Orfeh
Orfeh is an American actress, singer, songwriter, and recording artist renowned for her work in musical theater, pop music, and television.[1] Born in New York City, she rose to prominence in the 1990s as the lead vocalist of the pop group Or-N-More before transitioning to a multifaceted career in the performing arts.[2] Her breakthrough on Broadway came with the role of Paulette in the original production of Legally Blonde (2007–2008), earning her a Tony Award nomination for Best Featured Actress in a Musical, along with Drama Desk and Outer Critics Circle Award nominations.[3] Orfeh's Broadway credits span over two decades, including original roles such as Kit De Luca in Pretty Woman: The Musical (2018–2019), Annette in Saturday Night Fever (1999–2000), and a limited replacement as Matron "Mama" Morton in the long-running revival of Chicago (2024).[3] She made her West End debut in 2025 as Tess in Burlesque the Musical, a role inspired by the character portrayed by Cher in the 2010 film.[1][4] Off-Broadway, she has starred in productions like Love, Janis and The Great American Trailer Park Musical. Her musical contributions include a Grammy Award nomination for her performance on the benefit album Hair for the Actors Fund, as well as solo releases such as the album What Do You Want From Me (2012) and live recordings like Legally Bound - Live at Feinstein's/54 Below.[5][1] In addition to stage work, Orfeh has appeared in television series including Sex and the City, Law & Order, and The Good Cop on Netflix, and films such as Across the Universe (2007) and Sleeping with the Fishes (2022).[1] She received a Broadway.com Audience Choice Award for her role in Pretty Woman: The Musical and has performed with artists like Chaka Khan and the O'Jays early in her career. Married to fellow Broadway performer Andy Karl from 2001 to 2024, Orfeh continues to be an active figure in theater and music, with recent singles including "Hurt Me," "Live My Life," and "Peep Show" released in 2025.[3][6][7]Early life and education
Childhood and family
Orfeh was born Orfeh Or on March 28, 1971, in New York City.[8] Of French and Italian heritage, she was raised as an only child by her mother and stepfather, Stephen, in the Murray Hill neighborhood of Manhattan.[9][10] Her mother chose the name Orfeh, drawing inspiration from the character Orfeo in the opera and 1959 film Black Orpheus, after having a premonition that her child would become a singer like the mythical Orpheus.[11][9] Orfeh's stepfather, Stephen, played a pivotal role in her early development, raising her and actively supporting her budding talents by arranging her first professional headshot and escorting her to her initial commercial audition, though he passed away at a young age.[10] As a latchkey child in New York City's vibrant urban setting, Orfeh spent considerable time engaging in solitary imaginative play, often pretending scenarios and singing to herself, which helped cultivate her innate interest in performance from a very young age.[10] Influenced by entertainers such as Lucille Ball, Bette Davis, and Prince, she expressed a desire to become a rock star as early as age six.[11] Her family's encouragement extended to early opportunities like summer camp productions of Snoopy and The Sound of Music, providing initial exposure to music and the performing arts.[10] This foundation led her to pursue formal training at the LaGuardia High School of Music & Art and Performing Arts.[11]Schooling and early musical pursuits
Orfeh, born and raised in New York City's Murray Hill neighborhood, attended local public schools that nurtured her burgeoning artistic interests.[10] Her family background in the vibrant urban environment of Manhattan provided early exposure to diverse cultural influences, fostering her passion for performance from a young age.[12] She pursued formal education in the arts at the Fiorello H. LaGuardia High School of Music & Art and Performing Arts, a renowned New York City public institution known for its rigorous audition-based admissions and specialized training in vocal music, drama, and other disciplines.[13][14] At LaGuardia—often referred to as the "FAME school" due to its legacy from the earlier High School of Performing Arts—Orfeh honed her vocal skills and stage presence through intensive coursework and school productions.[10] In 1987, while attending LaGuardia High School, Orfeh made her recording debut as the vocalist for the pop duo Genevha, alongside producer Mike More, with the release of their two-song vinyl single Life in the Movies on CBS Associated Records.[15] Genevha's activities included early promotional efforts that introduced Orfeh to live performance circuits, where she began experimenting with songwriting and onstage delivery inspired by pop and R&B music legends of the era, such as those who shaped the dynamic sound of 1980s urban music.[14] These formative pursuits laid the groundwork for her vocal style, emphasizing powerful, emotive phrasing developed through high school training and initial band rehearsals.[10]Theatre career
Broadway debut and early roles
Orfeh transitioned to professional theatre in the late 1990s after her pop music duo Or-N-More disbanded amid financial difficulties caused by a dishonest business manager and label disputes, leaving her destitute and without prior stage experience.[14] A choreographer friend encouraged her to audition for the Broadway musical Footloose, where she prepared using a Mariah Carey piano book despite being unfamiliar with theatre conventions like bringing sheet music.[12] This opportunity marked her entry into the industry, highlighting the challenges of shifting from pop performance to structured stage work without formal training.[14] Orfeh made her Broadway debut on October 22, 1998, as a swing in Footloose at the Richard Rodgers Theatre, covering multiple ensemble roles including Rusty, Wendy Jo, Betty Blast, and Irene.[3] In this capacity, she understudied principal characters and performed in the ensemble during the show's original run, which lasted until July 2, 2000.[16] By June 1999, she assumed the featured role of Rusty, the protagonist's best friend, for a brief period from June 8 to June 13, demonstrating her versatility in an ensemble-driven production that blended rock music with dance-heavy choreography.[3] Her prior musical background from Or-N-More, which had involved touring with dancers and musicians, aided her quick adaptation to the show's energetic demands.[17] In early 1999, Orfeh joined the short-lived revue The Gershwins' Fascinating Rhythm at the Longacre Theatre, performing as part of its intimate ten-member company from April 25 to May 9. In this production, she delivered modern interpretations of George and Ira Gershwin classics, contributing vocals to a streamlined ensemble that emphasized jazz standards without a traditional book.[18] The show's limited run provided Orfeh with exposure to classic American songbook material, building on her singing strengths amid the challenges of a minimalist staging that closed after 27 previews and 17 performances due to mixed reviews.[19]Breakthrough roles
Orfeh's breakthrough on Broadway came in 1999 when she originated the role of Annette in Saturday Night Fever, a musical adaptation of the 1977 film that ran at the Minskoff Theatre from October 21, 1999, to December 30, 2000. As the sharp-witted friend of the protagonist Tony Manero, Orfeh delivered powerhouse vocals in numbers like "If I Can't Have You," earning praise for her commanding stage presence and contributing to the show's energetic disco vibe.[20] During rehearsals and performances, she met her future husband, actor Andy Karl, who joined the cast as an understudy and later took on the lead role of Tony; their professional collaboration sparked a personal romance that has been a notable aspect of their joint Broadway careers.[21] Building on her early Broadway experience from shows like Footloose, Orfeh solidified her status as a versatile leading performer with her portrayal of Paulette Buonfantino in Legally Blonde: The Musical, which premiered at the Palace Theatre on April 29, 2007. In the role of the sassy salon owner and Elle Woods' confidante, Orfeh brought comedic timing and belt vocals to scenes like the "Bend and Snap" routine, making Paulette a fan-favorite character and helping drive the show's box-office success during its 1,422-performance run.[1] Her performance garnered critical acclaim, including a Tony Award nomination for Best Performance by a Featured Actress in a Musical in 2007, as well as Drama Desk and Outer Critics Circle Award nominations, marking her first major awards recognition and establishing her as a Broadway staple.[22] Orfeh returned to Broadway in a prominent lead capacity as Kit De Luca, the street-smart best friend to Julia Roberts' character in the original film, in Pretty Woman: The Musical at the Nederlander Theatre, which opened on August 16, 2018, following previews.[23] As the protective and vivacious Kit, she infused the role with grit and glamour through songs like "Never Give Up on a Dream," providing emotional depth to the show's exploration of transformation and friendship.[24] The production faced a challenging path to Broadway, marked by multiple creative revisions to the book and score—penned by J.F. Lawton, Bryan Adams, and Jim Vallance—to address dated elements of the 1990 film amid evolving cultural sensitivities, along with delays that postponed its debut.[25] Despite these hurdles, the musical ran for 421 performances until its closure on August 18, 2019, showcasing Orfeh's enduring appeal in high-profile adaptations.[26]Recent and upcoming work
In 2024, Orfeh took on the role of Matron "Mama" Morton in the long-running Broadway revival of Chicago at the Ambassador Theatre, marking a limited three-week engagement from August 26 to September 15.[22] Her performance in the Tony-winning production, which showcased her commanding stage presence and vocal prowess in the show's signature jazz-infused numbers, received praise for adding fresh energy to the ensemble.[27] Building on her versatile portrayal of Kit De Luca in Pretty Woman: The Musical, Orfeh made her West End debut in 2025, originating the role of Tess—a club owner inspired by Cher's character—in Burlesque the Musical at the Savoy Theatre.[4] Announced on May 27, 2025, the production directed and choreographed by Todrick Hall began previews on July 10 and opened officially on July 22, featuring Orfeh alongside Jess Folley as Ali.[28] Critics lauded her volcanic vocal delivery and charismatic interpretation of Tess, highlighting how she captured the character's tough-yet-mentoring essence amid the show's high-energy spectacle of dance and original songs drawn from the 2010 film.[29] The musical, which ran through September 6, 2025, earned acclaim for its vibrant staging and Orfeh's star turn as a pivotal force in the mother-daughter dynamic at its core.[30] Earlier in the decade, Orfeh participated in developmental theatre projects, including a one-night concert presentation of Joseph and the Amazing Technicolor Dreamcoat in February 2020 at David Geffen Hall, where she played Mrs. Potiphar alongside her husband Andy Karl as Potiphar.[31] In 2023, she appeared in invite-only industry readings of the new musical The Radium Girls at New 42 Studios, directed by Marissa Jaret Winokur, contributing to early workshops of this female-driven story inspired by historical events.[32] As of November 2025, no further theatre productions have been announced for Orfeh beyond her Burlesque commitments.Music career
Early groups and recordings
Orfeh, having honed her musical talents at LaGuardia High School of Music & Art and Performing Arts, partnered with fellow alumnus Mike More to form the pop duo Or-N-More shortly after graduation. The pair, who had previously recorded demos together, secured a major label deal with EMI Records, with Orfeh as the lead vocalist and More handling production.[14][33] In 1991, Or-N-More released their self-titled debut album on EMI, which featured a blend of pop and dance tracks produced by More and collaborators including Ron Fair. The lead single, "Everyotherday" featuring rapper Father M.C., became their biggest hit, peaking at No. 46 on the Billboard Hot 100 and receiving significant airplay on MTV.[6][34] Other notable tracks from the album included "Lonely Heart (Oh, No)" and "Only 2 Hearts Know," which contributed to the project's dance-oriented sound but did not achieve similar commercial success.[35] The group's promising start was derailed by internal and external challenges, culminating in their disbandment shortly after the album's release. A key factor was financial mismanagement by their business manager, who embezzled funds, leading to a heated confrontation that resulted in the manager's dismissal and left Orfeh in financial ruin, struggling to cover basic expenses. Compounding this, turmoil at EMI Records disrupted support for follow-up efforts, effectively ending Or-N-More and forcing Orfeh to pivot her early career amid significant setbacks.[14]Solo career and recent releases
Orfeh transitioned to a solo career following the dissolution of her '90s group Or-N-More, releasing her debut album in the late 2000s.[1] Her first solo effort, What Do You Want from Me, was released on September 30, 2008, by Ghostlight Records. Executive produced by Orfeh alongside Andrew Logan and Pam Reswick, the album features a collection of fresh, funky pop songs influenced by artists such as Prince, Ne-Yo, and Craig David, highlighting Orfeh's versatile vocal range. Key tracks include the sultry "Sing You to Sleep," the upbeat dance track "Don't Wanna Do Wrong," and the playful "Up Tempo Pop Song," alongside the title track "What Do You Want from Me," "Look at Me Now," "The Last Time I Cry," "Love Me Today," "Dirt," "Tell That to My Heart," and "Falling in Love."[36][37] In the ensuing years, Orfeh pursued collaborations that blended her solo work with personal and professional partnerships. She frequently performed and recorded with her husband, actor and singer Andy Karl, whom she met during the Broadway production of Legally Blonde. Their joint live album, Legally Bound: Live at Feinstein's/54 Below, released in 2017 by Broadway Records, captures an eclectic mix of pop, rock, R&B, and show tunes from their cabaret show of the same name, including covers like "Elaborate Lives" from Aida and "Fed Me (Git It!)" from Little Shop of Horrors. Orfeh has also shared stages with music legends, performing alongside the O'Jays and Chaka Khan in various concerts and events throughout her career.[38][5] Orfeh's recent output has focused on self-released singles, emphasizing covers and original material available on digital platforms. In 2023, she issued a cover of the Eagles' "Hotel California," a longtime staple in her live repertoire that fans frequently requested. Building on this, she released three new originals in 2025—"Hurt Me" (featuring Father MC), "Live My Life," and "Peep Show"—all produced by Father MC under Orfenator Music LLC and FMedia Corp, marking a return to contemporary R&B-infused pop.[39][6]Television and film
Television appearances
Orfeh began her television career with a guest appearance on Sex and the City in 2003, portraying Anna, a brash Staten Island woman involved in a confrontational scene with Samantha and Carrie outside a nightclub in the episode "The Post-It Always Sticks Twice" (Season 6, Episode 7).[40] In 2005, she guest-starred on Law & Order: Criminal Intent as Carly Kenna, a nurse entangled in a murder investigation linked to prison abuses, in the episode "Stress Position" (Season 4, Episode 17).[41] In 2018, Orfeh appeared as Stephanie Duncan, a recurring character, in the Netflix comedy series The Good Cop.[42] Orfeh appeared uncredited as a show business secretary in a sketch on Chappelle's Show in 2006, contributing to the comedic segment "Show Business" in the unaired Season 3 premiere episode "Show Business & Lil Jon in Love."[43] Her Broadway success in shows like Legally Blonde facilitated opportunities in high-profile television guest roles, leveraging her versatile acting and vocal talents.[44] Returning to the Dick Wolf universe, Orfeh played Toni Sparks, the outspoken manager of a gentlemen's club, on Law & Order: Special Victims Unit in the 2020 episode "She Paints for Vengeance" (Season 21, Episode 11), where she aids detectives in a stalled sexual assault case against a prominent athlete.[45] In 2022, she made a cameo as herself, performing as a guest singer, in the Gossip Girl reboot episode "How to Bury a Millionaire" (Season 2, Episode 6, aired December 29, 2022), appearing alongside her husband Andy Karl in a scene at a high-society event.[46] Orfeh reprised her presence on Law & Order: Special Victims Unit in 2022, portraying Detective Nadia Szabo, a tough internal affairs investigator clashing with Captain Benson over a reopened missing persons case, in the episode "Tangled Strands of Justice" (Season 23, Episode 19). Beyond scripted roles, Orfeh contributed to television musical specials by performing songs from her Broadway repertoire, such as in the 2020 pandemic-era variety series Stars in the House, where she delivered virtual concerts tied to her theatrical work.Film and voice work
Orfeh has made several minor appearances in independent films, showcasing her versatility beyond the stage. In the 2006 romantic comedy Kiss Me Again, she portrayed the character Genesis, a supporting role in a story exploring relationship boundaries among a group of friends.[47] Her performance contributed to the film's ensemble dynamic, directed by William Tyler Smith.[48] In 2007, Orfeh appeared as a Hooker in Julie Taymor's musical drama Across the Universe, a Beatles-inspired film featuring a cameo that highlighted her vocal talents in a brief scene. This role aligned with her musical background, as she participated in the film's song interpretations.[1] She later took on the part of Mrs. Wasserstein in the 2013 comedy Sleeping with the Fishes, directed by Nicole Gomez Fisher, where she played a family matriarch in a story about grief and family ties starring Gina Rodriguez.[49] These film roles, though small, demonstrated her ability to blend acting with her established singing prowess. Orfeh's voice work extends prominently to video games, where her theatre-honed vocal range found new outlets in interactive media. She provided voices for minor characters, including a dispatcher, doctor, and officer, in the 2003 action game Max Payne 2: The Fall of Max Payne, developed by Remedy Entertainment. This role marked one of her earliest high-profile gaming contributions, adding to the game's noir-inspired atmosphere.[11] In 2004, she voiced Millie Perkins, a key girlfriend character involved in mission objectives, in Grand Theft Auto: San Andreas by Rockstar Games, enhancing the game's expansive narrative with her distinctive delivery. Further expanding her gaming portfolio, Orfeh lent her voice to the Undercover Cop, specifically the character Chloe, in the 2005 beat 'em up The Warriors, also developed by Rockstar Games and based on the 1979 film. This role involved voicing a law enforcement figure aiding the protagonists in a gang-war storyline.[50] Additionally, she contributed minor voice roles such as a dispatcher, doctor, and officer in Max Payne 2, underscoring her range in atmospheric sound design.[51] These voice-over opportunities often stemmed from her rising recognition in theatre, allowing her to reach broader audiences through popular entertainment formats.[52]Personal life
Marriage and separation
Orfeh met actor Andy Karl in 2000 while both were performing in the Broadway production of Saturday Night Fever, where she originated the role of Annette and he joined the cast later that year; the pair described their connection as "love at first sight."[53][54] The couple dated for six months before eloping in South Beach, Florida, in January 2001.[55][56] Throughout their marriage, Orfeh and Karl frequently collaborated professionally, leveraging their shared theatre background to appear together in multiple productions.[53] Notable examples include their roles in the 2007 Broadway musical Legally Blonde—where Orfeh played Paulette and Karl portrayed Kyle—and the 2018 adaptation of Pretty Woman: The Musical, in which Karl starred as Edward Lewis and Orfeh as Kit De Luca, allowing them to perform alongside each other onstage and off.[53][57] In May 2024, after 23 years of marriage, Orfeh and Karl announced their separation via a joint statement posted on Karl's Instagram account.[58] The statement read: "After 23 years of a wonderful loving relationship, both onstage and off, we have made the decision to separate. Keeping a marriage strong can be challenging, especially when working on opposite sides of the world, but we remain committed to building a strong future, whether together or apart. We ask for respect and privacy at this time."[58] The couple attributed strains in their relationship partly to long-distance periods caused by Karl's international commitments, such as his 2024 reprise of the role in Groundhog Day: The Musical in Australia from January to April, which separated them geographically for extended periods.[58][53] Despite the split, they emphasized a continued focus on their professional lives, with no reported disruptions to Orfeh's ongoing theatre and music career.[58] In August 2025, Karl announced his engagement to Australian actress Elise McCann, whom he met during the 2024 Australian production of Groundhog Day.[59]Residence and interests
Orfeh, born and raised in New York City, has maintained a long-term residence there, as evidenced by her 2020 virtual appearance from her NYC home during the early days of the COVID-19 pandemic. This enduring connection to the city, where she continues to be based amid her Broadway commitments, underscores the profound influence of her upbringing on her daily life and artistic environment.[60][61] Beyond her career, Orfeh demonstrates a strong commitment to animal welfare, participating in adoption drives and rescue initiatives. In 2011, she joined the 'Get Your Licks on Route 66' pet adoption event hosted by North Shore Animal League America, helping to promote the adoption of over 100 dogs, cats, and puppies from mobile rescue units. She and her then-husband were also recognized by the Humane Society of New York in 2019 with the Sandy Fund Award for their advocacy in animal protection and support for shelter animals.[62][63] Orfeh extends her philanthropic efforts to community health causes, particularly through involvement with Broadway Cares/Equity Fights AIDS. She has contributed to fundraising via virtual reunions, such as the 2020 Legally Blonde cast event, which supported essential services like meals, medication, and healthcare for individuals affected by HIV/AIDS and other critical illnesses across the U.S.[64]Awards and nominations
Theatre awards
Orfeh earned critical acclaim and multiple nominations for her portrayal of Paulette, the sassy hairdresser, in the Broadway production of Legally Blonde: The Musical, which opened in 2007. For this role, she received a Tony Award nomination for Best Performance by a Featured Actress in a Musical.[2] She was also nominated for the Drama Desk Award for Outstanding Featured Actress in a Musical and the Outer Critics Circle Award for Outstanding Featured Actress in a Musical.[2] Additionally, Orfeh won the Broadway.com Audience Choice Award for Favorite Featured Actress in a Musical for her performance.[1] In 2018–2019, Orfeh starred as Kit De Luca in the Broadway musical Pretty Woman, earning the Broadway.com Audience Choice Award for Favorite Featured Actress in a Musical.[65] She also received the Broadway.com Audience Choice Award for Favorite Diva Performance for the same role.[65]Music awards
Orfeh earned a Grammy Award nomination in 2006 for her vocal contributions to the Hair benefit cast recording produced by the Actors Fund of America. Released in 2005, the album featured an all-star ensemble including Orfeh, who performed on tracks such as "Black Boys" alongside Kathy Brier, capturing the essence of the 1967 rock musical during a concert staged at the New Amsterdam Theatre in September 2004. This recording was nominated for Best Musical Theater Album at the 48th Annual Grammy Awards, recognizing its role in reviving the score by Galt MacDermot with lyrics by Gerome Ragni and James Rado for charitable purposes.[5][66][67] The nomination highlighted Orfeh's versatility in blending her pop and theater background into the ensemble-driven project, which ultimately lost to Monty Python's Spamalot. While no wins materialized from this effort, it underscored her impact on musical theater recordings post-2000, particularly in benefit contexts that bridged live performance and studio work.[67]Discography
Albums
Orfeh's recording career began with the R&B duo Or-N-More, consisting of herself and Mike More, which released a self-titled debut album in July 1991 through EMI Records. The album featured a blend of new jack swing and pop influences, produced by Mike More and others, and included the single "Everyotherday" featuring Father M.C., which peaked at number 46 on the Billboard Hot 100 chart. No certifications were awarded to the album.[34] In 2008, Orfeh released her first solo studio album, What Do You Want from Me, on September 30 via Sh-K-Boom/Ghostlight Records. Produced primarily by Andrew Logan and Pam Reswick, with additional production by Toby Gad on select tracks, the album showcased Orfeh's versatile voice across pop, soul, and rock styles, drawing from her Broadway experience. It featured 12 tracks, emphasizing themes of love, resilience, and self-empowerment.| Track | Title | Writers | Length |
|---|---|---|---|
| 1 | What Do You Want from Me | Orfeh, Andrew Logan, Pam Reswick | 4:21 |
| 2 | Look at Me Now | Andrew Logan, Pam Reswick | 4:05 |
| 3 | Last Time I Cry | Orfeh, Andrew Logan, Pam Reswick | 4:01 |
| 4 | Love Me Today | Orfeh, Toby Gad | 2:38 |
| 5 | Dirt | Orfeh, Andrew Logan, Pam Reswick | 3:23 |
| 6 | Tell That to My Heart | Orfeh, Mike More | 3:45 |
| 7 | Falling in Love | Orfeh, Andrew Logan, Pam Reswick | 4:02 |
| 8 | Hurt Me | Orfeh, Toby Gad | 4:18 |
| 9 | Even If | Orfeh, Andrew Logan, Pam Reswick | 3:59 |
| 10 | Sing You to Sleep | Orfeh, Toby Gad | 3:51 |
| 11 | Resolution | Orfeh, Andrew Logan, Pam Reswick | 3:58 |
| 12 | Heaven Tonight | Orfeh, Mike More | 4:16 |
Singles
Orfeh began her recording career as part of the pop duo Or-N-More, alongside producer Mike More, releasing singles tied to their 1991 self-titled album on EMI Records. The lead single "Everyotherday," featuring rapper Father MC, achieved moderate success, peaking at number 46 on the Billboard Hot 100 chart and reaching the top spot on the Billboard Dance Club Songs chart.[34][70] This track marked an early highlight in her music career, blending pop and dance elements with hip-hop influences. In 2015, Orfeh released her cover of the holiday classic "Christmas (Baby Please Come Home)" as a standalone single, self-released through Orfenator Music LLC, capturing her versatile vocal style in a festive context.[71] The following year, she contributed vocals to the charity single "What the World Needs Now Is Love" by Broadway for Orlando, a collaborative effort with artists including Bernadette Peters, Gloria Estefan, and Sean Hayes to benefit victims of the Pulse nightclub shooting; the track was produced by Seth Rudetsky and released via Broadway Records.[72] Also in 2016, Orfeh issued her original solo single "Forget My Name," a self-released pop track that showcased her songwriting. Orfeh's solo output continued with independent releases in the 2020s. In 2021, she collaborated with Karl and Andrew Logan on the mash-up single "Yesterday / Time After Time / Shallow," blending Beatles, Cyndi Lauper, and Lady Gaga elements into a medley available on digital platforms. The year 2023 saw two self-released singles: "Forever I Do," an uplifting original track, and her rendition of the Eagles' "Hotel California," which she described as one of her most requested songs in live performances, arranged to highlight her powerful vocals.[73][39] More recently, in 2025, Orfeh released three new singles produced by Father MC: "Peep Show," a playful pop number; "Live My Life," an empowering anthem; and "Hurt Me" (featuring Father MC), which explores themes of emotional resilience through a blend of R&B and pop.[6] These tracks, self-released via Orfenator Music LLC and FMedia Corp, reflect her ongoing evolution as an independent artist, available on platforms like Spotify and Apple Music.[74]| Title | Year | Artist/Billed As | Label | Notes |
|---|---|---|---|---|
| Everyotherday (feat. Father MC) | 1991 | Or-N-More | EMI Records | Peaked at #46 on Billboard Hot 100; #1 on Billboard Dance Club Songs. From debut album Or-N-More.[34] |
| Christmas (Baby Please Come Home) | 2015 | Orfeh | Orfenator Music LLC | Cover of Darlene Love original; holiday single.[71] |
| What the World Needs Now Is Love | 2016 | Broadway for Orlando (feat. Orfeh and others) | Broadway Records | Charity single for Pulse victims; ensemble including multiple Broadway stars.[72] |
| Forget My Name | 2016 | Orfeh | Self-released | Original pop single. |
| Yesterday / Time After Time / Shallow | 2021 | Orfeh with Karl and Andrew Logan | Self-released | Mash-up medley single. |
| Forever I Do | 2023 | Orfeh | Self-released | Original uplifting track. |
| Hotel California | 2023 | Orfeh | Self-released | Cover of Eagles hit; fan-favorite performance staple.[75] |
| Peep Show | 2025 | Orfeh | Orfenator Music LLC / FMedia Corp | Original pop single; produced by Father MC.[76] |
| Live My Life | 2025 | Orfeh | Orfenator Music LLC / FMedia Corp | Empowering original; produced by Father MC.[77] |
| Hurt Me (feat. Father MC) | 2025 | Orfeh | Orfenator Music LLC / FMedia Corp | R&B-pop collaboration; produced by Father MC.[78] |