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Patsy Pease

Patsy Pease (born Patricia Ann Pease; July 5, 1956) is an American actress best known for originating and portraying the role of Kimberly Brady Donovan on the Days of Our Lives, a character she played intermittently from 1984 to 2016. Born in , Pease attended the North Carolina School of the Arts on a governor's before launching her acting career in the late . Pease's early television work included the role of Cissie Mitchell Sentell on the CBS soap opera Search for Tomorrow from 1979 to 1983, marking her entry into daytime drama. She joined Days of Our Lives on July 24, 1984, as the free-spirited daughter of Shawn and Caroline Brady, whose storylines often revolved around her tumultuous romance with Shane Donovan and family conflicts in the fictional town of Salem. Her performance earned her widespread acclaim, including a Soap Opera Digest Award for Outstanding Actress in 1986 and two for Favorite Super Couple (shared with co-star Charles Shaughnessy) in 1986 and 1988. Beyond , Pease appeared in guest roles on shows such as (1983) as Sherry Webster and (1996) as Patricia Fennell, as well as in the independent film (2010) as Mrs. Barris. She has also worked as an accredited teacher at the and the Conservatory, contributing to actor training in the industry. Pease's career spans over four decades, with her enduring association to solidifying her status as a icon.

Early life

Childhood and family background

Patricia Ann Pease, known professionally as Patsy Pease, was born on July 5, 1956, in . Growing up in this Southern U.S. city, she experienced a challenging home environment marked by her mother's and , including beatings of Pease and her two siblings, which contributed to ongoing family instability. Her mother committed when Pease was 15. The family's dynamics in the conservative Southern context amplified the difficulties, with limited external support available during that era. Her early fascination with emerged as a form of escape, initially sparked through school activities and the encouragement of teachers who recognized her potential. These experiences in local educational settings laid the groundwork for her later pursuit of formal training.

Education and early training

Pease attended the School of the Arts in Winston-Salem, where she pursued a four-year bachelor's program in drama, earning a B.F.A. in theater arts. Her enrollment in the focused on rigorous training in techniques, voice production, and , which provided a foundational skill set for her future performances. She also studied and taught as part of her curriculum, enhancing her versatility in movement and performance. Her talent was recognized early when she received the governor's scholarship for , which supported her studies and underscored her promise as a young artist. This award highlighted her dedication and potential, distinguishing her among peers in the competitive field of dramatic arts. Following her graduation around 1978, Pease relocated to to seek professional opportunities in , transitioning from academic training to the city's vibrant theater and film scene. This move marked the culmination of her formal education and positioned her at the gateway to her career.

Career

Early acting roles

Patsy Pease began her professional acting career in in the late , drawing on her formal training in theater and dance from the University of North Carolina School of the Arts. Her screen debut came in the 1980 horror-thriller film , directed by Armand Mastroianni, where she portrayed the character Joyce in a supporting role alongside and . Pease's entry into television followed soon after, with her first soap opera contract role as the country-western vixen Cissie Mitchell Sentell on the daytime drama , which she played from 1979 to 1983. This part introduced her to the fast-paced format of daytime serials and provided steady exposure on the and series, marking a pivotal step in building her resume as a versatile performer. In 1983, Pease expanded into primetime guest spots, demonstrating her range beyond soaps. She appeared as Anita in the episode "Baby on the Line" of , a starring , and as Sherry Webster in the episode "Steele in Circulation" of , opposite and . That same year, she took on a minor but notable genre role as the space-age gunslinger Amanda in Roger Corman's low-budget Space Raiders, co-starring and young . These early roles culminated in Pease's relocation from to in 1983, positioning her for broader opportunities in the entertainment industry.

Days of Our Lives tenure

Patsy Pease was cast as on the soap opera in 1984, debuting on July 24 in a contract role as the eldest daughter of Shawn and Caroline Brady. Over the next six years, her portrayal evolved the character from a mysterious figure with a troubled past into a fan favorite, highlighted by her resilience in family-oriented narratives and romantic entanglements. Pease's performance during this period established Kimberly as a central figure in the show's ensemble, drawing viewers through her emotional depth and on-screen presence. A pivotal aspect of Pease's tenure was Kimberly's romance with ISA agent Shane Donovan, portrayed by Charles Shaughnessy, which blossomed into one of the 1980s' defining supercouples on daytime television. Their storyline began in 1984 when Shane surveilled Kimberly over stolen photos linked to Stefano DiMera, leading to a partnership fraught with danger, including ISA missions and personal revelations about Kimberly's history as a former prostitute. Key arcs included Kimberly's hysterical blindness in 1985, resolved after an affair with Victor Kiriakis; the 1986 birth of their son Andrew in a remote cabin; and ongoing family dramas such as kidnappings, presumed deaths, and paternity disputes that tested their bond through separations and reunions. The duo's chemistry, blending high-stakes adventure with heartfelt romance, exemplified 1980s supercouple dynamics, complete with exotic location shoots and comedic elements like paint fights, which captivated audiences and boosted the show's popularity during its ratings peak. Pease took a hiatus from the series in 1990–1992 to focus on , including maternity leave following the birth of her first son. She returned to a contract role from 1996 to 1998, reprising Kimberly amid further family storylines, before transitioning to recurring status. Guest appearances followed in 1994, 1999, 2002–2004, 2008, 2010, 2013, and 2016, often tied to major events like the death of matriarch . In late 1992, Pease departed full-time from to prioritize raising her two young sons, marking a deliberate shift toward career-family balance while maintaining occasional involvement with the show. This decision underscored her commitment to amid professional demands. Kimberly's arcs under Pease significantly contributed to the soap's cultural footprint, with the character's enduring appeal and legacy fostering long-term fan loyalty and influencing the genre's emphasis on romantic, high-drama pairings.

Later television and film work

Following her departure from in 1992, Patsy Pease entered a period of semi-retirement, prioritizing family life during the 1990s and early 2000s while selectively taking on guest roles and projects that aligned with her interest in character-driven narratives. This hiatus allowed her to balance motherhood with occasional acting opportunities, marking a shift from commitments to more diverse, low-profile work in television and cinema. Pease's first notable post-soap film role came in 1994 with Improper Conduct, a drama about workplace harassment, where she portrayed Jo Ann, a supporting character navigating personal and professional turmoil. In 1996, she guest-starred on The Young and the Restless as Patricia Fennell, a recurring character involved in interpersonal drama on the CBS soap opera. Three years later, in 1997, she appeared in the science fiction thriller Total Reality as the Leader, a authoritative figure in a dystopian setting, showcasing her versatility in genre fare. That same year, she made a guest appearance on the Nickelodeon series The Journey of Allen Strange, playing Marla in the episode "All Apologies," which explored themes of identity and forgiveness through an alien protagonist's lens. In 1999, Pease took on the role of Gwen Reynolds in Two Shades of Blue, an centered on a writer's descent into obsession and crime, highlighting her ability to embody complex, morally ambiguous women in productions. Pease's work culminated in 2010 with , a about the modeling industry, in which she played Mrs. Barris, a minor role that underscored her continued presence in satirical takes on fame and beauty. These projects reflected a mature phase of her , emphasizing intimate, narrative-focused roles over high-volume commitments.

Web series and teaching career

In the mid-2010s, Pease revitalized her acting career through the digital medium, taking on a recurring role as Lola Baker in the The Bay, beginning in 2015. This soap opera-style production, distributed via streaming platforms, allowed her to portray a complex character in scenes involving key ensemble members, marking her transition to online content amid the rise of web-based dramas. The series itself exemplifies the streaming era's influence on serialized storytelling, earning multiple for its innovative digital format and providing opportunities for veteran actors like Pease to engage new audiences. Following her The Bay stint, which spanned eight episodes through 2016, Pease has pursued selective projects in a semi-retired capacity, with no major new acting roles reported after her final guest appearances on Days of Our Lives in 2016. This shift reflects a broader trend among established performers adapting to the flexible demands of streaming content over traditional television commitments. Parallel to her digital acting revival, Pease has contributed to actor education as an accredited instructor at the American Film Institute (AFI) and the Screen Actors Guild (SAG) Conservatory. Her workshops focus on practical training for aspiring performers, drawing from her extensive soap opera experience to mentor on scene work, character development, and industry navigation. These roles underscore her commitment to fostering the next generation of talent in an evolving entertainment landscape.

Personal life

Marriages and children

Patsy Pease's first marriage was to Ray Jeffers in 1987, which ended in divorce later that same year. The couple had one son together, Joshua Raymond Jeffers, born on January 24, 1988. She married Bobby Martin in 1990, and the marriage lasted until their divorce in 1994. This relationship resulted in the birth of Pease's second son, Russell Blake Martin, on August 11, 1990, who was diagnosed with , a rare congenital joint disorder characterized by multiple joint contractures. In 1993, Pease chose to go off-contract from to focus on raising her two young sons full-time. As of 2025, Pease leads a private life centered on her now-adult children, with no additional marriages reported.

Childhood abuse revelation

In interviews, Patsy Pease publicly disclosed that she and her siblings endured years of physical, emotional, and from their mother, who suffered from and frequently beat them during episodes of instability. This revelation highlighted the severe childhood instability she faced, culminating in her mother's suicide when Pease was 15 years old, leaving lasting physical scars that necessitated multiple back surgeries in adulthood. Pease has described how surviving this fostered her personal , influencing her affinity for portraying complex, strong female characters who overcome adversity, though she emphasized the emotional toll it took during vulnerable periods like her pregnancies. Following her disclosure, she became an advocate for survivors, regularly speaking at support groups to share her experiences and encourage healing among others facing similar challenges. Her efforts extended to broader awareness. Pease has not provided further public details on family reconciliation or specific therapy processes, maintaining a focus on empowerment and forward-looking advocacy in her post-revelation life.

Awards and nominations

Soap Opera Digest Awards

Patsy Pease received significant recognition from the during her tenure on , particularly for her portrayal of . In 1986, she won the award for Outstanding Actress in a Leading Role on a , highlighting her compelling performance in the character's evolving storylines. That same year, Pease shared the Favorite Super Couple award with her on-screen partner , who played Shane Donovan, celebrating the duo's dynamic chemistry that captivated audiences. Pease's success continued into 1988, when she and Shaughnessy again won the Favorite Super Couple award, further affirming the enduring appeal of the Shane and Kimberly pairing. In 1990, Pease and Shaughnessy were nominated for Outstanding Super Couple: Daytime. These honors were closely tied to the peak popularity of Kimberly Brady during the 1980s, as the character's romantic adventures and supercouple narrative with Shane drove high viewer engagement for Days of Our Lives. The Soap Opera Digest Awards elevated Pease's within the , solidifying her as a leading actress during the show's prime era and contributing to her lasting legacy in .

Daytime Emmy and Indie Series Awards

In 2016, Patsy Pease received a Daytime Emmy nomination for Outstanding Special Guest Performer in a Drama Series for her portrayal of Lola Baker in the web series The Bay. This marked her first such recognition from the National Academy of Television Arts & Sciences, highlighting her return to acting in digital formats after a hiatus from mainstream soap operas. Although she did not win the award, the nomination underscored the Academy's expanding acknowledgment of web-based dramas as legitimate daytime programming. That same year, Pease earned a for Best Guest Actress in a Drama Series at the 7th Annual Indie Series Awards for the same role in The Bay. The Indie Series Awards, which celebrate content, recognized her performance amid a competitive field that included other notable talents. Like the Emmy nod, this accolade did not result in a win but affirmed her versatility in the evolving landscape of . These 2016 nominations collectively represented a significant resurgence for Pease, signaling the industry's appreciation of her enduring appeal and adaptability beyond her prominence. By honoring her contributions to The Bay, a pioneering web soap that itself garnered multiple awards, the recognitions emphasized the viability of digital platforms for veteran actors transitioning from traditional television.

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