Ocean Front Property
Ocean Front Property is the seventh studio album by American country music artist George Strait, released on January 12, 1987, by MCA Records.[1] It consists of ten tracks, blending traditional country sounds with Strait's signature neotraditional style, and became his first album to debut at number one on the Billboard Top Country Albums chart, where it held the position for six consecutive weeks.[2][3] The album has been certified double platinum by the RIAA, indicating shipments of over two million copies in the United States.[2] The record produced three number-one singles on the Billboard Hot Country Songs chart: the witty title track "Ocean Front Property," written by Dean Dillon, Hank Cochran, and Royce Porter; the iconic "All My Ex's Live in Texas," co-written by Whitey Shafer and Lyndia Shafer; and the heartfelt "Am I Blue," written by David Chamberlain.[4][5] These hits underscored Strait's dominance in country music during the 1980s, contributing to the album's commercial success and critical acclaim.[6] Produced by George Strait and Jimmy Bowen, Ocean Front Property was ranked number five on CMT's list of the 40 Greatest Albums in Country Music in 2006, highlighting its enduring influence on the genre.[2] The album's themes of heartbreak, humor, and Texas pride resonated with fans, solidifying Strait's status as the "King of Country" and paving the way for his record-breaking career achievements.[6]Background
Album conception
In the mid-1980s, George Strait emerged as a leading figure in the neotraditional country movement, which sought to revive the honky-tonk and Western swing influences of earlier decades amid a landscape dominated by pop-infused urban cowboy sounds.[7] This rising popularity positioned Ocean Front Property as Strait's seventh studio album and a strategic follow-up to prior successes, including his 1984 release Does Fort Worth Ever Cross Your Mind, which became his first to top the Billboard Top Country Albums chart and produced a No. 1 single, the title track.[8] The album's conception reflected Strait's commitment to this movement, aiming to sustain authentic country roots while subtly broadening appeal through polished production that resonated with expanding audiences seeking genuine narratives over crossover experimentation.[9] Central to the album's development was Strait's collaboration with longtime songwriting associates Dean Dillon and Hank Cochran, who co-wrote the title track "Ocean Front Property" alongside Royce Porter.[10] This partnership drew on their established rapport, with the song originating in the early 1980s during a creative session on a boat in the Bahamas, where Cochran mentored Dillon in crafting lyrics that balanced emotional depth with wit.[10] Dillon, who contributed over 50 songs to Strait's catalog across his career, emphasized themes of heartbreak laced with humor in their work, as seen in the title track's playful denial of lingering affection—likening forgotten love to owning "ocean front property in Arizona."[11] These elements aligned with Strait's vision for the album, prioritizing storytelling that captured the bittersweet essence of traditional country while allowing for lighthearted accessibility.[12] Strait's decision-making process underscored a deliberate evolution from his earlier albums, focusing on material that reinforced his cowboy persona and neotraditional ethos without straying into pop territory.[7] By selecting songs from trusted collaborators like Dillon and Cochran, Strait ensured the project built on the commercial momentum of his prior releases—such as the platinum status of albums like Right or Wrong and Does Fort Worth Ever Cross Your Mind—while exploring nuanced production to subtly enhance emotional delivery for a wider listener base.[13][14][15] This approach solidified Ocean Front Property as a pivotal release in Strait's discography, blending fidelity to country traditions with strategic refinements to sustain his ascent in the genre.[16]Pre-production preparations
The pre-production preparations for Ocean Front Property commenced in the summer of 1986, focusing on logistical planning and creative assembly ahead of recording sessions that began in September of that year. Negotiations with MCA Records secured the necessary budget and timeline for the project, building on Strait's ongoing contract with the label since 1981.[17][18] Central to the process was the selection of 10 tracks from demos submitted by Nashville songwriters, with priority given to uptempo honky-tonk numbers and heartfelt ballads that aligned with Strait's traditional country style. Key contributions came from writers like Dean Dillon, Hank Cochran, and Royce Porter, who co-authored the title track "Ocean Front Property" along with several others such as "Without You Here." The final track listing emphasized original compositions, reflecting Strait's preference for fresh material over covers to ensure artistic consistency.[19][2][12] Strait provided direct input during song evaluation, often collaborating with trusted producers like Jimmy Bowen, with whom he had an established working relationship from prior albums. Initial rehearsals followed with the Ace in the Hole Band—Strait's longtime touring and recording ensemble—to refine arrangements and solidify the band's interpretation of the chosen material.[6][19]Recording and production
Studio sessions
The recording sessions for Ocean Front Property took place at Sound Stage Studios in Nashville, Tennessee, commencing in September 1986 and spanning several weeks.[6]Personnel
Ocean Front Property was produced by Jimmy Bowen and George Strait.[20] The recording and mixing engineers included Steve Tillisch, with additional overdub recording by Chuck Ainlay and Willie Pevear.[19] Jessie Noble served as production coordinator and Denny Purcell handled mastering.[19] Lead vocals were performed by George Strait, with background vocals by Curtis Young.[21] The album's instrumentation drew from session players and members of Strait's backing group, the Ace in the Hole Band, recorded at Sound Stage Studios in Nashville.[6] Key musicians included:Composition
Musical style
Ocean Front Property exemplifies the neotraditional country genre, a movement that George Strait helped pioneer in the 1980s as a counterpoint to the era's polished pop-country trends, emphasizing roots-oriented sounds drawn from honky-tonk and western swing traditions of the mid-20th century.[7][16] The album's sonic palette features clean production that highlights traditional instrumentation, including acoustic guitars, fiddles played by Johnny Gimble, pedal steel guitar courtesy of Paul Franklin, and occasional mandolin accents, creating a tight, efficient arrangement that prioritizes rhythmic drive and melodic clarity.[22] This approach, supported by Nashville session musicians like Larry Byrom on guitar and Leland Sklar on bass, evokes the straightforward energy of classic country while maintaining a contemporary sheen.[22] Central to the album's appeal is Strait's distinctive baritone vocals, delivered with a relaxed, smooth timbre that conveys tough yet romantic narratives in a direct, unadorned manner, setting it apart from the more ornate vocal stylings prevalent in 1980s pop-country.[22] His phrasing, often infused with a subtle twang, underscores the honky-tonk influences, as heard in uptempo tracks that nod to western swing rhythms.[16] At a concise runtime of 32:00 across ten tracks, the album is structured with an alternating pattern of lively uptempo numbers and reflective ballads, providing dynamic pacing that sustains listener engagement without excess.[6][22] Compared to Strait's earlier albums like Strait Country (1981), Ocean Front Property demonstrates a subtle evolution in production tightness, with refined arrangements that enhance the neotraditional framework while preserving the core honky-tonk and western swing elements that defined his breakthrough sound.[22] This consistency reinforces Strait's role in revitalizing traditional country aesthetics amid the 1980s' pop-infused landscape.[16]Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "All My Ex's Live in Texas" | Sanger D. Shafer, Linda J. Shafer | 3:17 |
| 2. | "Someone's Walkin' Around Upstairs" | David Anthony, Paul A. Maloy | 2:47 |
| 3. | "Am I Blue" | David Chamberlain | 3:04 |
| 4. | "Ocean Front Property" | Dean Dillon, Hank Cochran, Royce Porter | 3:06 |
| 5. | "Hot Burning Flames" | Hank Cochran, Mack Vickery, Wayne Kemp | 2:19 |
| 6. | "Without You Here" | Dean Dillon, Royce Porter | 4:30 |
| 7. | "My Heart Won't Wander Very Far from You" | Annette Cotter, Buddy Carvalho | 2:21 |
| 8. | "Second Chances" | Sanger D. Shafer, Tommy Collins | 4:13 |
| 9. | "You Can't Buy Your Way Out of the Blues" | Larry Cordle, Mike Anthony | 2:49 |
| 10. | "I'm All Behind You Now" | Dean Dillon, Glenn Martin | 3:13 |
Release and promotion
Singles
The album Ocean Front Property yielded three singles, all of which reached number one on the Billboard Hot Country Songs chart, contributing to George Strait's string of consecutive chart-toppers in the late 1980s.[26] These releases were strategically timed to sustain momentum following the album's January 1987 launch, with heavy emphasis on radio airplay and Strait's extensive touring schedule to build anticipation and fan engagement.[27] The title track, "Ocean Front Property," was released on December 22, 1986, as the lead single, marking Strait's tenth number-one hit on the Hot Country Songs chart, where it topped the list for one week beginning April 4, 1987.[27][26] Written by Dean Dillon, Hank Cochran, and Royce Porter, the uptempo honky-tonk number humorously addresses a breakup with the line "If you'll buy that, I'll throw the Golden Gate in free," and its promotion focused on a music video that showcased Strait's traditional country persona, alongside aggressive radio pushes that helped it debut strongly.[28] Strait previewed the song in live performances during his 1987 tour, including a high-energy rendition captured in the concert film George Strait Live!, which amplified its radio and visual appeal to country audiences.[29] "All My Ex's Live in Texas," released on April 10, 1987, became Strait's eleventh number-one single, holding the top spot for one week starting July 11, 1987.[27][4] Penned by Sanger D. Shafer and Lyndia J. Shafer, the song's narrative style weaves a witty, storytelling tale of a man avoiding his past relationships by relocating to Tennessee, resonating with fans for its clever Texas pride and relatable humor, which cemented it as one of Strait's signature tracks.[30] Its reception was bolstered by Strait's live sets, where he often performed it to enthusiastic crowds during his 1987 concerts, enhancing its crossover appeal within the genre.[31] The third single, "Am I Blue," arrived on August 3, 1987, and secured Strait's twelfth number-one position, topping the chart for one week on November 7, 1987.[27][26] Written by David Chamberlain, this slower western swing ballad provided a poignant contrast to the album's uptempo cuts, exploring themes of longing and heartbreak through Strait's emotive delivery and fiddle-driven arrangement.[32] Like its predecessors, it benefited from Strait's rigorous 1987 touring, where live previews helped transition fans from the album's faster tracks to this more introspective closer.[31]Marketing and chart debut
Ocean Front Property was released on January 12, 1987, by MCA Records, marking George Strait's seventh studio album. Initial marketing strategies emphasized radio airplay for the title track single, which had been issued on December 22, 1986, building anticipation ahead of the full album launch. Promotion also integrated with Strait's ongoing tour schedule, where he performed the new material to capitalize on his rising popularity in country music. The album achieved a historic chart debut, entering at number one on the Billboard Top Country Albums chart—the first country album ever to do so. This milestone underscored Strait's dominance in the genre, propelled by the momentum from the lead single's success. Packaging for the album featured cover art with oceanic imagery, visually echoing the title track's humorous theme of peddling nonexistent beachfront land in landlocked Arizona.Commercial performance
Chart positions
Ocean Front Property marked a commercial milestone upon its release, becoming the first country album to debut at number one on the Billboard Top Country Albums chart, where it held the top position for six consecutive weeks in 1987.[3] The album also crossed over to the mainstream, reaching a peak of number 117 on the Billboard 200. This strong performance was bolstered by the chart-topping success of its singles, which enhanced the album's overall visibility.[25] The following table summarizes the album's key chart positions:| Chart | Peak position |
|---|---|
| U.S. Billboard Top Country Albums | 1 (6 weeks at #1)[3] |
| U.S. Billboard 200 | 117 |