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Ultra Records

Ultra Records is an American record label specializing in (), founded in 1995 in by former and executive Patrick Moxey. Originally an independent entity, the label gained prominence through its focus on and electronic genres, releasing influential tracks and albums that helped shape the global landscape. Throughout its history, Ultra Records has been instrumental in promoting both established and emerging artists in the electronic music scene. Its first release was the single "Lift Me Up" by featuring Claire Rivers in 1996, setting the tone for its dance-oriented catalog. Key milestones include a strategic partnership with Music Entertainment in 2013, which expanded its distribution and resources, and a full acquisition by in January 2022, after which Moxey departed and David Waxman, formerly head of A&R, assumed the role of president. Under this structure, Ultra continues to operate as a key player in , emphasizing streaming-friendly singles and collaborations. The label has been home to a roster of notable artists and producers, including , whose album For Lack of a Better Name (2009) became a cornerstone of ; , a Grammy-nominated DJ known for hits like "Atmosphere"; , famous for the electro-house anthem "" (2002); and more recent acts like and OMI, whose tracks such as "Firestone" and "Cheerleader" drove the wave in the mid-2010s. Other prominent releases feature Pitbull's "I Know You Want Me (Calle Ocho)" (2009), , and , underscoring Ultra's role in bridging underground electronic sounds with mainstream success. Today, as part of , Ultra maintains its legacy of innovation in while adapting to digital platforms and global audiences.

History

Founding and early development

Ultra Records was founded in 1995 by Patrick Moxey, a former executive at and , in as an independent label specializing in electronic and dance music. Moxey, drawing from his experience in the scene and New York nightlife, launched the label with limited resources, starting operations from a loft apartment and investing $8,000 to produce its inaugural 12-inch vinyl release. The label's first release was the house track "Release Yo' Self" by Transatlantic Soul (a project by ) in 1996, marking the beginning of its commitment to high-quality dance productions. From its inception, Ultra Records focused on licensing and distributing international dance tracks for the U.S. market, particularly emphasizing releases from European artists to introduce fresh sounds in and . Early efforts included signing and promoting American talents like , , and Louie Vega alongside European imports, with breakthrough releases such as the UK duo and John Digweed's mix compilation in 1996, which sold over 500,000 copies in the U.S. and helped popularize stateside. By the late , the label had expanded its initial roster to include other influential European acts like , releasing seminal and house tracks that gained traction in clubs like . Ultra's growth in the late 1990s transformed it from a modest startup into a pivotal force in the emerging scene by 2000, driven by strategic partnerships with clubs and the rising popularity of electronic genres. The label's operations expanded beyond the founder's apartment to larger facilities in , supporting an increasing volume of releases and establishing Ultra as a go-to distributor for international in America. This foundational period laid the groundwork for Ultra's role in bridging global electronic sounds with U.S. audiences, setting the stage for future industry partnerships.

Key milestones and legal challenges

In the early , Ultra Records expanded its portfolio by launching specialized sub-labels to cater to niche electronic music genres, beginning with Ultra Chilled in 2001, which focused on ambient and chill-out tracks, followed by Ultra Trance in 2002, dedicated to . These imprints allowed the label to diversify its offerings amid the growing popularity of subgenres in the scene. A pivotal signing came in 2002 when Ultra Records brought on Italian DJ , leading to the 2003 release of his breakthrough single "," which propelled the label's visibility in the emerging movement. The label faced significant legal hurdles due to a protracted trademark dispute with Ultra Music Festival (UMF), which began in 1999 when an initial agreement permitted UMF's use of the "Ultra" name limited to events. Ultra Records initiated litigation in 2003 alleging infringement as UMF grew, resulting in a 2004 settlement that mandated collaboration for any expansion beyond . Tensions resurfaced in 2010 with another lawsuit from Ultra Records claiming breach of the prior agreement, prompting a UMF countersuit; the conflict resolved in 2012 through an out-of-court settlement that established a "global alliance," enabling coexistence under the shared branding while allowing Ultra Records to release festival-related CDs and DVDs. This resolution mitigated branding confusion but highlighted the challenges of name similarity in the expanding ecosystem. Around 2008-2010, Ultra Records pursued international market expansion and adapted to the rise of , broadening its reach beyond the U.S. to align with global shifts in music consumption.

Acquisition and modern era

In 2013, Ultra Records established a global strategic partnership with Entertainment, which included collaboration on A&R, , international marketing, and to bolster the label's reach in the electronic music sector. This alliance initially involved Sony acquiring a 50% stake in the label, allowing Ultra to leverage Sony's infrastructure while retaining operational independence under founder Patrick Moxey. The partnership culminated in Music's complete acquisition of Records in December 2021, transforming the label into a fully owned and integrating it more deeply into the major's global network. This move provided with enhanced resources for worldwide expansion, while Moxey transitioned out of his leadership role at the label. Following the acquisition, David Waxman was appointed president of Ultra Records in January 2022, taking over day-to-day operations and strategic direction from . With over two decades of experience at the label as head of A&R, Waxman has prioritized artist development and roster expansion, signing and nurturing talent to capitalize on Sony's promotional capabilities. In the years since the full acquisition, Ultra Records has intensified its focus on streaming platforms, reimagining longstanding compilation series like Ultra Dance into the U R format to align with digital consumption trends, with releases such as U R in 2023. The label has also strengthened ties to global events, producing official compilation albums for the , including editions for its 2023 through 2025 iterations to promote roster artists on an international stage.

Roster and artists

Current notable artists

Ultra Records maintains a dynamic roster of artists in 2025, emphasizing high-energy productions and festival-ready tracks that drive the label's streaming dominance in the genre. Key figures include , whose collaborations continue to anchor Ultra's mainstage appeal. Aoki's exclusive 2025 release "" with Good Times Ahead, featured on the compilation, exemplifies his role in delivering explosive, crowd-igniting anthems. Boris Brejcha, the high-tech minimal pioneer, joined Ultra in 2020 and has since elevated the label's offerings with meticulous, gravity-defying productions. His exclusive track "It's a Free Friday Night" from the 2025 compilation showcases his signature "high-tech minimal" style, drawing from albums like Space Diver (2020) and the 2019 single "" feat. Laura Korinth, which received gold certification in 2025 in multiple markets. Brejcha's contributions have helped the label achieve key commercial milestones, reflecting sustained growth in streaming and sales for Ultra's roster. Deorro, the Mexican-American DJ, remains active on Ultra with releases blending and Latin influences. His 2025 track "Yo Las Pongo" with , featured on the compilation, continues his tenure that includes earlier albums like Good Evening (2017). Deorro founded Double P Records in 2024 but maintains output on Ultra. Jessica Audiffred, a rising producer, contributes to Ultra's diverse roster with her exclusive 2025 track "Mess" on the compilation, highlighting the label's support for innovative electronic subgenres.

Former and affiliated artists

Ultra Records has been home to several influential artists during their early or peak career phases, many of whom later transitioned to independent ventures or other major labels. These former signings contributed significantly to the label's reputation in and through key releases and collaborations during their tenures. , an DJ and producer, was associated with Ultra Records in the 2000s, releasing seminal tracks that defined . His 2002 hit "Satisfaction," initially on D:Vision Records, saw extended remixes and international distribution through Ultra, marking a pivotal period for the label's early output. Benassi's 2011 album Electroman, featuring the track "," was issued on Ultra, further solidifying his role in the label's roster during its expansion into global hits. By 2005, Benassi founded his own imprint, Pump-Kin Music, shifting focus to nurturing new talent while maintaining occasional ties to Ultra for select projects. Skrillex, in his early solo career as Sonny Moore, collaborated with Ultra Records around 2011-2012, most notably with his remix of Benny Benassi's "Cinema." This dubstep-infused version, released on Ultra, earned a Grammy for Best Remixed Recording, Non-Classical, in 2012 and helped propel 's rise in . Following this period, founded his own label, , in 2011, transitioning away from Ultra to build an independent empire focused on and collaborations. OMI, the Jamaican singer known for reggae-pop fusion, signed with Ultra Records in 2015 for his debut album Me 4 U, which included the global smash "Cheerleader (Felix Jaehn Remix)." The deal brought OMI international exposure through Ultra's distribution network, leading to chart success across and the . By 2023, OMI had completed his contract and parted ways with the label, pursuing independent releases thereafter. Sofi Tukker, the Grammy-nominated duo, was signed exclusively to since 2017, blending global rhythms with pop sensibilities. Their releases like the 2022 album Wet Tennis solidified their impact on the label's 2020s evolution toward vibrant, dancefloor-focused electronic music. By 2024, they transitioned to for the album BREAD, marking the end of their primary association with . Dillon Francis, a veteran of 's bass-heavy lineage, innovated with playful and trap-infused tracks during his tenure, including the 2024 EP This Mixtape Is.... His association with concluded by 2025, with subsequent releases on other labels like 1001 Recordings. Meduza, the Italian house trio, bolstered Ultra's dominance in the late 2010s with melodic, vocal-driven cuts like the platinum-certified "Piece of Your Heart" (2019). By the 2020s, they established their own label AETERNA Records under /UMG, transitioning away from Ultra. Through partnerships, Ultra has maintained loose affiliations with artists via sub-labels, such as Kaytranada on Huh What & Where (HW&W) Records. In 2013, Ultra partnered with the LA-based HW&W, distributing Kaytranada's early EPs like Kaytra Todo in the , which introduced his soulful sound to broader audiences before his major deal with . This collaboration highlighted Ultra's role in bridging acts to mainstream platforms.

Music releases

Compilations and series

Ultra Records has produced several prominent compilation series since the early 2000s, focusing on genres to showcase its roster of artists and emerging trends. The flagship Ultra.Dance series, launched in 2002, features high-energy dance and pop tracks mixed by prominent DJs, with volumes spanning from Ultra.Dance 01 (mixed by Johnny Vicious) to Ultra.Dance 22 (released digitally in 2021). These compilations typically include 20-24 tracks per volume, blending chart-topping hits and club remixes to promote Ultra's affiliated producers and vocalists, contributing significantly to the label's visibility in the North American dance market. Complementing this, the Ultra.Trance series targeted the subgenre, running from Ultra.Trance 01 (2001) through Ultra.Trance 10 (2012), often featuring extended mixes and progressive builds from artists like and Above & Beyond. Each double-disc installment emphasized atmospheric and uplifting tracks, helping to establish Ultra's reputation in the electronic underground during the 2000s. Similarly, the Ultra.Chilled series offered a more relaxed counterpart, with six volumes from Ultra.Chilled 01 (2001) to Ultra.Chilled 06 (2009), curating electronic and selections for broader appeal beyond club settings. Other notable series include Club Anthems (Volumes 1-3, 2004-2006), which highlighted urban club hits mixed by DJs like Denny Tsettos and The Riddler to capture the era's hip-hop-infused dance sound, and Out.Anthems (Volumes 1-8, 2006-2013), compiled primarily by DJ Ricardo and focusing on anthemic tracks suitable for outdoor festivals and large-scale events. These efforts underscored Ultra's strategy of using themed compilations to cross-promote its artists across genres, driving commercial exposure through retail and digital platforms. In addition to ongoing series, Ultra Records has released annual compilations tied to the , capturing the event's vibe with selections from performing artists. The 2025 edition, for instance, comprises 15 tracks including contributions from , , and , along with three exclusive unreleased cuts, released digitally in March 2025 to coincide with the festival. These festival albums play a key role in amplifying Ultra's ecosystem, blending live performance previews with label exclusives to engage global electronic music fans.

Notable singles and albums

One of Ultra Records' earliest breakthrough releases was Benny Benassi's "Satisfaction" in 2003, serving as the lead single from his debut album Hypnotica. This electro house track, characterized by its repetitive vocal hook and pulsating bassline, played a pivotal role in popularizing the genre within mainstream electronic dance music, influencing subsequent club anthems. In the mid-2010s, Ultra Records embraced the digital streaming era with remix-driven singles that achieved widespread viral success. OMI's "Cheerleader (Felix Jaehn Remix)," released in 2014, transformed the original reggae fusion track into a deep house-infused global hit, resonating through social media and radio play for its uplifting melody and crossover appeal. Similarly, Deorro's "Five More Hours" featuring Chris Brown in 2015 built on the momentum of his 2014 instrumental "Five Hours," delivering a vocal house version that dominated festival sets and online platforms with its energetic, party-oriented vibe. Ultra also issued key albums that highlighted artist collaborations and genre evolution. David Guetta's Pop Life (2007) featured high-profile vocalists and producers, blending progressive house with pop sensibilities to expand EDM's commercial footprint. Early volumes of Armin van Buuren's A State of Trance series, including the 2006 and 2007 editions, were distributed by Ultra, curating trance tracks that captured the genre's euphoric sound and helped solidify its dedicated fanbase during the label's expansion into subgenre-specific releases. From 2010 to 2025, Ultra's strategy emphasized remixes to refresh tracks for digital consumption, as evidenced by the rework of "Cheerleader" and ongoing updates to classics like "Satisfaction," alongside prioritizing streaming-friendly singles that leveraged virality in the landscape.

Achievements

Awards and nominations

Ultra Records and its artists have garnered significant recognition in the music industry, particularly through and nominations, as well as multiple wins at the International Dance Music Awards (IDMA). These accolades highlight the label's influence in and genres. In 2008, 's remix of Public Enemy's "" won the Grammy Award for Best Remixed Recording, Non-Classical at the , marking an early triumph for Ultra Records as the remix was released under the label. Similarly, in 2012, Skrillex's remix of and Gary Go's "" secured the Grammy for Best Remixed Recording, Non-Classical at the , further elevating Ultra's profile in and electronic remixing. The label has also seen numerous Grammy nominations for its artists' works. In 2017, Sofi Tukker's "Drinkee" was nominated for Best Dance Recording at the 59th Annual Grammy Awards, showcasing the duo's breakthrough in indie dance. That same year, Jean-Michel Jarre's album Electronica 1: The Time Machine earned a nomination for Best Dance/Electronic Album at the 59th Grammys, reflecting Ultra's role in collaborating with electronic pioneers. Additionally, Steve Aoki's documentary I'll Sleep When I'm Dead, produced in association with Ultra Music, received a nomination for Best Music Film at the same ceremony. Ultra Records has dominated the International Dance Music Awards, winning the Best American Music Label award 10 consecutive times from the early 2000s through the 2020s, underscoring its consistent leadership in the American scene. These IDMA honors, presented annually during Music Week, affirm the label's enduring impact on global electronic . Beyond Grammys and IDMAs, Ultra's artists and releases have contributed to broader industry recognitions, including nominations at events like the Electronic Dance Music Awards, though specific label-level wins in 2025 focused more on festival milestones rather than direct awards.

Certifications and commercial success

Ultra Records has achieved significant commercial success through sales certifications for its releases, particularly in the electronic dance music (EDM) genre, with several tracks earning multi-platinum status across international markets. One of the label's flagship hits, OMI's "Cheerleader (Felix Jaehn Remix)," released in 2015, has garnered widespread recognition, including 3× Platinum certification in the United States by the RIAA for over 3 million units, Diamond certification in Canada for 800,000 units, 6× Platinum in Australia for 420,000 units, and 5× Platinum in the United Kingdom for 3 million units. The track's enduring popularity is evidenced by surpassing 2 billion streams on Spotify as of August 2025, making it the first Jamaican song to reach this milestone; as of November 2025, it has over 2.05 billion streams. Another standout release, 's "Five More Hours" featuring , also from 2015, has secured 19 global certifications, reflecting its broad international appeal, including status in the United States by the RIAA. The single has accumulated over 922 million streams on , underscoring its role in Ultra's early streaming triumphs. Beyond individual singles, Ultra Records boasts multiple and certifications for its artists' works, exemplified by Calvin Harris's early releases distributed through the label. The track "Sweet Nothing (feat. )" earned certification in the United States via RIAA. These achievements highlight Ultra's foundational role in launching Harris's global career during the label's expansion phase. In the streaming era following 2015, Ultra Records has capitalized on digital platforms, with its EDM catalog amassing billions of plays collectively across services like and . This shift has amplified the label's reach, as evidenced by the sustained streaming performance of hits like "Cheerleader" and "Five More Hours," alongside newer releases that have propelled to over 19 billion total YouTube views as of November 2025, solidifying its position as a leader in electronic music commercial viability.

Business and operations

Partnerships and acquisitions

In 2012, Ultra Records resolved a dispute with through an out-of-court settlement, leading to a global alliance that facilitated collaborative projects, including annual compilation albums tied to the festival. A pivotal formed in January 2013 when Ultra Records entered a strategic alliance with Entertainment, covering A&R, distribution, and international repertoire development; under this deal, Sony distributed Ultra's releases in via RED Distribution and Sony Music , while International handled territories outside . This agreement also positioned Ultra's founder Patrick Moxey as President of Electronic Music Worldwide at . Building on this foundation, acquired full ownership of in December 2021, marking the end of Moxey's majority stake and integrating the label completely into portfolio. has maintained distribution partnerships with select labels to expand its roster, including Next Wave Records, whose releases are handled globally by and .

Label structure and global reach

Ultra Records operates as a primary label under Sony Music Entertainment, complemented by specialized sub-imprints that cater to niche segments within (). Notable among these is Ultra.Trance, dedicated to uplifting and progressive trance sounds. The label also features compilation series such as Ultra Chilled, focusing on and lounge-oriented tracks. This structure allows the label to segment its catalog effectively while maintaining a cohesive identity. Since January 2022, the label has been led by President David Waxman, who oversees day-to-day operations, artist development, and strategic growth. Headquartered in , Ultra Records maintains a global footprint through additional offices in , , and , enabling localized A&R and marketing efforts. Its international distribution leverages Sony Music's extensive network, providing robust presence across , , and , where the label's releases are promoted and licensed through Sony's regional subsidiaries. This infrastructure supports Ultra's emphasis on EDM subgenres such as , , and , which dominate its roster and align with high-energy club and festival circuits worldwide. In response to the rise of digital consumption, Ultra Records has adapted by prioritizing singles optimized for streaming platforms like and , shifting from traditional album-centric models to capitalize on viral potential and playlist placements. As of 2025, the label has expanded its operational initiatives, particularly through deepened festival integrations, including the release of a dedicated for the 25th anniversary of in , featuring curated tracks from its artists to enhance live event synergy and global fan engagement.

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