Fact-checked by Grok 2 weeks ago

Phyllis Kirk


Phyllis Kirk (born Phyllis Kirkegaard; September 18, 1927 – October 19, 2006) was an actress of Danish descent, recognized for her work in during the . Born in , she began her career after modeling and odd jobs such as waitressing, transitioning to acting with early stage and screen appearances. Kirk gained prominence with her role as Jane Gray in the 3D horror film House of Wax (1953), starring alongside , which highlighted her as a in early stereoscopic cinema. Her most enduring television portrayal was as Nora Charles in (1957–1959), opposite , adapting the sophisticated detective couple from Dashiell Hammett's novels for audiences. Other notable film credits include Crime Wave (1954), Canyon Crossroads (1955), and (1956), often in supporting roles that showcased her versatility in and adventure genres. Beyond acting, Kirk was vocal in her opposition to capital punishment, a stance that reportedly hindered her career prospects in . She appeared in various anthology series like Zane Grey Theatre and , but retired from performing after the 1960s, later marrying producer Warren Bush until his death in 1992. Kirk passed away in Woodland Hills, , following a cerebral .

Early Life

Birth and Family Background

Phyllis Kirk was born Phyllis Helene Kirkegaard on September 18, 1927, in Plainfield Township, . Some secondary sources, including actor biographies, alternatively cite , as her birthplace, but genealogical records and contemporary obituaries consistently identify Plainfield as the location of her birth. She was the daughter of Theodore Ausgar Kirkegaard (1900–1953), a salesman of Danish descent, and Adele K. Kroohs Kirkegaard (1900–unknown). The family's Danish heritage traced through her father's lineage, though verifiable details on their history or socioeconomic circumstances remain sparse beyond Theodore's occupation. No primary accounts detail extensive family dynamics, but the household's working-class roots in early 20th-century provided the foundational environment from which Kirk later pursued opportunities in .

Childhood Health Challenges and Early Employment

Phyllis Kirk contracted during childhood, an illness that caused persistent health complications throughout her life. By the , she developed significant mobility limitations, including difficulty walking, which she personally attributed to the combined effects of her early infection and a subsequent bout of . These conditions contributed to her decision to retire from acting, as the physical demands exacerbated her symptoms. Prior to entering modeling, Kirk supported herself through manual service roles, including working as a waitress and as a at a perfume counter. In her late teens, she relocated to , where she transitioned into professional modeling to sustain her ambitions in the amid limited financial resources. This shift marked her initial foray into image-based work, predating formal acting pursuits and reflecting the pragmatic economic pressures of the era for aspiring talents without familial wealth.

Career

Entry into Modeling and Acting

In her late teens, Phyllis Kirk relocated to to pursue acting training under , shortening her surname from Kirkegaard to Kirk for professional use. To support herself, she took entry-level positions including waitressing and clerking at a perfume counter, before securing modeling work with the Harry Conover agency around 1948. This modeling exposure, which included assignments that highlighted her photogenic features, facilitated her initial foray into theater by connecting her with industry contacts and providing visibility in New York circles. Kirk's stage career began with minor roles in several productions during the late 1940s, building practical experience amid the competitive post-World War II theater scene. Her Broadway debut occurred on February 9, 1949, in the Theatre Guild comedy My Name Is Aquilon at the Lyceum Theatre, where she played the supporting character Paulette alongside ; the play ran for 27 performances before closing on March 7. These early theatrical appearances demonstrated her versatility in comedic roles and attracted attention from scouts. Transitioning to film, Kirk secured her screen debut in a supporting capacity as Zaza in the 1950 RKO Pictures drama Our Very Own, directed by David Miller and featuring Ann Blyth as the lead and Farley Granger in a key role. This uncredited-to-minor progression continued with bit parts in other 1950 releases such as A Life of Her Own (MGM) and Two Weeks with Love (MGM), reflecting the era's standard path for aspiring actresses from stage to studio bit-player contracts through persistent auditions and agent negotiations.

Film Breakthroughs and Roles

Kirk's breakthrough in film came with her portrayal of Sue Allen, the resilient heroine stalked by a mad sculptor in House of Wax (1953), directed by André De Toth and co-starring as the antagonist Henry Jarrod. Released by Warner Bros. as one of the earliest color features, the production capitalized on emerging stereoscopic technology amid a brief fad, with audiences drawn to sensational effects like paddles protruding from the screen and the film's gruesome premise. The movie proved a major commercial success, earning an estimated $23.75 million worldwide against a $1 million budget and generating $5.5 million in North American rental fees, ranking it among 1953's top earners and boosting Price's icon status. Critically, Kirk's performance as the resourceful student who uncovers the killer's scheme received praise for its poise amid the film's exploitative thrills, though some reviews noted her role conformed to genre tropes of the imperiled ingenue. Preceding this, Kirk had supporting roles that hinted at her potential in period pieces, such as Ursula de Varamendi, the love interest in (1952), a Western-adventure depicting frontiersman Jim Bowie's exploits, opposite . The film, directed by Gordon Douglas and based on Paul I. Wellman's novel, emphasized Bowie's knife invention and intrigues, with Kirk's character providing romantic tension amid ; its modest box-office performance reflected typical B-Western economics rather than standout reception. Shortly after House of Wax, she appeared as Norah Porter, the wife of a officer, in (1953), another De Toth-directed Western starring as a Reconstruction-era captain combating carpetbaggers in . Kirk's role involved navigating spousal loyalty and frontier perils, contributing to the film's routine critical assessment as a solid but unremarkable oater focused on post-Civil War tensions. Over her film career spanning roughly 1950 to the late , Kirk accumulated approximately 20 credits, showcasing genre versatility from and Westerns to comedies like (1957) opposite , where she played a no-nonsense major. However, post-House of Wax leads were scarce, with many parts relegating her to romantic foils or secondary figures in period dramas and action fare—evident in roles like Mary Dark in Johnny Concho (1956) or Louise Blanchard in (1956)—potentially her as elegant supports in male-driven narratives rather than driving protagonists. This pattern aligned with industry norms for actresses of her era, prioritizing ensemble dynamics over sustained stardom in features.

Television Stardom and Key Series

Phyllis Kirk achieved her greatest prominence on television through the lead role of Nora Charles in the mystery series , which aired from September 20, 1957, to July 10, 1959. She starred alongside as Nick Charles and the wire-haired terrier Asta, portraying the sophisticated sleuthing couple created by , whose characters had previously inspired six films starring , as well as a long-running radio series. The program, produced by as its first foray into series production, adapted the source material into 72 half-hour black-and-white episodes broadcast on Friday evenings, emphasizing witty banter and light detective work amid the shift from cinematic and radio formats to episodic television constraints. Kirk's television career extended beyond The Thin Man with guest appearances in prominent 1950s anthology series, reflecting the era's reliance on such formats for dramatic showcases. In 1956, she played Barbara Hunter in the Schlitz Playhouse of Stars episode "The Waiting House," a suspenseful tale involving pursuit in a Florida swamp. She also appeared in two episodes of Celebrity Playhouse as Laurie Westbrook, contributing to the rotating-star structure typical of NBC's dramatic programming during that period. These roles, alongside others in series like Climax!, underscored her versatility in live and filmed television anthologies before the sustained commitment of a starring vehicle elevated her visibility. The medium's expansion in the late 1950s provided Kirk with broader exposure as film opportunities waned for supporting actresses of her profile, with filling two full seasons and achieving rerun circulation that sustained interest into subsequent decades despite limited preservation. Her final credited television role came in the November 22, 1970, episode "The Impersonator" of ABC's The F.B.I., marking the end of her onscreen performing career after over a decade of episodic and series work.

Recognition and Professional Impact

Award Nominations

Phyllis Kirk received one Primetime Emmy Award nomination during her acting career, in 1959 for in a Leading Role (Continuing Character) in a Dramatic Series, for her role as Nora Charles in the series . She competed against (), (), and (), but did not win the award. This nomination highlighted her performance in the lighthearted detective series, which drew on the popularity of Dashiell Hammett's characters and the earlier MGM films starring , rather than acclaim for her film work. No nominations from major film awards, such as the or Golden Globes, are documented for Kirk, despite roles in films like House of Wax (1953) and (1953). Her recognition remained confined to television, underscoring the era's growing validation of the medium amid her limited but notable series run.

Career Challenges and Decline

Kirk's prominence waned after the late amid Hollywood's structural upheaval, as the studio system's collapse—accelerated by television's ascendancy—curtailed steady film work for many mid-tier contract actors reliant on B-movies and genre roles. The medium's shift toward spectacles and fewer theatrical releases diminished opportunities for performers like her, who had built careers on efficient, low-budget productions such as House of Wax (). Typecasting as a sharp-tongued ingenue or damsel in peril, evident from her Thin Man portrayal of Nora Charles (1957–1959), further constrained versatility, with post-series credits dropping to isolated television guest spots rather than leads. Verifiable output reflects this: whereas the 1950s yielded approximately 20 film appearances and extensive episodic TV, the 1960s saw only about five credited roles, including The Twilight Zone (1960) and The Name of the Game (1969), signaling a stark reduction in volume and prominence. Her forthright public positions, particularly outspoken opposition to —including advocacy against Caryl Chessman's 1960 execution—likely exacerbated professional isolation in an industry sensitive to controversy, as contemporaries noted such stances hindered bookings. By the early , these cumulative factors, compounded by emerging health limitations, culminated in effective retirement from on-screen work, redirecting her energies to and .

Personal Life

Marriage and Relationships

Phyllis Kirk married television producer and screenwriter Warren V. Bush, whose prior service in the Army Air Forces during World War II qualified him for burial at Arlington National Cemetery. Their union, publicly announced in early 1967, endured until Bush's death from cardiac arrest on April 16, 1991, at UCLA Medical Center in Los Angeles, when he was 65 years old. Bush had two daughters from a previous marriage, but Kirk and Bush had no children together. The couple's long-term partnership contrasted with the often fleeting romantic entanglements typical of mid-20th-century , as reflected in obituaries noting the stability of their 24-year marriage amid Kirk's acting career. Public details about their private life remained limited, with no verified accounts of joint professional collaborations or high-profile social engagements. Kirk's remains were cremated following her death in 2006 and interred beside Bush at , underscoring the enduring nature of their bond. Information on Kirk's romantic involvements before her marriage to is sparse and unreliable, deriving primarily from unsubstantiated gossip in 1950s columns rather than corroborated evidence. For instance, brief rumored associations with executive in 1953 or composer around 1950 were reported by entertainment writers but denied by the parties involved and lacked subsequent verification. No prior marriages or long-term relationships for Kirk are documented in credible contemporary sources.

Health Issues in Later Years

In the early 1970s, Phyllis Kirk's mobility deteriorated significantly, manifesting as pronounced difficulty walking, which she attributed to the lingering effects of her childhood infection and a concurrent bout of . This progression, consistent with known polio sequelae involving and decades post-infection, directly compelled her withdrawal from acting by mid-decade, despite her expressed willingness to continue performing. No records indicate major surgical interventions or specialized treatments for these symptoms; accounts rely primarily on Kirk's own attributions reported in contemporary obituaries. Unlike many peers in the entertainment industry whose careers tapered due to advancing age or evolving market demands, Kirk's retirement was explicitly framed by industry observers as a health-driven necessity, underscoring the causal primacy of her polio-related impairments over external professional factors. This distinction highlights how her early-life viral exposure imposed cumulative physical limitations that intensified in adulthood, curtailing her on-set participation without evident mitigation strategies.

Activism and Public Stances

Opposition to Capital Punishment

Phyllis Kirk publicly opposed the execution of , who had been convicted in 1948 on 17 felony counts including with bodily harm under California's "Little Lindbergh" law, and sentenced to death despite multiple appeals and stays. She visited Chessman several times at San Quentin State Prison in the lead-up to his execution on May 2, 1960, and advocated for his reprieve by pleading directly with Governor Edmund G. "Pat" Brown. In testimony before the , Kirk argued against the death penalty in Chessman's case, emphasizing as a preferable alternative to retribution, while acknowledging the severity of his admitted criminal history, which included "ghastly things" such as robbery, , and . Kirk's advocacy extended beyond Chessman through her work in the late as a writer and interviewer for the (ACLU), where she focused campaigns specifically against , framing it as morally flawed due to the potential for irreversible error and the ethical priority of human reform over state-sanctioned killing. Her statements in media interviews consistently highlighted a principled stance rooted in the belief that even convicted felons deserved opportunities for , rather than , without denying the victims' suffering or the need for punishment. This position drew criticism, including dismissal by a as the emotional appeal of a "charming young woman," underscoring the era's resistance to celebrity involvement in penal reform debates. Kirk's outspoken criticism of , delivered in a plain-speaking manner atypical for figures, was later analyzed as a factor contributing to the stagnation of her acting career after the early , as industry insiders reportedly viewed such activism as risking public and professional backlash in a conservative landscape. She avoided formal leadership in anti-death penalty organizations, limiting her efforts to public statements, prison visits, and ACLU-supported writings that prioritized empirical concerns over vengeance, such as the finality of death sentences amid evolving evidence in criminal cases.

Support for Social and Educational Causes

Following the 1965 , Kirk helped establish and fund two programs targeted at underprivileged families in , aiming to provide early education amid post-riot community recovery efforts. These initiatives reflected her shift toward direct philanthropic support for educational access in economically disadvantaged areas, though specific details on program duration, enrollment figures, or long-term outcomes remain undocumented in available records. In parallel with her educational efforts, Kirk contributed to advocacy by writing articles and conducting interviews for the (ACLU) newspaper during the late stages of her acting career. These writings emphasized broader protections of individual rights, aligning with the ACLU's mission but distinct from her more prominent stances on specific legal reforms. Her involvement represented a pivot to public intellectual engagement post-entertainment prominence, leveraging her public profile for issue-based commentary without evident expansion into arts-specific policy.

Death and Legacy

Circumstances of Death

Phyllis Kirk died on October 19, 2006, at the age of 79, from complications of a at the Motion Picture & Television Hospital in Woodland Hills, California. She was predeceased by her husband, Warren Bush, who died in 1977. Kirk's remains were cremated following her death, with interment occurring at in , alongside Bush.

Enduring Influence and Posthumous View

Phyllis Kirk's role as Sue Allen in the 1953 film House of Wax has contributed to its status as a in horror cinema, with the production marking the first color feature from a major studio and helping to ignite the fad amid competition from television. The film's technical innovations and Vincent Price's performance overshadowed supporting roles, yet Kirk's portrayal of a proactive victim—resembling a cherished figure—has been noted in retrospective analyses for advancing female agency in the genre compared to earlier horror tropes. Its cultural footprint persists through releases, including Blu-ray editions, sustaining interest in Kirk's early career highlight without elevating her to icon status. The television series (1957–1959), in which Kirk co-starred as Nora Charles opposite Peter Lawford's , aired 72 episodes and maintained a modest presence that preserved elements of the genre's sophisticated banter from Dashiell Hammett's source material. While contemporary reviews critiqued it as a derivative echo of the original films, lacking the star power of , it garnered a 7.1/10 rating from limited modern viewership, indicating niche appeal among classic TV enthusiasts rather than broad revival. in later decades helped sustain the lighthearted mystery format but did not translate to significant metrics for Kirk's influence, as audience data reflects sporadic airings without dominating retro programming blocks. Posthumously, Kirk received minimal formal recognition, with obituaries emphasizing her House of Wax association but no major awards or retrospectives; tributes appear sporadically in fan compilations and film histories, underscoring in roles as a limiter on wider acclaim despite her competent performances. Her career trajectory, hampered by health challenges including childhood and a shift to —marked by vocal opposition to that industry sources attribute to her "plain speaking" alienating opportunities—presents a double-edged view: admirers praise her integrity, while critics saw it as self-sabotaging in a conformity-driven era, absent evidence of broader institutional biases against her. This tempers nostalgic overvaluation, prioritizing her tangible contributions over unverified acclaim.

References

  1. [1]
    Phyllis Kirk - IMDb
    Of Danish descent and born in Syracuse, New York, Phyllis Kirk worked as a waitress and a perfume counter clerk before she began a modeling career.
  2. [2]
    Phyllis Kirk (1927-2006) - Memorials - Find a Grave
    Birth: 18 Sep 1927. Plainfield, Union County, New Jersey, USA ; Death: 19 Oct 2006 (aged 79). Woodland Hills, Los Angeles County, California, USA ; Burial.
  3. [3]
    Phyllis Kirk - Biography - IMDb
    Of Danish descent and born in Syracuse, New York, Phyllis Kirk worked as a waitress and a perfume counter clerk before she began a modeling career.
  4. [4]
    Phyllis Kirk | Movies | The Guardian
    Nov 27, 2006 · The acting career of Phyllis Kirk, who has died aged 77, likely suffered because of her plain speaking and opposition to capital punishment.
  5. [5]
    Phyllis Kirk | The Independent
    Oct 23, 2006 · Phyllis Kirkegaard (Phyllis Kirk), actress: born Syracuse, New York 18 September 1929; married Warren Bush (died 1992); died Woodland Hills ...
  6. [6]
    Phyllis Kirk (1927–2006) • FamilySearch
    When Phyllis Kirk was born on 18 September 1927, in Plainfield Township, Union, New Jersey, United States, her father, Theodore Ausgar Kirkegaarde, ...
  7. [7]
    Phyllis Kirk, 79, Who Starred in 'House of Wax' and 'Thin Man', Dies
    Oct 23, 2006 · Phyllis Kirkegaard was born in Plainfield, N.J., but moved to New York City in her late teens to study acting and shortened her last name to ...<|separator|>
  8. [8]
    Phyllis Kirk Obituary (2006) - Los Angeles Daily News - Legacy.com
    Oct 22, 2006 · Born Phyllis Kirkegaard in Plainfield, N.J., she moved to New York City in her late teens to study acting and shortened her last name to Kirk.Missing: background | Show results with:background
  9. [9]
    https://www.glamourgirlsofthesilverscreen.com/show/314/Phyllis%2BKirk/index.html
  10. [10]
    Phyllis Kirk, 79; acted in 'House of Wax' and TV's 'The Thin Man'
    Oct 22, 2006 · In the 1970s, she quit acting when she began having trouble walking, a problem she linked to a childhood bout with polio and meningitis. Her ...
  11. [11]
    Phyllis Kirk; Actress In Famed 3-D Film - The Washington Post
    Oct 22, 2006 · By the 1970s, she quit acting when she began having trouble walking, a problem she linked to a childhood bout with polio and meningitis. She did ...
  12. [12]
    Phyllis Kirk -- actress was stalked in 3-D 'House of Wax'
    Oct 24, 2006 · In the 1970s, Ms. Kirk quit acting when she began having trouble walking, a problem she linked to a childhood bout with polio and meningitis.
  13. [13]
    Phyllis Kirk | The Independent
    Oct 23, 2006 · Also, I abhor capital punishment, always have and always will." Before her retirement in 1992, Kirk also worked in public relations and as a ...
  14. [14]
    My Name Is Aquilon (Broadway, Lyceum Theatre, 1949) | Playbill
    ... My Name is Aquilon Playbill - Opening Night, Feb 1949. My Name Is ... Phyllis Kirk. Paulette (Original). Lilli Palmer.
  15. [15]
    Our Very Own (1950) - Full cast & crew - IMDb
    Gus Schilling · Gus Schilling · Frank · Phyllis Kirk · Phyllis Kirk · Zaza · Jessie Grayson · Jessie Grayson · Violet. Martin Milner in Adam-12 (1968).
  16. [16]
    House of Wax - AFI Catalog - American Film Institute
    88-90 mins | Horror | 25 April 1953 ; Cast: Vincent Price, Frank Lovejoy, Phyllis Kirk [ More ] ; Director: Andre DeToth ; Writer: Crane Wilbur ; Producer: Bryan ...
  17. [17]
    House of Wax (1953) - Box Office and Financial Information
    House of Wax (1953). House of Wax. Theatrical Performance. Domestic Box ... Revenue. All Time Domestic Box Office (Rank 3,501-3,600), 3,539, $23,800,000.
  18. [18]
    House of Wax (1953) - Box Office Mojo
    Domestic (100%) $23,750,000 ; International (–) – ; Worldwide $23,750,319.Missing: earnings | Show results with:earnings
  19. [19]
    The Iron Mistress (1952) - IMDb
    Rating 6.2/10 (1,058) The Iron Mistress: Directed by Gordon Douglas. With Alan Ladd, Virginia Mayo, Joseph Calleia, Phyllis Kirk. The exploits of nineteenth-century pioneer Jim ...
  20. [20]
    Thunder Over the Plains (1953) - IMDb
    Rating 6.4/10 (1,054) In Post-Bellum Texas, an army captain tries to keep the peace between overtaxed, impoverished farmers and greedy carpetbaggers.
  21. [21]
    Phyllis Kirk - Turner Classic Movies - TCM
    Phyllis Kirkegaard, Phyllis Bush. Birth Place. Syracuse, New York, USA. Born. September 18, 1929. Died. October 20, 2006. Cause of Death.
  22. [22]
    Phillis Kirk: Woman in “Wax” - Travalanche - WordPress.com
    Sep 18, 2022 · She was also the female lead in Jerry Lewis's The Sad Sack (1957), and the westerns Thunder Over the Plains (1953) with Randolph Scott and ...Missing: notable | Show results with:notable
  23. [23]
    "The Thin Man" (MGM/NBC)(1957-59) Peter Lawford, Phyllis Kirk
    US Comedy Detective series 1957-59 2 seasons 72 episodes x 30 min bw release date 20Sept57 starring. Peter Lawford as Nick Charles Phyllis Kirk as Nora CharlesMissing: viewership | Show results with:viewership
  24. [24]
    The Thin Man - The Great Detectives of Old Time Radio
    Mar 2, 2024 · Yet, the two-season, 72-episode run of the 1957-59 TV series starring Peter Lawford and Phyllis Kirk has been little-seen for decades. It's ...
  25. [25]
    "Schlitz Playhouse Of Stars" (CBS) Season 5 (1955-56)
    Action is in a Florida swamp as he trails a criminal. 5.13 [--] Schlitz Playhouse: CHRISTMAS GUEST ... Phyllis Kirk ............... Barbara Hunter Paul Langton ..Missing: appearances | Show results with:appearances
  26. [26]
    Celebrity Playhouse - Wikipedia
    Recurring guest stars ; Jan Sterling, 2 episodes ; William Bishop, 2 episodes ; Ellen Drew, 2 episodes ; Phyllis Kirk, 2 episodes.Missing: Four | Show results with:Four
  27. [27]
    Phyllis Kirk Facts for Kids
    Phyllis Kirk's most famous TV role was in The Thin Man. This show aired from 1957 to 1959. She played Nora Charles, a clever and witty character. Her co-star ...Missing: notable | Show results with:notable
  28. [28]
    "The F.B.I." The Impersonator (TV Episode 1970) - IMDb
    Rating 8/10 (32) The Impersonator. Episode aired Nov 22, 1970; 1h. IMDb RATING. 8.0/10. 32. YOUR RATING ... This was Phyllis Kirk's final role before her retirement from acting.
  29. [29]
    Nominees & Winners | Television Academy
    Best Actress In A Leading Role (Continuing Character) In A Dramatic Series · Jane Wyman · June Lockhart · Loretta Young · Phyllis Kirk.
  30. [30]
    Awards - Phyllis Kirk - IMDb
    1959 Nominee Primetime Emmy. Best Actress in a Leading Role (Continuing Character) in a Dramatic Series. The Thin Man · Contribute to this page.
  31. [31]
    Phyllis Kirk | Television Academy
    Phyllis Kirk. Awards & Nominations News & Features. 1 Nomination. Nominee. Best Actress In A Leading Role (Continuing Character) In A Dramatic Series - 1959.
  32. [32]
    The American Film Industry in the Early 1950s | Encyclopedia.com
    The Hollywood film industry of 1950 was threatened on several different fronts. Television broadcasting was rapidly becoming the dominant entertainment medium ...Missing: transition Phyllis
  33. [33]
    'House of Wax' star Phyllis Kirk dies - The Hollywood Reporter
    Oct 21, 2006 · Her acting career slowed down by the late 1950s and she turned her focus to political and social causes. She made news by speaking out ...Missing: decline | Show results with:decline
  34. [34]
    Warren V. Bush, 65, a Television Producer - The New York Times
    May 2, 1991 · He was 65 years old and lived in Los Angeles. He died of cardiac arrest, his wife, Phyllis Kirk Bush, said. Mr. Bush was in the Army Air Forces ...
  35. [35]
    Warren Bush; TV Producer, Writer - Los Angeles Times
    May 1, 1991 · His wife, actress Phyllis Kirk, said her husband was 65 when he died April 16 of heart failure at UCLA Medical Center. Advertisement. For ...
  36. [36]
    Phyllis Kirk Profile
    (Phyllis Kirkegaard). 18 September 27, is born in Plainfield, New Jersey, of Danish descent to Theodore Kirkegaard and his wife Adele.
  37. [37]
    Phyllis Kirk dating history
    Phyllis Kirk was previously married to Warren Bush (1966 - 1991). Phyllis Kirk was in relationships with Bob Neal (1956), Jerry Herzfeld (1955), Jennings Lang ( ...
  38. [38]
    Plain-speaking actor fought death penalty
    Before he was executed in 1960, Chessman was visited by Kirk in San Quentin prison several times. She was hell-bent on keeping the state of California from ...
  39. [39]
    [PDF] Caryl Chessman, Capital Punishment, and Cold War Culture
    Jan 1, 2014 · When actress Phyllis Kirk pleaded with Governor Brown for a reprieve, a state senator dismissed her as a 'charming young woman making an ...
  40. [40]
    Phyllis Kirk - Variety
    Oct 24, 2006 · After the 1965 Watts race riots, she helped fund two preschool programs for poor families in the South Los Angeles neighborhood. She later ...
  41. [41]
    13 Thrilling Facts About House Of Wax - Mental Floss
    Apr 25, 2018 · A remake of 1933's Mystery of the Wax Museum, André de Toth's House of Wax solidified the 3D movie craze of the 1950s.
  42. [42]
    What makes 1953's House of Wax so realistic and captivating?
    Mar 19, 2021 · 1953's House of Wax was not only the first 3D feature film released by a major Hollywood studio, but also helped to relaunch Vincent Price's ..."House of Wax ", starring Vincent Price, Carolyn Jones and Phyllis ..."House of Wax" (1953) -- Vincent Price and Phyllis Kirk | FacebookMore results from www.facebook.com
  43. [43]
    70 Years of 'House of Wax'. Vincent Price's Horror Debut - Fanfare
    Oct 5, 2023 · Phyllis Kirk is great in the role of Sue Allen, a more proactive female character than was typically seen in horror films at the time; while ...Missing: impact | Show results with:impact
  44. [44]
    Vincent Price in 'House of Wax,' Now in a 3-D Blu-ray - The New ...
    Oct 4, 2013 · Vincent Price and Phyllis Kirk share an uncomfortable moment in Andre de Toth's 1953 3-D horror hit “House of Wax,” now available in a 3-D ...
  45. [45]
    The Thin Man (TV series) - Wikipedia
    The 72 episodes were produced by MGM Television and broadcast by NBC for two seasons from 1957–1959 on Friday evening. It was the first TV series produced by ...Missing: viewership | Show results with:viewership
  46. [46]
    The Thin Man (TV Series 1957–1959) - IMDb
    Rating 7.1/10 (314) Phyllis Kirk, Peter Lawford, and Asta in The Thin Man (1957). Mystery. Amateur detectives Nick and Nora Charles investigate various crimes.Missing: viewership | Show results with:viewership
  47. [47]
    https://fetterman-crutches.com/blogs/news/amazing-list-of-famous-people-who-survived-polio