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Number Six

Number Six is the protagonist and central figure of the British surrealist spy-fi television series (1967–1968), portrayed by , who also co-created the program. An unnamed ex-intelligence agent, he abruptly resigns from MI6-like service, only to be gassed unconscious in his home and awaken as an anonymous prisoner—assigned the designation "Number Six"—in a bizarre, inescapable coastal "Village" run by rotating authoritarian figures known as Number Two. Throughout the 17-episode series, Number Six repeatedly thwarts psychological coercion, surveillance technologies, and social engineering aimed at extracting the motive for his , famously proclaiming in the , "I am not a number! I am a free man!"—a underscoring his defiant against dehumanizing collectivism. The character's unyielding resistance, coupled with the program's allegorical critique of Cold War-era bureaucracy, personal , and erosion, has cemented as a landmark of television, influencing later works in dystopian and philosophical sci-fi genres. McGoohan's performance, drawing from his prior role in , earned the series a despite initial mixed reception and production controversies, including McGoohan's clashes with network executives over creative control, which mirrored the on-screen themes of authority and rebellion.

Fictional characters

In The Prisoner

Number Six is the central protagonist of the British television series , which aired 17 episodes from September 1967 to February 1968 on . Portrayed by series co-creator , the character is an unnamed former for an unspecified British intelligence agency who abruptly resigns from his position in , citing a , only to be abducted via knockout gas and awaken imprisoned in a mysterious coastal enclave known as . There, residents—including former agents—are stripped of personal identities and assigned numbers, with Number Six designated as such upon arrival; he immediately rejects this , famously declaring to his interrogator, Number Two, "I am not a number! I am a free man!" , filmed primarily at in , functions as both a utopian facade and a high-tech , patrolled by surveillance devices and the amorphous guardian entity —a white, weather-balloon-like orb that suffocates escapees. Throughout the series, Number Six endures relentless psychological and technological efforts by rotating Number Twos—each the Village's interim administrator—to extract the motive for his resignation, which he steadfastly refuses to disclose, viewing it as an inviolable aspect of his . His resistance manifests in repeated escape attempts, subversion of Village authority, and exploitation of bureaucratic flaws, as seen in episodes like "Hammer into Anvil," where he psychologically dismantles a paranoid Number Two by feigning covert communications. Physically resilient, he withstands ordeals such as prolonged electroshock therapy and body swaps, emerging uncompromised due to exceptional willpower. McGoohan drew from his prior role in (known as in the U.S.), but insisted Number Six was a distinct creation, not the character John Drake, despite superficial similarities in espionage background and demeanor—though script editor George Markstein contended otherwise. The character's defining traits include fierce , ethical restraint against gratuitous violence, and a penchant for sardonic wit amid confrontation, often delivering lines like "I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own." He exhibits toward female characters, potentially stemming from their frequent roles as manipulative agents in the Village's schemes, and prioritizes personal freedom over . Symbolically, Number Six embodies mid-20th-century anxieties over , , and erosion of , resisting assimilation into the Village's conformist ethos—""—which underscores residents' spectral uniformity. In the surreal finale "Fall Out," he confronts —revealed as a proxy for his own suppressed impulses—overthrows the leadership, and escapes to , though the resolution's ambiguity fueled debate, with McGoohan later clarifying it as an for self-imposed constraints rather than literal triumph.

In Battlestar Galactica

Number Six is a humanoid Cylon model in the reimagined Battlestar Galactica television series, designed for infiltration and espionage among human populations. Portrayed by Tricia Helfer, the character embodies traits of physical allure, intellectual sharpness, and emotional complexity, serving as a recurring antagonist and thematic fulcrum across the series' exploration of artificial intelligence, faith, and survival. Copies of Number Six exhibit individuality despite shared genetic programming, with capabilities including superhuman strength, data processing, and resurrection via technological transfer to new bodies upon death. The model first appears in the 2003 miniseries as an infiltrator on Armistice Station, signaling the onset of the Cylon genocide against the Twelve Colonies. Caprica Six, a prominent copy, manipulates scientist into granting access to Colonial defense systems, enabling the near-total destruction of humanity. This variant later develops remorse, experiences visions of a divine entity, and advocates for Cylon-human reconciliation, including during the occupation of New Caprica. Other copies, such as Gina Inviere aboard the , demonstrate vulnerability to psychological trauma from human mistreatment, leading to acts of sabotage and revenge. Natalie, introduced in season four, emerges as a rebel leader challenging the authoritarian Cavil model, forging alliances with human forces to protect Cylon hybrids and secure in the Colonial fleet. Sonja succeeds her in diplomatic roles, emphasizing coexistence in post-war deliberations. A non-corporeal "Messenger Six" manifests in Baltar's hallucinations, providing counsel on strategy and theology, often interpreted as a or supernatural guide influencing his ascent to cult leadership. Helfer's performance across these variants highlights the model's adaptability, from seductive operative to ideological reformer, appearing in every episode of the series' 73 installments. Number Six copies underscore the series' depiction of as sentient beings grappling with monotheistic zealotry and evolutionary impulses toward humanity, often employing manipulation rooted in their programmed charisma and combat proficiency. Their actions drive pivotal conflicts, including the and quests for , revealing fractures in .

Music

Songs and compositions

"The Number Six" is a song by the American band , appearing as the sixth track on their 2006 album . The lyrics reference the biblical "" from the (666), with vocalist describing it as a commentary on apocalyptic themes and human folly. Released on August 22, 2006, via , the song features aggressive riffs and blast beats characteristic of the band's style, contributing to Sacrament's commercial success, which debuted at number two on the Billboard 200. "Number Six" serves as the title track for a single by the Japanese band Alice Nine, issued on October 4, 2006, alongside their Blue Planet. The release includes alternative versions and B-sides, aligning with the band's blend of , metal, and pop elements during their mid-2000s peak. It charted modestly on Japan's singles list, reflecting the band's dedicated domestic fanbase. In , "Number Six" denotes a 1974 composition by Hans Rempel, featured on the Number Six: Two Compositions for Improvisers performed by his octet and recorded for East German radio. The piece emphasizes over structured notation, with layered ensembles evoking experimental European traditions of the era. A companion track, "Number Three," was recorded earlier in 1972, highlighting Rempel's serial numbering approach to his works. The was reissued in 2023 by FMP Records imprint Destination Out.

Bands and albums

Number Six is the name of a Chicago-based musical duo consisting of Mckenzie James and Shults, who collaborate on projects blending nostalgic and forward-thinking elements across various influences. Sentient Number Six is a psychedelic project specializing in darkpsy , characterized by heavy beats, distorted melodies, and unsettling atmospheres; it has released works including the EP Lux Absentia on February 11, 2020, and the Total Control of Perception on July 8, 2022. Albums titled Number Six include the 2007 release by Austrian band Pension Barbara, featuring tracks. A 2012 CDr by British bassist , formerly of , titled Number Six, contains solo material. Additionally, Number Six Is Sacred, a 2017 cassette album by improvisational guitarist Tashi Dorji and percussionist Frank Meadows, explores free-form jazz and noise elements.

Other uses

Organizations and clubs

The Number Six Club, also known as the Tau chapter of the Delta Psi (St. Anthony Hall), is a co-ed literary society, social , and residential organization affiliated with the (). Founded in 1886 by former members of the who established an independent group named after their residence at No. 6 Louisburg Square in Boston's Beacon Hill, it emphasizes literary pursuits through weekly meetings featuring readings, discussions, and performances by members. The club maintains a national affiliation with Delta Psi, which comprises 10 active chapters and has initiated over 30,000 members historically, focusing on intellectual and social development without traditional Greek-letter branding at . Its activities include community events such as concerts and maintains a dedicated house built in 1915 at 428 Memorial Drive in , serving as a hub for approximately 30-40 active members. As a tax-exempt nonprofit since 2012, it operates educational programs centered on literary engagement rather than athletics or partying. Six of One is a British-based appreciation society dedicated to the 1960s television series , in which the protagonist is identified as Number Six. Established in 1980, the club organizes events, publications, and archives related to the series' themes of and , attracting fans through annual conventions and memorabilia preservation. It operates independently as a volunteer-run group without formal national affiliation, focusing on scholarly analysis and community gatherings rather than commercial merchandising.

Businesses and brands

Number Six is the name of a and based in , , specializing in digital strategy, creative marketing, and analytics for clients nationwide, with reported annual revenue of approximately $2 million. In the fashion sector, Number Six operates as an independent menswear concept store in , established in 2009 as a family-owned business offering classic and contemporary men's clothing with global shipping. No.6 Store is a New York-based women's clothing and accessories brand founded in 2006 by designer Karin Bereson, known for its and that have developed a , alongside curated apparel and sold through its physical location at 8 Centre Market Place and online. Caswell-Massey offers Number Six Eau de Parfum, a fragrance line tracing its origins to 1772 as America's first commercially produced scent, featuring opening notes of , , , and over a base of and . Number six, llc functions as a full-service and sales agency for the beverage , founded in 2013 and focused on creative strategies for wine and spirits brands.

Religious and numerical significance

In , 6 is the smallest , defined as a positive equal to the of its proper divisors (excluding itself), specifically 1 + 2 + 3 = 6. This property was recognized by ancient Pythagoreans, though initially emphasized for its mystical qualities rather than purely mathematical ones. Additionally, 6 is the of 3 (3! = 6) and the product of the first three consecutive positive integers, highlighting its foundational role in basic arithmetic structures. In Abrahamic traditions, the number 6 frequently symbolizes human creation and limitation. The describes creating on the sixth day, establishing 6 as the number of humankind, distinct from the divine perfection associated with 7. In , this extends to connotations of human imperfection and , as 6 falls short of 7; the New Testament's Revelation 13:18 identifies (three sixes) as the "number of the beast" and of man, evoking themes of evil and opposition to . echoes the six days of creation and interprets 6 as representing the physical world, including the six directions (north, south, east, west, up, down) and the six orders of the , without inherently negative valuations like those in some Christian exegeses. The Hebrew letter vav (numerical value 6) symbolizes connection between heaven and earth. similarly references six periods or days of creation in the (e.g., Surah 7:54), framing it as part of divine order rather than deficiency. In , 6 denotes balance and the material realm, linked to the six classical schools of (shad-darshana) and the six internal enemies of the self (shadaripu: , , , , , ), which must be overcome for spiritual progress. It also corresponds to the six-faced deity (son of ) and the planet (Shukra), embodying harmony and aesthetic ideals. These interpretations prioritize empirical scriptural and traditional attributions over unsubstantiated numerological claims, reflecting 6's role in structuring human experience across cultures.

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