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Righteous Kill

Righteous Kill is a 2008 American crime thriller film directed by and written by . It stars and as veteran detectives investigating a vigilante who executes criminals that previously evaded justice through legal loopholes. The film features a supporting cast including as Detective Karen Corelli, as Detective Riley, as Spider, as Detective Simon Perez, and as Lieutenant Hingis. Produced by companies such as Millennium Films, Emmett/Furla Films, and , Righteous Kill had a budget of $60 million and was distributed in the United States by . Principal photography took place primarily in , with some scenes in to capture the urban setting. Released theatrically on September 12, 2008, it earned $16.3 million in its opening weekend and ultimately grossed $40.1 million domestically and $38.4 million internationally, for a worldwide total of $78.5 million. Critically, Righteous Kill met with largely negative reception, holding an 18% approval rating on based on 146 reviews, with critics faulting its formulaic script and lack of tension despite the star power. Reviews from major outlets highlighted the chemistry between De Niro and Pacino but described the narrative as predictable and uninspired, with noting it as a "thinly sketched cop drama" and calling it an "ordinary cop picture" boosted only by its leads. On , it holds a 6.0/10 rating from over 95,000 user votes, reflecting mixed audience response. The movie marked the second on-screen pairing of De Niro and Pacino following their acclaimed collaboration in Heat (1995), though it failed to replicate that film's intensity or cultural impact.

Production

Development

The screenplay for Righteous Kill was written by , a specializing in crime thrillers, most notably his debut feature (2006), which centered on a bank heist and elements. Gewirtz's script for Righteous Kill, which follows veteran detectives investigating a vigilante , was acquired by independent producers for development as a standalone project without major studio involvement. In May 2007, the casting of and as the lead detectives was announced, highlighting the duo's rare on-screen pairing since their acclaimed collaboration in (1995) and capitalizing on the enduring fan interest in their chemistry as law enforcement figures. This announcement positioned the film as a marketable , drawing attention to its buddy-cop dynamic amid a landscape of police procedurals. The production was spearheaded by , Nu Image/Millennium Films, and Emmett/Furla Films, with an estimated budget of $60 million that underscored its status as an ambitious independent venture lacking co-financing from a major studio. Jon Avnet, known for character-focused dramas like (1991), signed on to helm the project, citing the script's emphasis on dialogue-heavy interpersonal tensions and moral ambiguity in a cop thriller format as key draws. The principal producers were , , Alexandra Milchan, Daniel M. Rosenberg, , and , who oversaw the logistical buildup including talent negotiations and financing arrangements. commenced in early 2007 following the script's greenlight, with principal casting locked in by August to prepare for filming the next month.

Filming

Principal photography for Righteous Kill commenced in August 2007 and primarily took place over two months in various locations across , including Bridgeport, Milford, Norwalk, and New Haven, serving as a for to depict the film's urban setting. A limited number of scenes were filmed on location in actual sites, such as and the Criminal Courts Building at in , to enhance authenticity. Some interior work was also completed in . The production was shot on three-perf Super 35mm film using Arricam LT cameras equipped with Cooke S4 and Angenieux Optimo lenses, allowing cinematographer Denis Lenoir, ASC, AFC, to achieve a gritty, atmospheric portrayal of the city's mean streets that aligned with the crime thriller's tone. Lenoir's approach emphasized realistic urban textures, with color timing handled via a digital intermediate at Pacific Title to maintain a raw, filmic quality. Editor Paul Hirsch, ACE, then shaped the footage into a taut 101-minute runtime, focusing on building suspense through precise thriller pacing and rhythmic cuts that heightened the narrative tension between the lead detectives. The $60 million production faced typical logistical hurdles, including a tight that demanded efficient on-location coordination amid Connecticut's variable conditions, though no major disruptions were reported. Budget considerations influenced location choices, favoring Connecticut's tax incentives and proximity to over extensive city permits, which helped streamline operations. On set, and exhibited strong collaborative chemistry, often sharing lighthearted moments that contributed to their believable partnership as veteran detectives, marking their first on-screen team-up since in 1995. No significant conflicts arose during filming, with the actors' professionalism facilitating smooth rehearsals and takes. wrapped by summer 2008, in preparation for the film's September release, with kept minimal and targeted at enhancing urban realism—such as subtle integrations for cityscapes and procedural elements—handled by a small team including digital artists at Pacific Title. The sound mix incorporated DTS, , and SDDS formats to deliver immersive audio for the thriller's interrogations and action sequences.

Music

The original score for Righteous Kill was composed by , who crafted orchestral cues to underscore the film's suspenseful detective sequences and moral dilemmas. Shearmur's work, developed during in , featured tense, atmospheric arrangements that complemented the noir-inspired urban setting and pacing of chase and scenes, in close collaboration with director . The official , featuring Shearmur's score, was released by on November 4, 2008. The film's soundtrack incorporated several licensed songs and cues to heighten its gritty thriller atmosphere. Key contemporary tracks included "We Fly High" by Jim Jones, written by James Jones and Zukhan Bey, which played during club scenes to evoke the raw energy of nightlife. Additional original cues by Stephen Edwards, such as "Cast a Spell" and "Nocturne," provided subtle tension in transitional moments. Classical selections added layers of dramatic irony, including Giuseppe Verdi's " - Tacea la Notte," performed by and courtesy of 5 Alarm Music, and " - ," which contrasted the characters' internal conflicts with operatic grandeur. These elements collectively amplified the film's exploration of vigilante justice without overshadowing the narrative's auditory focus on urban grit and ambiguity.

Plot

Righteous Kill opens with a series of videotaped confessions in which an unseen man admits to committing seven murders over the course of his career. The story then shifts to present-day , where veteran NYPD detectives Tom "Turk" Cowan () and David "Rooster" Fisk (), partners for over 30 years, are investigating a vigilante dubbed "Poetry Boy." The killer targets criminals who have escaped legal through technicalities and leaves a short poem at each . The first victim is a pimp who had previously beaten a girl to death but was released due to a legal . Subsequent victims include a , a man who raped a , a child molester, and a pedophile . Meanwhile, ambitious younger detectives Simon Perez () and Ted Riley (), along with forensic investigator Karen Corelli (), join the investigation. They suspect the killer may be a police officer due to inside knowledge of the cases. Perez and Riley organize a poetry contest at a local club owned by Spider () to lure the killer, using a fake poem related to an unsolved case. As the investigation intensifies, evidence begins to point toward , including matching his gun and his proximity to crime scenes. Tensions rise between the partners, with Rooster defending while Perez and close in. In a climactic confrontation in an abandoned building, the true identity of the killer is revealed, leading to a tragic resolution that tests the bonds of loyalty and . {{plot}}

Cast

Release

Theatrical release

Righteous Kill had its world premiere on September 10, 2008, at the Ziegfeld Theatre in , an event that highlighted the film's urban setting and featured appearances by stars and . The premiere was a relatively subdued affair compared to major events, focusing on the cast and crew in a venue tied to the story's backdrop. Following the premiere, the film received a wide theatrical release in the United States on September 12, 2008. Internationally, the rollout began in late September 2008, with releases in markets such as the on September 26. The distribution was managed domestically by , which handled the U.S. theatrical rollout. For international territories, partners included in the and , among others. The film was by the of America for violence, pervasive language, some sexuality and brief drug use. A notable controversy arose post-theatrical release when De Niro and Pacino filed a lawsuit in March 2009 against Overture Films and watchmaker Tutima USA, alleging unauthorized use of their likenesses in promotional advertisements tying the watches to the film; the case was settled confidentially in December 2009. Marketing efforts centered on the star power of De Niro and Pacino, with trailers showcasing their on-screen partnership as veteran detectives hunting a vigilante killer. The primary tagline, "Most people respect the badge. Everybody respects the gun," underscored the film's themes of justice and vigilantism. Posters depicted the leads in gritty, shadowed urban environments, emphasizing the noir thriller aesthetic. Promotional tie-ins included a mixtape titled Righteous Kill by G-Unit featuring 50 Cent, who also appeared in the film, released in June 2008 to build anticipation through his music fanbase.

Home media

The film was released on DVD and Blu-ray on January 6, 2009, distributed by Anchor Bay Home Entertainment. The standard DVD edition featured audio commentary with director , as well as a making-of titled "The Investigation: An In-Depth Look at Righteous Kill." The Blu-ray version offered the same supplements alongside in and 5.1 audio. Digital downloads became available via platforms including iTunes and Amazon Video, with bundled digital copies included in select physical editions starting from the initial home release and standalone options expanding by 2010. The DVD debuted at number two on national sales charts, selling 572,000 units and generating $12.08 million in its first week. By the end of its run, home video sales reached 977,764 units for nearly $16.1 million in revenue, helping to mitigate the film's underperformance at the box office. As of November 2025, Righteous Kill is available to stream on Apple TV Channel and (with ads); it can be rented or purchased on platforms including Amazon Video and . No major re-releases have occurred.

Reception

Box office performance

Righteous Kill opened in 3,152 theaters across the and on September 12, 2008, earning $16.3 million during its debut weekend and securing the third position at the , behind ($19.1 million) and Tyler Perry's The Family That Preys ($17.4 million). The film's strong initial draw was attributed to the star power of and , whose pairing generated significant pre-release buzz. Over its entire theatrical run, the film grossed $40.1 million domestically and $38.4 million internationally, for a worldwide total of $78.5 million. Produced on a $60 million budget, the picture fell short of breaking even through theatrical earnings alone. In its second weekend, ticket sales dropped 54% to $7.4 million, reflecting mixed word-of-mouth and from other new releases in the fall season. The 2008 thriller market was particularly crowded, with high-profile competitors like dominating earlier in the year and ongoing holdovers vying for audiences, contributing to the film's underperformance relative to expectations for a De Niro-Pacino collaboration. Despite the marketing focus on the leads' reunion, the project did not replicate the commercial success of their prior joint effort in Heat (1995), which earned over $187 million worldwide.

Critical response

Upon its release, Righteous Kill received overwhelmingly negative reviews from critics, earning an 18% approval rating on based on 146 reviews, with the site's consensus stating: "Al and do their best to elevate this dowdy genre exercise, but even these two greats can't resuscitate the film's hackneyed script." On , the film holds a score of 36 out of 100 based on 27 critic reviews, indicating "generally unfavorable" reception. Among the few points of praise, reviewers highlighted the easy chemistry between De Niro and Pacino, particularly in their banter-heavy scenes as veteran detectives, which provided occasional sparks amid the otherwise routine proceedings. Solid supporting performances from as a forensics specialist and as a younger detective were also noted for adding some raffish energy to the ensemble. The film's depiction of City's gritty urban streets contributed to a convincingly atmospheric backdrop for the police procedural elements. Critics widely panned the predictable plot and its weak twist ending, which many described as obvious and unearned, failing to generate meaningful tension in the vigilante narrative. The script by was frequently called underwritten and clichéd, relying on recycled cop-movie tropes without depth or innovation. Jon Avnet's direction was seen as uninspired and perfunctory, turning what could have been a taut genre piece into a lumbering, forgettable effort. The was included in ' list of the 100 Worst Movies of 2008, underscoring its status as a critical disappointment despite the star power. Audience was mixed, with earning a 6.0 out of 10 rating on from approximately 95,000 user votes; while some appreciated the star duo's presence and the straightforward thriller setup, others decried the clichés and lack of surprises. Notable reviews echoed these sentiments; included it among the worst movies of 2008. The called it a "relatively harmless movie that becomes killing-a-mockingbird sinful for what it does to its leads," critiquing how the material undermined the actors' strengths. In the broader context of De Niro and Pacino's filmographies, Righteous Kill is regarded as a lesser entry, overshadowed by their more acclaimed collaborations like Heat (1995), and it received no major awards nominations. As of 2025, the film has prompted occasional reevaluations in retrospective discussions of the actors' later careers, but these have not significantly altered its reputation as a missed opportunity.

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