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Pearl Chanda

Pearl Chanda (born 11 March 1992) is an English actress recognized for her versatile performances across , and . Born in , , she trained at the , earning a BA in Acting in 2013. Chanda first gained prominence with her role as Nilufer in the acclaimed / series I May Destroy You (2020), created by and starring , which explored themes of and . She has since built a diverse portfolio, including the historical drama (2024), where she portrayed the cunning Countess Somerset, and the comedy-mystery See How They Run (2022), in which she played Sheila Sim alongside and . In theatre, Chanda has earned critical acclaim for her stage work, often taking on complex, lead characters in modern interpretations of classic plays. Notable roles include in a 2025 reimagining of Henrik Ibsen's at the Orange Tree Theatre, directed by , which transposed the story to 1940s and highlighted themes of identity and repression. Earlier, she starred as Masha in Rebecca Frecknall's production of Chekhov's at the in 2019 and as Mae in Tennessee Williams's Cat on a Hot Tin Roof at the same venue in 2024, both of which showcased her ability to convey emotional depth and familial tension. Her early film appearances include Mike Leigh's (2014), marking her entry into feature films. With over 5 film credits, 9 television appearances, and 18 theatre productions to her name as of 2025, Chanda continues to be a prominent figure in .

Early life and education

Early life

Pearl Iannelli Chanda was born on 11 March 1992 in , , . She is of and descent. Chanda grew up in a creative but financially modest household in , where her parents were creative and passionate about . From an early age, she was exposed to through her family's interests, particularly her father's artistic pursuits, which included early morning creative activities that fostered her passion for performance. This foundation in a culturally diverse and artistically inclined home influenced her development before transitioning to formal education.

Education

Chanda attended the in , a specialist performing arts college known for nurturing talents in the . She subsequently trained at the , one of the UK's leading conservatoires for classical and contemporary theatre training. In 2013, Chanda graduated from with a degree in Acting.

Personal life

Family background

Pearl Chanda is of mixed and ancestry, with her Chanda reflecting her paternal heritage and her Iannelli indicating roots on her mother's side. This dual heritage has shaped her cultural identity, particularly in navigating perceptions of her name and ethnicity in the acting industry; upon leaving , she faced discussions about altering her distinctly second name but chose to retain it, embracing her background as integral to her professional persona. Her mother worked as a teacher, while her father is a visual , both instilling a deep appreciation for and in their family life. This environment influenced Chanda's ongoing connection to artistic expression, informing her identity as an who draws on diverse cultural influences in her performances. No public information is available regarding siblings or extended family.

Relationships

Pearl Chanda has been in a relationship with fellow actor since 2017. The couple met while co-starring in the West End production of James Graham's , in which Chanda played model Stephanie Rahn and portrayed editor . They have since attended several public events together, including the 2018 preview for and the 2019 press night for at the . Chanda resides in London as an adult, the city where she was born and continues her professional work in theatre and television.

Career

Early career

Chanda graduated from the Royal Academy of Dramatic Art (RADA) in 2013, marking the start of her professional acting career. Her stage debut came that same year when she portrayed Nina in Headlong's production of Anton Chekhov's The Seagull, adapted by John Donnelly and directed by Blanche McIntyre, which toured various UK venues including the Nuffield Theatre in Southampton and Northern Stage in Newcastle. The role, described as a solid professional debut, showcased her ability to handle the emotional depth of Chekhov's aspiring actress character amid discussions on art and ambition. Transitioning to television, Chanda made her small-screen debut in 2013 as Imogen Parker in the medical drama , appearing in the episode "." This guest role introduced her to a broader audience, highlighting her versatility in a high-stakes hospital setting. The following year, she secured her first film appearance in Mike Leigh's biographical drama (2014), playing one of the theatre actors in a ensemble depicting the life of the renowned painter . Entering the industry presented challenges for Chanda, particularly around her ethnic identity. In a 2025 interview, she recounted that upon leaving , agents suggested changing her second name to better align with mainstream opportunities, reflecting broader discussions on and marketability for actors of mixed heritage. Despite such pressures, Chanda persisted with her professional name, building foundational experience through these early roles that emphasized ensemble work and character-driven narratives.

Breakthrough and recent roles

Chanda's breakthrough came with her television role as Maud Edalji in the 2015 ITV miniseries Arthur & George, a historical drama adaptation of Julian Barnes's novel that marked one of her first major screen appearances and garnered attention for her portrayal of the supportive sister to the wrongfully accused George Edalji. Building on this, Chanda took on significant supporting roles in acclaimed series, including Nilufer, a key figure in Kwame's storyline exploring sexuality and consent, in the 2020 BBC One limited series I May Destroy You created by and starring Michaela Coel. That same year, she appeared as DC Laura Simpson, a detective in the Bath police unit, in the ITV procedural McDonald & Dodds, contributing to the show's ensemble dynamic in its early episodes. Her film work gained prominence with the role of , the real-life actress and wife of , in the 2022 comedy-mystery See How They Run, directed by Tom George, where she depicted the character's involvement in a backstage surrounding an adaptation. In recent television projects, Chanda portrayed , a noblewoman entangled in royal intrigue and scandal, in the 2024 Sky Atlantic miniseries , a starring . She also joined the cast of the British-French sci-fi series War of the Worlds as , a resilient survivor and leader in the resistance against alien invaders, appearing across its second and third seasons from 2021 to 2023. Chanda's career trajectory reflects a fluid shift between and screen, with her screen roles expanding her visibility since the mid-2010s while she maintains a strong presence on ; in 2025, she starred as the titular in Tanika Gupta's adaptation of Henrik Ibsen's at the Orange Tree Theatre in , directed by , reimagining the character as a woman of color navigating post-colonial tensions and personal entrapment from October to November.

Filmography

Film

Chanda made her film debut in 2014 as Lily, an emotionally disturbed young woman haunted by traumatic nightmares, in the The Final Haunting. Also in 2014, she appeared in a small role as one of the theatre actors in Mike Leigh's biographical drama . In 2016, Chanda starred as Lilly in the short comedy film The Big Return of Ray Lamere, which follows a musician's unexpected return home. She played the supporting role of Margie in the 2020 film , centered on a unraveling amid a patient's eerie predictions. In 2022, Chanda portrayed , the wife of real-life detective , in the ensemble comedy-mystery See How They Run. In 2025, she appeared in A Life of One's Own, directed by Tom Shkolnik.

Television

Chanda made her television debut in 2013 with a guest appearance in the Holby City, playing the role of Imogen Parker in the episode "Father's Day". In 2015, she portrayed Maud Edalji in the miniseries , appearing in all three episodes of the historical drama based on the real-life wrongful conviction case involving . Chanda had guest roles in 2017, first as Debbie Louise in two episodes ("The Caretaker" and "The After Party") of the BBC sitcom Motherland. Later that year, she appeared as Bettina Pettybon in the Endeavour episode "Canticle" (season 4, episode 2), a prequel to the Inspector Morse series. Her profile rose in 2020 with recurring roles in two series: she played Nilufer, a key figure in a storyline about sexual encounters, in two episodes of the HBO/BBC drama I May Destroy You. She also portrayed DC Laura Simpson, a junior detective, in the first season of the ITV crime procedural McDonald & Dodds, appearing in both episodes. From 2021 to 2022, Chanda took on a main role as , a survivor leading a group of refugees in a post-apocalyptic world, across seasons 2 and 3 of the Fox/Epix sci-fi series War of the Worlds. In 2024, she starred as Frances Howard, , in the historical miniseries , depicting the scandalous life of the noblewoman in the court of I across seven episodes.

Stage

Early stage work

Chanda made her professional stage debut in 2013, shortly after graduating from the Royal Academy of Dramatic Art (RADA), portraying Nina in Headlong's touring production of Anton Chekhov's , directed by Blanche McIntyre. The production, which opened at the Watford Palace Theatre and toured to venues including the and , featured Chanda alongside as Irina Arkadina, earning praise for her natural and emotive performance in the role of the aspiring actress. In 2014, she joined the Royal Shakespeare Company (RSC) as in Simon Godwin's production of Shakespeare's at the Royal Shakespeare Theatre in . Chanda's portrayal of the devoted lover who disguises herself as a man to pursue her beloved was noted for its heartfelt depth and emotional range, contributing to the production's lively exploration of youthful romance and betrayal during its run and subsequent tour. Chanda's emerging career in 2015 included multiple roles across regional and fringe-adjacent venues. She performed as 'C' in Sarah Kane's and as part of the ensemble in at Crucible Studio, directed by Charlotte Gwinner, where her intense delivery highlighted themes of desire and mental fragmentation in the double bill of Kane's works. That same year, she appeared as Henderson/Anna in James Graham's at the Bush Theatre, a verbatim drama about 1970s , praised for her ability to shift between interviewer and activist with uncomfortable authenticity. Later in 2015, Chanda took on the fragile role of Laura Wingfield in Tennessee Williams's at the Nuffield Theatre in , directed by Samuel Hodges, where her understated vulnerability underscored the play's themes of and . Building momentum, Chanda starred as the titular character in Zinnie Harris's adaptation of August Strindberg's at Northern Stage in in 2016, directed by . Her performance as the psychologically unraveling aristocrat was described as a "white knuckle ride," capturing the character's manipulative volatility and descent into despair amid class tensions.

Major productions

Chanda gained prominence in the theatre world with her role as Rahn in (2017), James Graham's play about the founding of newspaper, directed by at the before transferring to the West End's . Her performance as the ambitious showbiz reporter (the first girl, also known as ) contributed to the production's critical success, earning four Olivier Award nominations, including for Best New Play. In 2018, she portrayed Imogen in Cordelia Lynn's One for Sorrow at the Royal Court Theatre, directed by James MacDonald. Chanda's depiction of the daughter who initiates a campaign to offer refuge after a terrorist attack was noted for its intensity and emotional depth, driving the play's examination of , suspicion, and familial hypocrisy. Chanda's collaboration with director marked several high-profile roles, beginning with in Anton Chekhov's (2019) at the . Her portrayal of the disillusioned middle sister was highlighted for its manic energy and vulnerability, enhancing the production's innovative staging that reimagined the classic in a contemporary domestic setting. In 2023, she continued this partnership as Magdalena in Federico García Lorca's at the National Theatre, directed by Frecknall, where her role in the repressive household underscored themes of female oppression and desire. The production received acclaim for its bold, immersive design and strong ensemble, with Chanda's performance adding layers to the family's simmering tensions. In 2024, Chanda starred as Zoe in Amy Morgan's at , directed by , a world-premiere comedy-drama exploring , , and relationships. Her lead performance earned critical praise and an Olivier Award nomination for in a Play. Also in 2024, she played Mae "Sister Woman" Pollard in Tennessee Williams's Cat on a Hot Tin Roof at the Almeida, under Frecknall's direction. Her comedic yet poignant take on the opportunistic character provided memorable relief amid the family's dysfunction, contributing to the revival's fresh interpretation of the drama. More recently, Chanda took the title role in Tanika Gupta's adaptation of Henrik Ibsen's , retitled and set in 1948 London, directed by at the Orange Tree Theatre from 18 October to 22 November 2025. As the bored former star entangled in and secrets, her stylish and regretful portrayal drew widespread praise for revitalizing the classic, with critics calling it a "dazzling" and "astute" production.

References

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