The Madding Crowd
The Madding Crowd is the major-label debut studio album by American rock band Nine Days. Released on May 16, 2000, by 550 Music and Epic Records, it marked the band's breakthrough with the hit single "Absolutely (Story of a Girl)".[1] The album blends alternative rock and pop influences, exploring themes of relationships and personal reflection across 12 tracks. It peaked at number 67 on the US Billboard 200 chart and was certified gold by the RIAA for shipments of over 500,000 copies.[2] The title is derived from the phrase in Thomas Gray's 1751 poem Elegy Written in a Country Churchyard, popularized by Thomas Hardy's 1874 novel Far from the Madding Crowd, symbolizing escape from societal pressures.[3]Background
Band history
Nine Days was formed in 1994 in Long Island, New York, by singer-songwriters and guitarists John Hampson and Brian Desveaux, who had previously collaborated in local groups.[2] The band's name originated from the nine days it took to record their debut album.[2] The group released three independent albums during the 1990s on their own Dirty Poet Records label. Their first, Something to Listen To, came out in 1995 and featured raw power pop tracks that established their sound. This was followed by Monday Songs in 1996, which earned local praise and helped build a regional following through radio play and live shows. Their third effort, Three, arrived in 1998 and included more polished songwriting, further honing the dual-vocalist dynamic between Hampson and Desveaux.[4] By the late 1990s, Nine Days had generated significant local buzz in the New York area, winning radio contests and attracting attention from industry scouts via demo tapes.[5] This culminated in a major-label deal with 550 Music, a Sony imprint under Epic Records, signed in 1999 after their demos impressed A&R representatives.[6][5] At the time of signing, the band's lineup consisted of John Hampson on lead vocals and rhythm guitar, Brian Desveaux on lead vocals and lead guitar, Jeremy Dean on keyboards and backing vocals, Nick Dimichino on bass guitar, and Vincent Tattanelli on drums, forming a core five-piece unit that would enter the studio for their major-label debut.[5]Album development
The title of the album draws inspiration from Thomas Hardy's 1874 novel Far from the Madding Crowd.[7] This choice symbolized the band's navigation of mainstream expectations, contrasting the novel's theme of retreat from societal frenzy while emphasizing modern, relatable narratives in their music.[7] A key element of the album's development was the re-recording of "Absolutely (Story of a Girl)," originally featured on an independent demo from 1998 that gained local radio airplay. The song, penned by frontman John Hampson, originated from a personal argument with his then-girlfriend Teresa Savino, who later became his wife; it captures his regret over making her cry amid relationship tensions, using exaggerated lyrics to convey emotional turmoil.[3] This track, along with others, was refined for the major-label release to highlight the band's shift toward more accessible pop-rock elements. Songwriting for The Madding Crowd was led primarily by Hampson and co-founder Brian Desveaux, who had collaborated since 1993 after transitioning from heavier rock styles to pop-oriented material. They selected 12 tracks focused on personal stories of relationships and self-reflection, aiming to balance catchy hooks with introspective lyrics influenced by late-1990s alternative rock acts like Pearl Jam and Barenaked Ladies.[2][7] The band's prior independent releases, including Three (1998), had built regional momentum, paving the way for their 1999 signing to 550 Music, an Epic Records imprint.[2]Recording
Sessions
The recording sessions for The Madding Crowd took place at Tree Sound Studios in Atlanta, Georgia, spanning approximately two months in June and July 1999.[8][1] This location was confirmed in the album credits, correcting earlier assumptions that the sessions occurred in Nashville.[9] As the band's first major-label project following their signing with 550 Music/Epic in February 1999, the sessions enabled extended tracking time and access to high-quality equipment, including vintage instruments and amplifiers.[6][8][2] The band experienced long days of work in the professional studio environment, though they described the process as enjoyable overall.[8] To preserve their live performance energy, the core tracks were recorded with the full band playing together in the room, emphasizing raw and human performances over isolated overdubs.[8] Producer Nick DiDia played a key role in guiding these sessions, focusing on capturing the band's authentic sound.[8] The album's total runtime of 53:45 was finalized during the subsequent mixing phase.[1]Production
The album The Madding Crowd was produced, engineered, and mixed by Nick DiDia, a veteran collaborator known for his work with Pearl Jam on albums like Vitalogy and No Code, as well as Bruce Springsteen and Rage Against the Machine, delivering a clean, radio-friendly rock production that highlighted the band's melodic hooks and energetic arrangements.[10][11][6] Band keyboardist Jeremy Dean contributed keyboards and piano throughout, including Hammond organ accents on tracks like "Sometimes," adding to the album's textured sound.[12][13] Production techniques featured layered guitars to build infectious hooks and dynamic contrasts, with final mixes carefully balancing raw energy and polished melody across the alternative rock tracks. The recording sessions took place at Tree Sound Studios in Atlanta, providing a solid foundation for DiDia's approach.[1][14] In post-production, the album was mastered at A&M Mastering Studios in Hollywood, California, emphasizing dynamic range to suit the alternative rock format and ensure broad playback compatibility.[14]Music and lyrics
Musical style
The Madding Crowd exemplifies alternative rock with prominent pop-rock hooks and roots rock elements, blending melodic accessibility with emotional depth. The album's sound draws from 1990s influences such as Matchbox Twenty and Goo Goo Dolls, characterized by catchy, anthemic structures that prioritize radio-friendly appeal while retaining a rock edge.[1][15][16] The band has cited Bruce Springsteen and Bob Dylan as key inspirations, infusing roots rock sensibilities through heartfelt storytelling and folk-tinged arrangements.[17] Instrumentation plays a central role in the album's texture, featuring dual guitars that build to soaring choruses, keyboards for subtle melodic fills, and steady drum grooves underscoring mid-tempo rhythms designed for broad listenability.[16][1] Production highlights include bright, polished mixes achieved at Tree Sound Studios in Atlanta, which enhance the clarity of vocals and instruments.[1] This approach marks a shift from the band's earlier independent releases, which featured a rawer, less refined indie sound honed through three self-released albums prior to their major-label debut.[5] Specific tracks illustrate these stylistic choices: "So Far Away" delivers upbeat power pop energy with driving guitars and infectious hooks, while "Bob Dylan" evokes folk-rock through acoustic-leaning elements and narrative introspection.[16][17] Overall, the musical framework complements the album's thematic narratives by providing an uplifting yet grounded sonic backdrop.Song themes
The lyrics of The Madding Crowd center on themes of romantic longing, regret, and personal growth, often drawn from the personal experiences of lead singer and songwriter John Hampson. In "Absolutely (Story of a Girl)," Hampson reflects on the emotional hesitation and commitment in a romantic relationship, inspired by his then-girlfriend Teresa Savino, whom he married in 2001 after grappling with doubts about marriage.[2][3] Other recurring motifs include isolation and the fear of solitude, as explored in "End Up Alone," where the narrator contemplates the inevitability of ending up alone despite the pull of relationships and the need to "find our way back home."[18] The passage of time and overcoming stagnation feature prominently in "257 Weeks," which depicts the struggle to move forward after a prolonged period of waiting—equivalent to nearly five years—for personal fulfillment and new beginnings.[19] Additionally, "Bob Dylan" pays homage to artistic influences, portraying a budding creator in the basement striving for inspiration and belief from others, echoing the introspective drive of figures like Bob Dylan.[20] Hampson and guitarist Brian Desveaux employ first-person narratives throughout the album, creating intimate, confessional storytelling rooted in everyday emotional conflicts. Ten of the twelve tracks are written solely by Hampson or co-written with Desveaux, emphasizing their collaborative core in crafting relatable tales of self-discovery.[21] The album's title, referencing Thomas Hardy's Far from the Madding Crowd, underscores an overarching narrative arc of retreating from societal chaos into personal introspection, using lyrics as a means to process regret and growth amid relational turmoil.[22] This thematic escape is enhanced briefly by the musical style's memorable hooks, which amplify the emotional delivery of the stories.[2]Release and promotion
Singles
The lead single from The Madding Crowd, "Absolutely (Story of a Girl)", was released on March 21, 2000. It peaked at number 6 on the Billboard Hot 100 chart and number 10 on the Alternative Songs chart. The accompanying music video, directed by Liz Friedlander, depicted the band performing amid nostalgic visuals evoking romantic reminiscence and youthful longing. The second single, "If I Am", followed on August 29, 2000, and achieved a peak position of number 20 on the Billboard Adult Top 40 chart. Its music video, helmed by director Ulf Buddensieck, highlighted the track's introspective emotional balladry through intimate band performances and subtle dramatic staging. No third single was officially released from the album, although "So Far Away" garnered minor radio airplay on alternative and pop stations. The breakthrough success of "Absolutely (Story of a Girl)", certified 2× Platinum by the RIAA in 2025, was instrumental in propelling The Madding Crowd's commercial momentum and overall sales. Promotion for the singles aligned closely with Nine Days' extensive touring efforts in support of the album.Touring and marketing
Nine Days' major-label debut album, The Madding Crowd, was supported by a targeted marketing campaign from Epic Records, emphasizing radio airplay and music video exposure to capitalize on the breakout single "Absolutely (Story of a Girl)." The label invested in extensive radio promotion, securing heavy rotation on pop and alternative stations, which helped propel the track to widespread popularity in the U.S.[23] The accompanying music video, directed and featuring scenes of youthful romance, received regular airplay on MTV's 120 Minutes and VH1, contributing to the song's visual branding among young adult audiences.[24] Promotional materials, including posters and in-store displays distributed by Epic, highlighted the album's energetic pop-rock sound and the single's catchy appeal, positioning Nine Days as an emerging act in the post-grunge landscape.[25] To build momentum from the singles, particularly "Absolutely," the band embarked on an intensive U.S. tour in 2000, marking their first nationwide outing as a major-label act. They joined as support on Third Eye Blind's Summer Sun Tour alongside Vertical Horizon, performing across amphitheaters and arenas to expose their material to larger crowds, and also toured with acts including SR-71, Stroke 9, and Tonic.[26] The setlists focused predominantly on tracks from The Madding Crowd, including staples like "Absolutely," "If I Am," and "So Far Away," alongside select earlier material to engage fans. Complementing the tour, Nine Days made high-profile promotional appearances, such as a live performance on The Tonight Show with Jay Leno in June and a slot at the Z100 Jingle Ball at Madison Square Garden in December, where they shared the bill with acts like Britney Spears, Ricky Martin, and Third Eye Blind.[2] They also performed on VH1's The List, hosted by John Travolta, further amplifying their visibility through television.[26] International promotion remained limited, primarily confined to Canada—where "Absolutely" gained modest radio traction—and select European markets with minimal live dates and video airplay. Epic's strategy prioritized domestic growth, allocating resources to U.S.-centric radio festivals and club headlining shows to solidify the band's fanbase without extensive overseas expansion.[27]Reception
Critical reception
Upon its release in 2000, The Madding Crowd received generally positive reviews from critics, who praised its blend of pop-rock accessibility and emotional depth in exploring personal relationships, though some noted its occasional formulaic tendencies. William Ruhlmann of AllMusic commended the album's songwriting for capturing "rocky but always involved and involving" interpersonal dynamics through the alternating vocals of co-leaders John Hampson and Brian Desveaux, highlighting the catchy single "Absolutely (Story of a Girl)" as reminiscent of Barenaked Ladies while acknowledging influences from Bob Dylan, Pearl Jam, and They Might Be Giants; he described it as a "promising debut by talented musicians who are headed in the right direction," despite some wordy lyrics and dense arrangements.[1] The Orlando Weekly echoed this mixed sentiment, calling the tracks "Eve 6-style pop minus catchy lyrics and punk backbone" and dismissing much of the material as "meaningless, radio-friendly rubbish," though conceding that fans of the lead single might find enjoyment in its uniformity.[28] Aggregate scores reflected the limited but varied critical attention, with user-driven platforms like Rate Your Music assigning an average of 2.8 out of 5 based on over 200 ratings, indicating a consensus on the strength of standout singles like "If I Am" and "Wanna Be" amid perceptions of average filler tracks. In the context of 2000's pop-rock landscape, the album was often compared favorably to peers such as Third Eye Blind for its melodic, anthemic qualities and harmonious dual vocals, positioning Nine Days as a solid entry in the genre's wave of radio-friendly alternative acts.[21]Commercial performance
The Madding Crowd debuted and peaked at number 67 on the US Billboard 200 chart in July 2000, remaining on the chart for 30 weeks.[29] The album was certified gold by the RIAA in September 2000, denoting 500,000 units shipped in the United States.[2] By 2001, total US sales exceeded 1 million copies, earning platinum certification.[30] Internationally, the album achieved minor success, failing to secure major placements in Europe.[31] Its performance was largely propelled by radio airplay of the lead single "Absolutely (Story of a Girl)," which drove initial sales momentum. In the post-2000s era, digital streaming has contributed to the album's enduring legacy, with the single accumulating over 150 million Spotify streams.[32] In 2025, the band celebrated the album's 25th anniversary with a tour, coinciding with a recent RIAA double-platinum certification for the lead single.[30] Positive critical reception further supported the early sales surge.[33]Album content
Track listing
The standard edition of The Madding Crowd, released by 550 Music/Epic Records, contains 12 tracks with a total duration of 53:45 and no bonus tracks.[34][17]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "So Far Away" | Hampson, Desveaux | 3:56 |
| 2. | "Absolutely (Story of a Girl)" | Hampson | 3:09 |
| 3. | "If I Am" | Hampson | 4:18 |
| 4. | "End Up Alone" | Hampson, Desveaux | 3:57 |
| 5. | "Sometimes" | Desveaux | 5:14 |
| 6. | "Bob Dylan" | Desveaux, Bob Dylan | 4:35 |
| 7. | "257 Weeks" | Desveaux, Hampson | 4:04 |
| 8. | "Bitter" | Desveaux | 6:21 |
| 9. | "Back to Me" | Desveaux | 4:00 |
| 10. | "Crazy" | Hampson, Desveaux | 4:14 |
| 11. | "Revolve" | Hampson | 3:54 |
| 12. | "Wanna Be" | Desveaux | 6:03 |