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Robin Strasser

Robin Strasser (born May 7, 1945) is an American actress best known for her portrayal of the manipulative Dr. Dorian Lord on the ABC daytime soap opera One Life to Live, a role she originated in 1979 and reprised intermittently until the show's conclusion in 2013. Born Robin Victory in Europe Strasser in New York City to radio engineer Martin Strasser and his wife Anne, her middle name honors Victory in Europe Day, which occurred shortly after her birth. She graduated from the High School of Performing Arts and received a full scholarship to the Yale School of Drama, where she honed her craft before launching her professional career. Strasser's television debut came in 1964 with a role on the CBS soap The Secret Storm, followed by her breakout as Rachel Davis Matthews on NBC's Another World from 1967 to 1972, establishing her as a versatile performer in the daytime drama genre. She later took on the part of Dr. Christina Karras on ABC's All My Children from 1976 to 1979, showcasing her range in medical and familial storylines. Strasser's tenure as Dorian Lord on One Life to Live spanned over three decades across multiple stints (1979–1987, 1993–2000, 2003–2011, and 2013), during which she earned acclaim for embodying the character's cunning and resilient persona amid intricate plots involving romance, intrigue, and family rivalries in the fictional town of Llanview. For this performance, she won the Daytime Emmy Award for Outstanding Lead Actress in a Drama Series in 1982 and received additional nominations in 1981, 1983, and 1985. Beyond soaps, Strasser appeared as the ancient witch Hecuba on NBC's Passions in 2000, earning a Soap Opera Digest Award for Outstanding Female Scene Stealer in 2001, and guest-starred on prime-time series like Knots Landing. In 2019, she portrayed Vivian Alamain on Days of Our Lives. Her stage work includes Broadway productions such as The Shadow Box (1977) and Chapter Two (1979), as well as a 2004 production of The Tale of the Allergist's Wife at Paper Mill Playhouse. Throughout her career, Strasser has won two Soap Opera Digest Awards and received multiple nominations, highlighting her enduring impact on daytime television.

Early life

Family and childhood

Robin Victory in Europe Strasser was born on May 7, 1945, in the borough of . Her distinctive middle name honors , the Allied celebration of the Nazi surrender on , 1945—the day after her birth. She was the only child of Martin Strasser, a radio engineer, and Anne Strasser, a homemaker. Both parents were of Jewish heritage, and the family observed Jewish traditions amid the cultural vibrancy of . The marriage ended in divorce when Robin was about one year old in 1946. She initially lived with her paternal grandmother in , but a bitter custody battle ensued from 1948 to 1952, in which her grandmother sued for custody, accusing her mother of communist affiliations and criticizing her to African American photographer ; the case, supported by the and ACLU, was ultimately won by her mother in 1952 by the . Robin was then raised by her mother in . Strasser's childhood in fostered an early fascination with the , a passion she later described as present since age three. The city's theater scene provided inspirational exposure, igniting her interest in by age eight and shaping her formative years. This budding enthusiasm led her to pursue acting professionally shortly after high school.

Education and early training

Robin Strasser attended the in , a prestigious institution known for its rigorous training in dance, music, and acting, where she developed foundational skills in the . She graduated from the school around 1962, having participated in various student productions that allowed her to apply her training in practical settings. Following high school, Strasser enrolled at the Yale School of Drama on a full , where she pursued advanced techniques including voice work, , and scene study over the course of one year. This intensive program equipped her with professional-level preparation for theater, emphasizing classical and contemporary methods essential for her future career. During her high school years, Strasser balanced her academic coursework with extracurricular involvement in performances and began attending early auditions for opportunities, navigating the demands of a competitive as a young aspiring performer. Her family's encouragement for artistic pursuits supported these efforts, though she faced typical challenges in managing rigorous training alongside emerging professional interests.

Career

Early theater and television work

Strasser's professional acting career commenced in the mid-1960s with theater apprenticeships at the New York Shakespeare Festival and the Williamstown Theatre Festival, where she honed her skills in classical and contemporary productions. As a founding member of the American Conservatory Theatre (ACT) in San Francisco, established in 1965, she participated in its early ensemble efforts, contributing to innovative stage works that emphasized ensemble acting and new play development. These experiences in regional and experimental theater, including Off-Broadway engagements, laid the groundwork for her transition to television while building her reputation for versatile, intense performances. Her television debut came in 1964 with the role of Iris Ocasek on the , where she portrayed the manipulative younger sister of Peter Ames, a character driven by ambition and family intrigue. This early daytime role, lasting until 1966, marked her entry into serialized drama and showcased her ability to embody complex, scheming personalities. In 1966, Strasser made her primetime debut as Angie Volk in an episode of the crime drama , a short-lived series starring as a Native American detective navigating urban mysteries. These minor television appearances provided initial exposure beyond the stage, highlighting her range in both soap and procedural formats. Strasser's breakthrough in television arrived in 1967 when she originated the role of Rachel Davis Matthews on NBC's Another World, a part she played until 1972, depicting a determined, often ruthless young woman from a working-class background who schemes to elevate her social status through relationships and deception. The character, central to the show's early storylines involving and romance, earned Strasser widespread acclaim, including top rankings in Daytime TV Magazine's annual best actresses poll, where she was the only to claim the #1 spot multiple times in the publication's first decade. This role solidified her as a daytime force, blending theatrical depth with the demands of long-form narrative. In the early 1970s, Strasser relocated to to pursue expanded opportunities in theater and media, performing in productions such as Cross Country at the in 1975-1976, part of the Center Theatre Group's experimental New Theatre for Now series. During this period, she also appeared in Diamonds in the Rough (1976) with the same company, engaging in innovative, equity waiver-style works that pushed boundaries in contemporary drama. Later in the decade, Strasser became deeply involved in ' Women in Theatre organization, serving as its president for two years in the late and producing three equity waiver productions to support female artists in the local scene. These efforts underscored her commitment to advancing women in the amid her growing television profile.

Soap opera roles

Strasser's soap opera career included several iconic roles across multiple series. From 1976 to 1979, she portrayed Dr. Christina Karras on ABC's , a multifaceted involved in medical dramas and family conflicts, further demonstrating her versatility in the genre. Her breakthrough role in came as Dr. on the ABC soap opera , debuting on April 13, 1979, after previous actresses had portrayed the . She played the manipulative and , known for her scheming nature and complex rivalry with , across multiple stints totaling thousands of episodes until the show's conclusion. Dorian was depicted as a Byronic antiheroine, often engaging in elaborate plots such as forging a diary entry to frame for Victor Lord's murder, seducing to undermine Victoria, and orchestrating a of Buchanan Enterprises. The character's personal life featured numerous tumultuous marriages that highlighted her pursuit of power and romance, including unions with (1975–1983), Herb Callison (1981–1985), Manuel Santi (1987–1989), (1995–1996, 2009, 2011–), Mel Hayes (1998–1999), and Mitch Laurence (2003). Over time, arcs explored Dorian's redemption, particularly through repeated reconciliations with her Victoria, such as aiding her during a 2004 heart transplant crisis and sharing heartfelt moments upon Strasser's 2011 departure. These developments softened the character's edges, blending villainy with vulnerability and contributing to her enduring appeal in the genre. Strasser's initial run lasted from 1979 to 1987, followed by returns from 1993 to 2000, 2003 to 2011, and a brief appearance in the 2013 online revival produced by Prospect Park. Her 2000 exit stemmed from a public contract dispute with executive producer , while the 2011 departure was due to Strasser's chronic back issues, though she expressed deep attachment to the role. The 2013 stint, limited to 40 episodes amid production challenges including a with , allowed Dorian to reprise key dynamics in Llanview. Strasser's portrayal significantly boosted One Life to Live's viewership through Dorian's iconic rivalry with Erika Slezak's Victoria, a chemistry fans praised for its tension and occasional warmth, often cited as one of soap opera's greatest dynamics. Fan reactions highlighted adoration for her campy villainy and emotional depth, with many crediting the role for sustaining the show's popularity during turbulent periods. Strasser later joined NBC's in 1999 as the ancient witch , a recurring role through 2002 that showcased her in supernatural storylines involving curses and family secrets in the town of . For this performance, she won a Soap Opera Digest Award for Outstanding Female Scene Stealer in 2001. In 2019, she recurred on NBC's as the villainous for 20 episodes, bringing her signature scheming intensity to Salem's intrigue. In post-One Life to Live interviews up to 2025, Strasser reflected fondly on Dorian as a "once-in-a-lifetime" character that defined her career, expressing openness to reviving her on streaming platforms like Prospect Park's earlier efforts but preferring new projects over crossovers to General Hospital. She noted the role's lasting impact, emphasizing how Dorian's schemes and redemptions mirrored real-life complexities.

Film and other projects

Strasser's contributions to film primarily consisted of roles in made-for-television movies, beginning with her debut in the 1973 drama And the Bones Came Together, where she portrayed Joyce, a character grappling with personal loss and family dynamics. She followed this with an appearance in the horror TV movie The House That Cried Murder later that year, playing a supporting role in a story centered on supernatural hauntings and psychological tension. In 1988, she took on the part of Nancy Donovan in Glitz, a CBS adaptation of Elmore Leonard's crime novel, depicting a sophisticated escort entangled in a murder investigation alongside Jimmy Smits. Additional TV film credits include Baby M (1988), where she appeared as Betsy Stern in the miniseries about a contentious surrogacy case, and White Hot: The Mysterious Murder of Thelma Todd (1991), portraying Jewel Carmen in the Hollywood scandal surrounding the 1930s actress's death. These roles showcased her versatility in dramatic and suspenseful narratives, often drawing on her theater-honed skills for nuanced emotional delivery. Beyond films, Strasser made notable guest and recurring appearances in primetime series during the and . She played the mystical Queen Morgana in a 1991 episode of , blending fantasy elements with the show's action-adventure format. In 1988, she guest-starred as Sylvia Gagliano on , contributing to an episode involving Italian-American family intrigue and mystery. Her most prominent primetime stint came in 1990 on , where she portrayed Dianne Kirkwood, a ambitious television producer, in a recurring role across 14 episodes of the soap-inflected drama, highlighting interpersonal conflicts in a suburban setting. Other appearances included episodes of (1988), (1989), Coach (1990, as Elaine Tewksbury in four episodes), A Family for Joe (1990), and Blind Faith (1990 miniseries). In addition to , Strasser ventured into and writing, selling her first teleplay in the and authoring additional scripts for television. She co-produced the 1978 stage revival of at and founded a video company in the 1990s focused on education. The company's flagship project was a six-hour, three-tape video series on released in 1999, aimed at providing accessible information on hormonal changes and coping strategies. As of 2025, Strasser has shifted focus to wellness media, leveraging her certification as a Level One Kripalu teacher to lead workshops on , reduction, and , often tying into her advocacy for organizations like the American Menopause Foundation. She has made occasional guest appearances, such as on The Locher Room in 2024, discussing her career transitions and personal growth practices.

Personal life

Marriages and family

Strasser was first married to from 1965 until their divorce in 1976. The couple met during her early stage career in theater. They had two sons together: , born in 1969, and Benjamin (Ben), born in 1975. has pursued a career in , composing, and creative direction, notably serving as an executive creative director at Insomniac Events, a major producer of festivals. Ben has worked as a producer and director, including helming theatrical productions such as his father's one-man show about . Following the divorce, Strasser and Luckinbill co-parented their sons while she maintained her career in and . Strasser's second marriage was to television executive Richard Hogan, which lasted from August 27, 1983, until 1985. The union produced no children, and Strasser has not remarried since. Strasser resided primarily in for much of her professional life, where her sons grew up. She relocated to the area around 2015.

Interests and later activities

Strasser obtained certification as a Level-One Kripalu teacher in the and has led workshops focused on yoga as a tool for navigating mid-life transitions. Her daily routine incorporates yoga alongside regular walking. Among her personal avocations, Strasser enjoys hiking on trails, pursuing gourmet cooking, and undertaking home renovation projects in the area, where she has renovated eighteen houses and apartments over the years. Strasser has engaged in activism related to , serving as a pro-bono for the National Osteoporosis and as a member of the advisory board for the American Menopause . She has also supported philanthropic efforts through fundraising for AIDS research, the Blood Center, and the Telicare organization.

Awards and recognition

Daytime Emmy Awards

Robin Strasser earned four Daytime Emmy Award nominations for Outstanding Lead Actress in a Drama Series for her role as Dorian Lord on One Life to Live, including three nominations in 1981, 1983, and 1985, recognizing her nuanced portrayal of the scheming socialite. In 1982, Strasser won the award at the 9th Annual Daytime Emmy Awards, solidifying her status as a standout performer in daytime television. During the ceremony, Strasser's acceptance speech thanked the National Academy of Television Arts and Sciences and shared the award with the One Life to Live team across all departments, describing it as an incredible distinction and a career honor to live up to. This moment underscored the growing legitimacy of daytime dramas within the television industry during the early 1980s. The victory not only celebrated her individual achievement but also elevated the visibility of ensemble-driven narratives in soaps. The 1982 Emmy win had a lasting impact on Strasser's career, enhancing her industry recognition and contributing to her longevity in the role of , which she reprised intermittently over several decades. It affirmed her as one of daytime's most versatile leading actresses, paving the way for further acclaimed performances and influencing her opportunities in both daytime and primetime projects.

Other honors

Strasser received multiple accolades from the for her work in daytime dramas. In 1996, she won the Outstanding Lead Actress award for her portrayal of on . She secured another victory in 2001, earning the Outstanding Female Scene Stealer award for her role as on . Throughout the and , Strasser garnered several nominations in categories such as Outstanding Supporting Actress and Favorite Villainess, highlighting her impact as a compelling in soap operas. Beyond these, Strasser has been recognized for her broader contributions to the . She served as president of ' Women in Theatre organization for two years, a leadership role that underscored her advocacy for women in the field. In fan-voted recognitions, she received a nomination in 2020 for Favorite Days of Our Lives Actress at the inaugural Soap Hub Awards, reflecting her enduring legacy among soap audiences despite not appearing on that series.

Filmography

Television roles

Strasser's television career began in the 1960s with roles in daytime soap operas, where she quickly established herself as a versatile actress capable of portraying complex characters. Her early breakthrough came on The Secret Storm, where she played Iris Ocasek from 1964 to 1966, a role that showcased her ability to handle dramatic family dynamics. She followed this with her most notable early part as Rachel Cory Hutchins on Another World from 1967 to 1972, depicting a young woman navigating ambition, romance, and social climbing in a prominent family. In the late 1970s, Strasser returned to soaps with the role of Dr. Christina Karras on from 1976 to 1979, portraying a professional woman entangled in medical and personal intrigues. Her defining television role arrived in 1979 as Dr. Dorian Lord on , a scheming and whom she portrayed in multiple stints: 1979–1987, 1993–2000, 2003–2011, and a brief return in 2013, amassing over 2,000 episodes and earning her widespread recognition for embodying the character's cunning and resilience. During breaks from , she took on the supernatural role of the ancient witch on from 1999 to 2001, delivering a campy, villainous performance that highlighted her range in fantasy elements. Strasser's primetime television work included recurring and guest appearances that demonstrated her appeal beyond soaps. In 1990, she appeared as Dianne Kirkwood in 14 episodes of Knots Landing, playing a mysterious figure involved in the show's intricate web of secrets and alliances. That same year, she guest-starred as Elaine Tewksbury in four episodes of Coach, contributing to comedic storylines centered on family and sports. Earlier guest spots included Sylvia Gagliano on Murder, She Wrote in 1988, where she delved into mystery and intrigue, and Queen Morgana on MacGyver in 1991, blending adventure with dramatic flair. She also appeared on Highway to Heaven in 1988, Murphy Brown in 1989, Dear John in 1990, and China Beach in 1989, often in roles that explored emotional depth and relational conflicts. Additionally, Strasser starred in TV movies such as Baby M (1988) as Betsy Stern and Blind Faith (1990) as Felice Crain. In 2019, Strasser made a notable return to daytime television as Vivian Alamain on Days of Our Lives for 15 episodes, reprising a villainous archetype similar to her past characters with her signature intensity. Since then, she has not taken on major television roles as of 2025, focusing instead on other projects.

Film roles

Strasser's feature film appearances were limited, reflecting her primary focus on television during her career. Her earliest role came in the 1973 horror thriller The House That Cried Murder (also released as The Bride), where she portrayed the lead character Barbara, a disturbed newlywed who uncovers her husband's affair and turns their unconventional dream home into a trap for revenge. The low-budget independent production marked her entry into cinema, showcasing her ability to handle intense psychological drama in a confined setting. In 1997, Strasser appeared in the independent drama , directed by Paul F. , playing Mrs. Hayes, the rigid, upper-class mother of two sisters entangled in personal and relational conflicts amid City's nightlife. Her supporting performance added depth to the film's exploration of female friendships and familial tensions, drawing on her experience for nuanced emotional delivery. Strasser's final credited feature film role was in the 2002 thriller Shoot or Be Shot, a satirical take on reality television where contestants face life-or-death decisions in a game show format. She played Mrs. Steinman, a minor character contributing to the ensemble's chaotic dynamics led by stars like and . This independent project aligned with her selective film work in the late 1990s and early 2000s, often fitting around her television commitments, though she pursued no major cinematic roles thereafter.

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