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The Mexican

The Mexican is a romantic directed by and written by . Starring as Jerry Welbach, a reluctant errand boy for the mob, and as his exasperated girlfriend Samantha Barzel, the film centers on Jerry's mission to retrieve a legendary antique pistol from while Samantha grapples with threats from a hired assassin. Produced by and released theatrically on March 2, 2001, The Mexican combines elements of road trip adventure, romantic tension, and supernatural folklore surrounding the cursed gun, which is said to bring misfortune to its owners. The screenplay draws on themes of redemption and relationship strains amid criminal underworld dealings, with Jerry's journey intersecting Samantha's parallel ordeal involving hitman Leroy (played by ). Supporting roles feature as mob boss Arnold Margolese, as Bernie Nayman, as Ted Slocum, and Sherman Augustus as the Well Dressed Black Man. The film's score was composed by , enhancing its blend of humor, action, and heartfelt moments. Critically, The Mexican garnered mixed responses, earning a 54% Tomatometer score on from 134 reviews, with praise for the star-studded between Pitt and Roberts but critiques of its meandering and tonal shifts. awarded it 2.5 out of four stars, noting its entertaining mix of genres despite some contrivances, while highlighting Gandolfini's standout performance as the philosophical assassin. Commercially, the film proved successful, opening to $20.1 million in and ultimately grossing $66.8 million domestically and $147.8 million worldwide on a $57 million budget. This marked an early directorial effort for Verbinski before his successes and capitalized on the real-life pairing of Pitt and Roberts, who were not romantically involved during production.

Background and Development

Conception and Writing

The screenplay for The Mexican was originally written by J.H. Wyman as an independent project intended for lesser-known actors, emphasizing a blend of romantic comedy and crime elements centered on a cursed antique pistol with noir-inspired lore. Wyman's script drew from pulp fiction traditions and classic noir tropes, particularly the motif of a malevolent artifact that dooms its owners, while incorporating quirky hitmen and sharp, banter-heavy dialogue reminiscent of Quentin Tarantino's Pulp Fiction. DreamWorks Pictures acquired the script in the late 1990s, with initial development focusing on refining its tonal balance between humor, romance, and thriller aspects to appeal to a broader audience. At the time, Wyman was building his writing career, having previously penned the thriller Pale Saints (1997) and the family drama Mr. Rice's Secret (2000), experiences that informed the film's accessible yet eccentric humorous tone. Early in development, became attached to star as the protagonist Jerry Welbach, influencing subsequent revisions to heighten the character's reluctant everyman qualities.

Pre-production

was selected to direct The Mexican based on his prior work, particularly his ability to blend character-driven storytelling with visual flair as demonstrated in (1997). Producers John Baldecchi and , who developed the project from J.H. Wyman's script, sought a who could capture the film's mix of and action while highlighting the vibrant Mexican landscapes and contrasts that Verbinski found particularly appealing. Casting began with attached as Jerry Welbach, the reluctant errand boy, chosen for his proven comedic timing in roles that balanced humor and vulnerability. joined as Samantha Barzel, the film's romantic lead, forming a highly anticipated on-screen pairing that both actors had expressed interest in pursuing; to accommodate the stars, they accepted pay cuts to keep costs manageable. was cast as Leroy, the methodical hitman, bringing a nuanced contrast to the character's menacing yet introspective nature. Supporting roles were filled by as Bernie Nayman, the anxious lawyer, and in a brief but pivotal appearance as Arnold Margolese, the imprisoned mob boss. The production was financed by , with an initial budget set at approximately $35 million to reflect the mid-range scope envisioned for the romantic crime comedy. This allocation prioritized practical effects, location authenticity, and the star-driven appeal without excessive spectacle. focused on to authentically depict the border town's gritty allure, ultimately selecting , a remote 19th-century village in , for its stark isolation and historical . preparations included two months of logistical upgrades in the area, such as improving , electrical systems, and infrastructure to support the crew in this challenging, off-grid environment. These adjustments ensured the site's viability for capturing the film's cursed storyline amid 's vivid cultural backdrop.

Cast and Characters

Principal Cast

Brad Pitt stars as Jerry Welbach, a low-level mob errand boy coerced into retrieving a legendary cursed from to appease his criminal employers. Pitt's portrayal emphasizes Jerry's bumbling incompetence and reluctant heroism, infusing the character with comedic vulnerability through repeated mishaps and wide-eyed bewilderment that heighten the film's quirky tone. Julia Roberts portrays Samantha "Sam" Barzel, Jerry's quick-tempered fiancée whose sharp wit and frustration with his criminal entanglements propel much of the story's romantic tension. Roberts delivers a vibrant performance as the psychobabbling partner eager to escape their dysfunctional relationship for a fresh start in , blending and emotional depth to anchor the film's interpersonal dynamics. James Gandolfini plays Leroy (also known as Winston Baldry), a philosophical hitman assigned to ensure Jerry's compliance by holding Samantha hostage. Gandolfini's casting draws on his intense portrayal of Tony Soprano to create a surprisingly introspective and neurotic assassin— a weepy, gay loner who forms an unlikely bond with his captive— transforming the role into a humorous highlight through his blend of menace and unexpected sensitivity. Gene Hackman appears as Arnold Margolese, the authoritative mob boss recently released from prison whose demands set the plot's high stakes in motion. Hackman's commanding presence as the menacing criminal overlord underscores the underlying threat, providing gravitas that contrasts with the leads' comedic misadventures and elevates the narrative's tension.

Supporting Roles

portrays Bernie Nayman, Samantha's employer at a and the second-in-command to the imprisoned mob boss Arnold Margolese, who dispatches on his mission to retrieve the antique pistol while providing through his exasperated and bureaucratic demeanor in workplace scenes. J. K. Simmons plays Ted Slocum, a ruthless dispatched alongside to ensure the pistol's recovery, whose terse and menacing presence heightens the tension of the criminal and contrasts the film's comedic tone in his limited but impactful scenes. Richard Coca appears as the lead car thief who steals Jerry's vehicle upon his arrival in , initiating a chain of mishaps that underscore the protagonist's incompetence and the logistical hazards of the quest. Michael Cerveris has a brief cameo as Frank, the eccentric postman who hitches a ride with and Leroy during their desert journey, contributing to the film's road-trip humor and backstory elements tied to the pistol's legend through casual dialogue.

Production

Filming Locations and Schedule

for The Mexican commenced on April 17, 2000, and concluded in July 2000, spanning an approximately three-month schedule divided between locations in the United States and . Filming took place primarily in authentic Mexican settings to capture the story's cultural essence, with key exteriors shot in the historic silver mining town of , , including sequences through the Ogarrio Tunnel that emphasized the region's rugged, isolated terrain. Additional Mexican locations included in , , for airport scenes. In the United States, interior scenes were filmed on stages and streets in , such as in Studio City, , while other exteriors utilized in to represent urban American settings. Cinematographer employed the format throughout production, enabling a wide that enhanced the film's vibrant color palette and facilitated dynamic action sequences, including car chases and border-crossing pursuits. Set design for the film's historical flashbacks depicting the 19th-century legend of the cursed pistol incorporated period-appropriate details, such as antique costumes and props, to evoke a sepia-toned, silent-era aesthetic that contrasted with the contemporary comedic elements. Director Gore Verbinski's stylistic choices in these sequences underscored the mythical backstory through stylized visuals blending historical drama with the modern narrative.

Challenges During Production

Filming in the remote location of presented logistical challenges, including limited water resources, communication difficulties, and scarce lodging options. These issues were addressed through collaboration with local communities and support from Mexican governmental authorities, allowing production to proceed without major disruptions.

Music and Soundtrack

Score Composition

Alan Silvestri was hired to compose the original orchestral score for The Mexican, blending mariachi influences with suspenseful motifs to capture the film's mix of and adventure. His work draws on traditions, incorporating authentic Latin elements through collaboration with bassist on select cues, while emphasizing exaggerated, comedic to parody mythic tropes. Key tracks highlight the score's dual nature: the main theme in "Main Title" features to underscore romantic scenes between and , evoking intimacy and whimsy. In contrast, action sequences rely on tense percussion and brass-driven motifs, as heard in "The Mexican," to build suspense around chases and confrontations. solos by add a bold, flair, while choral elements amplify the legendary aura of the antique pistol at the story's core. The score was composed and recorded post-filming in 2001 across studios including , Studios, Sound, and The Site, with final mixing at Skywalker Scoring Stage. Silvestri collaborated closely with director —their second project after Mouse Hunt (1997)—to underscore the gun's "cursed" legend, using recurring motifs like a haunting mariachi-infused melody to tie together Jerry's chaotic journey and Samantha's parallel subplot for narrative cohesion. These themes weave naturally throughout, supporting the film's tonal shifts without overpowering its humor. Select score cues, such as "It's Cursed, That Gun," appear on the commercial alongside licensed songs.

Soundtrack Album

The official for The Mexican, titled The Mexican (Music from the Motion Picture), was released in March 2001 by . It compiles 23 tracks that integrate original score cues composed by with a selection of licensed songs featured throughout the film. Prominent licensed tracks include "These Boots Are Made for Walkin'" by , which underscores a key moment of character development for , and "Why Can't We Be Friends?" by , employed during high-energy chase sequences to heighten tension with its rhythmic drive. For cultural authenticity in the Mexican locales, the album incorporates mariachi-influenced pieces such as "El Cable" written by Mario Carniello and performed by Esquivel y Su Orquesta. Director curated the eclectic mix of and Latin elements to mirror the film's blend of , crime thriller, and road adventure genres. This selection provides dynamic contrast to the narrative's tonal shifts, with the licensed songs amplifying comedic and action beats. The original score by Silvestri offers complementary orchestral support, enhancing the emotional depth without overshadowing the pop selections.

Release and Marketing

Theatrical Release

The Mexican premiered on February 23, 2001, at Mann's National Theatre in , marking a high-profile event attended by stars and . The film received a wide theatrical release in the United States on March 2, 2001, distributed by , which handled domestic exhibition across major theater chains. Internationally, the rollout began concurrently with the U.S. launch in on March 2, 2001, followed by the on March 23, 2001, allowing for synchronized marketing in English-speaking markets. In , releases were staggered starting in April 2001, with dates such as April 12 in and , and May 3 in , reflecting adjustments for regional localization including into . managed international distribution outside , coordinating with local partners to facilitate the film's global rollout. The film carried an MPAA rating of for and , positioning it for adult audiences, and featured a theatrical of 123 minutes with no significant alterations from its initial screening versions. This structure supported a broad audience accessibility while adhering to content guidelines established during production.

Promotion and Home Media

The promotional campaign for The Mexican centered on the star power of and , positioning the film as a with elements of and . Trailers and TV spots emphasized their on-screen chemistry and the quirky quest for the cursed antique , often using humorous clips to highlight the film's blend of romance and mishaps while downplaying the limited the leads shared. Posters prominently featured Pitt and Roberts alongside the ornate pistol, reinforcing the film's title and central artifact as a visual . Home media releases began with the DVD edition on August 7, 2001, which included special features such as an audio commentary track by director , editor Craig Wood, and writer ; deleted scenes with optional commentary from the filmmakers; and an HBO featurette titled "The Making of The Mexican." The film later received a Blu-ray release from Paramount Home Media Distribution on June 7, 2022, offering improved video quality over the DVD version. By the mid-2010s, The Mexican became available for streaming on platforms including , but is no longer accessible there as of November 2025, alongside options for rent or purchase on services like Amazon Video and , and free streaming on and .

Box Office Performance

The Mexican was released on March 2, 2001, in the United States and , opening at number one at the with $20.1 million from 2,951 theaters, averaging $6,816 per theater. The film was made on a of $57 million and ultimately earned $66.8 million in and $81 million internationally, for a worldwide total of $147.8 million.

Critical Reception

Initial Reviews

Upon its release in March 2001, The Mexican received mixed reviews from critics, earning a 54% approval rating on based on 134 reviews, with an average score of 5.6/10. The site's consensus noted that while the film attempted originality, its lengthy runtime and separation of the leads disappointed some viewers expecting more interplay between and . On , it scored 43 out of 100 from 35 critics, indicating mixed or average reception. Critics frequently praised the performances, particularly the chemistry between Pitt and Roberts in their limited shared scenes, which some described as electric and carrying the film's romantic core. James Gandolfini's portrayal of the hitman Leroy was a standout, lauded for its depth, humor, and emotional nuance as a philosophical assassin seeking connection. Verbinski's direction was commended for its playful style, fluid pacing in action sequences, and effective balance of and tension, including inventive sepia-toned flashbacks to the gun's history. However, the script by faced criticism for uneven pacing, plot contrivances, and a meandering structure that kept the leads apart for much of the runtime, leading to comparisons with less original works like for its crime-romance hybrid lacking fresh twists. Audience reception was more favorable, with a C+ and strong word-of-mouth driven by the film's humor, contributing to its solid performance despite critical ambivalence.

Retrospective Analysis

In the years following its release, The Mexican has undergone a reevaluation, often described as an underrated work in director Gore Verbinski's oeuvre, particularly as a quirky precursor to his blockbuster Pirates of the Caribbean franchise. Critics and fans alike have praised its offbeat blend of romantic comedy and crime elements, highlighting Verbinski's early experimentation with genre hybridity before his shift to high-concept spectacles. A 2025 Collider retrospective labeled it an "unfairly underappreciated crime comedy," emphasizing its ensemble dynamics and road-trip structure as overlooked strengths in the early 2000s cinematic landscape. The film's cultural reevaluation in the has spotlighted its position as a quintessential 2000s rom-com-crime hybrid, while drawing renewed scrutiny for its portrayals of and Mexican characters, which rely on stereotypes of lawlessness and exoticism. Initial contemporary critiques noted the depiction of as drunken bar patrons or violent locals, a trope that later analyses have connected to broader patterns of othering in cross-border narratives. Though not extensively dissected in recent scholarship, the film's visual and narrative choices—such as the cursed gun's lore tied to Mexican —have been referenced in discussions of soft power and ethnic representation in transnational cinema. Fan legacy has solidified through streaming accessibility, fostering a cult following that appreciates its ensemble performances, particularly James Gandolfini's nuanced hitman role and Brad Pitt's portrayal of the hapless Jerry as a comedic peak in his pre-Ocean's era versatility. Online communities frequently discuss Pitt's deadpan humor and the film's rewatchability, contributing to its enduring appeal despite a stagnant 44% audience score on Rotten Tomatoes. Scholarly mentions remain sparse, but occasional film journal pieces, such as explorations of hitman archetypes, have noted Leroy's emotional depth as a subversion of the stoic assassin trope in American cinema.

Accolades and Legacy

Awards and Nominations

The Mexican received several nominations and wins from various awards bodies, primarily recognizing the performances of its lead actors, though it did not secure major accolades such as Academy Awards. The film earned two nominations at the 2001 Teen Choice Awards: Choice Movie Chemistry (shared by Brad Pitt and Julia Roberts) and Choice Movie: Your Parents Didn't Want You to See. James Gandolfini received a nomination for Best Actor in a Supporting Role in a Musical or Comedy at the 6th Golden Satellite Awards for his portrayal of the hitman Winston Baldry. Among its wins, the film was honored with the for Outstanding Film () in 2002, acknowledging its positive representation of LGBTQ+ characters. received the Screen Idol Award for Best Performance by an Actor in a Supporting Role in an International Film, presented by L.A. Outfest, in 2002. Despite these recognitions, The Mexican had no nominations and limited presence in other high-profile ceremonies.

Cultural Impact

The Mexican exemplified the romantic crime comedy subgenre that gained traction in the early , combining elements of relationship drama, humor, and low-stakes criminal escapades in a cross-border setting. This blend helped pave the way for similar films like (2005), which echoed its mix of star-driven romance and action- tropes featuring assassins in domestic turmoil. The film's enduring pop culture footprint includes memorable lines, such as hitman Leroy's philosophical monologue on relationships—"When two people love each other—really love each other—but they just can't get it together, when do you get to that point where enough is enough?"—which has been referenced in media discussions of romantic dysfunction. Brad Pitt's portrayal of the hapless Jerry Welbach, marked by exasperated facial expressions amid escalating mishaps, has inspired fan memes and GIFs capturing frustration in everyday chaos, though these remain largely informal online phenomena. Upon release, The Mexican drew for cultural insensitivity in its depictions of , including caricatured portrayals of locals and reliance on ethnic that reinforced outdated tropes of the country as a lawless backdrop for protagonists. A review in the described the film as undermined by "warped love and ethnic ," arguing that its treatment of Mexican settings lacked and depth. In the , amid broader reevaluations of diversity and representation, early-2000s films like The Mexican have faced general critiques for perpetuating marginal or stereotypical narratives of characters without nuance. The film produced no direct sequels or adaptations, but its themes of border-crossing intrigue and moral ambiguity in criminal pursuits have echoed in television narratives exploring U.S.- dynamics, such as the drug trade and personal redemption arcs in (2008–2013). By 2025, The Mexican experienced a streaming revival on platforms like and Max, prompting retrospectives that highlighted its star-studded cast and quirky charm as a product of early-2000s excess, even if it underperformed critically. Its global haul of $147 million against a $57 million budget underscored its commercial appeal as a cultural touchstone for Pitt and Roberts' on-screen pairing.

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