Phil Perry
Phil Perry (born January 12, 1952) is an American R&B singer, songwriter, musician, and record producer renowned for his smooth tenor voice and emotive delivery in soul, contemporary R&B, and smooth jazz genres.[1][2] Born in Springfield, Illinois, and raised in East St. Louis, Illinois, Perry began his professional music career in the late 1960s as a founding member and lead vocalist of the soul vocal group The Montclairs, with whom he achieved regional success on the Paula Records label, including the 1972 hit single "Beggin' Is Hard to Do."[1][2][3] After the group's breakup in 1975, Perry established himself as one of the most sought-after background vocalists in the industry, contributing his versatile vocals to recordings by major artists such as Chaka Khan, Philip Bailey, Natalie Cole, and George Duke, as well as jazz luminaries like Lee Ritenour and Dave Grusin.[1][4] Perry launched his solo recording career in 1991 with the album The Heart of the Man on Capitol Records, which featured the number-one R&B single "Call Me" and established him as a prominent figure in adult contemporary R&B.[1][4] Over the ensuing decades, he released numerous solo albums, including notable works like Pure Pleasure (1994) on GRP Records, One Heart One Love (1998) and My Book of Love (2000) on Private Music, A Mighty Love (2007) on Shanachie Records, and A Better Man (2015), the latter of which topped the Billboard Contemporary Jazz Albums chart.[1][2] His collaborations extended to duet projects, such as The Gift of Love (2009) with Melba Moore, and he participated in the Grammy-nominated CD/DVD The Hang (2003), a jazz ensemble recording featuring artists like Patti Austin and Harvey Mason.[4] Throughout his career, Perry has earned recognition for his contributions to R&B and soul music, including the 2007 SoulTracks Readers' Choice Award for Male Vocalist of the Year for A Mighty Love and the 2009 SoulTracks Readers' Choice Award for Duo/Group Album of the Year for The Gift of Love.[1] In 2019, he was inducted into the National R&B Hall of Fame in Detroit, Michigan, honoring his over 50 years in the music industry.[5] Married to fellow vocalist Lillian "Tang" Tynes since 1985, with whom he has four children, Perry continues to perform and record, blending classic soul influences with modern smooth jazz elements. In September 2025, he released The Phil Perry Songbook Vol. 1, a collection of his songwriting from the Montclairs era.[1][4][6]Early Life
Birth and Upbringing
Philip Eugene Perry was born on January 12, 1952, in Springfield, Illinois, and raised in East St. Louis, Illinois.[7] He grew up in a working-class family in East St. Louis, a bustling industrial city during the 1950s and 1960s that served as a major hub for railroads, meatpacking, and manufacturing, though it began facing economic decline with industry relocations and population shifts.[8][9] His parents, both educators in the East St. Louis public school system—his father in physical education and his mother in special education—provided a stable home environment amid the community's socio-economic challenges, including rising unemployment and a growing African American population.[10][11] Perry's early years were shaped by the close-knit, urban community life of East St. Louis, where local churches and schools played central roles in daily routines and social support.[12] His family emphasized education and faith, sending him to St. Elizabeth Catholic Church and parochial school despite their roles in the public system, fostering a disciplined upbringing in a neighborhood marked by resilience amid industrial transitions.[10][13] For his formal education, Perry attended Catholic elementary school, where he engaged in typical childhood activities within the structured school environment.[14] He later progressed to high school in East St. Louis, completing his secondary education in the local public system and participating in standard extracurriculars that reflected the community's emphasis on youth development.[15] These formative experiences in a dynamic yet challenging urban setting laid the groundwork for his personal growth.Early Musical Exposure
Phil Perry's early musical exposure began in the Catholic church and school settings of East St. Louis, Illinois, where he grew up immersed in gospel traditions. During his teenage years, he discovered his singing talent while participating in church choirs, notably at St. Elizabeth Catholic Church, where he was encouraged by nuns to perform high masses. A pivotal moment came in Catholic school when, as a youth, Perry substituted for an ill soloist during a Midnight Mass performance, earning a standing ovation from the congregation, including his parents and grandmother, which affirmed his vocal abilities.[13] In the late 1960s, Perry expanded his experiences through school performances and involvement in local amateur bands in the East St. Louis area, honing his skills in informal settings before any professional commitments. These opportunities allowed him to perform in high school assemblies and talent shows, where his voice gained local recognition amid the vibrant St. Louis-area music scene, known for its blend of R&B, soul, and gospel sounds.[16] Key influences during this formative period included exposure to prominent R&B, soul, and gospel artists, with Perry drawing inspiration from figures like Curtis Mayfield, whose vocal and compositional style shaped his own developing approach to music. Additionally, the gospel roots from church singing provided a foundational emotional depth to his phrasing. Perry's early vocal training was largely self-taught through these performances, supplemented by informal lessons from the local scene, and he began experimenting with songwriting around age 17, composing his first notable piece, "Hey You," in 1969 as an initial foray into creating original material.[17][16][13]Music Career
With The Montclairs
Phil Perry joined The Montclairs in 1969 at the age of 17, having been scouted for his vocal talents from church performances and local gigs in East St. Louis, Illinois.[15] The group, named after a local brand of cigarettes, marked Perry's entry into professional music as their lead vocalist and primary songwriter. Comprising Perry alongside David Frye, George McLellan, Kevin Sanlin, and Clifford Williams, The Montclairs developed a signature smooth soul and R&B style characterized by heartfelt ballads and harmonious vocals.[18] Under Perry's songwriting influence, the group signed with Arch Records for their debut single "Hey You! Don't Fight It" in 1969, before moving to Paula Records.[19] Their sound blended emotional depth with polished arrangements, drawing comparisons to contemporary soul acts while emphasizing Perry's versatile tenor range.[20] The Montclairs' major releases included the 1972 album Dreaming Out of Season on Paula Records, featuring standout tracks like the title single, which peaked at No. 34 on the US R&B chart, and "Beggin's Hard to Do," which achieved modest commercial success as a minor hit in the soul genre.[21][22] These songs received positive reception for their lush production and Perry's emotive delivery, though they achieved only modest commercial success as minor hits in the soul genre.[23] A follow-up album, Hung Up on Your Love, arrived in 1973, solidifying their reputation in regional and underground soul circuits.[24] Active from 1969 to 1975, The Montclairs disbanded after departing Paula Records, amid challenges including limited label support and internal shifts among members.[4] Following the split, Perry briefly relocated to Los Angeles, where he transitioned into session vocal work to sustain his career.[23][15]Solo Career Beginnings
Following the disbandment of The Montclairs in 1975, Phil Perry relocated to Los Angeles in 1979 with songwriter and collaborator Kevin Sanlin, forming a duo that signed with Capitol Records under producer Chuck Jackson.[25] This move marked Perry's transition from group performances to individual pursuits in the competitive Los Angeles music scene, where he initially focused on building industry connections through session singing.[26] Perry's early solo efforts centered on the duo Perry & Sanlin, which released two albums—For Those Who Love (1980) and We're the Winners (1981)—featuring Perry's lead vocals and co-writing contributions, though these projects achieved only modest chart performance.[27] After the duo disbanded due to commercial challenges, Perry immersed himself in background vocal work, providing session support for artists including Chaka Khan, Natalie Cole, and Patti LaBelle, which helped him establish a reputation as a reliable and versatile vocalist in R&B circles.[13] As an ASCAP member since his Montclairs days, he also began accumulating songwriting credits on these recordings, further solidifying his behind-the-scenes presence. During the 1980s, Perry's prominence grew through high-profile background vocals on albums by jazz and rock acts, such as Lee Ritenour's projects—where he frequently collaborated and performed live—and Toto's Kingdom of Desire (1992), contributing to tracks that highlighted his multi-octave range.[25] He also worked with Quincy Jones, both in studio sessions and on tour as a backup singer, and provided vocals for Sérgio Mendes and George Duke, blending his soul roots with jazz fusion elements.[28] This era of steady but low-key session contributions, including theme songs like the opening for Disney's Goof Troop (1992), allowed Perry to hone his craft amid the challenges of inconsistent visibility before a breakthrough solo contract.[29]Major Solo Releases and Hits
Phil Perry launched his solo career with the album The Heart of the Man in 1991 on Capitol Records, marking his transition from group and session work to a leading R&B artist. The album featured the lead single "Call Me," which topped the Billboard R&B/Hip-Hop Songs chart, establishing Perry's signature smooth, emotive vocal style in romantic ballads. Other standout tracks included "Amazing Love," peaking at #19 on the same chart, and "Forever," reaching #35, contributing to the album's commercial momentum within the contemporary R&B landscape.[30] Following the success of his debut, Perry released Pure Pleasure in 1994 under GRP Records (an MCA subsidiary), shifting toward a jazz-infused R&B sound while maintaining his soulful roots. Key singles from the album, such as "If Only You Knew" (#43 on Billboard R&B) and "Love Don't Love Nobody" (#46), highlighted themes of love and longing, resonating with audiences and solidifying his presence on R&B airwaves. This release exemplified Perry's ability to blend smooth jazz elements with heartfelt lyrics, produced in collaboration with keyboardist David Garfield, who contributed to arrangements on several tracks.[30][15] Perry's discography expanded through the late 1990s and 2000s with releases on Private Music and its Peak Records imprint, including One Heart One Love (1998) and My Book of Love (2000), which explored mature romantic themes with lush instrumentation. By 2006, he transitioned to Shanachie Records, a label specializing in jazz and R&B, where he issued a string of albums emphasizing vocal prowess and covers of classics. Notable entries include A Mighty Love (2007), Ready for Love (2008), Say Yes (2013), and A Better Man (2015), the latter debuting at #1 on the Billboard Jazz Albums chart and featuring the title track as a reflective anthem on personal growth. His 2017 album Breathless on Shanachie continued this trajectory, offering reinterpretations of soul standards like "Never Can Say Goodbye" and originals that showcased his enduring range.[31][32] In September 2025, Perry released The Phil Perry Songbook Vol. 1 via his independent Phil Perry Music label, a unique collection that revives long-lost songs from his early career, including unreleased tracks from the Montclairs era, accompanied by personal stories and sheet music transcriptions. This project not only celebrates his foundational influences but also provides resources for contemporary singers, underscoring Perry's lasting impact on soul music education and performance.[33][6]Collaborations and Session Work
Phil Perry has built a prolific career as a session vocalist and collaborator, contributing background and featured vocals to dozens of recordings across R&B, pop, jazz, and smooth jazz genres. His work as a "go-to" session singer has spanned over four decades, with credits on more than 80 albums, including high-profile projects that showcased his versatile falsetto and emotive delivery. Early in his session career during the 1980s, Perry provided background vocals on Carl Carlton's hit "She's a Bad Mama Jama" (1981), alongside Kevin Sanlin, James Ingram, and Howard Hewett, marking a key entry into major R&B productions. He also lent his voice to Anita Baker's debut album The Songstress (1983), enhancing tracks with layered harmonies that complemented her signature style.[4][34][35] Perry's session contributions extended into pop and soundtrack work, broadening his exposure beyond R&B circles. He sang background vocals on the 1988 One Moment in Time album for the Summer Olympics, which featured Whitney Houston's title track, and appeared on film soundtracks such as Bebe's Kids (1990) in a duet with the late Renee Diggs, as well as Mr. Wonderful (1993) with Wendy Moten on "Still It's You." Other notable credits include background vocals for artists like Patti LaBelle, Lee Ritenour, the Rippingtons, Boz Scaggs, Rod Stewart, Quincy Jones, and Barbra Streisand, demonstrating his adaptability across genres. In jazz and fusion realms, Perry collaborated with George Duke on the track "Fame" from The City Life (1995), where his vocals added soulful depth to the ensemble's sophisticated arrangements, and performed live with Fourplay alongside Chaka Khan and Philip Bailey on "Between the Sheets" during their 1994 concert recording An Evening of Fourplay. These sessions not only highlighted his technical prowess but also introduced his sound to jazz audiences, solidifying his reputation in smooth jazz circuits.[36][4][37][38][39][40] In the 2000s and 2010s, Perry continued his collaborative efforts, blending R&B with contemporary jazz influences. He duetted with Melba Moore on The Gift of Love (2009), an inspirational collection revisiting classic soul harmonies, and joined Maysa on "Last Chance for Love" from her album Back 2 Love (2015). More recently, Perry featured as a guest vocalist on Kevin Flournoy's track "Tell Me If You Still Care" (2022), bridging his classic style with modern production. As a member of SAG/AFTRA, Perry maintains active involvement in session and performance work, with his collaborations expanding his fanbase into pop, jazz, and smooth jazz communities while running parallel to his solo endeavors. These partnerships have amplified his influence, allowing his vocal range to resonate in diverse musical landscapes and cementing his status as a enduring studio staple.[41][42][43][19]Personal Life
Family and Relationships
Phil Perry married soul and jazz singer Lillian "Tang" Tynes in 1985, forming a lasting partnership rooted in their shared passion for music.[1] The couple, who connected through the Los Angeles music community after Perry's relocation there in 1979, has built a stable family life amid his professional demands.[7] Together, Perry and Tynes are parents to four adult children: Joseph, Paloma, Philip II, and Jacob.[4] The family resides in the Los Angeles area, where Perry has prioritized maintaining strong familial bonds while navigating the challenges of a touring career.[7] This domestic foundation has provided Perry with personal support throughout his decades in the industry.Health Issues and Recovery
In September 2001, Phil Perry narrowly escaped the 9/11 terrorist attacks when his scheduled performance at the World Trade Center's lunch-hour jazz concert series was disrupted by the events, arriving late and avoiding the tragedy; this close call contributed to prolonged stress and a period of artistic depression lasting several years.[44] Perry faced a more direct health crisis in October 2009, collapsing onstage approximately 25 minutes into a concert with Pieces of a Dream at Southern Connecticut State University, shortly after returning from a tour in South Africa. He was immediately transported to Yale-New Haven Hospital for treatment, though no definitive medical diagnosis was identified for the incident, which sparked false rumors of his death. The collapse briefly interrupted his tour schedule, highlighting the physical toll of his demanding performance routine.[45][4] Following the 2009 episode, Perry took a short hiatus to prioritize rest and health management, recovering sufficiently to resume performing by early 2010, including appearances on a Valentine's Day cruise and subsequent concerts. This period prompted him to adopt measures for better physical well-being, enabling sustained career activity without long-term derailment. Supported by his family, he emerged with renewed focus on personal resilience.[46][47] The combined impact of these events fostered a deeper appreciation for life's fragility in Perry's outlook, inspiring greater emphasis on original songwriting and reflective growth while reinforcing his determination to continue as an artist. Post-2009, he maintained a consistent performance presence, demonstrating enduring vitality despite occasional health management needs, such as addressing a heart condition revealed in a 2013 hospitalization due to defibrillator interference during a show.[48][49]Musical Style and Legacy
Vocal Style and Influences
Phil Perry possesses a distinctive tenor voice characterized by a wide multi-octave range that allows seamless transitions between chest voice and falsetto, often described as flawless and emotive.[19][7] His delivery features velvety smooth phrasing, particularly in ballads, where he employs passionate emotional eruptions to convey deep feeling, as he has noted: “When I sing I erupt with emotion--all over the place.”[50] This technique shines in R&B and soul contexts, blending raw intensity with controlled vulnerability, while in jazz fusion, it adopts a more polished, interpretive finesse that highlights his keen musical sensibilities.[7][51] Perry's influences are deeply rooted in gospel traditions from his early exposure in East St. Louis churches, which infuse his style with heartfelt expressiveness and rhythmic drive, evolving into a broader palette that incorporates jazz elements and classic crooner aesthetics.[50] He draws inspiration from vocalists like Luther Vandross, admiring his transition from session work to emotive solo balladry, and from the crooners his mother favored, whose romantic delivery shaped Perry's aim to "touch women in the heart."[50] This foundation is evident in his shift from the raw, group-oriented soul of The Montclairs in the 1970s—marked by gritty harmonies and uptempo grooves—to the sophisticated, jazz-inflected smoothness of his 1990s solo work, where he balances improvisation with lyrical intimacy.[50] In songwriting and performance, Perry favors romantic themes centered on love's warmth and vulnerability, often co-authoring tracks that explore emotional connection, as seen in albums like Ready for Love, where the primary motif revolves around affectionate narratives.[52] His approach to covers, such as the soulful remake of "Call Me" (originally by Aretha Franklin), demonstrates a technique of personalization through layered falsetto and dynamic phrasing, transforming standards into vehicles for his interpretive depth. Regarding production, Perry prefers arrangements that accentuate vocal clarity and instrumental interplay, favoring smooth jazz backings in later releases like "Walk On By" to underscore his genre versatility, bridging soul's passion with jazz's elegance.[53][54]Awards, Recognition, and Impact
Phil Perry has received several accolades throughout his career, highlighting his contributions to R&B and soul music. In 2007, he won the SoulTracks Readers' Choice Award for Male Vocalist of the Year, recognizing his standout performances on albums like A Mighty Love. In 2009, he received the SoulTracks Readers' Choice Award for Duo/Group Album of the Year for The Gift of Love with Melba Moore.[1] He was also nominated in the Male Vocalist category at the American Smooth Jazz Awards in 2010, reflecting his prominence in the smooth jazz scene. In 2019, Perry was inducted into the National R&B Hall of Fame in Detroit, Michigan, honoring his over 50 years of recorded music excellence.[5] Perry's work has garnered critical praise from major outlets. A 1992 Los Angeles Times review of his performance at a benefit concert lauded his "gospel-fired" rendition of "I Need You," describing it as an emotional peak that "raised the roof" with his powerful vocals.[55] AllMusic has consistently given his solo albums positive reviews, often rating them three to four stars and commending his smooth, emotive delivery on releases like The Heart of the Man (1991) and A Better Man (2015). Perry's impact extends to influencing subsequent generations of R&B and jazz vocalists through his versatile falsetto and soulful phrasing, as noted in profiles of his genre-blending style. His role in preserving soul traditions is evident in his session work and collaborations, which have helped maintain the genre's emotional depth amid evolving music landscapes. As a prolific singer-songwriter, he has contributed to the cultural tapestry of Black music by bridging 1970s soul with contemporary smooth jazz. Perry's legacy spans from 1971, when he joined The Montclairs, to the present day, encompassing over five decades of active recording and performance. His 2025 release, The Phil Perry Songbook Vol. 1, serves as an archival contribution, compiling sheet music, stories, and pictures from his early 1970s hits to celebrate and document classic soul era compositions. This enduring career underscores his cultural significance in sustaining authentic R&B expressions.Discography
Group Recordings
Phil Perry began his recording career as the lead vocalist and primary songwriter for the East St. Louis-based R&B vocal group The Montclairs, formed in 1969 and active until 1975.[24] The group's output during this period was released primarily on Paula Records, blending smooth soul harmonies with heartfelt ballads and uptempo tracks, often showcasing Perry's emotive tenor. The Montclairs' sole full-length album, Dreaming Out of Season, was released in 1972 on Paula Records.[56] Produced by the group alongside Oliver Saint, the LP featured nine tracks, including highlights such as the title song "Dreaming's Out of Season," a wistful ballad co-written by Perry that peaked at No. 34 on the Billboard R&B chart; "Make Up for Lost Time," an upbeat plea for reconciliation; and "Double Up," a funky instrumental closer highlighting the group's tight instrumentation.[22] Other notable cuts included "Do I Stand a Chance," an extended eight-minute soul groove, and "Grand Finale," a dramatic closer.[57] The group's singles, many of which appeared on Paula Records, achieved moderate R&B chart success and became staples in Northern Soul circles. Key releases included "Beggin' Is Hard to Do" (1972), a Perry-penned plea that reached No. 33 on the R&B chart; "Prelude to a Heartbreak" (1973), which hit No. 70; and "Baby (You Know I'm Gonna Miss You)" (1974), peaking at No. 40.[22][23] Earlier singles on other labels, such as "Hey You! Don't Fight It!" (1969, Arch Records) and "All I Really Care About (Is You)" (1970, Vanessa Records), laid the groundwork for their sound but did not chart nationally.[24] No EPs were issued during their active years, though several singles were later compiled on vinyl and CD formats. Perry contributed significantly to the group's production as a songwriter and arranger, earning credits on most tracks from Dreaming Out of Season and several singles, including "Dreaming's Out of Season," "Beggin' Is Hard to Do," and "Make Up for Lost Time."[58] His compositions emphasized romantic vulnerability and rhythmic drive, often co-written with bandmates like Kevin Sanlin, helping define the Montclairs' polished soul style.[19] Modern reissues have preserved and expanded access to The Montclairs' catalog. The 2001 double-CD compilation Make Up for Lost Time: The Paula Recordings 1971-1974 on Westside Records collected their core singles and album tracks with bonus material. More recently, Dreaming Out of Season saw a limited-edition colored vinyl reissue in October 2024 on Paula Records/Stax, featuring bonus tracks and remastering.[59] In January 2025, a Record Store Day Essential Edition of the album was released on half-white, half-blue vinyl, further boosting its cult status among soul collectors.[59]Solo Albums
Phil Perry's solo recording career, spanning over three decades, showcases his transition from R&B roots to a fusion of soul, jazz, and contemporary styles, often balancing heartfelt ballads with upbeat grooves. His albums typically feature lush productions emphasizing his multi-octave vocal range, with collaborations from prominent producers like Barry Eastmond and Chris "Big Dog" Davis. While early releases achieved notable success on R&B charts, later works gained traction in the contemporary jazz market, reflecting Perry's versatility without significant certifications or sales figures publicly documented beyond chart positions. The following table enumerates Perry's primary solo studio albums in chronological order, including release dates and labels:| Album Title | Release Year | Label |
|---|---|---|
| The Heart of the Man | 1991 | Capitol Records |
| Pure Pleasure | 1994 | GRP Records |
| One Heart One Love | 1998 | Private Music |
| My Book of Love | 2000 | Private Music |
| Magic | 2001 | Peak Records |
| Classic Love Songs | 2006 | Shanachie |
| A Mighty Love | 2007 | Shanachie |
| Ready for Love | 2008 | Shanachie |
| The Gift of Love | 2009 | Shanachie |
| Say Yes | 2013 | Shanachie |
| A Better Man | 2015 | Shanachie |
| Breathless | 2017 | Shanachie |