Perry Duke Maxwell (June 13, 1879 – November 15, 1952) was an American golf course architect celebrated for his strategic, natural designs that integrated seamlessly with the terrain, earning him recognition as a pivotal figure in early 20th-century golf architecture, particularly in Oklahoma and the Midwest.[1]Born in Princeton, Kentucky, Maxwell moved to Oklahoma in his early life to recover from health issues, including tuberculosis, which curtailed his brief college education.[2][1] While working as a bank vice president in Ardmore, Oklahoma, he began designing golf courses in 1913 by building the first nine holes of Dornick Hills Golf and Country Club on his property, completing the full 18 holes in 1923; his first wife, Ray, died in 1919.[3][1] He transitioned to full-time architecture in 1925, ultimately contributing to the design, co-design, or renovation of more than 100 projects across the United States, with 34 in Oklahoma alone, solidifying his legacy as the "father of Oklahoma golf."[1][4]Maxwell's philosophy emphasized minimal alteration to the land, drawing inspiration from architects like Donald Ross and forming a notable partnership with Alister MacKenzie in the late 1920s and early 1930s as his "Midwest associate," collaborating on projects such as Crystal Downs Country Club and greens reconstructions at Augusta National Golf Club.[2][3] His standout solo works from the Great Depression era include Southern Hills Country Club in Tulsa (1936), which has hosted the PGA Championship five times; Prairie Dunes Country Club in Hutchinson, Kansas (1937); and Old Town Club in Wichita, Kansas (1939), all praised for their bold use of elevation, native grasses, and strategic bunkering.[4][3] He also consulted on renovations at prestigious venues like Pine Valley Golf Club, Merion Golf Club, and Colonial Country Club, often working alongside his son, J. Press Maxwell.[2][4]A founding member of the American Society of Golf Course Architects in 1947, Maxwell served until his death and was posthumously inducted into the Oklahoma Sports Hall of Fame in 2012, reflecting his enduring influence on the sport's architectural evolution.[2][1][4]
Early Life and Career Beginnings
Birth and Family Background
Perry Duke Maxwell was born on June 13, 1879, in Princeton, Caldwell County, Kentucky, to Dr. James A. Maxwell, a physician, and Caroline Harris.[5] Of Scottish heritage, Maxwell grew up in a family environment that valued education and professional pursuits, though specific details on his early childhood remain limited in historical records.[1]In 1902, following his marriage, Maxwell relocated to Ardmore, Oklahoma Territory, seeking the region's drier climate to alleviate symptoms of tuberculosis that had plagued him during brief college attempts.[6] This move marked a pivotal shift from his Kentucky roots, establishing him in the burgeoning Oklahoma community where he would later build his career.[1]On June 12, 1902, Maxwell married Ray Sophronia Woods, his childhood sweetheart from Kentucky, in Louisville; the couple settled in Ardmore following the wedding.[7] They had four children, including son James Press Maxwell, born on November 7, 1916, in Ardmore, who would later join his father as a collaborator in golf course architecture.[7][5]
Education and Initial Career
Maxwell attended the University of Kentucky in Lexington beginning in 1897, but withdrew after a short time due to health complications from tuberculosis. Seeking a warmer climate to aid his recovery, he transferred to Stetson University in DeLand, Florida, in 1898, and briefly enrolled at Stanford University in California in 1900; however, ill health prevented him from completing a degree at any of these institutions.[7][1][8]After his formal education, Maxwell entered the banking profession, initially serving as assistant cashier at the Marion Bank in Marion, Kentucky, from 1899 to 1900. He relocated permanently to Ardmore, Oklahoma, in 1902 for its semi-arid environment beneficial to his condition, and by 1902—following his marriage to Ray Woods—had settled into a role at the Ardmore National Bank, where he advanced rapidly amid the region's oil boom. By 1910, he was elected cashier of the bank, and in 1917, following its consolidation with the First National Bank, he became vice president, holding prominent positions until around 1925 when his interests began to shift.[7][1][9]Through his banking work in Ardmore, Maxwell developed expertise in land management and rudimentary surveying skills by facilitating property transactions, networking with early oil developers, and overseeing local economic initiatives tied to the area's rapid growth. These experiences in evaluating terrain and handling real estate deals provided foundational knowledge that would later inform his approach to golf course layout and routing.[9][10][11]Maxwell's initial exposure to golf came around 1910 through emerging local clubs in Oklahoma, though he did not take up the sport seriously until 1913, when his wife encouraged him to replace tennis—a more physically demanding activity—with golfing to better manage his health. He soon began experimenting with the game on his own property, marking the start of his personal interest in the sport.[7][12][9]
Dornick Hills: Entry into Golf Design
Perry Maxwell's entry into golf course architecture began with the development of Dornick Hills Golf & Country Club in Ardmore, Oklahoma, where he constructed the initial nine holes in 1913 on land that had previously served as his family's dairy farm. As a banker at the Ardmore National Bank, Maxwell leveraged his financial position to acquire the rolling, 200-acre property, initially creating a modest four-hole layout for personal use before expanding it into a more ambitious project with the support of local investors. Without any formal training in course design, he oversaw the construction personally, enlisting his wife and children—who helped clear rocks from the soil—to build the holes amid the site's challenging terrain of valleys, creeks, and rocky outcrops.[13][11][1]Maxwell's intuitive routing at Dornick Hills demonstrated his innate ability to harmonize the course with the natural landscape, routing holes through a scenic valley with an on-site creek and pond while prominently featuring local cliffs for dramatic effect. The par-5 16th hole, known as the "Cliff Hole," exemplifies this approach, with its elevated green perched atop a 50-foot rock face that demands precise shot-making and can only be reached in three shots by most players. He strategically placed tees and greens on elevated points to enhance playability and views, avoiding unnecessary earth-moving and preserving the site's rugged character, which set a foundation for his future designs.[14][5][13]The course reached its full 18-hole configuration by 1923, after nearly a decade of iterative improvements under Maxwell's direction, including the addition of Oklahoma's earliest grass greens. This completion marked his transition from amateur enthusiast to professional architect, as Dornick Hills quickly gained acclaim for its quality. The layout's excellence was further validated in the early 1950s when it hosted professional tournaments, including the PGA Tour's Ardmore Open from 1952 to 1954 and the LPGA's inaugural Ardmore Women's Open in 1954, won by Patty Berg, attracting top talent and affirming Maxwell's early vision.[1][15][16]
Design Influences and Philosophy
Scottish Inspiration and Study Tour
Perry Maxwell's interest in Scottish golf course architecture was initially sparked by a 1909 article in Scribner's Magazine describing the National Golf Links of America, a course that emulated classic Scottish links by prioritizing natural terrain and strategic play over artificial modifications.[17] This exposure highlighted the elegance of courses that integrated seamlessly with the landscape, influencing Maxwell's early design efforts at Dornick Hills Golf Club, where he sought to replicate such natural flow on Oklahoma's rolling hills.[17]In 1923, Maxwell undertook a dedicated study tour to England and Scotland to deepen his understanding of historic links courses, departing from his role as a banker in Ardmore, Oklahoma, specifically to observe architectural techniques firsthand.[18] During the trip, he visited renowned sites including St. Andrews, Hoylake (now Royal Liverpool), North Berwick, Westward Ho!, and Rye, where he noted the strategic placement of bunkers that guided play without overpowering the course, the subtle undulations in green contours that rewarded precise approach shots, and the masterful use of native terrain to create hazards and fairway lines with minimal alteration.[9][19] These observations emphasized a philosophy of restraint, allowing the land's inherent features—such as dunes, burns, and windswept grasses—to dictate the golfing challenge, in contrast to the more engineered American designs of the era.[8]Upon returning to the United States later that year, Maxwell immediately incorporated these insights into his work, adapting Scottish-inspired elements like contoured greens and natural bunkering to the arid, hilly landscapes of Oklahoma; for instance, he expanded and refined the nine-hole Dornick Hills course with enhanced strategic depth drawn from his travels.[9] This tour marked a turning point, solidifying his commitment to links-style architecture suited to American inland sites.Maxwell's European experiences also contributed to his leadership in professionalizing golf course design, as he became one of the 14 founding members of the American Society of Golf Course Architects (ASGCA) in 1947, advocating for standards inspired by the timeless principles he observed abroad.[2][4]
Core Design Principles
Perry Maxwell's core design principles were rooted in naturalism and strategic subtlety, heavily influenced by his 1920s study tour to Scotland where he examined iconic links courses. He believed that effective golf architecture should harmonize with the land rather than dominate it, stating, "It is my theory that nature must precede the architect, in laying out of links."[4] This philosophy guided his rejection of excessive earth-moving, emphasizing instead the use of existing topography—such as hills, creeks, and native grasses—to create authentic, links-like experiences adaptable to inland U.S. landscapes. By routing fairways along natural contours, Maxwell ensured courses felt organic and playable under varied conditions, with the mantra that "the site of a golf course should be there, not brought there."[3][4]Central to his approach were undulating greens featuring severe contours, often dubbed "Maxwell Rolls," which introduced multidimensional slopes, spines, and strategic angles to elevate putting from mere execution to thoughtful play. These greens avoided flatness, instead leveraging subtle elevations and breaks to reward precision and penalize carelessness, making them the course's primary defense.[3][9] Maxwell's designs thus prioritized challenge through terrain over artificiality, limiting bunkers to 20-25 per course and relying on natural obstacles like valleys and water for hazard value.[3]Maxwell's minimalism extended to maintenance, promoting firm, fast playing surfaces akin to Scottish ideals through natural drainage and heat-resistant grasses like Bermuda, which reduced upkeep costs while preserving environmental harmony. This rejection of over-manicuring fostered enduring courses that aged gracefully, with strategy emerging from the land's inherent features rather than imposed spectacle. His holistic view integrated budget-conscious construction with timeless playability, ensuring designs remained relevant across generations.[9][4]
Major Works and Collaborations
Solo Designs
Perry Maxwell's solo designs encompass approximately 40 original golf courses, with the majority located in Oklahoma and Texas, where he adeptly adapted his naturalistic philosophy to the region's varied terrains, from rolling prairies to arid landscapes.[6][4]One of his earliest independent projects was Twin Hills Golf & Country Club in Oklahoma City, Oklahoma, designed in 1923 and opened in 1925, which exemplified his emerging skill in routing courses over subtle elevations following his influential study tour of Scotland.[20][21] The layout capitalized on the site's natural camber to create strategic doglegs and undulating greens seeded with Bermuda grass, earning praise from architect Alister MacKenzie for its comparability to leading American venues.[20]Maxwell's design for Southern Hills Country Club in Tulsa, Oklahoma, constructed between 1935 and 1936, stands as a pinnacle of his independent work, transforming the site's rolling terrain into a championship layout with sodded Bermuda fairways and strategically placed hazards that integrate seamlessly with the landscape.[22][23] The course has hosted numerous major championships, including the 1970, 1982, 1994, 2007, and 2022 PGA Championships, the 1958, 1977, and 2001 U.S. Opens, and the 2032 PGA Championship.[24][25][26]In 1937, Maxwell created the original nine holes at Prairie Dunes Country Club in Hutchinson, Kansas, drawing on wind-swept dunes to evoke seaside links courses despite the inland setting, with billowing sand formations and Bermuda fairways enhancing the strategic demands of wind and elevation changes.[27][28] This design, later expanded by his son Press using Maxwell's plans, highlights his ability to mimic coastal qualities in the Great Plains, fostering a sense of boundless openness and natural challenge.[27][29]
Collaborative Designs
Perry Maxwell's collaborative designs marked a significant evolution in his career, allowing him to blend his signature naturalistic style with the expertise of renowned architects, thereby expanding his influence across the American Midwest and Southwest. These partnerships, particularly during the 1920s and 1930s, often involved co-designing or renovating courses that emphasized strategic depth and integration with the landscape, enhancing Maxwell's portfolio by introducing elements of precision and innovation from his collaborators.[30][5]One of Maxwell's most notable partnerships was with Alister MacKenzie, beginning around 1926 and continuing into the early 1930s, which produced several prairie-style courses celebrated for their strategic bunkering and undulating terrain. Their collaboration on the Oklahoma City Golf & Country Club, co-designed in 1929, exemplified this synergy, with MacKenzie praising Maxwell's naturalistic approach in a letter that highlighted its alignment with his own principles of minimal interference with the land.[31][30] Another key project was Crystal Downs Country Club in Michigan, co-designed in the early 1930s, where Maxwell's routing expertise complemented MacKenzie's vision for deceptive greens and natural contours, resulting in a layout ranked among the finest in the Midwest.[32][2] These efforts not only elevated Maxwell's reputation during the Golden Age of golfarchitecture but also incorporated MacKenzie's emphasis on visibility and strategy to refine Maxwell's inherent land-utilizing philosophy.[5]Maxwell also collaborated with Art Jackson on early projects in Oklahoma, such as the second course at Lincoln Park Golf Course in Oklahoma City, completed in 1926, which featured straightforward lines and moderate doglegs that balanced Jackson's construction precision with Maxwell's focus on playable, scenic holes.[33] In Texas, his work with John Bredemus and club founder Marvin Leonard on Colonial Country Club in Fort Worth, opened in 1936, showcased a joint effort where Maxwell provided the primary routing—selected by Leonard from competing submissions—while Bredemus oversaw construction, yielding a challenging, tree-lined layout that hosted major championships and integrated Maxwell's naturalism with Bredemus's regional expertise.[34][35]In his later years, Maxwell partnered with his son, J. Press Maxwell, blending generational perspectives on several postwar projects, including Lake Hefner Golf Course in Oklahoma City, designed in 1949 and opened in 1951, which utilized the reservoir's surrounding terrain for varied holes that combined the elder Maxwell's artistic greens with the younger's modern construction techniques.[6] These collaborations, totaling around a dozen documented co-designs, underscored how Maxwell's partnerships amplified his naturalistic ethos through complementary skills, contributing to enduring courses that prioritized strategic play over artificial features.[30][2]
Key Renovations
One of Perry Maxwell's most influential renovation projects was his 1937 work at Augusta National Golf Club, where he relocated the 10th green approximately 50-70 yards uphill and to the left of its original position, introducing a significant elevation challenge that transformed the par-4 into a demanding downhill approach over Rae's Creek.[4][36][37] This adjustment, along with tweaks to 11 holes including green remodels and bunker additions, enhanced the course's strategic demands and has profoundly shaped play during the Masters Tournament, making the 10th one of the event's most iconic and perilous holes.[38][39] Maxwell's changes respected the original Alister MacKenzie layout while amplifying its natural drama, drawing on his expertise in topography to integrate the site's rolling terrain without excessive alteration.[40]Earlier, in the early 1930s, Maxwell renovated three holes at Pine Valley Golf Club, focusing on the 5th, 8th, and 9th, where he repositioned greens, added bunkers to guard against steep drop-offs into surrounding woods and waste areas, and removed obstructive features like humps to better leverage the site's rugged natural hazards.[5][41] These modifications deepened the strategic options on the holes, encouraging precise shot-making amid the New Jersey Pine Barrens' dense vegetation and elevation shifts, while preserving the course's penal character established by George Crump and Harry Colt.[41]Throughout his career, Maxwell undertook approximately 50 renovation projects, often emphasizing green complexes and subtle routing adjustments to revitalize established layouts during the economic constraints of the Great Depression.[5] Notable among these were his 1930s efforts at courses like Philadelphia Country Club, where he reworked one hole and several greens to enhance playability using the existing terrain.[33] His renovation philosophy prioritized minimal disruption to the natural landscape, aiming to enhance the original designer's intent through strategic use of topography rather than wholesale reconstruction, a approach that allowed clubs with limited budgets to achieve lasting improvements.[4][3]
Later Career and Legacy
Family Involvement and Later Projects
In the 1940s, Perry Maxwell increasingly collaborated with his son, J. Press Maxwell, who assisted on projects as Maxwell's health declined following a leg amputation due to cancer.[1] This partnership allowed Maxwell to share responsibilities for on-site supervision and construction, particularly after World War II when demand for new golf courses surged amid postwar economic growth.[30] One notable example was the Palmetto Country Club in Shreveport, Louisiana, where Press assisted in laying out and building the course in 1950–1951.[42]Maxwell continued solo and family-led designs into the early 1950s, adapting his naturalistic principles to varied terrains while Press handled much of the execution. The University of Oklahoma Golf Course in Norman, designed in 1949, exemplifies this late collaboration, with father and son routing an 18-hole layout that opened in 1951.[30][43] Similarly, Maxwell provided the initial routing for Oak Cliff Country Club in Dallas, Texas, in 1952, which Press then designed and built to completion in 1953–1954.[42] These efforts reflected Maxwell's focus on strategic, terrain-responsive layouts amid his physical limitations.By 1952, Maxwell's career encompassed approximately 70 original designs and 50 renovations across 21 states, a testament to his prolific output over nearly four decades.[12] In his later years, he resided in Tulsa, Oklahoma, where he managed ongoing work despite being diagnosed with a recurrence of cancer in 1951 and becoming bedridden by mid-1952.[42] Maxwell remained active in professional circles as a founding member of the American Society of Golf Course Architects in 1947, serving until his death.[2]
Death and Immediate Aftermath
Perry Maxwell died on November 15, 1952, in Tulsa, Oklahoma, at the age of 73, succumbing to cancer after a battle that had led to the amputation of his leg in the 1940s.[1][42]He was buried two days later in a family plot on a ridge overlooking the seventh fairway at Dornick Hills Golf & Country Club in Ardmore, Oklahoma—the site of his inaugural course design from 1913.[5][13]At the time of his death, Maxwell had several ongoing projects, which were promptly handed over to his son, J. Press Maxwell, who had increasingly collaborated with him on designs and renovations in the preceding years.[1][3]Contemporary accounts in publications like the Daily Ardmoreite lauded Maxwell's naturalist style, emphasizing his skill in harmonizing golf courses with their native terrain and crediting him as a pioneer among American architects.[42]
Enduring Influence and Recognitions
Perry Maxwell's design philosophy, emphasizing strategic greens and naturalistic routing, has profoundly influenced subsequent generations of golf course architects, particularly in the development of challenging yet playable layouts that reward thoughtful shot-making. Architects such as Bill Coore and Ben Crenshaw have drawn inspiration from Maxwell's undulating green complexes, which prioritize deception and recovery options over sheer difficulty, a hallmark evident in their strategic masterpieces.[44][45] This influence underscores Maxwell's role in bridging Golden Age principles with modern interpretations, fostering a legacy of subtlety in American golf architecture.The 2022 PGA Championship at Southern Hills Country Club revitalized interest in Maxwell's work, as the event's restoration by Gil Hanse highlighted the enduring quality of his 1936 design, drawing global attention to his ability to harmonize courses with their terrain. In 2024, Oklahoma City Golf & Country Club, featuring one of Maxwell's finest stretches, hosted the Jackson T. Stephens Cup, further showcasing his enduring design legacy.[46] Posthumous recognitions affirm his contributions, including induction into the Oklahoma Sports Hall of Fame in 2012, where he was hailed as the "father of Oklahoma golf," and the Oklahoma Golf Hall of Fame in 2015. As a founding member of the American Society of Golf Course Architects (ASGCA), Maxwell's portfolio is prominently featured in its archives, preserving his impact on the profession.[47][48][49]Maxwell's legacy endures through over 120 courses and renovations he undertook, with many—such as Prairie Dunes and Old Town Club—remaining playable and celebrated for their "heartland links" style, which adapts British-inspired elements to the Midwest and Southwest's rolling prairies and native landscapes. This regional approach has promoted accessible, terrain-responsive golf in non-coastal areas, countering the dominance of East Coast designs. Recent scholarship, including the Perry Maxwell Archive launched in the early 2020s, documents his oeuvre through timelines and historical records, addressing his historical underappreciation relative to coastal contemporaries like Donald Ross. Despite this, Maxwell's work continues to inspire restorations and scholarly appreciation without notable controversies.[5][50][51][52]
Courses Designed and Renovated
Solo Designs by Perry Maxwell
Perry Maxwell independently designed numerous golf courses, primarily in the central United States, with a focus on Oklahoma and surrounding states. The following is an alphabetical list of his solo designs, including years of construction and notes on current status where relevant.[33]
Perry Maxwell's collaborative designs with other architects produced several enduring golf courses, where he often contributed his signature approach to terrain adaptation and naturalistic routing alongside partners' strategic insights.With Alister MacKenzie, Maxwell formed a key partnership in the late 1920s and early 1930s, during which MacKenzie emphasized strategic hazard placement and visual deception while Maxwell focused on harmonizing the layout with the site's natural contours and overseeing construction. Their joint efforts yielded notable courses such as the Oklahoma City Golf & Country Club in Oklahoma City, Oklahoma, opened in 1929; the University of Michigan Golf Course in Ann Arbor, Michigan, opened in 1931; Crystal Downs Country Club in Frankfort, Michigan, also opened in 1931; and the Scarlet Course at Ohio State University Golf Club in Columbus, Ohio, opened in 1938.[54][55][55][56][57]Maxwell's early work with Art Jackson, a fellow Oklahoma-based architect, centered on local municipal projects in the mid-1920s, with Jackson typically leading the overall plan and Maxwell providing input on green complexes and earthmoving. A primary example is the second (West) course at Lincoln Park Golf Course in Oklahoma City, Oklahoma, completed in 1926.[33]In collaboration with John Bredemus, Maxwell contributed to the original layout of Colonial Country Club in Fort Worth, Texas, opened in 1936, under the direction of club founder Marvin Leonard; here, Bredemus offered regional expertise on drainage and fairway shaping, while Maxwell refined the strategic routing to suit the flat Texas terrain. Leonard solicited independent sketches from both architects before blending elements into the final design.[58][59]Maxwell's late-career partnerships with his son, J. Press Maxwell, from the post-World War II era until Perry's death in 1952, involved Press handling much of the on-site supervision and construction details while Perry directed the conceptual routing and terrain utilization. This father-son team produced around a dozen courses, including Prairie Dunes Country Club in Hutchinson, Kansas (original nine holes designed by Perry Maxwell in 1937, full 18 completed by J. Press Maxwell in 1957); Lakewood Country Club (Dogwood Course) in Point Clear, Alabama (1947); Grandview Municipal Golf Course in Springfield, Missouri (1947); University of Oklahoma Golf Course in Norman, Oklahoma (1950); Bayou DeSiard Country Club in Monroe, Louisiana (1949); Palmetto Country Club in Benton, Louisiana (1950); Riverside Golf Course in Austin, Texas (1950); Anderson District Golf Course in Killeen, Texas (1948); Randolph Golf Course at Joint Base San Antonio in San Antonio, Texas (1948); Lake Hefner Golf Course (North) in Oklahoma City, Oklahoma (1951); and Knollwood Country Club in Irving, Texas (1952).[56][60][61][30]
Renovations by Perry Maxwell
Perry Maxwell's renovation projects spanned decades and focused on refining existing layouts to balance challenge, aesthetics, and usability, often by reshaping undulating greens, adjusting hole lengths, and integrating natural terrain more effectively. These efforts preserved the character of classic courses while adapting them for modern play, with notable impacts on tournament hosting and long-term maintenance. Below is a chronological list of known renovations, highlighting scope and outcomes where documented.1920s Renovations
1920: At Norman Country Club in Norman, Oklahoma, Maxwell made minor layout adjustments to improve flow and accessibility, enhancing early usability for local players.
1921: Relocating tees and greens at Norman Country Club, Norman, Oklahoma, optimized shot values and reduced congestion, contributing to sustained club growth.
1922: Converted the 9-hole sand-greened Enid Country Club in Enid, Oklahoma, to an 18-hole layout with grass greens, expanding capacity and elevating its regional status.
1923: Extended Dornick Hills Golf Club in Ardmore, Oklahoma, from 9 to 18 holes with grass greens, transforming it into a more demanding and versatile venue that became a model for his iterative improvements.
1924: Built new bent grass greens at Neosho Golf & Country Club in Neosho, Missouri, improving surface quality and play speed, which supported consistent tournament play.
1926: Renovated greens at Lincoln Park Golf Course in Oklahoma City, Oklahoma, focusing on contouring for better drainage and rollout, aiding public access and longevity.[33]
1930s Renovations
1930: Roughed in eight of nine greens and seeded fairways and greens at Rochelle Town and Country Club in Rochelle, Illinois, streamlining the layout for smoother play and reduced upkeep.[62]
1931: Remodeled the 6th hole and nearly all greens at Philadelphia Country Club in Spring Mill, Pennsylvania, enhancing strategic depth and green speeds for competitive events.[62]
1931: Awarded contract to remodel Pine Valley Golf Club near Philadelphia, Pennsylvania, with subsequent work in 1933-1934 on three holes (5th, 8th, and 9th), refining bunkering and contours to heighten its world-class challenge without altering core routing.[62][5]
1934: Performed minor green renovations at Sunnybrook Golf Club in Flourtown, Pennsylvania, adjusting contours to better suit the terrain and improve pin placements.[62]
1934: Reconstructed the 8th hole, relocated the 8th and 10th greens (shortening the 10th to par 4) at Gulph Mills Golf Club in King of Prussia, Pennsylvania, balancing length and precision demands.[62]
1935: Supervised reconstruction at Oaks Country Club in Tulsa, Oklahoma, overhauling bunkers and fairways to integrate rolling terrain more dynamically.[62]
1935: Introduced seaside bent grass on six greens at Dornick Hills Golf Club in Ardmore, Oklahoma, elevating green quality and resilience in variable weather.[62]
1936: Revamped the 9th hole (now 18th) with a new sand trap and filled traps behind the 7th (now 16th) at Dornick Hills Golf Club in Ardmore, Oklahoma, sharpening approach shots and visual appeal.[62]
1937: Reconstructed the 11th and 14th holes, relocated greens and tees, and added a bunker (with par swaps) at Gulph Mills Golf Club in King of Prussia, Pennsylvania, increasing strategic variety.[62]
1937: Redesigned seven greens at Oaks Country Club in Tulsa, Oklahoma, emphasizing undulations for greater putting tests and lasting intrigue.[62]
1937: At Augusta National Golf Club in Augusta, Georgia, remodeled the 17th green with three added bunkers, eliminated the front tongue on the 18th green, and filled a bunker on the 1st hole, refining drama for Masters play.[62]
1937: Moved the 10th green and 11th/12th tees at Dornick Hills Golf Club in Ardmore, Oklahoma, tightening the back-nine routing for better pacing.[62]
1938: Reconditioned all greens, redesigned the 11th green, and rearranged the 7th, 16th, and 18th greens at Brook Hollow Golf Club in Dallas, Texas, boosting overall conditioning and shot-making options.[62]
1938: Rebuilt the 4th green (diminished pitch), built a new 7th green, redesigned the 9th green with five bunkers, enlarged the 12th green, and reshaped the 18th green at Augusta National Golf Club in Augusta, Georgia, elevating its iconic status and tournament precision.[62]
1938: Reconstructed the 7th hole, relocated its green and tees, and rerouted the fairway at Gulph Mills Golf Club in King of Prussia, Pennsylvania, enhancing isolation and challenge.[62]
1938: Redesigned greens at Hillandale Golf Club in Durham, North Carolina, focusing on contours to amplify the site's natural rolls.[62]
1939: Reconditioned the course and raised the 13th hole to par 5 at Twin Hills Country Club in Oklahoma City, Oklahoma, extending yardage for greater test.[62]
1939: Completed redesign of front-nine greens, progressed back nine, and converted to bent grass at Brook Hollow Golf Club in Dallas, Texas, standardizing surfaces for elite competition.[62]
1939: Revamped outmoded greens at Ekwanok Country Club in Manchester, Vermont, modernizing playability while preserving mountain views.[62]
1939: Merged the lower deck of the 14th green and added fairway knobs at Augusta National Golf Club in Augusta, Georgia, adding subtlety to approaches and aiding broadcast visibility.[62]
1940s Renovations
1940: Remodeled eight greens at Hope Valley Country Club in Durham, North Carolina, improving contours and drainage for consistent high-level events.[63]
1940: Remodeled the course and completed the West Course at Maidstone Club in East Hampton, New York, expanding options and refining seaside strategy.[63]
1940: Lengthened the 15th hole with minor adjustments at Augusta National Golf Club in Augusta, Georgia, increasing risk-reward on the par 5.[63]
1940: Retrapped all 18 holes, built new greens, and extended Colonial Country Club in Fort Worth, Texas, to over 7,000 yards, solidifying its PGA Tour readiness.[63]
1940: Remodeled and streamlined seven greens at Clearwater Country Club in Clearwater, Florida, optimizing for Florida's climate and faster play.[63]
1940: Remodeled the course at Ekwanok Country Club in Manchester, Vermont, updating bunkers and tees for renewed vigor.[63]
1941: Added new holes 3-5, retrapped, and remodeled greens at Colonial Country Club in Fort Worth, Texas, further enhancing its championship caliber.[63]
1941: Added nine holes to create an 18-hole layout at Odessa Country Club in Odessa, Texas, doubling capacity and accessibility.[63]
1943: Remodeled North Fulton Park and Adams Park courses in Atlanta, Georgia, over 1.5 years, upgrading public facilities for broader community use.[63]
1944: Rebuilt 14 greens and redesigned holes 11 and 12 at Saucon Valley Country Club in Bethlehem, Pennsylvania, preparing for national events with superior conditioning.[63]
1945: Redesigned four holes at Salina Country Club in Salina, Kansas, adjusting par and hazards for balanced scoring.[63]
1950s Renovations
1950: Planned reconstruction of 14 holes at Saucon Valley Country Club in Bethlehem, Pennsylvania, for the National Amateur Championship, ensuring elite standards.[42]
1950: Cumulative remodeling of over half the course at Augusta National Golf Club in Augusta, Georgia, across prior decades, cementing its Masters legacy through refined hole integrations.[42]
1951: Rebuilt holes 5, 6, and 7 at Omaha Country Club in Omaha, Nebraska, reshaping greens and approaches for strategic evolution.[42]
1951: Installed new greens on holes 8, 9, 14, and 15; new tees on 1, 7, 9, and 18; and redesigned traps (including a greenside bunker on 8) at Oklahoma City Golf & Country Club in Oklahoma City, Oklahoma, for the 1953 U.S. Amateur, improving precision and spectator flow.[42]
1952: Completed new greens and tees on multiple holes (2, 7, 8, 9, 18) with ongoing tee work on hole 5 at Oklahoma City Golf & Country Club in Oklahoma City, Oklahoma, finalizing upgrades for championship hosting.[42]
Additional renovations documented in historical compilations include work at Lawrence Country Club and MacDonald Park Country Club in Kansas (1930s, green and bunker adjustments for playability); The Links Golf Club in Roslyn, New York (1930s, course streamlining); National Golf Links of America in Southampton, New York (one hole, 1930s, green relocation); and Rockaway Hunting Club in Lawrence, New York (restoration, 1930s-1940s, hazard refinements), all contributing to enhanced strategic elements and enduring prestige.[56][64]