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Rafael Inclán

Rafael Jiménez Inclán (born February 22, 1941), known professionally as Rafael Inclán, is a Mexican actor celebrated for his prolific career in , , and theater, spanning over five decades with more than 140 credits. Born in , he is the great-nephew of the renowned Mexican actor Miguel Inclán Delgado and began his professional acting journey in the late , initially in theater before transitioning to cinema in the . Inclán gained widespread recognition in the as a prominent figure in Mexican comedy films, often portraying humorous and charismatic supporting characters that highlighted his timing and expressiveness. His includes notable works such as Nicotina (2003), for which he won the Ariel Award for , and Nosotros los Nobles (2013), a satirical hit that showcased his dramatic range alongside comedic elements. Transitioning seamlessly to television, Inclán became a beloved presence in telenovelas, appearing in popular series like (2008–2009), (2014–2015), (2023), and Los hilos del pasado (2025), where his roles often blended warmth, humor, and depth to appeal to broad audiences. He has also earned accolades in theater and received nominations for additional Ariel Awards, including Best for Divina (1998), underscoring his versatility across genres.

Early life

Birth and upbringing

Rafael Inclán, born Rafael Jiménez Inclán on February 22, 1941, in , , entered a family deeply immersed in the . His parents, Alfonso Jiménez, a dancer and carpa performer known as "El Kilómetro," and Gloria Alicia Inclán, an actress and singer, provided an environment rich with theatrical activity from his earliest years. As the great-nephew of pioneering Mexican actor Miguel Inclán Delgado, Inclán's lineage further embedded him in a tradition of artistic expression. Growing up in mid-20th-century Mérida, Inclán experienced the vibrant cultural milieu of , where the region's theater and early film scenes flourished alongside national trends. The city, with its and influences, hosted lively carpa performances—itinerant tent shows featuring comedy, music, dance, and variety acts—that peaked in popularity across from the 1930s to the 1950s. His childhood unfolded amid these spectacles, as his parents' work in carpas exposed him to the rhythms of live entertainment and the communal energy of local audiences, shaping his formative environment in a era when Yucatán's artistic heritage blended Mayan traditions with Spanish colonial theater. Inclán's early fascination with performance emerged naturally from this backdrop, inspired by family stories of stage life and the infectious humor of carpa routines. Inclán assisted in family theatrical ventures, including selling tickets for his uncle's company, providing hands-on exposure to the industry. By his teenage years and into his early twenties, these influences kindled his aspirations, drawing him toward the world of theater as a means of expression and livelihood. He began formal acting training in 1964–1965 with director Luis G. Basurto.

Family background

Rafael Inclán was born into a family deeply embedded in the entertainment industry, with roots tracing back to the early . His mother, Gloria Alicia Inclán, was an actress and singer who performed in a with her sister Elena and remained active on stage until her death in 1993. His father, Alfonso Jiménez, known as "El Kilómetro," worked as a tap dancer in carpas (tent theaters), providing Inclán with early immersion in live performances from birth in . These parental professions created an environment of artistic activity, where family stories and routines in the carpa circuit likely sparked Inclán's initial fascination with acting. On his mother's side, Inclán is the grandson of Lupe Inclán, a comedic actress prominent during Mexico's Golden Age of cinema, known for supporting roles in films like Allá en el Rancho Grande (1949) and her debut in theater as early as 1919. Lupe's career, which included collaborations with stars like Pedro Infante and Germán Valdés "Tin Tan," offered Inclán direct exposure to the worlds of theater and film through familial connections and inherited passion for performance. He is also the great-nephew of Miguel Inclán Delgado, Lupe's brother and a pioneering actor famed for villainous roles in Golden Age classics such as Nosotros los Pobres (1948) and Salón México (1948), whose legacy in cinema further enriched the family's artistic heritage. Inclán's extended family extended this network, including his cousin Alfonso Zayas Inclán, a comedian who helped introduce him to television opportunities. Another cousin, Raúl Padilla "Choforo," son of actress Lilí Inclán (Lupe's sister) and Raúl "Chato" Padilla, exemplifies the interconnected Inclán lineage in comedy and theater. Such familial ties, spanning generations of performers, not only provided mentorship and opportunities but also instilled a sense of legacy that profoundly shaped Inclán's entry into the entertainment world.

Career

Theater and early roles

Rafael Inclán entered the professional acting world in the early through Mexico's vibrant carpa theater scene, a form of traveling tent that featured acts and vaudeville-style performances. Born into a family with deep roots in Mexican theater and cinema, Inclán began assisting in family-run carpas around 1960, initially taking on roles such as taquillero (ticket seller) while gradually participating in on-stage sketches and comedic routines. This hands-on involvement in Mérida's local theater groups provided his first practical training, where he honed basic performance skills amid the improvisational energy of carpa shows. By 1961, Inclán made his formal debut in experimental theater, marking a shift toward more structured stage work in after relocating from . He joined emerging theater collectives that emphasized innovative and socially reflective productions, allowing him to experiment with character development in smaller ensemble roles. These early experiences in experimental groups built his foundation in dramatic timing and ensemble dynamics, as he navigated scripts that blended comedy with cultural commentary typical of mid-1960s Mexican avant-garde theater. Inclán's stage career gained momentum in 1964–1965 when he toured with Luis G. Basurto's theatrical company, performing in approximately 25 to 30 plays authored by Mexican playwrights across the country. This intensive touring schedule exposed him to diverse audiences and refined his ability to adapt characters , particularly in comedic roles that required sharp timing and physical expressiveness. A pivotal moment came in 1968 with his appearance in Alfonso Anaya's comedy Las golfas at the Teatro Principal in , where he portrayed a in this satirical work on urban life; it was during this production that he first collaborated with fellow actor , further sharpening his comedic interplay skills. These formative theater years, spanning carpa s to professional comedies, served as Inclán's primary training ground, cultivating the versatile range that would later define his screen persona. Through consistent stage work in local and national productions, he developed a signature style blending humor with relatable characters, drawing from influences like traditional Mexican traditions while incorporating elements of experimental flair. This period culminated around 1969, just before his transition to film, leaving him with a robust foundation in live that emphasized audience connection and improvisational wit.

Film breakthrough

Rafael Inclán made his film debut in 1969 with a minor role in the comedy Las Golfas, directed by Fernando Cortés, marking his initial foray into Mexican cinema after building skills in theater. His roles remained small throughout the late and early , but his presence accelerated in the mid- with appearances in sex-comedy films, including Bellas de noche (1975) and Las ficheras: Bellas de noche parte II (1977), where he portrayed humorous, working-class characters that showcased his emerging comedic flair. These early cinematic efforts built on his theatrical background, providing a foundation for expressive and timing that distinguished him in the burgeoning Mexican . By the 1980s, Inclán rose to comedy stardom, becoming a staple in the popular fichera genre—lighthearted sex comedies centered on cabaret dancers and rowdy antics—starring in over 40 films that decade alone. Key examples include Entre ficheras anda el diablo (1987), where he played a lead comedic role alongside Jorge Rivero, and Los plomeros y las ficheras (1988), emphasizing his shift toward starring as bumbling, charismatic everymen in ensemble casts. His performances in these films, often blending slapstick with social satire, solidified his status as a major star, contributing to the genre's commercial success during Mexico's cinematic golden age for comedies. Inclán's career evolved from supporting parts in the to lead and prominent roles by the late and , amassing over 100 film credits by the early . Notable later works in this period include Divine (1998), where he delivered a humorous supporting performance, and a collaboration with in No One Writes to the Colonel (1999), portraying the quirky Father Ángel in a dramatic yet witty role. His role in Nicotina (2003) further highlighted this progression, earning him the Ariel Award for and underscoring his versatility in blending comedy with deeper character studies. He also appeared in Divina confusión (2008).

Television prominence

Rafael Inclán entered the realm of Mexican telenovelas during the , marking a significant expansion of his career into television soaps produced by . One of his early prominent roles was as Avelino Gutiérrez in (2006–2007), a family drama where he portrayed a humorous, working-class figure navigating neighborhood dynamics. This appearance was followed by Ernesto Landeros "Pupi," a quirky and endearing in (2012), a that blended elements with lighthearted storytelling. Inclán's performance as Pupi highlighted his knack for injecting levity into casts. Later, in (2014), he embodied Nicolás Lascuráin, the wise and affectionate grandfather in a household filled with children, contributing to the show's appeal as a feel-good narrative. Drawing briefly on his established comedic style from , Inclán excelled in portraying paternal and humorous characters that resonated in family-oriented telenovelas, often serving as moral anchors or amid dramatic plots. His roles emphasized relatable, everyday Mexican archetypes, blending warmth with witty banter to engage audiences across generations. These portrayals in Televisa's soaps helped cultivate his reputation as a versatile capable of stealing scenes without overshadowing leads. Inclán further demonstrated his range through guest appearances and recurring series roles in broadcast television, notably as Eugenio Córcega in (2017–2019), where he played a traditional, protective in a sprawling . This multi-season hit showcased his ability to balance humor with emotional depth in ensemble-driven stories. Such contributions underscored his adaptability to the evolving formats of Mexican primetime TV. Through these Televisa productions, which reached millions via national broadcast, Inclán solidified his status as a television staple beyond cinema, enhancing his enduring appeal in the competitive landscape of Mexican soaps.

Recent projects

In the 2020s, Rafael Inclán has maintained a steady presence in Mexican television, particularly in telenovelas and comedies that leverage his signature humorous style. His role as Agustín Cruz in the 2022 telenovela La Herencia, produced by TelevisaUnivision, showcased him as a key family patriarch navigating themes of legacy and conflict, appearing in all 80 episodes of the series. Inclán continued this momentum with the 2022–2023 Cabo, where he portrayed Alfonso "Poncho" Chávez, a recurring comedic figure in the drama centered on love and intrigue in a coastal setting, contributing to 85 episodes broadcast on . The following year, he took on the part of Darío in (2023–2024), a on , appearing in all 82 episodes and adding depth to the ensemble with his experienced delivery. Expanding into streaming and sitcom formats, Inclán starred in the 2023 comedy series ¡Chócalas Compayito!, a production for that follows a bumbling former evading debt collectors, with Inclán in a prominent supporting role across its three seasons, including the third season airing into 2025. He also appeared as in the ViX Original Pinches Momias (2023), a horror-comedy inspired by Guanajuato's mummified , where a group revives ancient mummies, blending action and laughs in five episodes. As of November 2025, Inclán remains active at age 84, with roles in the ongoing Los Hilos del Pasado as Benjamín, premiering in 2025 on , and as Lic. Josué Hernández in the 2025 action film La Dama y el Demonio. These projects highlight his adaptation to contemporary platforms like and ongoing formats, sustaining his comedic legacy amid industry shifts toward streaming.

Personal life

Marriages and family

Rafael Inclán's first marriage was to Adela, whom he wed at the age of 22; the union ended in divorce after producing two sons, Rafael and Joel. During this period, Inclán later reflected that he was often absent due to his burgeoning acting career, describing himself as a poor husband and father who prioritized work over family responsibilities. His second marriage was to Argentine actress Alicia Fahr, with whom he had a daughter, Lilan Davis; the couple was together for approximately 20 years before separating. Lilan married actor Leonardo Daniel in 1995, and Inclán has spoken of initially disapproving of the relationship but eventually accepting it. Inclán's third marriage occurred in 2019 to Paola Lavat, a woman 35 years his junior, following a year-and-a-half courtship. Lavat, the sister of actress Adriana Lavat, has a son named Bruno from a previous relationship, whom Inclán treats as a stepson and close companion, often vacationing with him. The couple maintains a long-distance arrangement, with Inclán in Mexico and Lavat in Las Vegas, emphasizing mutual respect and intellectual compatibility despite the age gap. As a father, Inclán has expressed regret over his early absences but notes improved bonds with his children in later years, including supporting after he came out as during a trip to . He is also a grandfather to Lilan and Leonardo Daniel's three children—Leonardo, Florencia, and Patricio—who have pursued careers in and television hosting. As of 2025, Inclán's blended setup prioritizes privacy, with no additional children from his current marriage. His dynamics reflect ties to Mexico's world, echoing his mother's acting background and familial connections to performers like his cousins Gloria Obregón and Raúl "Chóforo" Padilla.

Health challenges

In 2018, Rafael Inclán faced significant health setbacks stemming from complications in his hip and femur. Earlier that year, in January, he underwent surgery to install a hip prosthesis after experiencing multiple falls that had compromised the bone structure. This procedure aimed to restore mobility but led to unforeseen issues. By August, a severe infection developed in the femur, originating from the prosthesis, necessitating an emergency operation to prevent it from spreading systemically. The infection was described as potentially life-threatening, prompting immediate intervention by surgeons who removed the affected prosthesis temporarily. Following the emergency procedure, Inclán endured a prolonged recovery period marked by intensive antibiotic treatment and physical therapy. In October 2018, he had a third surgery to implant a new femur prosthesis using a specialized "Cadera Libre" system, which allowed for gradual rehabilitation. He relied on a wheelchair and walker initially, transitioning to a cane by early 2019 as therapy progressed. In public interviews, Inclán shared optimistic updates on his condition, crediting his medical team, including surgeon Dr. Juárez, for the successful outcomes and expressing relief that the infection had been contained. He emphasized his determination to avoid further operations, noting the emotional toll but also his gratitude for the support from production colleagues, such as Juan Osorio, who adjusted filming schedules for the telenovela Mi marido tiene más familia to accommodate his limited mobility during recovery. This enabled a swift return to acting, where he resumed his role as Eugenio Córcega in a wheelchair, demonstrating his commitment to his craft amid physical limitations. In the years following, Inclán encountered additional health-related precautions, including testing negative for alongside his family in 2020 amid rising concerns in . In 2024, at age 83, he publicly discussed age-related challenges that have influenced his professional pace, stating in interviews that securing work has become more difficult. Despite these hurdles, Inclán has consistently highlighted his in statements to the press, affirming his ongoing passion for acting and ability to maintain a career trajectory well into his 80s without permanent retirement.

Awards and recognition

Ariel Awards

The Ariel Awards, established in 1947 by the Mexican Academy of Cinematographic Arts and Sciences (AMACC), represent the highest honors in Mexican cinema, akin to the in the United States, recognizing outstanding achievements in categories such as , directing, and . These awards have played a pivotal role in highlighting the evolution of Mexican film, from its to contemporary works, and Inclán's accolades within this framework underscore his enduring impact on the industry. Inclán received his most prominent recognition at the 46th Ariel Awards in 2004, winning the Silver Ariel for Best Actor for his portrayal of Goyo, a harried entangled in a frantic scheme involving stolen money and nicotine cravings, in the black comedy Nicotina directed by Hugo Rodríguez. His performance, marked by sharp comedic timing and a blend of exasperation and resilience amid escalating chaos, was lauded for revitalizing the genre's satirical edge on urban dysfunction and human folly, earning praise from critics for its energy and relatability in a fast-paced ensemble narrative. This victory, the first and only Ariel win for Inclán in a leading role, cemented his transition from to a celebrated figure in Mexican comedic cinema, enhancing his legacy as a versatile performer capable of anchoring high-stakes ensemble films. Earlier, Inclán earned a for Best Supporting Actor (Mejor Coactuación Masculina) at the 41st Awards in 1999 for his role as Dedal in El evangelio de las maravillas (translated as Divine), Arturo Ripstein's allegorical exploring and power within a rural religious awaiting the . His nuanced depiction of a devoted yet conflicted follower contributed to the film's critical acclaim for its incisive , with reviewers noting the ensemble's strength in conveying the community's insular dynamics. This nod highlighted Inclán's range beyond into dramatic territory, further establishing his reputation for authentic portrayals of complex Mexican archetypes. Inclán also garnered a Best nomination at the 26th Ariel Awards in 1984 for playing in the Piernas cruzadas, where his energetic supporting turn as a meddlesome member added levity to the 's exploration of social mores and generational clashes. Spanning the to the , these honors reflect Inclán's consistent contributions to Mexican cinema during a period of diversification, elevating his legacy by affirming his adaptability and enduring appeal in both commercial and auteur-driven projects.

Other honors

Inclán received the award from the Agrupación de Críticos y Periodistas de Teatro (ACPT) in for his leading role in the play Made in Mexico at the 19th Dama de la Victoria ceremony, where he portrayed a hapless husband entangled in marital mishaps, earning praise for his timing and . Earlier in his career, during the and 1980s, he garnered recognition for comedic theater roles that blended and , solidifying his reputation on stages beyond film. On television, Inclán won the TVyNovelas Award for Best Supporting Actor in 2003 for his portrayal of the scheming school director Ezequiel Cuervo in the youth drama Clase 406, a role that highlighted his ability to infuse authority figures with humor and vulnerability. He also secured the TVyNovelas Award for Best Co-lead Actor in 1992 for playing the roguish Camilo López in the telenovela La pícara soñadora, contributing to the show's success through his charismatic anti-hero performance. In 2015, he was awarded the Premio Inmortal for Best Supporting Actor in the family-oriented telenovela Mi corazón es tuyo, recognizing his fan-favorite depiction of a quirky grandfather. For his overall contributions to Mexican entertainment, Inclán received the "Una Vida en el Escenario" lifetime achievement award at the Las Lunas del Auditorio ceremony in , honoring nearly 60 years of work across theater, television, and other media that popularized comedic archetypes in . This accolade underscored his cross-medium impact, including international nods for embodying enduring Mexican humor traditions into the 2020s. In 2024, he received the Galardón Los Ángeles for his career achievements.

Selected works

Films

Rafael Inclán entered the in the late , initially gaining prominence through the popular fichera —lighthearted sex comedies that dominated the era's cinema. His debut roles showcased his comedic timing and versatility, contributing to over 100 film credits across his career, many of which highlighted his ability to blend humor with social commentary. By the , Inclán transitioned into broader comedies and occasional dramas, solidifying his status as a leading comic actor while earning early recognition, such as an Ariel Award nomination for Best in Piernas cruzadas (1984). In the , Inclán's breakthrough came with roles in several fichera films that captured the era's playful yet satirical tone. He appeared in Noches de (1978), a directed by Rafael Portillo, marking his screen debut alongside stars like . The following year, he starred in Los que amamos (1979), a romantic drama, and Muñecas de media noche (1979), another fichera directed by Rafael Portillo featuring , , and , where his energetic performance as a helped define his early style. These films, part of Mexico's prolific low-budget wave, introduced Inclán's physical humor rooted in his theater background. The 1980s marked Inclán's rise as a comedy mainstay, with roles in both humorous and more serious fare. In La taberna del pulque (1981), a comedy-drama set in a traditional tavern, he played a lively patron, co-starring with Pedro Armendáriz Jr. His dramatic turn in El mercado de humildes (1984), directed by José Luis Urquiza and featuring Ignacio López Tarso, explored themes of poverty and resilience in rural Mexico. Comedic highlights included Se sufre pero se goza (1984), a sex comedy, and Piernas cruzadas (1984), where as Pepe, he delivered a standout performance that earned an Ariel nomination. Later in the decade, Inclán took on action and drama in Un hombre violento (1986), portraying a tough character opposite Valentín Trujillo, and El puente (1986), a poignant story of migration. Entering the 1990s and 2000s, Inclán shifted toward more character-driven roles in dramas and hybrid comedies, earning critical acclaim. In El evangelio de las maravillas (1998), directed by Arturo Ripstein, he received an Ariel nomination for Best as a villager in this allegorical tale. His portrayal of Father Ángel in El coronel no tiene quien le escriba (1999), Ripstein's adaptation of Gabriel García Márquez's novel co-starring and , highlighted his dramatic depth. Inclán continued with La perdición de los hombres (2000), a period drama directed by Salvador García, and the Asesino en serio (2002), where he played Vivanco under Luis Albores' direction. A career pinnacle came in Nicotina (2003), a thriller-comedy directed by Rodríguez, in which Inclán starred as Goyo, a hapless barber drawn into a plot alongside , , and ; the role won him the Ariel Award for Best Actor. Inclán's later films blended with voice work in animations and contemporary stories. He voiced in the animated family film (2007), directed by Ricardo Arnaiz, which became a box-office success in . Similar voice roles followed in (2011) and (2016), both part of the popular Las Leyendas series produced by Ánima Estudios. A return to live-action occurred in Bienvenido, paisano (2006), where as Epifanio, he lampooned issues. Up to 2025, Inclán appeared in Divina señal (2023), a directed by Pedro Pablo Ibarra, playing a key role in a quinceañera-themed alongside and Memo Villegas, emphasizing his enduring comedic appeal.

Television

Rafael Inclán has had a prolific career in Mexican , primarily with , where he has portrayed a range of comedic and patriarchal figures in s and series spanning over four decades. His roles often draw on his established comedic timing, blending humor with familial dynamics to create memorable supporting characters that resonate with audiences. Inclán's work evolved from classic formats in the to modern serialized comedies, reflecting changes in trends while maintaining his signature blend of wit and warmth. One of his breakthrough television roles was as Filogonio Llanos del Toro, known as "Marabunta," in the 1985 telenovela Vivir un poco, a character that showcased his ability to deliver exaggerated, humorous antics as a bumbling family man across 165 episodes. This performance helped establish Inclán as a go-to actor for comedic relief in family-oriented stories. He followed this with a guest appearance as an inspector in Rosa salvaje (1987), adding levity to the dramatic narrative over select episodes. In Simplemente María (1989-1990), Inclán played Don Chema, a supportive paternal figure in 200 episodes, further solidifying his typecasting as a humorous patriarch. In the early 2000s, Inclán appeared in youth-oriented telenovelas, including as Ramón "Moncho" Benítez in (2001), a recurring role that highlighted his versatility in ensemble casts. He portrayed Ezequiel Cuervo in (2002-2003), a school principal with comedic edge across 270 episodes. His role as Guillermo Arregui in (2004-2006), a strict yet endearing authority figure, spanned 440 episodes and contributed to the series' massive popularity among younger viewers. Inclán's mid-2000s work included Avelino Gutiérrez in (2006-2007), a quirky grandfatherly role in 195 episodes that emphasized family bonds and lighthearted mishaps. He made guest spots in variety-style shows like La escuelita VIP (2004-2009), playing exaggerated characters in sketch formats, and in the miniseries (2008-2009), portraying various dramatic yet humorous supporting parts across multiple episodes. These appearances on platforms allowed him to showcase improvisational skills in shorter formats. Later in his career, Inclán took on prominent roles in hit telenovelas, such as Ernesto "Pupi" Landeros in (2012), a scheming but ultimately redeemable family elder in 170 episodes. In (2014-2015), he played Nicolás Lascuráin, the wise and funny grandfather to a large blended , appearing in all 180 episodes and earning praise for his heartfelt comedic delivery. His portrayal of Eugenio Córcega Sierra in (2017-2019), a protective husband and father across 269 episodes in two seasons, became one of his most iconic, contributing to the series' strong audience draw of over 3.5 million viewers for key episodes and its renewal due to high ratings. Inclán's transition to contemporary formats is evident in his role as Antonio in the sitcom ¡Chócalas Compayito! (2023–present), a recurring character in 12 episodes of the first season on Las Estrellas (Televisa), where he brings veteran humor to a puppet-led comedy ensemble, appealing to family audiences with its blend of absurdity and relatability. In 2025, Inclán starred as Benjamín in the telenovela Los hilos del pasado (49 episodes) and as Lic. Josue Hernandez in La Dama y el Demonio. His film-derived comedic style has influenced these TV portrayals, infusing patriarchal roles with physical comedy and satirical edge. Overall, Inclán's television contributions have impacted millions, with his characters often serving as emotional anchors in high-viewership productions.

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