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Northern Borders

The , also known as the Northern Borders Region, is one of the thirteen administrative , situated in the northern part of the country and covering an area of approximately 110,000 square kilometers, which constitutes about 5% of the kingdom's total land area. Established as a distinct administrative province in 1992, it serves as a strategic gateway linking the (GCC) countries with Asian markets and historically functioned as a key station along the ancient Zubaydah Road pilgrimage route and the Tapline oil export pipeline. The province borders to the north, to the northwest, and the Saudi provinces of Al-Jawf to the east, to the south, Al-Qassim to the southwest, and the Eastern Province to the southeast, featuring a characterized by extreme summer heat, cold winters with temperatures occasionally dropping below freezing, and rare snowfall. With a population of 373,577 as of the 2022 census—representing about 1.1% of Saudi Arabia's total population and with a density of 3.4 inhabitants per square kilometer—the province is predominantly urbanizing, with 72.6% of residents being Saudi nationals and an annual growth rate of 2.17%. Administratively, it is divided into four governorates—Arar (the capital), Rafha, Turaif, and Al-Uwayqilah—and its major cities include Arar, Rafha, Turaif, and Al-Uwayqilah, supported by infrastructure such as three domestic airports, an extensive 98,011 kilometers of roads, 11 dams, and a 1,550-kilometer freight rail network. Economically, the Northern Borders Province is emerging as a hub for , chemicals, and , bolstered by its possession of the world's third-largest reserves (accounting for 7% of global supplies) and the development of the Wa'ad Al-Shamal , a 440-square-kilometer project with an exceeding SAR 85 billion focused on extraction and chemical production. The region hosted 44 active factories as of 2022, with 58% reported by 2024, along with two industrial cities, 14 hotels, one sports city, 11 hospitals, two universities (including Northern Borders University), and a , contributing to a high rate of 90.8% as of 2022 and opportunities in due to its vast land and sunlight potential. As part of Saudi Arabia's Vision 2030 economic diversification efforts, the province has attracted over $20 billion in investments by 2024, advancing projects like Wa'ad Al-Shamal. Notable natural and cultural features include protected reserves, Abbasid-era historical monuments in areas like Zubala, and its role in broader national development initiatives.

Background and development

Source material

Northern Borders is a 1994 novel by American author Howard Frank Mosher, published by Doubleday and later reissued in by Mariner Books in 2002, with e-book editions available through Open Road Media. The book is widely regarded as Mosher's most autobiographical work, drawing heavily from his childhood experiences in Vermont's to create the fictional setting of Kingdom County. The novel follows the semi-autobiographical of young Austen Kittredge, who in is sent from his widowed father to live with his eccentric paternal grandparents on their remote farm in the township of Lost Nation Hollow, spanning the next 12 years of his life. Through Austen's perspective, it explores family dynamics, the rhythms of rural farm life, and themes of personal growth amid the rugged independence and quirks of its characters. Critically acclaimed upon release, Northern Borders was selected as a New York Times Notable Book of , praised for its vivid evocation of northern Vermont's pastoral landscapes and border country near , as well as its portrayal of eccentric, self-reliant figures like the protagonist's grandparents. Reviewers highlighted Mosher's skillful , which captures an old-fashioned sense of heart and integrity in a tale of youthful adventure and familial bonds. Howard Frank Mosher (1942–2020) was a Vermont-based writer renowned for his Kingdom County series of novels, which fictionalize the people and places of the state's remote region where he lived for over 50 years. He considered Northern Borders his personal favorite among these works. The novel was later adapted for the screen by filmmaker Jay Craven, who frequently collaborated with Mosher on projects set in the same fictional locale.

Adaptation process

Jay Craven, an award-winning Vermont filmmaker, wrote and directed Northern Borders as his fourth adaptation of a novel by Howard Frank Mosher, following Where the Rivers Flow North (1993), A Stranger in the Kingdom (1999), and Disappearances (2006). The project began development in 2011, positioned as the capstone to Craven's Kingdom County film series inspired by Mosher's fictional setting. This collaboration marked the culmination of a decades-long partnership between the two, with Craven securing adaptation rights directly from Mosher to ensure fidelity to the source material's regional authenticity. The screenplay, penned by Craven, condensed the novel's 12-year narrative arc—spanning Austen's childhood from into his adolescence—into a focused portrayal of key summers in the mid-, centering on the protagonist's experiences at age 10 in 1956. This compression omitted certain episodic elements, such as fair scenes and canoeing adventures, to fit a 108-minute runtime while prioritizing visual storytelling through the evocative landscapes of farms, woods, and hollows. Craven consulted closely with Mosher during script revisions, incorporating the author's input to preserve the story's humor, familial resilience, and sense of rural isolation unmarred by external urban elements. The setting was retained for period authenticity, highlighting the era's simplicity and the Kingdom County's self-contained world. Pre-production milestones included the 2011 announcement via a Arts Endowment Fund grant supporting script development and planning. In 2012, Craven partnered with to launch the educational "Movies from Marlboro" intensive, integrating 24 students from multiple institutions with professional crew for hands-on training in script polishing, location scouting, and production design. Initial fundraising efforts that year featured community events, such as a benefit screening and reception at the Brattleboro Museum & Art Center, alongside a campaign targeting $56,000 for overall production support. A subsequent 2014 raised $13,013 specifically for editing, enabling the film's completion on a modest $500,000 budget.

Production

Filming

Principal photography for Northern Borders commenced on March 21, 2012, in Marlboro, Vermont, and spanned approximately 26 days over the spring season. The production operated on a bare-bones budget of $500,000, enabling a collaborative effort that included 20 film professionals and 34 students from 15 colleges, as part of the Movies From Marlboro intensive. This low-cost model emphasized resourcefulness, with the shoot relying heavily on outdoor locations susceptible to Vermont's variable spring weather, which occasionally disrupted scheduling. Filming took place primarily in southern Vermont towns including Marlboro, Guilford, and Chester, along with nearby Chesterfield, New Hampshire, to evoke the rural Northeast Kingdom setting of the 1950s. Local farms and forested areas were utilized to recreate the era's Kingdom County farm life, providing authentic backdrops of rolling hills, woodlands, and pastoral landscapes without extensive set construction. Period-appropriate props, such as 1950s vehicles and clothing, were sourced to maintain historical accuracy amid the production's constrained resources. Kingdom County Productions led the effort, co-producing with to integrate educational components into the workflow. The production benefited from 's film incentives, which helped offset costs for in-state shooting. James B. Heck captured the visuals using natural light to highlight the expansive landscapes and intimate rural details. Post-production, including editing, extended into 2013 and 2014, with focused on amplifying the ambient sounds of farm life and to immerse viewers in the Northeast Kingdom's serene yet rugged environment.

Casting

The lead roles of the eccentric grandparents, Austen Kittredge Sr. and Abiah Kittredge, were cast with veteran performers and , respectively, leveraging their extensive careers to capture the couple's longstanding, tempestuous dynamic central to the film's tone of rural quirkiness and familial tension. Dern, an Academy Award nominee known for gritty character work, and Bujold, also an nominee with a history of portraying resilient women, were selected to anchor the story's emotional core through their natural on-screen chemistry as the long-married pair. The titular young protagonist, Austen Kittredge, was portrayed by child actor , a relative newcomer whose prior role in (2006) demonstrated his ability to handle nuanced young characters, pairing effectively with the established leads to blend innocence with the film's mature themes. Supporting the family unit, played the mother Liz Kittredge, bringing her Tony-nominated stage experience to the role of a concerned parent, while Jim Fitzpatrick portrayed the father J.W. Kittredge in a smaller but pivotal capacity. The ensemble featured additional child performers and local Vermont actors in supporting roles, such as Brent Crawford as Rob Kittredge and Rusty De Wees as Bumper Stevens, to infuse authenticity into the Kingdom County setting and rural community depictions. This mix of seasoned professionals and regional talent aligned with director Jay Craven's vision for character dynamics rooted in 's cultural landscape, achieved without reported controversies during the 2011–2013 production period.

Narrative

Plot

Set in the in rural Kingdom County, , the film opens with ten-year-old Austen Kittredge being sent by his widowed father, who cannot care for him, to live with his grandparents on their isolated farm. Austen's arrival disrupts the already fractured household, where his grandparents maintain a quirky, independent lifestyle marked by their long-standing feud, dubbed the "," and eccentric habits such as the grandfather's aversion to modern conveniences like electricity and the grandmother's fascination with ancient Egyptian culture. As Austen adapts to this unfamiliar world, he faces central conflicts through his adventures navigating farm hardships, including strenuous chores like tending and working the land, which starkly contrast his previous life. He encounters local eccentrics, such as a schoolmate from a struggling and a wild aunt with a penchant for mischief, as well as during boundary-crossing explorations into the surrounding woods and streams. These experiences evolve into evolving relationships with his grandparents, where Austen often serves as an unwitting interpreter between them, leading to intergenerational clashes over daily routines and hidden resentments. The narrative structure builds through an episodic storyline of a summer of escapades, pranks—like schoolyard antics and rural hijinks—and personal discoveries that test Austen's resilience. These events, adapted from the source material, culminate in Austen's personal growth as he bridges the generational and emotional divides, fostering a path toward family reconciliation.

Themes

The film Northern Borders explores central themes of coming-of-age amid rural isolation, the tension between tradition and modernity in 1950s , and family bonds strained by independence and eccentricity. Set in the remote , the story follows a young boy's experiences on his grandparents' farm, highlighting personal growth through encounters with the harsh yet formative environment of Kingdom County. This coming-of-age narrative underscores the challenges of in an isolated setting, where the navigates emotional maturity away from influences. The conflict between longstanding rural traditions—such as self-sufficient farming—and encroaching modern changes reflects broader societal shifts in post-World War II America, including economic pressures on agrarian life. Family dynamics are portrayed as complex, with the grandparents' eccentric independence creating both tension and deep-seated loyalty, as seen in their separate living arrangements that symbolize unresolved personal conflicts. The title refers to the geographical setting along the Vermont-Quebec line. Farm life embodies and , depicted through the daily rigors of rural existence that foster endurance amid isolation. , particularly the Kingdom Mountains, functions as a dynamic influencing growth, providing a rugged backdrop that mirrors internal struggles and revelations, such as hidden family secrets uncovered in settings. In its cultural context, the film portrays the as a microcosm of American rural decline, capturing the fading vitality of small-town communities in the mid-20th century. Subtle references to post-WWII transformations, including economic shifts and social changes, underscore the era's impact on traditional ways of life. Drawing from Howard Frank Mosher's style, the adaptation emphasizes humor in hardship, using wry, whimsical moments to lighten the weight of familial and environmental challenges. Director Jay Craven's intent amplifies these elements through a focus on the visual poetry of landscapes, employing evocative cinematography of Vermont's terrain to underscore themes of belonging and inheritance. This approach highlights the harmony and tension between humans and nature, reinforcing the narrative's exploration of legacy and place-based identity in the Northeast Kingdom. Craven draws on Mosher's source material to evoke an "end of an era" for rural communities, prioritizing intimate family revelations over dramatic conflict.

Release

Premiere and distribution

Northern Borders had its world on April 10, 2013, at the Latchis Theatre in , preceded by a reception allowing attendees to meet cast and crew members. This event launched a series of local screenings across throughout 2013 and 2014, including showings at and community venues in locations such as , Middlebury, , Bennington, , and Townsend. The film received a in the United States on January 16, 2015, handled by Screen Media Films as the North American distributor. It played in select independent theaters, focusing on regions like and , reflecting its regional roots and independent production scale. Internationally, Northern Borders appeared at film festivals including the Woods Hole Film Festival in August 2013 and the St. Louis International Film Festival in November 2014. Marketing for the release highlighted the film's heritage, its basis in Howard Frank Mosher's novel, and the performances by Academy Award nominee and . As a low-budget independent production, it achieved modest returns consistent with limited distribution. Promotional activities featured Q&A sessions with director Jay Craven and cast members at various 2014–2015 screenings, fostering . After Mosher's death on January 29, 2017, from cancer at age 74, subsequent screenings often connected the film to his enduring legacy as a chronicler of Vermont's .

Home media

The home media release of Northern Borders commenced with a DVD edition distributed by Films on April 28, 2015. The single-disc DVD features the film in format (1.78:1 ) with English 5.1 audio and no subtitles or special features. No Blu-ray or UHD versions have been released as of 2025. Digital followed soon after the DVD launch, with availability for purchase and rental on platforms including , , and since 2015. By 2020, the film was also accessible for free with advertisements on . As of November 2025, streaming options include subscription access on and ad-supported viewing on and , alongside rental or purchase on and . International home media access remains limited, with digital rentals and purchases available in through sites like .be, though without widespread subtitled physical releases. Digital rights have seen gradual expansion in the , enabling broader online availability beyond via global platforms.

Reception

Critical response

The film Northern Borders garnered mixed reviews from critics, with praise centered on its performances and visual style tempered by critiques of its pacing and narrative drive. On , it holds a 40% approval rating based on five reviews, with an average score of 6.08/10. On , the film has an average rating of 6.4/10 from 10,454 user votes. Critics frequently highlighted the strong performances by and as a standout element, noting their chemistry and authenticity in portraying the eccentric grandparents. The visual beauty of the settings was also commended, with capturing the rural landscapes in a way that enhanced the film's nostalgic tone. Reviewers appreciated the adaptation's fidelity to Howard Frank Mosher's whimsical source material, describing it as a charmer with and good old-fashioned elements. However, the slow narrative pace drew significant criticism for lacking dramatic tension, with some outlets calling it sluggish and episodic. Others felt the adaptation was too literal, resulting in erratic tonal shifts from whimsical to sentimental that undermined character complexity and overall involvement. Notable reviews included The Hollywood Reporter's 2015 assessment, which gave the film a B- grade and praised its collaborative production involving college students alongside veterans like Dern. Spirituality & Practice emphasized the film's exploration of spiritual growth through the protagonist's experiences with his grandparents, rating it 3/5 for its themes of resilience and empathy.

Legacy

Northern Borders has contributed significantly to the canon of cinema as the fourth and final installment in director Jay Craven's adaptations of Howard Frank Mosher's Kingdom County novel series, which chronicles life in the fictional region. This body of work, including earlier films like A Stranger in the Kingdom (1995) and Disappearances (2006), has helped establish a distinctive regional cinematic tradition focused on rural narratives, blending local history with character-driven storytelling. The film's production model, involving collaboration with students who earned academic credit for their contributions, exemplifies an educational approach to independent filmmaking that has inspired subsequent student-led projects in 's arts community. Following Mosher's death from cancer on January 29, 2017, at age 74, Northern Borders gained renewed attention as part of tributes to the author's oeuvre, particularly his semi-autobiographical depictions of Vermont's rural landscapes and family dynamics. In 2017, Craven organized a multi-state tour screening Mosher adaptations, including Northern Borders, to honor the novelist with whom he had collaborated since , drawing audiences interested in Mosher's enduring influence on regional and . This posthumous recognition underscored the film's ties to Mosher's legacy, sparking interest in further adaptations of his works amid a broader of stories celebrating rural resilience. The film achieved limited theatrical success, with a modest of $480,000 and a release confined primarily to regional venues in , fostering a dedicated local following through community screenings at sites like the Vermont Commons School and the Paramount Theatre in . While it garnered no major awards, Northern Borders has been praised in circles for its low-budget ingenuity and authentic portrayal of Vermont life, evidenced by ongoing retrospectives of Craven's work and appearances at festivals such as the Green Mountain Film Festival. By 2025, the film sustains a niche audience via home media and digital platforms, including subscription streaming on , free ad-supported streaming on Pluto TV and , and rental options on Amazon Video and , alongside 10,454 user ratings on that reflect its enduring appeal among fans of indie rural dramas. Occasional revivals, such as community events tied to Vermont's storytelling traditions, continue to highlight its role in underrepresented discussions of American cinema focused on the Northeast.

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