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Payday Records

Payday Records is an American independent and R&B founded in 1992 by Patrick Moxey in , initially emerging from a popular NYC warehouse party scene and becoming a key player in the fertile 1990s landscape. The label quickly established its reputation by signing and launching breakthrough artists, including with his debut single "In My Lifetime" in 1995, Mos Def via his early group U.T.D. on singles released in 1994 and 1995, on his seminal album The Sun Rises in the East in 1994, and Group Home's debut in the same year. Additional notable 1990s signings encompassed Showbiz & A.G., , and , contributing to Payday's role as one of the longest-running independent labels in history. Originally distributed by London Records, the label faced challenges from industry mergers involving / and Warner Music after 1998, leading to dormancy around 2001. In late 2017, Moxey revived Payday Records for its 25th anniversary, partnering with Neale Easterby as managing director and shifting focus to talent with studios in , , and . In 2022, Payday entered a with Warner Recorded Music for enhanced distribution and services. The relaunch featured high-profile signings such as for a series of singles, including the 2017 collaboration "Our Streets" with A$AP Ferg—which amassed over 2 million streams and 3 million views—alongside Pell, , Yung Fume, Isaiah Dreads, and Gloss Gang, with distribution handled by Ultra Music in the and Sony in the UK. Payday's legacy extends to its influence on music publishing, as Moxey's Ultra International Music Publishing rebranded to Payday Music Publishing in 2025, honoring the label's foundational impact on while representing over 70,000 copyrights.

History

Founding

Payday Records was established in 1992 by Patrick Moxey in as an dedicated to music. Moxey, drawing from the vibrant New York hip-hop landscape of the early 1990s, aimed to capture and promote emerging talent in the genre. From its inception, the label formed an initial partnership with FFRR, a subsidiary of London Records, to handle distribution in the . For international markets, particularly the and , Payday relied on London Records and its parent company for distribution, enabling broader reach beyond . This setup allowed the independent label to leverage established infrastructure while maintaining creative control over its releases. Payday emphasized , particularly the style characterized by hard-hitting drum patterns and sampled loops, reflecting the raw energy of New York's underground scene. The label quickly associated with influential producers like , whose production approach aligned closely with this sound.

Early years

Following its establishment, Payday Records launched its inaugural major projects in 1993 with the release of 's debut single "Come Clean," produced by and featuring raw, introspective lyrics emblematic of . This track exemplified the label's early ties to the , a collective of artists orbiting the duo , whom founder Patrick Moxey had managed since the early . Building on this momentum, 1994 brought the full-length debut album The Sun Rises in the East by , which received critical acclaim for its conscious themes and 's jazz-infused production, establishing Payday as a platform for innovative underground talent. The label's business expansion was bolstered by its distribution partnership with London Records/FFRR under the umbrella, which provided robust international reach in the UK and starting in the mid-1990s. This arrangement allowed Payday to efficiently market and distribute its releases amid the genre's rising global popularity, leveraging 's infrastructure for wider accessibility. The 1998 merger of with Seagram's integrated Payday into an even larger distribution network, amplifying its operational scale and supporting sustained growth through the decade's end. During the of in the , Payday Records served as a vital conduit for transitioning underground artists to mainstream recognition, emphasizing lyrical depth and high-caliber production over commercial trends. By signing and nurturing talents from New York's vibrant , the contributed to the era's emphasis on and cultural storytelling, fostering a roster that influenced the genre's evolution. A defining milestone occurred in with the release of Jay-Z's debut single "In My Lifetime," a polished yet street-rooted track that propelled the artist toward broader acclaim and underscored Payday's foresight in talent development.

Relaunch

Following the 1998 merger of and , Payday Records, which had been distributed through London Records under PolyGram, effectively entered dormancy as London Records was divested to in 2000 and operations were restructured amid broader industry consolidation, leading to dormancy around 2001. This period of inactivity lasted nearly two decades, influenced by the seismic shifts in the music business, including the rise of and changing dynamics for independent labels. Payday Records was relaunched on November 2, 2017, by founder Patrick Moxey, who integrated it under his Ultra Music banner to revive its hip-hop legacy on the occasion of its 25th anniversary. Moxey assumed the role of president of Payday Records worldwide, leveraging Ultra's infrastructure for initial operations, with distribution handled by Ultra in the US and Sony Music in the UK, following Sony's 2013 strategic partnership with and investment in Ultra. In 2022, the label shifted its global distribution to Warner Music Group's ADA Worldwide as part of a broader partnership that included Moxey's new Helix Records imprint, marking a strategic pivot to enhance reach in hip-hop and R&B. In April 2025, the related division—previously known as Ultra International Music Publishing—rebranded to Payday Music Publishing following a with Sony Music Entertainment, though this change pertains solely to publishing operations and does not affect the record label's activities.

Roster

Current artists

Payday Records' current roster, revitalized since its 2017 relaunch, emphasizes a mix of established figures and rising talents in , , and contemporary rap, aiming to bridge golden-era production with modern street sounds. The label has strategically signed artists who contribute to its output through singles, , and albums distributed via partnerships, fostering collaborations that highlight innovative beats and lyrical depth. Key active artists include:
  • DJ Premier, the acclaimed producer known for his boom bap foundations and scratches, serves as a cornerstone of the relaunched Payday, debuting with the 2017 single "Our Streets" featuring A$AP Ferg to mark the label's return. His work emphasizes classic instrumentation blended with contemporary features.
  • Pell, a soul-infused rapper from New Orleans, gained prominence via Payday with his 2017 EP girasoul, which showcases introspective tracks like "Chirpin'" exploring personal growth and digital escapism. His style merges jazzy samples with laid-back flows, aligning with the label's eclectic vision.
  • AntsLive, an emerging UK hip-hop artist blending melodic hooks with gritty narratives, has delivered Payday-backed summer anthems such as the 2024 single "Sex On The Beach," which highlights his playful yet streetwise delivery in the drill-adjacent scene.
  • BBY GOYARD, a Maryland-based trap innovator recognized for his eccentric, high-energy persona and auto-tuned flows, joined Payday in 2018 and released projects like the Depth Perception EP, featuring tracks such as "Wild Thing" that fuse psychedelic elements with rapid-fire bars. His contributions underscore the label's push into experimental trap sounds.
  • BIGBABYGUCCI, a trap rapper noted for his wavy, synth-driven production and boastful lyricism, debuted on Payday with the 2018 EP 10 Minutes To Live alongside producer , including hits like "Hypnotized" that capture his hypnotic, party-ready vibe.
  • Yung Fume, a with raw, confrontational bars over ominous 808s, signed to Payday in 2017 as one of its first acts, releasing tracks that amplify the label's global reach.
  • Barney Bones, a versatile rapper blending trap aggression with melodic introspection, maintains an active presence on Payday, supporting the label's strategy for developing multifaceted urban artists.
  • Saigon, the veteran lyricist known for his politically charged, storytelling-driven rhymes, returned to prominence with Payday via the 2024 album The Jordan Era in collaboration with , featuring guests like and produced entirely in-house to honor hip-hop's roots.
  • Dorrough Music, a trap veteran with catchy, club-oriented hooks, continues to release through Payday, exemplified by his signature style in post-relaunch projects.
  • Davy One, a rising rapper incorporating rhythms and vivid street tales, bolsters Payday's expansion with recent singles.
  • , the trap legend renowned for his ad-lib mastery and booming basslines, signed in 2017 and has sustained output, reinforcing Payday's Southern connections.

Former artists

Payday Records, during its original run in the 1990s, signed several influential acts whose tenures helped define the label's legacy in East Coast rap, particularly through collaborations with producer . These artists contributed to the label's output before its dormancy following a 1999 shutdown. Jeru the Damaja debuted on Payday with his 1994 album The Sun Rises in the East, a critically acclaimed project featuring dense, conscious lyricism over 's minimalist beats, establishing him as a key voice in . His Payday era solidified the label's reputation for raw, Brooklyn-centric rap. Jay-Z released his early single "In My Lifetime" through Payday in 1995, marking one of the label's initial breakthroughs for a future superstar and showcasing his sharp storytelling in the mid-90s scene. Mos Def entered the industry via Payday as part of the group U.T.D. (Urban Thermo Dynamics), releasing singles like "Manifest Destiny" in 1994, which highlighted his versatile flow and family-based creative dynamic in early . Showbiz & A.G. dropped their debut album Runaway Slave on Payday in 1992, blending soulful samples and street narratives produced in part by DJ Premier, contributing to the label's foundation in D.I.T.C.-affiliated sounds. WC and the Maad Circle, representing West Coast gangsta rap, issued their sophomore album Curb Servin' via Payday in 1995, fusing G-funk elements with raw L.A. tales and broadening the label's regional scope. O.C. joined Payday in 1997 for his second album , delivering intricate bars over beats from and others, extending the label's late-90s push into thoughtful lyricism. Group Home's 1995 album , entirely produced by , captured gritty life with tracks like "Supa Star," embodying Payday's commitment to authentic East Coast crews. 1st Down, featuring Phat Kat and , put out singles like "A Day Wit the Homiez" on Payday in 1995, infusing flavor into the label's roster with innovative production. released the single "" through Payday in 1996, leveraging his ties and DJ Premier's production to deliver hardcore rap. Gloss Gang, a hip-hop collective, joined Payday in 2017 and released projects like the 2019 Money Brower Respect 2, delivering ensemble anthems with group dynamics and high-energy production, representing the label's ensemble-based artist development. As Payday ceased operations in 1999 amid industry shifts, these artists departed due to the label's dormancy, concluding their affiliations without further releases under the imprint.

Discography

1990s releases

Payday Records established itself in the as a key player in , releasing a series of influential albums and singles that emphasized underground lyricism and boom-bap production, often helmed by . The label's output during this decade focused on and Queens-based artists, contributing to the of through raw, street-oriented narratives and jazz-infused beats. These releases, while not always achieving mainstream commercial dominance, garnered critical acclaim for their authenticity and technical prowess, helping to shape the sound of conscious rap in the mid-1990s. One of the label's earliest significant releases was Showbiz & A.G.'s debut album Runaway Slave on September 22, 1992, via Payday in association with London Records. Produced primarily by Showbiz alongside Lord Finesse, the album addressed themes of urban struggle and black empowerment with intricate rhymes and soulful samples, earning praise as an underground classic that influenced the Diggin' in the Crates (D.I.T.C.) crew's aesthetic. Its non-commercial, jazzy approach resonated in hip-hop circles, solidifying Payday's reputation for fostering raw talent despite limited sales figures. In 1994, Jeru the Damaja's The Sun Rises in the East, released on May 24, marked a high point for Payday, with handling all production. The album's sharp critiques of the music industry and street life, delivered over Premier's signature dusty drum patterns and obscure samples, positioned it as a of 1990s conscious , though it achieved modest commercial success focused more on critical and cult acclaim. Jeru's commanding presence and Premier's beats, including tracks like "Come Clean," exemplified the label's commitment to lyrical depth over pop appeal. The following year, 1995, saw two notable Payday projects: Group Home's , released November 21 through FFRR/Payday, again produced entirely by , which chronicled Brooklyn hardships with gritty realism but received mixed reviews and underwhelming sales due to the duo's uneven delivery despite standout production. Complementing this, Payday issued Jay-Z's debut single "In My Lifetime" in 1995, a Ski Beatz-produced track that previewed his introspective style a year before , marking the label's early role in launching future superstars through indie distribution. Premier's involvement across these releases underscored Payday's reliance on Gang Starr Foundation affiliates for sonic cohesion. Mid-decade, Payday also supported emerging acts like Urban Thermo Dynamics (U.T.D.), featuring a young Mos Def alongside siblings DCQ and Ces, with singles such as "My Kung Fu" (1994) and "Manifest Destiny" (1995). These tracks blended funky breaks and positive vibes, showcasing Mos Def's precocious talent, though the group's full album was shelved amid label issues, limiting their commercial footprint to underground buzz. By 1997, O.C.'s Jewelz, released August 19 on Payday/FFRR, represented a shift toward broader production input from DJ Premier, Lord Finesse, and others, incorporating more polished elements while retaining D.I.T.C. grit; it earned favorable critical reception for its matured lyricism and features, including Big L, though sales remained niche compared to mainstream contemporaries. Overall, Payday's 1990s catalog, peaking around 1994–1995, prioritized artistic integrity and Premier's production blueprint, influencing hip-hop's underground evolution despite variable commercial outcomes.

Post-2017 releases

Following the 2017 relaunch of Payday Records by founder Patrick Moxey, the label's first output was the single "Our Streets" by featuring A$AP Ferg, released on November 2, 2017, as a hard-hitting track produced by Premier that paid homage to urban street culture. This release marked the label's return under distribution by , emphasizing a blend of classic production with contemporary rap energy. In late 2017, Payday issued its inaugural EP with signed artist Pell, titled girasoul, a six-track project released on December 8 that explored introspective themes through soulful, genre-blending influenced by Pell's New Orleans roots and experiences. The EP featured collaborations like "throwback" with and received over 4.5 million streams, showcasing Payday's early focus on melodic rap with live instrumentation. Building on this, Pell followed with the single "Fallback" in August 2018, his first post-EP release via the label, which highlighted a shift toward more experimental, trap-infused sounds. Payday's post-2017 catalog expanded into and territories with releases from emerging artists like BBY GOYARD, whose 2019 single "90210WESTWOOD" captured a dreamy, auto-tuned aesthetic, and the 2021 EP Guardian Ghosts co-billed with David Shawty, featuring glitchy production and short, energetic tracks that amassed significant streaming traction in underground circles. Similarly, BIGBABYGUCCI debuted on the label with the 2018 EP 10 Minutes to Live, produced by , a raw project with tracks like "Number 1 & 2" that emphasized fast-paced flows and Atlanta-influenced beats, establishing his presence in the Southern scene. Slimesito, another roster addition, contributed to Payday's output through signed affiliations. By the mid-2020s, Payday pivoted toward hip-hop and global collaborations, exemplified by AntsLive's 2024 Real Life, released July 10 on the label, which included the breakout single "Saturday"—a bouncy track that charted in the and highlighted street narratives with infectious hooks. The featured roster crossovers like "Alexa" with Kairo Keyz, underscoring Payday's emphasis on interconnected artist projects. AntsLive followed with the single "" on August 14, 2024, a summery cut that extended the label's exploration of upbeat, party-oriented sounds amid rising international streaming demands. This era reflected Payday's evolution from boom bap roots to a diverse portfolio of , , and , fostering collaborations that amplified emerging talents in the digital music landscape. As of November 2025, no major new releases have been announced.

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