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Q-Squared

Q-Squared is a science fiction novel by Peter David, published in 1994 as part of the Star Trek: The Next Generation book series by Pocket Books.^[1] The story follows Captain Jean-Luc Picard and the crew of the Enterprise as they become entangled in a crisis involving the omnipotent Q and a renegade entity from the Q Continuum named Trelane, who manipulates converging timelines across multiple realities, endangering all existence.^[2] Drawing on elements from both Star Trek: The Original Series and The Next Generation, the narrative explores alternate universes, including variations on key events like the death of Jack Crusher and the "Yesterday's Enterprise" scenario, while delving into emotional dynamics such as the longstanding tension between Picard and Dr. Beverly Crusher.^[3] The novel's hardcover edition, released in July 1994, quickly achieved commercial success, spending five weeks on the New York Times bestseller list.^[3] A paperback followed in August 1995, extending its reach to a broader audience of Star Trek fans.^[4] Peter David, a prolific author known for his work in comics and tie-in fiction, crafted Q-Squared as a self-contained adventure that highlights Q as a complex anti-hero, blending high-stakes cosmic conflict with character-driven pathos.^[5] Notably, Q-Squared expands the Star Trek lore by retconning Trelane—originally introduced in the 1967 episode "The Squire of Gothos"—as a young member of the Q Continuum, thereby forging a direct canonical link between the two series in the expanded universe.^[3] It also attributes the madness of Gary Mitchell from Star Trek: The Original Series to Q's influence, further intertwining timelines and deepening the franchise's metaphysical elements.^[3] Despite its non-canon status within official Star Trek continuity, the book has been praised for its inventive plotting and emotional depth, often regarded as one of David's strongest contributions to the Next Generation novels.^[3] An audiobook version, narrated by John de Lancie (the actor who portrays Q), was later produced to complement its multimedia appeal.^[3]

Publication and Development

Publication History

Q-Squared was released on July 1, 1994, by Pocket Books, an imprint of Simon & Schuster, as part of the Star Trek: The Next Generation "Giant Novels" series.^[6] The initial edition was published in hardcover format with ISBN 0-671-89152-9, comprising 434 pages.^[1] A paperback edition followed in August 1995 with ISBN 0-671-89151-0.^[7] The novel achieved commercial success shortly after release, appearing on the New York Times bestseller list for five weeks during June and July 1994, peaking at number nine on the July 3 list.^[8]^[3] It was listed at number 13 on the June 26 and July 17 editions, and number 15 on the July 24 edition of the list.^[9]^[10]^[11] An abridged audiobook adaptation was released concurrently in 1994 by Audioworks on audio cassette, narrated by John de Lancie, the actor who portrayed Q in the television series.^[12] The recording runs approximately three hours and has since been reissued in digital formats.^[13] Bibliographic records for the hardcover edition include OCLC number 779393570, cataloged under the Library of Congress classification PS3554.A925 Q2 1994.

Author Background

Peter David (1956–2025) was a prolific science fiction author and comic book writer whose career spanned over four decades, encompassing more than 100 novels and extensive contributions to major titles like Marvel's The Incredible Hulk, on which he had a 12-year run, and X-Factor. His versatile output also included co-creating the Nickelodeon series Space Cases and writing for Babylon 5, earning him prestigious accolades such as the 1992 Eisner Award for Best Continuing Series for The Incredible Hulk and the 1992 Prometheus Award for the Star Trek novel The Rift. David's work often blended speculative fiction with character-driven narratives, reflecting his background as a journalism graduate from New York University and a dedicated fan of the genres he chronicled.^[14]^[15]^[16] David's engagement with the Star Trek franchise began in the late 1980s, starting with his scripting of the DC Comics Star Trek series from 1988 to 1991, during which he navigated licensing constraints while expanding on canonical elements. He transitioned to prose with Pocket Books, producing several acclaimed novels prior to Q-Squared, including Q-in-Law in 1991, which introduced familial dynamics within the Q Continuum, and Imzadi in 1992, a deep exploration of key relationships aboard the Enterprise-D. Over his career, David contributed more than 50 works to the Star Trek universe, including the co-created New Frontier series, solidifying his status as one of the franchise's most influential tie-in authors.^[16]^[15]^[17] In approaching Q-Squared, David leveraged his extensive fan knowledge of Star Trek lore to forge a deliberate link between Trelane, the mischievous entity from the original series episode "The Squire of Gothos," and the Q Continuum from The Next Generation. This connection stemmed from longstanding fan speculations about similarities between the characters, allowing David to weave a narrative that bridged the two eras of the franchise while honoring its foundational mythology.^[18] David's distinctive style infused his Star Trek writings with sharp humor and profound emotional depth, particularly in addressing themes of family tragedy, as seen in his treatment of Jack Crusher's death across multiple novels. This balance of wit and pathos not only humanized omnipotent beings like Q but also resonated with readers, contributing to the commercial success of works like Q-Squared, which achieved New York Times bestseller status.^[3]^[19]

Plot Summary

Central Conflict

In Q-Squared, the central conflict centers on Trelane, a mischievous and immature member of the Q Continuum, originally introduced as the godlike entity encountered by Captain James T. Kirk and the crew of the U.S.S. Enterprise on the barren planet Gothos over a century prior.^[20] In the novel, Trelane is depicted as a young Q under the reluctant mentorship of the more seasoned Q, who brings him aboard the U.S.S. Enterprise-D to impart lessons in responsibility and the consequences of unchecked power.^[2] The inciting event unfolds when Trelane, driven by curiosity and hubris during an unsupervised visit to the planet Terminus, accesses an unprecedented energy source that amplifies his abilities beyond even the Q Continuum's limits, inadvertently merging three parallel universes—designated Tracks A, B, and C—into a chaotic overlap.^[2] This destabilization manifests in immediate reality-warping effects, such as temporal anomalies and spatial distortions that threaten the fabric of existence across all affected timelines.^[21] Q, alarmed by the escalating crisis and his protégé's recklessness, recruits Captain Jean-Luc Picard and the Enterprise-D crew to assist in containing the threat, leveraging Picard's prior dealings with the Continuum to form an uneasy alliance.^[2] Initial encounters see Q shuttling Picard and senior officers between the colliding tracks, where the crew experiences disorienting phenomena like fragmented memories of alternate lives and encounters with shadowy doppelgangers from the other universes.^[21] Throughout these opening stages, Q's strained mentorship of Trelane underscores the conflict's interpersonal dimension, as the elder Q balances corralling his impulsive charge with coordinating human intervention amid the growing signs of universal collision, including erratic sensor readings and crew hallucinations of impossible events.^[2]

Resolution and Aftermath

In the novel's climax, Q directly confronts Trelane, who has amassed godlike power capable of unraveling reality, and ultimately overpowers him to disentangle the colliding parallel universes, preventing total multiversal collapse.^[22]^[23] The resolution restores the prime timeline of Track B to its pre-crisis state, aligning with the continuity following the events of the episode "The Pegasus," while the divergent Tracks A and C fade from existence.^[22] Key emotional closures follow, including Captain Picard's introspective reflections on the alternate lives he observed across the timelines, which reinforce his commitment to the path he has chosen and the value of human agency amid infinite possibilities.^[22] In the aftermath, Q exhibits notable personal growth, transitioning toward a more mentor-like role within the Q Continuum by recognizing the consequences of unchecked power and his own responsibilities in guiding younger entities like Trelane.^[23] The Enterprise crew experiences subtle shifts in dynamics, with their shared ordeal fostering deeper interpersonal bonds and a renewed sense of resilience.^[22] The epilogue returns the Enterprise-D to routine operations, restoring normalcy for the crew, though it subtly hints at Q's persistent meddling in their affairs, leaving open the potential for future encounters.^[23]

Parallel Universes

Track A Universe

In the Track A universe of Q-Squared, the primary point of divergence is Jack R. Crusher's survival from his canonical death during an away mission aboard the USS Stargazer in 2354, allowing him to serve during the Battle of Maxia in 2355, where he develops the tactical maneuver known as the Picard Maneuver.^[21] However, the Stargazer is ultimately lost under Jean-Luc Picard's command, resulting in his court-martial and demotion to commander, with Crusher earning command of the USS Enterprise-D.^[21] This shift alters the ship's command structure profoundly, with Crusher's more impulsive and action-oriented leadership style contrasting sharply with Picard's measured, diplomatic approach, leading to tensions in command decisions and crew dynamics.^[4] Key character alterations further define this reality. Wesley Crusher dies at age four from a rare infection, straining the marriage between Jack and Beverly Crusher to the point of divorce; Beverly remains the chief medical officer, while Jack commands the ship.^[4] Data, enhanced through experimental procedures, possesses a more humanoid appearance and emotional capacity, engaging in a romantic relationship with Tasha Yar.^[4] Geordi La Forge serves as a nurse, having undergone successful eye cloning that eliminates his need for a VISOR.^[4] Additionally, Guinan is absent from Ten Forward, with the role of bartender filled by Caryn Johnson, a nod to the actress Whoopi Goldberg's real name. William Riker holds the rank of lieutenant commander and is married to Deanna Troi, with whom he has an eight-year-old son named Tommy.^[4] During the merging of universes orchestrated by Trelane, interactions between the Track A crew and their counterparts underscore "what if" scenarios, particularly for Picard, who witnesses a version of his life unmarred by Jack's death but shadowed by personal losses like Wesley's.^[4] This universe serves as a poignant lens for exploring Picard's lingering regrets over Jack Crusher's canonical demise, highlighting themes of fate, loss, and alternate paths in leadership and relationships.^[4]

Track B Universe

In the Track B Universe of Peter David's Q-Squared, the narrative unfolds within the canonical Star Trek: The Next Generation timeline, establishing the familiar prime reality as the story's foundational reference point. Captain Jean-Luc Picard commands the USS Enterprise-D, leading a standard crew that includes First Officer William R. Riker, Second Officer Data (an android officer with advanced positronic brain capabilities), Chief Engineer Geordi La Forge, Chief Medical Officer Beverly Crusher, Counselor Deanna Troi, and Chief of Security Worf. Guinan, the enigmatic El-Aurian bartender, oversees Ten Forward, offering counsel and insight to the crew during their voyages.^[18] This universe adheres to established TNG continuity up to 1994, with the Enterprise engaged in routine exploratory missions shortly after the events of the episode "The Pegasus."^[18] Jack Crusher remains deceased from his earlier mission aboard the USS Stargazer, and the plot commences on the anniversary of his death, evoking reflections among the crew, particularly Beverly and young Wesley Crusher, who is alive and advancing his studies at Starfleet Academy. The ship's operations reflect the ongoing Federation efforts to expand knowledge and maintain peace in the 24th century, free from the divergences seen in other tracks.^[18] As the universes begin to merge due to external interference, the Track B crew encounters subtle echoes and anomalies from parallel realities, such as fleeting impressions of Tasha Yar's survival in variants where she did not perish during her security tenure. These disturbances heighten the tension aboard the Enterprise without altering the core timeline's integrity. Narratively, Track B functions as the "home" reality that the protagonists strive to safeguard, anchoring the novel's multiversal conflict and underscoring the importance of preserving the established order against existential threats.^[18]

Track C Universe

In the Track C Universe of Q-Squared, the core divergence from the canonical Star Trek timeline stems from the events surrounding the USS Enterprise-C's encounter at Narendra III, as depicted in the Star Trek: The Next Generation episode "Yesterday's Enterprise." Unlike the restored timeline where the Enterprise-C's crew sacrifices themselves to avert disaster, here the vessel's crew is presumed dead after failing to receive timely aid, resulting in an unmitigated escalation of the Federation-Klingon War that persists into the 24th century.^[21] This alteration creates a dystopian reality marked by relentless conflict, with the United Federation of Planets locked in a prolonged, resource-draining struggle against the Klingon Empire, fostering widespread paranoia and societal militarization across Starfleet.^[21] The Enterprise-D in this universe reflects these aggressive divergences through a highly militarized crew and battle-ready configuration, diverging sharply from its exploratory role in the prime timeline. Commanded by a hardened Jean-Luc Picard, the ship's officers exhibit a combative, desperate demeanor, viewing Klingon threats in every shadow and prioritizing tactical readiness over diplomacy or scientific pursuits. Key personnel, such as William Riker and Geordi La Forge, are portrayed as battle-scarred veterans, with the absence of civilian elements like families underscoring the war's toll; the vessel itself features reinforced armaments and redundant combat systems, embodying a fleet geared for survival rather than discovery. Heightened tensions permeate interactions, as the crew navigates a galaxy fractured by decades of hostilities, where alliances are fragile and betrayal is anticipated.^[21] Events in Track C intensify during the novel's multiversal merge, orchestrated by Trelane's destabilizing experiment, thrusting the Enterprise-D into direct confrontations with counterparts from other realities. The crew faces acute survival threats from cross-universe anomalies, including spatial rifts that manifest as deadly energy surges and temporal distortions, forcing split-second decisions amid chaotic skirmishes with Klingon forces exploiting the instability. These conflicts highlight the universe's volatility, as the war-weary ship dodges ambushes and grapples with illusory threats born from the merging timelines, amplifying the peril for all involved.^[21] Throughout Q-Squared, the Track C Universe serves to underscore themes of destruction and the fragility of peace, contrasting the prime timeline's optimism with a grim cautionary tale of unchecked aggression. By illustrating how a single historical pivot can cascade into existential ruin, this war-torn reality emphasizes the precarious balance maintaining interstellar harmony, compelling characters and readers alike to confront the consequences of lost opportunities for reconciliation.^[21]

Q Continuum Connections

Q's Role and Characterization

Q first appeared in the premiere episode of Star Trek: The Next Generation, "Encounter at Farpoint," which aired in 1987, where he was portrayed by actor John de Lancie as an omnipotent being from the Q Continuum who puts humanity on trial.^[24] Initially introduced as a mischievous trickster figure who tests the Enterprise crew with godlike powers and courtroom theatrics, Q's character evolved across the series into a more multifaceted entity, revealing layers of curiosity about humanity and occasional hints of Continuum politics.^[24] In Q-Squared, Q assumes the role of a reluctant mentor to the younger Q entity Trelane, demonstrating uncharacteristic vulnerability as he grapples with the responsibilities of guiding an immature being within the Continuum.^[2] This mentorship highlights Q's growth, as he enlists Captain Picard for advice on "parenting" such omnipotent adolescents, exposing a need for mortal perspective that contrasts his usual arrogance.^[21] Q's characterization in the novel delves into his internal conflicts, blending his signature sardonic humor with emotional depth, particularly his frustration over Trelane's childish recklessness and the potential unraveling of reality it causes.^[21] These elements portray Q not merely as an antagonist but as a complex figure burdened by Continuum duties, allowing glimpses of empathy and self-doubt beneath his theatrical facade.^[2] The audiobook adaptation of Q-Squared, narrated by John de Lancie, further amplifies Q's personality through his distinctive voice, infusing the performance with the wry wit and dramatic flair that define the character.^[13]

Trelane's Integration

Trelane first appeared in the Star Trek: The Original Series episode "The Squire of Gothos," which aired on January 12, 1967, where he is depicted as an immature, god-like entity who abducts the USS Enterprise and its crew to the barren planet Gothos for his amusement, showcasing apparent omnipotent abilities while displaying childlike whimsy and a fascination with 18th-century Earth culture. In Peter David's 1994 novel Q-Squared, this character is canonically integrated into the Q Continuum as a juvenile member, revealed to be a young Q whose earlier encounter with Captain Kirk occurred over a century prior to the events of Star Trek: The Next Generation. David's narrative confirms a long-standing fan theory by portraying Trelane's prankish behavior—such as merging multiple parallel universes—as stemming from his undeveloped powers and lack of restraint within the Continuum, escalating into a crisis that threatens reality itself.^[21] Trelane's interactions highlight his playful yet perilously unpredictable experiments, often endangering mortals for sport, in stark contrast to the more calculated and philosophical mischief of the adult Q, who serves as his assigned guardian tasked with guiding his maturation. This dynamic underscores Trelane's role as Q's wayward charge, blending the exuberant chaos of youth with the Continuum's immense power. The novel's depiction establishes Trelane as Q's protégé, forging a direct bridge between The Original Series and The Next Generation lore and influencing subsequent expanded universe works, such as Greg Cox's Q Continuum trilogy (1998), which further explores the internal politics and developmental aspects of Q society.^[25] This concept from the novel was later incorporated into official Star Trek canon in the Star Trek: Strange New Worlds season 3 episode "Wedding Bell Blues," which aired in July 2025 and confirms Trelane's membership in the Q Continuum.^[26]

Themes and Cultural Elements

Exploration of Alternate Realities

In Q-Squared, Peter David employs parallel universes as a narrative device to delve into character introspection, allowing key figures like Jean-Luc Picard to confront "what if" scenarios rooted in personal regrets. Central to this exploration is the alternate timeline where Jack Crusher survives his canonical death aboard the USS Stargazer, fundamentally altering the lives of those around him. In this reality, Jack rises to captain the Enterprise-D, but his survival creates ripple effects that strain relationships: Picard is demoted to commander for a perceived failure, Beverly Crusher divorces Jack after the tragic death of their son Wesley, and she enters a secret affair with Picard, betraying Jack's trust.^[3]^[21] These divergences, such as those in Track A where Jack's presence reshapes family dynamics, force Picard to reflect on his own path, questioning how one individual's survival can cascade into professional demotion and moral compromise for others.^[22] The novel's technique of merging these realities heightens emotional confrontations, drawing characters into direct encounters with their alternate selves and forcing raw reckonings. For instance, the collision of timelines introduces variants like a more aggressive Tasha Yar from a militarized crew, whose presence challenges the prime universe's Data and underscores themes of lost potential and altered loyalties. Similarly, the integration of a war-torn Enterprise crew from a "Yesterday's Enterprise"-inspired track amplifies tensions, as Picard grapples with versions of his command staff hardened by endless conflict, leading to poignant clashes that reveal suppressed vulnerabilities. This merging not only propels the plot but serves as a mirror for introspection, where characters like Riker endure psychological torture in one reality yet affirm their core humanity, emphasizing resilience amid chaos.^[21]^[22] Philosophically, Q-Squared probes questions of fate, choice, and the stability of the multiverse within Star Trek's optimistic framework, using Trelane's manipulations to illustrate how infinite possibilities can trivialize individual agency yet affirm its enduring value. David posits that while myriad universes branch from pivotal decisions—such as Jack's survival—choices remain meaningful, as evidenced by Picard's assertion across timelines that "we matter! All of us!" This underscores a Trek ethos where personal integrity prevails over deterministic chaos, contrasting the Q Continuum's detachment with human tenacity. The narrative suggests that multiverse instability, driven by immature omnipotence, ultimately reinforces the prime reality's moral order, highlighting choice as a bulwark against fatalism.^[22]^[3] At its emotional core, the novel centers on themes of loss and redemption, with Jack Crusher's death in the prime timeline serving as a pervasive tragedy that permeates the alternate explorations. The "what if" of his survival evokes redemption for Picard and Beverly through imagined reconciliation, yet it amplifies the grief of his actual absence, transforming personal loss into a catalyst for growth. This focus humanizes the crew's encounters with alternate selves, where redemption emerges not from altering fate but from affirming bonds forged in adversity, as the tragedy of Jack's death underscores the irreplaceable value of their shared history.^[3]^[21]

References to Broader Culture

In Q-Squared, Peter David incorporates several literary allusions that extend beyond the Star Trek universe, notably through Trelane's playful manipulations of reality. In a whimsical scene set aboard the Enterprise-D, Trelane brings the characters from A.A. Milne's Winnie-the-Pooh to life within the ship's schoolroom, where the bear and his companions interact with the crew in a chaotic, childlike manner that underscores Trelane's immature god-like powers.^[23] This sequence culminates in an unexpected confrontation, as security personnel encounter an aggressive version of Winnie-the-Pooh, blending innocence with absurdity to highlight the dangers of unchecked whimsy.^[23]^[27] The novel also features meta-references to real-world celebrities, particularly in its depiction of alternate timelines. In Track A, the Ten Forward lounge is overseen by a yeoman named Caryn Johnson, a deliberate nod to the birth name of actress Whoopi Goldberg, who portrays Guinan—the equivalent character—in the canonical Track B timeline.^[23] This Easter egg serves as a sly acknowledgment of the casting behind Guinan's role, adding a layer of self-referential humor to the multiverse structure without disrupting the narrative flow.^[23] David further embeds subtle connections to classic science fiction tropes, particularly those involving omnipotent entities and temporal interference. The portrayal of Trelane and Q as adolescent and mature trickster figures, respectively, evokes longstanding motifs of god-like beings who toy with mortals for amusement or experimentation, reminiscent of entities in works like Larry Niven's multiverse explorations.^[22] Time manipulation drives much of the plot, with the characters navigating quantum branches that alter personal histories and cosmic events, reinforcing archetypal themes of causality and alternate realities prevalent in mid-20th-century sci-fi.^[23]^[22] Throughout, David's authorial style infuses the narrative with humor derived from both obscure Star Trek lore and broader pop culture ties, creating moments of levity amid the high-stakes multiversal crisis. His witty dialogue, especially in exchanges involving Q's trickster archetype, employs crack comic timing to balance tension with clever asides, such as Picard's observation on the perpetual chaos of previous Enterprise crews.^[23]^[22] This approach not only entertains but also rewards readers familiar with external cultural touchstones, enhancing the novel's appeal as a bridge between genre traditions.^[23]

Reception and Legacy

Commercial Success

Q-Squared achieved notable commercial success as part of Pocket Books' thriving Star Trek: The Next Generation novel series, which consistently produced New York Times bestsellers during the 1990s.^[28] The novel debuted at number 13 on the New York Times fiction bestseller list for the week of June 26, 1994, rose to number 9 the following week on July 3, reached number 11 on July 10, and spent a total of five weeks on the list, concluding at number 15 on July 24.^[9]^[29]^[11] This performance was bolstered by the enduring popularity of the Q character, established through memorable appearances in The Next Generation television episodes such as "Encounter at Farpoint" and "Q Who," which had drawn significant viewership and fan interest. The novel's audiobook adaptation, an abridged version narrated by John de Lancie—who originated the role of Q on the series—further enhanced its market reach and contributed to overall revenue streams.^[13] Released in audio format shortly after the print edition, de Lancie's performance appealed directly to Star Trek enthusiasts, amplifying sales across multimedia platforms.^[30] Positive reviews highlighting the novel's inventive storytelling helped sustain its momentum on bestseller charts.^[3] As of 2025, Q-Squared remains in print through digital editions and occasional reprints via Simon & Schuster, ensuring continued accessibility to new generations of readers.^[2]

Critical Analysis

Q-Squared has received widespread praise from critics and fans for its innovative integration of Q and Trelane, establishing the latter as a young member of the Q Continuum and adding depth to the character's mischievous origins from the original Star Trek episode "The Squire of Gothos."^[3]^[22] This clever linkage not only bridges the TOS and TNG eras but also enriches Q's portrayal as a mentor figure, blending whimsy with existential threats in a way that showcases Peter David's command of Trek lore.^[23] The novel's emotional core, particularly its exploration of Jack Crusher's death and its ripple effects on Picard and Beverly's relationship across alternate realities, provides poignant insight into grief and lost potential, elevating the story beyond typical franchise adventures.^[3]^[21] However, some reviewers have critiqued the narrative for its occasionally convoluted plotting, with multiple overlapping timelines and parallel universes creating a dense structure that demands careful attention from readers.^[31]^[21] The zany, omnipotent antics of Q and Trelane sometimes clash with the serious undertones of loss and moral responsibility, potentially overwhelming the thematic weight and leading to tonal inconsistencies that unsettle the balance between humor and bleakness.^[22]^[27] Despite these issues, the multiverse framework is lauded for its inventive scope, drawing parallels to episodes like "Yesterday's Enterprise" while innovating on alternate histories in prose form.^[3]^[22] In terms of legacy, Q-Squared significantly influenced subsequent expansions of Q lore in Trek literature, serving as a foundational text that informed the dynamics of the Q Continuum in Peter David's later Q Continuum trilogy, where similar themes of Continuum politics and mentorship recur.^[23]^[27] It also prefigures Q's evolving role in Star Trek: Picard, positioning the novel as a prelude to explorations of Picard's personal regrets and multiversal interventions.^[21] Recent 2025 retrospectives continue to highlight its enduring relevance, particularly in handling grief through Jack Crusher's alternate fates and the philosophical implications of branching histories, often rating it among the top TNG novels for its emotional and conceptual ambition.^[3]^[23]

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Listening Length: 2 hours and 59 minutes ; Author: Peter David ; Narrator: John de Lancie ; Audible.com Release Date: August 23, 2000 ...
[30]
STAR TREK: THE NEXT GENERATION: Q-SQUARED
The latest Star Trek: The Next Generation novel from Peter David once again attempts to bring in a character from the original TV series.