl)", which peaked at number six on the US Billboard Hot 100, and their major-label debut album The Madding Crowd, certified gold by the RIAA for sales of 500,000 copies.[2][1] After a period of challenges in the mid-2000s, Nine Days released the independent album Snapshots in 2016 and have remained active, touring internationally and celebrating the 25th anniversary of their breakthrough hits in 2025.[1][3]History
1994–1999: Formation and independent releases
Nine Days was formed in 1994 in Long Island, New York, by singer-songwriters and guitarists John Hampson and Brian Desveaux as a folk-rock duo focused on crafting original songs.[1][4] The pair, who had previously collaborated in other bands, aimed to create a more melody-driven project after years of playing covers and heavier music.[4] They named the group Nine Days, drawing from the intense nine-day songwriting session that kickstarted their creative process.[5] The band's debut album, Something to Listen To, arrived in 1995 via the independent label Dirty Poet Records, which was operated by the group itself.[6] This raw, alternative rock effort captured their early sound blending introspective lyrics with energetic guitar work, and it supported a series of local club performances across Long Island venues to build grassroots support.[1][4] Building on this momentum, Nine Days expanded into a full band configuration, incorporating drummer Vincent Tattanelli from their prior cover band experiences, to enhance their live dynamics.[4] In 1996, they released their second independent album, Monday Songs, also on Dirty Poet Records, which showcased a maturing songcraft with tracks emphasizing themes of perseverance and everyday life.[7] The record further solidified their regional presence through continued touring and performances at East Coast spots, helping to refine their power pop-infused alternative style.[1] By this point, bassist Nick Dimichino had joined, rounding out the rhythm section for a more robust stage presence.[4] The 1998 release of their third album, Three, marked a pivotal moment, as its blend of acoustic introspection and rock anthems drew attention beyond Long Island and caught the ear of major-label scouts.[1][8] Recorded independently on Dirty Poet Records, the eight-track effort highlighted the band's growth and led directly to their signing with 550 Music, a Sony imprint, in February 1999.[1] This deal came after persistent local gigs and demo showcases that demonstrated their potential for broader appeal.[4]2000–2002: Major-label breakthrough and commercial peak
In 2000, Nine Days achieved their major-label breakthrough with the release of their debut album for 550 Music/Epic Records, The Madding Crowd, on May 16. The album was primarily produced by Nick DiDia, blending power pop elements with alternative rock influences, while the lead single was produced by Max Martin and Andreas Carlsson. It quickly gained traction, shipping over 500,000 copies in the United States and earning a RIAA Gold certification by September of that year, marking the band's commercial peak.[1][9] The lead single, "Absolutely (Story of a Girl)," propelled the band to national prominence, peaking at No. 6 on the Billboard Hot 100 in 2000 and receiving heavy rotation on MTV, which helped amplify its upbeat, nostalgic appeal. Certified Gold by the RIAA shortly after release, the track's success was bolstered by its catchy chorus and relatable storytelling, contributing significantly to the album's sales momentum. Follow-up single "If I Am" followed in late 2000, peaking at No. 68 on the Billboard Hot 100 and No. 20 on the Adult Top 40 chart and exploring introspective themes of self-doubt and emotional vulnerability in its lyrics. Supporting the album, Nine Days embarked on an extensive national tour across the United States, including high-profile appearances such as their debut on The Tonight Show with Jay Leno on June 9, 2000, and performances at major radio festivals that exposed them to broader audiences. These live efforts solidified their fanbase amid the one-hit wonder narrative, despite internal band tensions that began to surface during this intense promotional period.[1][10] The band's momentum carried into 2002 with preparations for their second major-label album, So Happily Unsatisfied, which underwent a noticeable shift toward a more polished pop-rock sound. However, its release faced repeated delays due to issues at 550 Music/Epic Records, including executive changes and the eventual leak of tracks online, resulting in only a limited promotional version being distributed in November 2002 rather than a full commercial rollout. Critics offered mixed reviews, praising the melodic hooks but critiquing the production's glossy departure from the band's rawer indie roots, ultimately contributing to the group's label drop and a transitional phase.[11]2003–2009: Independent era and challenges
Following the commercial disappointment of their 2002 album So Happily Unsatisfied, which was shelved by Sony due to internal label disputes and failure to meet sales expectations from their prior major-label success, Nine Days parted ways with the label in early 2003.[12][11] The band transitioned to independence, self-releasing their next album, Flying the Corporate Jet, later that year on their own Madding Music imprint.[13] Limited distribution confined the album primarily to dedicated fans through direct sales and small-scale promotion, yet it garnered praise for its raw energy and refusal to dwell in major-label bitterness.[14] Thematically, Flying the Corporate Jet critiqued the music industry's exploitative nature, with frontman John Hampson channeling frustrations from the Sony fallout into songs about reinvention and disillusionment.[15] Tracks like "Starting Over" captured personal and professional resets, emphasizing resilience amid setbacks, while the album's title evoked satirical imagery of fleeting corporate excess.[13] To stabilize the lineup, the band recruited veteran drummer John Miceli—known for his work with Meat Loaf—for the recording sessions, marking a key addition that bolstered their rhythm section.[12][13] In 2007, Nine Days issued the EP Slow Motion Life (Part One) on their Dirty Poet Records label, featuring six new tracks that incorporated experimental acoustic arrangements alongside their signature pop-rock hooks.[16] The release highlighted a more introspective sound, blending stripped-down elements with thematic explorations of everyday perseverance, though it too relied on grassroots distribution to reach audiences.[17] Throughout the mid-2000s, the band maintained a sporadic touring schedule amid ongoing challenges from label fallout and the broader industry's shift toward digital formats and declining physical sales.[5] Performances included club gigs and occasional festival slots, such as a 2007 show at Johns Hopkins University where they mixed new material from Flying the Corporate Jet with earlier hits to engage loyal fans.[5] These efforts sustained a core following but struggled against reduced mainstream visibility. By 2008–2009, Nine Days entered a brief hiatus, with members turning to side projects; Hampson released a solo EP, Seventeenminutesandthirtyeightsecondsinthedark, while Miceli continued session work with other artists.[15] This period represented a low point in their exposure, as the band navigated personal pursuits without new group output, reflecting the cumulative toll of independent operations in a consolidating industry.[12]2010–present: Revival, collaborations, and recent activities
In 2013, Nine Days self-released Something Out of Nothing, their first full-length album since 2003, marking an initial step in their creative resurgence with a mix of new tracks reflecting their established sound.[18] In 2016, the band followed with Snapshots, another self-released full-length album featuring 12 new tracks produced by Jim Scott and distributed through Digitally Sound Records.[19] The album was promoted directly to fans via the band's website and digital platforms.[20] Lead singer John Hampson contributed specially recorded alternate versions of the band's 2000 hit "Absolutely (Story of a Girl)" for the 2022 film Everything Everywhere All at Once, directed by Daniel Kwan and Daniel Scheinert.[21] These versions, including acoustic and multiverse-themed renditions, integrated the song into the movie's narrative about parallel realities, with Hampson collaborating enthusiastically after being contacted by the filmmakers.[22] The inclusion revitalized interest in the track, aligning its lyrics with the film's exploration of infinite possibilities.[23] In February 2024, Nine Days appeared in Travel South Dakota's inaugural Super Bowl commercial, rewriting "Absolutely (Story of a Girl)" as "Absolutely (Story of a State)" to highlight the state's landmarks like Mount Rushmore and Badlands National Park.[24] The 30-second spot, which aired during the game in select markets including Denver and Minneapolis, featured the band performing the adapted song and garnered widespread media coverage for its nostalgic tourism pitch.[25] The commercial's viral reception on social media and news outlets underscored the enduring appeal of the band's music in modern advertising.[26] That same year, the band performed on the Summer of '99 Cruise, a rock-themed voyage departing from Miami, where they shared the bill with Creed, 3 Doors Down, and other '90s acts, reinvigorating their live performances after a period of limited touring.[27] The April 2024 event, aboard the Norwegian Pearl, allowed Nine Days to connect with fans through sets of their classic hits, contributing to a broader revival of their stage presence.[28] In 2025, to celebrate the 25th anniversary of "Absolutely (Story of a Girl)" and The Madding Crowd, Nine Days performed a show on May 31 at 89 North Music Venue in Patchogue, New York, and embarked on their first Australian tour November 13–15. Later that year, in November, the band participated in the "Story of a Song - A 90’s Unplugged Experience" tour, joining artists like Chris Barron of Spin Doctors, Brian Vander Ark of The Verve Pipe, and Vinnie Dombroski of Sponge for acoustic sets across New England venues such as Tupelo Music Hall and Paramount Theatre.[29][30] These unplugged events emphasized narrative-driven renditions of '90s hits, fostering intimate fan interactions.[31] The band's catalog, including early albums like The Madding Crowd and later releases such as Snapshots, remains widely available on streaming platforms like Spotify and Apple Music, sustaining listener engagement into 2025.[32] Earlier hits like "Absolutely (Story of a Girl)" continue to be repurposed in contemporary media, extending the band's cultural footprint.Band members
Current members
As of 2025, Nine Days maintains a stable lineup that has been consistent for touring and recordings, including their Australian tour dates in November and U.S. performances throughout the year.[30][33][34] John Hampson serves as the band's lead vocalist and rhythm guitarist, having co-founded Nine Days in 1994 alongside Brian Desveaux; he is the primary songwriter, responsible for crafting folk-influenced melodies in hits like "Absolutely (Story of a Girl)," which he wrote about his then-girlfriend.[1][35] Brian Desveaux handles lead vocals and lead guitar, also a co-founder since 1994, contributing to the band's songwriting, including co-writing tracks on their 2016 album Snapshots with a country-rock influence.[1] Jeremy Dean provides keyboards and backing vocals, having joined in the mid-1990s to round out the early lineup; he adds pop-rock arrangements and saxophone elements to live performances and recordings like Snapshots.[1][36] Nick Dimichino plays bass guitar and backing vocals, joining around the band's formation in 1994 to establish the rhythmic foundation for their pop-rock sound on albums such as The Madding Crowd and subsequent tours.[1][37]) John Miceli has been the drummer and percussionist since the early 2000s, officially welcomed as a permanent member in 2024 after earlier collaborations; his experience with rock acts like Meat Loaf infuses high-energy dynamics into the band's post-2000 material and live sets.[1][38][34]Former members
Vincent Tattanelli served as Nine Days' original drummer from the band's formation in 1994 until around 2000–2003, having previously played with founders John Hampson and Brian Desveaux in the cover band Wonderama.[39][40] He contributed drums to the independent releases Something to Listen To (1995), ...Monday Songs (1996), and Three (1998), as well as the major-label breakthrough The Madding Crowd (2000), supporting the group's shift from local Long Island acts to national success with hits like "Absolutely (Story of a Girl)".[4][10] Tattanelli's tenure provided rhythmic stability during the band's commercial peak, but he departed before the 2003 album Flying the Corporate Jet, which featured John Miceli on drums; following the group's hiatus from major touring and recording after 2003, the revived lineup in 2014 featured Miceli.[1][13] No other long-term former members are documented, though early demos utilized session drummers before Tattanelli's full integration.[40]Discography
Studio albums
Nine Days has released several studio albums since its formation in 1994, transitioning from independent productions to major-label releases and back to self-released works. The band's discography reflects their evolution from raw, local rock sounds to more polished alternative rock, with key commercial success in the early 2000s.| Album | Release date | Label | Number of tracks | Notes and certifications |
|---|---|---|---|---|
| Something to Listen To | 1995 | Dirty Poet Records | 14 | Debut independent album, recorded in just nine days, featuring raw pop rock production.[6][1] |
| ...Monday Songs | 1996 | Dirty Poet Records | 11 | Second independent release, building on the band's early alternative rock style.[7] |
| Three | 1998 | Dirty Poet Records | 8 | Pre-major-label effort with acoustic and country rock influences.[8] |
| The Madding Crowd | May 16, 2000 | 550 Music/Epic | 12 | Major-label debut, sold over 500,000 copies in the US, certified Gold by the RIAA.[1] |
| So Happily Unsatisfied | September 17, 2002 (recorded; officially released January 2018) | 550 Music/Epic | 12 | Follow-up to major debut, delayed for over 15 years due to label disputes, receiving mixed reviews upon release.[11][41] |
| Flying the Corporate Jet | 2003 | Dirty Poet Records (self-released) | 13 | Independent album exploring themes of music industry critique.[13] |
| Something Out of Nothing | October 25, 2013 | Madding Music | 10 | Self-released return after a hiatus, blending rock and folk elements.[18] |
| Snapshots | July 8, 2016 | Madding Music | 12 | Features a mix of new recordings and reimagined older material.[19] |
Extended plays
Nine Days released their first extended play, Slow Motion Life (Part One), on January 19, 2007, through their independent label Dirty Poet Records.[16] This limited-edition CD featured six original tracks—"A Girl in California," "Suddenly (A Brown Eyed Girl)," "Worth Fighting For," "Just As Through With You," "New Shoes," and "Brand New Day"—clocking in at approximately 26 minutes total, and marked a shift toward more intimate, self-produced material after their major-label era.[42] The EP was initially available directly from the band and select outlets, emphasizing their grassroots distribution approach during the independent phase.[17] In 2013, the band released Slow Motion Life (Part Two) digitally, featuring six incomplete demos including "All That I'll Be Wrong," "Bri Song (Version 1)," "Symphony (No Vocals)," "Slow Motion Life (Edit)," "Easy (1 Piano Overdub)," and "Absolutely Everything (Nothing Less)," intended to pair with Part One as a full album, running about 25 minutes.[43] In 2023, the band issued Absolutely (Story of a Girl) [Re-Recorded - Sped Up], a four-track EP on Cleopatra Records, revisiting their signature hit with accelerated, re-recorded versions alongside sped-up renditions of "If I Am," "257 Weeks," and "Every Other Time."[44] Released on May 5, this digital-focused EP catered to modern streaming trends and nostalgia-driven audiences, running about 12 minutes in length.[45]Singles
Nine Days' breakthrough single "Absolutely (Story of a Girl)", released in 2000 from their major-label debut album The Madding Crowd, achieved significant commercial success, peaking at number 6 on the Billboard Hot 100 chart and number 10 on the Alternative Airplay chart. The track received a Gold certification from the RIAA on June 2, 2025, for 500,000 units sold or streamed in the United States.[1][46][47] The follow-up single "If I Am", also from The Madding Crowd and released in late 2000, reached number 68 on the Billboard Hot 100 and number 20 on the Adult Pop Airplay chart, marking moderate success on adult contemporary radio formats.[46][48] "Good Friend", issued in 2002 as the lead single from the band's second major-label album So Happily Unsatisfied, garnered moderate airplay primarily on adult pop stations, peaking at number 26 on the Adult Pop Airplay chart.[48] During their independent phase, Nine Days did not release chart-topping singles, with promotional efforts focused on album tracks like those from 2003's Flying the Corporate Jet, though none achieved notable chart positions.[1] In 2016, the band returned with the album Snapshots, promoting the single "Greenlight" to adult contemporary, hot adult contemporary, and adult album alternative radio formats, though it did not enter major Billboard charts. Additional non-charting singles followed in 2018 ("Happy, Too", "Bottle of Wine", "The Song") and 2022 ("I Want You To Remember", "Absolutely (Story of a Girl) [Re-Recorded]"). As of November 2025, the band has focused on acoustic re-interpretations of their catalog during live performances and tours.[48][49][32]| Title | Year | Album | Peak Positions | Certifications |
|---|---|---|---|---|
| "Absolutely (Story of a Girl)" | 2000 | The Madding Crowd | Billboard Hot 100: #6 Alternative Airplay: #10 | RIAA: Gold (2025) |
| "If I Am" | 2000 | The Madding Crowd | Billboard Hot 100: #68 Adult Pop Airplay: #20 | — |
| "Good Friend" | 2002 | So Happily Unsatisfied | Adult Pop Airplay: #26 | — |
| "Greenlight" | 2016 | Snapshots | — | — |