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Raima Sen

Raima Sen (born 7 November 1979) is an Indian actress predominantly known for her work in and films, as well as occasional roles in English-language projects and web series. Born in , , she hails from a prominent cinematic lineage as the daughter of veteran actress and Bharat Dev Varma, a descendant of the royal family of . Sen's entry into the film industry was influenced by her family's legacy, being the granddaughter of legendary Bengali screen icon and the elder sister of actress . She began her career with a small, uncredited role in the 1999 Hindi drama , directed by , marking her on-screen debut alongside . Her breakthrough came with the leading role of Ashalata in Rituparna Ghosh's 2003 Bengali adaptation of Rabindranath Tagore's Chokher Bali, opposite Aishwarya Rai, earning her widespread critical acclaim. Over the years, Sen has built a diverse spanning art-house and mainstream productions, including notable Hindi films like Parineeta (2005), where she played the supportive role of alongside and , and 15 Park Avenue (2005), directed by , for which she received praise for her portrayal of a schizophrenia-afflicted woman. In , she has starred in acclaimed works such as Antar Mahal (2005), (2010), and (2011), often collaborating with esteemed directors like and . Her performances are frequently highlighted for their emotional depth and versatility, contributing to her reputation as one of the most respected actresses of her generation in Indian . More recently, she has expanded into digital platforms with roles in web series like She (2020–present) on , portraying a complex .

Early life

Family background

Raima Sen was born on 7 November 1979 in , . She is the elder daughter of actress and Bharat Dev Varma, a member of the erstwhile royal family of . Her mother, born Krishna Neogy, entered the film industry in the and appeared in and cinema, while her father hailed from a lineage of royalty. Sen has a younger sister, , who is also an actress known for her roles in Hindi and Bengali films. On her maternal side, her grandparents were the legendary Bengali actress and her husband, Dibanath Sen, an industrialist's son who supported Suchitra's early career before his death in 1970. , often regarded as one of India's greatest actresses, starred in over 50 films and received the in 1972. Her paternal ancestry traces back to the kings of , with her grandfather being Bir Bikram Kishore Manikya, the last ruling monarch of the who modernized the state through infrastructure developments before his death in 1947. Additionally, her paternal grandmother, Ila Devi, was a princess of royalty, daughter of Maharani and elder sister to Maharani of . The family's deep ties to the film industry provided Sen with early exposure to cinema; her mother frequently took her and her sister to film sets during Moon Moon Sen's shoots, fostering a natural familiarity with the profession from a young age. This heritage influenced her decision to pursue acting, blending royal lineage with cinematic legacy.

Childhood and education

Raima Sen was born on 7 November 1979 in to actress and Bharat Dev Varma, but she grew up primarily in , maintaining strong family connections there through her maternal lineage. Her upbringing was marked by a blend of privilege and normalcy, as her father emphasized grounded values despite the family's royal heritage from , ensuring she and her Riya were not spoiled. This environment, however, came with early media scrutiny due to her celebrity lineage, shaping her awareness of public life from a young age. From an early age, Sen was immersed in the film world, often accompanying her mother to movie sets, which ignited her passion for acting. She engaged in thoughtful discussions about the craft with her grandmother, the legendary , gaining insights into the industry's demands and joys without any formal training. These experiences, combined with her family's storied cinematic legacy, steered her toward pursuing acting over other academic or traditional royal pursuits. Sen received her early education at Loreto House School in , a institution known for its rigorous academic environment. She later pursued higher studies, earning a in from Loreto College, which is affiliated with the . This arts-focused education complemented her growing interest in performance, though she relied on practical on-set learning rather than specialized acting courses.

Personal life

Relationships

Raima Sen's most publicly acknowledged romantic relationship was with Odia politician and member of the Bolangir , , which began in late 2006 and lasted approximately four months before ending in March 2007. The affair gained media attention through interviews where Sen openly discussed it, highlighting their compatibility as a couple, though it ultimately concluded due to professional commitments and geographical distance between and . The breakup was described as amicable, with no reported conflicts or public drama. Beyond this, Sen has faced persistent media speculation about rumored links, particularly with co-stars like Kunal Kapoor during the mid-2000s, which she firmly denied as mere friendship. She has expressed frustration over such intrusions, emphasizing her preference for maintaining in personal matters amid her public career. Sen's family legacy, stemming from her paternal roots in the royal family of and connections to the of Baroda, has subtly influenced perceptions of her relationship choices, as seen in her brief involvement with Deo, who shared a similar aristocratic background. This , combined with her maternal cinematic lineage, has imposed expectations of discretion and poise in her private life. In interviews, Sen has shared candid views on marriage and long-term partnerships, stating that marriage is not a necessity or ultimate goal for her, and she prioritizes career fulfillment over societal pressures to settle down. She has reflected on past relationships without regret, noting they did not succeed for the best and that she deserves better matches in the future, while remaining open to companionship if the right person emerges at the appropriate time. Sen has also critiqued modern relationship dynamics, contrasting them with the enduring marriages of her parents' generation and advocating for personal autonomy over external expectations. As of 2025, Sen remains unmarried and has no children, continuing to keep her low-profile while focusing on professional endeavors.

Lifestyle and interests

Raima Sen primarily resides in a sea-facing in Mumbai's area, where she appreciates the city's vibrant energy and professional opportunities, though she maintains close ties to her roots in . She often expresses nostalgia for 's cultural heritage, recalling childhood memories of elaborate family gatherings during festivals like Nabobarsho, complete with traditional feasts served on leaves. In interviews, Sen highlights her fondness for authentic , including home-cooked dishes such as shukto, aloo posto, bhetki paturi, and kosha mangsho, which evoke a sense of comfort and connection to her heritage during visits to the city. Sen bears a striking physical resemblance to her legendary grandmother, the iconic Bengali actress , a similarity she views with pride and often discusses in media appearances as a meaningful link to her family's cinematic legacy. This likeness has been noted by filmmakers and fans alike, with Sen expressing honor in being compared to , whom she admires for her grace and determination. Her personal interests include avid reading, which she enjoys in quiet moments at home, traveling to explore new destinations for inspiration and relaxation, and maintaining fitness through activities like gym workouts, , hot yoga, and weight training to support her active lifestyle. She also cherishes family-oriented pursuits, such as spending with her parents and pet during holidays, emphasizing these as essential for emotional grounding. Regarding work-life balance, Sen prefers a selective approach to projects, choosing roles that align with her values and allow space for personal rejuvenation rather than pursuing volume in the . This mindset has grown more pronounced in recent years, enabling her to prioritize meaningful engagements while nurturing her well-being. As of 2025, following the loss of her father Bharat Dev Varma in late 2024, Sen continues to lead a relatively , low-key amid pressures, focusing on family bonds and as sources of strength. She has occasionally supported social causes, including initiatives, reflecting her compassionate outlook.

Career

Early career and debut (1999–2004)

Raima Sen made her acting debut in the 1999 Hindi film Godmother, directed by Vinay Shukla, where she portrayed a key supporting role opposite Shabana Azmi at the age of 19. Lacking formal acting training, Sen was cast after a screen test in Kolkata, drawing on her family's film background for entry into the industry. She described feeling "nervous, shy, and petrified" during production, particularly while working with her idol Azmi, who provided guidance by reading scenes and attending sets on off-days to support the newcomer. The film received critical acclaim and won National Film Awards, earning Sen a nomination for Most Promising Newcomer at the 6th Screen Awards. Following , Sen took on minor roles in a few early 2000s projects, including the 2001 film Daman and the 2002 film Nil Nirjane, which helped her gain initial experience in regional . As a newcomer from a prominent film family—granddaughter of and daughter of —she faced intense scrutiny and pressure to prove her merit beyond , often feeling "under the scanner" in the industry. These early assignments also required her to adapt to dialects and cultural nuances, posing challenges in delivering authentic performances without prior theater or modeling experience. Sen's first lead role came in 2003 with the Bengali film Chokher Bali, directed by , where she portrayed the innocent widow Ashalata opposite Aishwarya Rai's Binodini. Adapted from Rabindranath Tagore's novel, the film marked her breakthrough, earning critical praise for her nuanced depiction of emotional restraint and vulnerability, which helped establish her as a serious talent in . Reflecting on this period, Sen noted that only after Chokher Bali did she feel she had carved her own identity, alleviating the risks of tied to her lineage. The role hinted at her emerging recognition, setting the stage for further acclaim in the mid-2000s.

Breakthrough and expansion (2005–2012)

Raima Sen achieved a significant breakthrough in with her supporting role as in Parineeta (2005), directed by , opposite and . The film, an adaptation of Sarat Chandra Chattopadhyay's novel, highlighted her graceful screen presence and strong on-screen chemistry with her co-stars, earning her rave reviews for bringing emotional depth to the period romance. This role marked her transition from supporting parts in earlier films to more prominent positions, solidifying her appeal in mainstream Bollywood while drawing on her Bengali roots for authenticity. In the same year, Sen balanced her rising Hindi profile with strong Bengali projects, including Nishijapon (2005), a family drama directed by , where her nuanced portrayal of Sunita earned her the Bengal Film Journalists' Association (BFJA) Most Promising Actress Award. She also ventured into Telugu cinema with Dhairyam (2005), playing the lead role of Mallika opposite , which introduced her to South Indian audiences, though her work there remained limited compared to her Hindi and Bengali commitments. These diverse outings demonstrated her ability to adapt across languages and narratives, from intimate family stories to broader romantic dramas, contributing to moderate box-office success and growing critical recognition for her natural acting style. Sen's expansion continued through the late 2000s and early 2010s with genre-diversifying roles that showcased her versatility in dramatic and experimental cinema. In 2010, she starred in the international co-production , directed by her mother and adapted from Kunal Basu's novella, playing the shy widow Sandhya alongside and Japanese actress Chigusa Takaku; critics lauded her subtle, expressive performance in this poignant tale of unspoken love across cultures. That year, she also featured in the anthology (2010), directed by , where her bold depiction of a passionate wife in one segment highlighted her range in exploring themes of desire and empowerment, earning praise for her raw appeal. By 2011, she took on a role as the protagonist's wife in (2011), directed by , adding intensity to the psychological narrative and further establishing her as a multifaceted performer in Bengali cinema. Over this period, Sen appeared in more than 10 films across Hindi, Bengali, and Telugu industries, focusing on dramatic roles that emphasized emotional complexity over commercial spectacle. This phase was pivotal in her career, allowing her to move beyond her family legacy and gain acclaim for her versatility, with reviewers noting her poise in both intimate character studies and ensemble projects. Her work received consistent critical appreciation for authenticity and depth, though box-office returns were generally moderate, underscoring her preference for artistic substance.

Later career and digital media (2013–present)

Following her earlier successes, Raima Sen adopted a more selective approach to her roles starting in 2013, emphasizing nuanced characters in both and . She starred as Ishani in the family drama Maach Mishti & More, directed by , earning a nomination for the Filmfare Award for Best Actress in a Supporting Role () for her portrayal of a young woman navigating marital discord and family expectations. In 2014, Sen led the romantic drama Hrid Majharey, directed by Ranjan Palit, where she played a central role in a story of love and emotional turmoil, receiving praise for her expressive performance in a critically acclaimed regional production. That same year, she appeared in the Hindi historical drama Children of War, directed by Mrityunjay Devvrat, depicting the 1971 ; Sen's supporting role as a resilient woman amid conflict was noted for adding emotional depth to the film's harrowing narrative. Sen's career evolved further with high-profile Hindi projects in the 2020s, focusing on socially relevant themes. In 2023, she portrayed Rohini Singh Dhulla, a skeptical editor in the biopic The Vaccine War, directed by Vivek Ranjan Agnihotri, which chronicled India's development; her performance as a grappling with doubt and eventual realization was commended for its subtlety in an ensemble cast led by . The following year, Sen took on the role of Vanya Roy, a determined officer in the Bastar: The Naxal Story, also directed by Agnihotri, addressing Naxalite insurgency in ; while the film sparked controversy for its portrayal of political and activist complicity—drawing comparisons to Agnihotri's prior work —Sen's depiction of a principled figure amid chaos received positive mentions for its grounded intensity, standing out in mixed reviews that criticized the overall propagandistic tone. In 2024, Sen expanded her repertoire with the mystery Aliya Basu Gayab Hai, directed by Preeti Singh, where she played the titular Aliya Basu, a wealthy woman entangled in a plot; critics appreciated her layered portrayal of vulnerability and cunning, contributing to the film's gripping suspense despite its formulaic elements. Returning to , she featured as Milli in Chaalchitro: The Frame Fatale, a crime directed by Pratim D. , exploring a series of murders; the film garnered strong reviews for its taut screenplay and ensemble dynamics, with Sen's role earning acclaim for enhancing the narrative's emotional stakes, and it achieved moderate success in regional markets. Sen's pivot to digital media marked a significant phase, beginning with the 2021 British-Indian series The Last Hour on , directed by , where she played a key supporting role in a supernatural crime ; this marked her first in over two decades and highlighted her affinity for platforms, as she noted in interviews that the medium allows for "greater depth in character exploration" compared to mainstream films' constraints. She also gained recognition for her role as Sasya in the series She (2020–2022). Post-pandemic, from 2023 to 2025, Sen has chosen selective projects emphasizing women-centric narratives, such as her roles in The Vaccine War and Bastar: The Naxal Story, where she embodied complex female figures driving the story; these underseen films have been lauded for her nuanced performances, with critics highlighting her ability to convey quiet strength and moral ambiguity, filling gaps in visibility for such stories in Indian cinema. Reflecting on her trajectory, Sen has expressed a preference for quality over quantity in role selection, stating in a 2023 interview that she prioritizes "meaningful characters that challenge me" rather than chasing volume, even if it means fewer opportunities in commercial spaces. Looking ahead, she has voiced aspirations to explore more pan-Indian cinema, aiming to bridge her roots with broader and regional collaborations for diverse, impactful storytelling.

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    Rating 7.1/10 (6,957) A mysterious young shaman, on the run protecting a secret gift, joins hands with a seasoned city cop to hunt down a dangerous figure from his dark past.
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