Fact-checked by Grok 2 weeks ago

Roger Michell


Roger Michell (5 June 1956 – 22 September 2021) was a South African-born British director whose versatile career spanned theatre, television, and cinema, with particular acclaim for the romantic comedy Notting Hill (1999), which became one of the highest-grossing British films of its era. Born in Pretoria to a British diplomat father, he experienced an itinerant childhood across Lebanon, Syria, and Czechoslovakia before boarding at Clifton College in Bristol and earning a degree from Queens' College, Cambridge, where he engaged deeply in university drama.
Michell's early professional work focused on theatre, serving as an assistant director at the Royal Court Theatre with figures like and , and later directing productions for the Royal Shakespeare Company and the National Theatre, including acclaimed plays such as and . Transitioning to screen via the Directors’ Course, he garnered two BAFTA Awards for television adaptations, notably the 1995 Jane Austen miniseries and the 2014 drama The Lost Honour of Christopher Jefferies. In film, beyond —starring and and earning a BAFTA Peter Sellers Award for Comedy—he directed intimate character-driven works like The Mother (2003), (2006) featuring , and (2004), alongside ensemble pieces such as (2002) and (2013). Known for eliciting nuanced performances through masterful use of and collaboration, Michell also contributed to directors' advocacy, co-chairing committees and developing creative rights agreements during his tenure on the Directors board. He was married twice—first to actress , with whom he had two children, and later to , with two more children—separating from the latter in 2020 shortly before his unexpected death at age 65.

Early life and education

Childhood and family origins

Roger Michell was born on 5 June 1956 in , , where his father was posted as a . His father, Harry D. Michell, had served in the Second World War, earning the Distinguished Flying Cross (DFC), before entering the . Michell's mother was Jillian (née Green). Due to his father's career in the Foreign Office, the family relocated frequently during Michell's childhood, living in several international postings including in , in , and in . These moves exposed him to diverse cultural environments from an early age, though the family eventually returned to the . Michell was by nationality, not South African, despite his birthplace.

Academic training

Michell attended , a in , , where he developed an early interest in by directing and writing short plays, including sketches inspired by . He subsequently studied English at Queens' College, , graduating in 1977. During his time at , Michell immersed himself in student drama, both acting in and directing numerous productions, which honed his skills and led to him receiving the Royal Shakespeare Company Buzz Goodbody Award for Best Student Director. In 1990, after establishing himself in theatre, Michell completed the BBC Directors' Course, a three-month program designed to equip theatre directors with television production techniques, particularly camera work and adaptation for the screen. This training marked a pivotal shift toward broadcast media, enabling his transition from stage to television directing.

Theatre career

Early stage directing

After graduating from the University of Cambridge in 1977, Michell directed Peter Gill's play Small Change for a theatre company in , marking his initial professional foray into stage direction. In 1978, he joined the Royal Court Theatre as an assistant director, where he gained practical experience under established figures, with serving as his stage manager during this period. By 1979, Michell had transitioned to freelance work, co-writing and directing Private Dick, a spoofing Raymond Chandler's genre featuring a gay , in collaboration with Maher. The production premiered at the Lyric Hammersmith before transferring to the West End's Whitehall Theatre, running from 30 June to 16 October 1982, and earned a Fringe First Award at the 1982 . This success highlighted Michell's emerging talent for blending wit and character-driven narrative in intimate theatrical settings. In 1985, Michell became an assistant director at the Royal Shakespeare Company, advancing to resident director over a six-year tenure in the , where he honed his approach to ensemble work and classical texts, earning the Buzz Goodbody Award for best director. These early roles established his reputation for eliciting nuanced performances from actors while prioritizing textual fidelity.

Major productions and awards

Michell directed the premiere of Kevin Elyot's My Night with Reg at the Royal Court Theatre Upstairs on 31 March 1994, a play depicting the lives of gay men amid the AIDS epidemic that garnered strong reviews for its emotional depth and humor. In 1988, he helmed Edward Bond's for the Royal Shakespeare Company, contributing to his reputation for handling complex, politically charged works. At the National Theatre during the 1990s, Michell staged Mustapha Matura's The Coup (1991), Harold Pinter's (1995 revival), and Dylan Thomas's (1992), productions noted for their precise ensemble work and fidelity to the texts' rhythms. His 2000 direction of Joe Penhall's at the Cottesloe Theatre, starring as a manipulative , as a patient, and as a junior doctor, examined racial and tensions; the production transferred to the West End and secured Best New Play honors at the Evening Standard Awards, , and . Later highlights included Nina Raine's Tribes at the Royal Court in 2010, earning Michell a nomination for Best Director at the , and her Consent at the in 2018, both praised for illuminating family and legal dynamics through sharp dialogue. He also directed Pinter's Old Times at the , emphasizing the playwright's taut interpersonal games. Early in his career, Michell received the RSC Buzz Goodbody Award for Best Student Director at the National Student Drama Festival and a Fringe First at the 1977 Edinburgh Festival Fringe for co-writing and directing Private Dick. While his theatre accolades were predominantly nominations and production-based rather than personal directing wins, these works established him as a versatile interpreter of contemporary British drama.

Television and early film work

Key television adaptations

Michell directed the four-part BBC miniseries The Buddha of Suburbia in 1993, adapting Hanif Kureishi's 1990 semi-autobiographical novel of the same name. The series follows Karim Amir, a mixed-race teenager navigating , sexuality, and cultural clashes in 1970s suburban amid his father's rise as a figure. Starring as Karim and as his father, the production was praised for its faithful exploration of the novel's themes of and personal awakening, marking an early collaboration between Michell and Kureishi. In 1995, Michell helmed the BBC television film Persuasion, a 107-minute adaptation of Jane Austen's 1817 novel. Featuring as the introspective and as Captain Wentworth, the drama centers on themes of , , and rekindled romance eight years after Anne's persuasion against leads to personal and familial decline. Filmed on location in and , it emphasized Austen's subtle emotional restraint over overt sentimentality, earning acclaim for its performances and visual authenticity; critic described it as capturing "a of mutual persuasion that takes place between [the leads] almost without a word being spoken." The adaptation holds an 87% approval rating on based on 30 reviews. Michell also adapted Kevin Elyot's Olivier Award-winning play My Night with Reg into a 1996 film, exploring gay male friendships and the impact of the AIDS crisis in 1980s through interconnected vignettes. The production retained the play's intimate, dialogue-driven structure while broadening its emotional scope for the screen, contributing to Michell's reputation for sensitive handling of contemporary social issues in early television work.

Transition to feature films

Michell's acclaimed television adaptation of Jane Austen's (1995), a production that faithfully captured the novel's Regency-era restraint and emotional depth, served as a pivotal bridge to theatrical features, earning him the BAFTA Television Award for Best Single Drama alongside producer Fiona Finlay and screenwriter Nick Dear. The film's critical success, praised for its atmospheric visuals and performances by and , impressed screenwriter , who had previously collaborated on successful British romantic comedies; Curtis recruited Michell to direct (1999), marking his debut in wide-release cinema. Notting Hill, a light-hearted tale of an unlikely romance between a bookstore owner () and a star (), grossed $363.9 million worldwide on a $42 million budget, becoming one of the highest-grossing films of its era and solidifying Michell's reputation for blending subtle character work with broad appeal. This project shifted Michell from intimate television and stage roots toward Hollywood-scale productions, though he retained a preference for sensibilities in .

Feature film directing

Commercial successes

Michell's most notable commercial triumph was the romantic comedy (1999), starring as a bookstore owner and as a actress in an unlikely romance set in . Produced on a budget of $42 million, the film grossed $363.1 million worldwide, marking it as the highest-grossing British film up to that point and establishing Michell as a director capable of delivering broad audience appeal. Its success stemmed from strong word-of-mouth, effective marketing tying into the franchise's legacy, and international performance, particularly in the UK and markets where it earned over $116 million domestically. Building on this momentum, Michell directed Changing Lanes (2002), a tense about a road-rage incident escalating into and professional conflict between characters played by and . With a $45 million , it generated $94.9 million in global receipts, including a robust $66.8 million in , and debuted at number one in the with $17.1 million in its opening weekend. The film's profitability was aided by its star power and ' distribution, though its earnings were more modest than Notting Hill's blockbuster scale. These projects highlighted Michell's versatility in transitioning from intimate stories to higher-stakes productions, contributing to his overall directing portfolio's aggregate worldwide gross exceeding $536 million across 12 films. Later efforts like (2010), a media with and that earned $60 million against a $40 million budget, achieved moderate financial returns but did not match the earlier peaks.

Later films and stylistic evolution

Following the commercial hits (1999) and (2002), Michell's output shifted toward intimate dramas and literary adaptations. In 2003, he directed The Mother, written by , which examined taboo intergenerational romance through the story of a widow's affair with a younger man, starring and . This marked the beginning of repeated collaborations with Kureishi, emphasizing complex emotional terrains over broad appeal. Subsequent films like (2004), adapted by from Ian McEwan's novel, delved into psychological obsession following a ballooning accident, featuring and . (2006), another Kureishi script, portrayed an elderly 's erotic fixation on a young relative, with Peter O'Toole's performance earning a BAFTA nomination and highlighting Michell's affinity for nuanced portrayals of desire in later life. These works showcased a stylistic pivot: restrained camerawork and emphasis on improvisation, fostering subtlety and human vulnerability rather than high-concept plots. Into the 2010s, Michell balanced occasional Hollywood ventures, such as the newsroom comedy (2010) starring and , with British-centric stories. (2013), reuniting him with Kureishi, Broadbent, and Duncan, dissected marital discord during a Paris anniversary trip, blending wit and pathos to probe enduring love's frailties. Adaptations like (2012), a period piece on FDR's affair, and (2017), a gothic mystery with , reflected his continued interest in historical and psychological intrigue. Later projects underscored Michell's evolution toward reflective, ensemble-driven narratives on legacy and morality. Goodbye Christopher Robin (2017) chronicled A.A. Milne's creation of amid post-WWI trauma, starring and . Blackbird (2020), adapted from a Danish , addressed through a dying woman's , featuring and . His final , The Duke (2020), a fact-based comedy-drama about a 1961 protesting gallery policies, starred and , evoking ' blend of humor and social critique with understated direction that prioritized character warmth. This phase affirmed Michell's maturation into a favoring thematic depth—aging, relationships, ethical dilemmas—and collaborative restraint, allowing scripts and performances to drive emotional authenticity over visual flair.

Personal life

Relationships and family

Michell was first married to the actress , with whom he had two children: daughter Rosanna Michell, an agent and director, and son Harry Michell, an actor, writer, and director. The couple divorced prior to 2002. In 2010, Michell married actress ; they had two daughters, Maggie and Nancy. The marriage ended in separation in 2020. No further relationships were publicly documented following the separation.

Lifestyle and interests

Michell led a relatively low-profile life, characterized by modesty and a focus on his craft despite commercial successes like . Described as a "big, bear-like man" with an affable demeanor, he avoided the spotlight of fame. A habitual smoker who often snapped the filters off cigarettes, Michell experienced a heart attack at age 43, reflecting a lifestyle marked by such personal indulgences amid his demanding career. From childhood, shaped by his father's diplomatic postings in places like , , and , Michell drew inspiration from observing his parents' performative roles in social settings, fostering an early fascination with directing and playwriting—he began inventing short plays about ghosts as a young boy. By age eight, he was directing and writing plays, committing to the profession by 15 with a single-minded determination that he later viewed as having overshadowed youthful socializing, regretting not "partying harder" in his twenties. His artistic interests extended to film history and international cinema; he admired directors like , making a dedicated midwinter pilgrimage to Fellini's grave in , and expressed enjoyment in visiting other filmmakers' sets, including those of . Michell also characterized his work as "privileged tourism," immersing himself in diverse cultural narratives through adaptations and original projects. At university in , where he studied English, Michell deepened his engagement with , co-writing and directing a spoof titled Private Dick for the 1980 Edinburgh Fringe Festival, underscoring a lifelong immersion in theatrical experimentation.

Death and aftermath

Circumstances of death

Roger Michell died on 22 September , at the age of 65. His family issued a statement announcing the death, noting it occurred on the preceding Wednesday but omitting details on the location or cause at the time. The cause was subsequently confirmed by his family as a heart attack stemming from a left coronary , characterized by fatty plaque deposits narrowing the . No prior public indications of cardiovascular issues were reported, and the death was described as sudden.

Family response and tributes

Michell's family announced his death on September 23, 2021, via a statement released by his publicist, expressing "great sadness" and identifying him as "director, writer and father of Harry, Rosie, Maggie and Sparrow." The announcement did not specify the cause or location of death at the time. In February 2022, coinciding with the release of Michell's final film The Duke, his family confirmed that he had died of a heart attack on September 22, 2021, at his home in . Michell's former wife, actress (married 2002–2020 and mother of two of his daughters), described him as focused on authentic human interactions in his work, recounting lighthearted set memories such as his directive to "put the cheese down, dear" during filming. Tributes from collaborators emphasized Michell's personal qualities and family devotion. , star of (1999), called him a "kind and gentle" director and stated, "I grieve with his family." , who worked with Michell on (1993) adaptation stage production, described him as a "gentle " whose loss was deeply felt. Industry figures, including co-founders Michael Barker and Tom Bernard, highlighted his role in fostering creative "families" across projects.

Reception and legacy

Critical assessments

Critics have frequently commended Roger Michell for his understated directorial style, which emphasized subtlety, actor collaboration, and the revelation of understated emotions, particularly in adaptations of literary works and intimate dramas. His 1995 adaptation of Jane Austen's earned praise for its faithful rendering of the novel's themes of regret and quiet resilience, with reviewers highlighting the naturalism of performances by and , as well as Michell's restraint in avoiding melodramatic flourishes. Similarly, his stage work, such as productions of David Hare's plays, was noted for eliciting "unflashy" insights into coded behaviors and inner lives, fostering gripping authenticity without overt showmanship. Publications like characterized Michell as a "quiet genius" who embodied British cinema's strengths in wit and intelligence, crediting his ego-free approach for enabling strong ensemble dynamics across theatre, television, and film. Michell's romantic comedies, including the 1999 blockbuster , received mixed but often affectionate assessments for their escapist charm and relatable portrayals of class and celebrity divides, with awarding it three stars for its poignant exploration of fame's isolating effects. However, detractors occasionally critiqued these films for prioritizing commercial appeal over depth, viewing them as polished fantasies that glossed over real-world complexities. Later efforts like (2013) drew fire for superficial engagement with cultural and relational tensions, with some reviews faulting its reliance on stereotypical backdrops as "cursory cultural appropriation." Biographical dramas such as (2012) fared worse critically, aggregating low approval ratings amid complaints of narrative bloat and underdeveloped character motivations. Despite variability in reception—ranging from near-universal acclaim for documentaries like Nothing Like a Dame (98% on ) to polarizing responses for period pieces—Michell's oeuvre was broadly respected for its versatility and unpretentious craftsmanship, though some observers lamented his relatively modest film output as limiting deeper innovation. Obituaries in outlets like underscored his track record of blending critical nods with box-office viability, positioning him as a reliable exponent of intelligent, actor-driven rather than auteurist flash. Academic analyses, such as those examining 's visual motifs, have occasionally flagged inconsistencies in character congruence but affirmed Michell's skill in evoking Regency-era restraint.

Achievements versus criticisms

Michell garnered acclaim for his theatre direction, particularly with Joe Penhall's (2000) at the Cottesloe Theatre, which won the Olivier Award for Best New Play and transferred to the West End and , praised for its incisive exploration of and race through performances by , , and . His productions at the Royal Court, , and National Theatre—including Harold Pinter's (1996 revival) and Nina Raine's (2013)—highlighted his ability to elicit nuanced performances and tackle complex social themes, earning him a reputation as a who uncovered unexpected depths in . In television, Michell's adaptation of Jane Austen's (1995) for the won the BAFTA for Best Single Drama and was lauded for its faithful yet fresh rendering of Regency-era restraint and romance, starring and . Similarly, his direction of The Lost Honour of Christopher Jefferies (2014), a of the media vilification of the murder suspect landlord, secured a BAFTA Television Award for Best Single Drama and the Royal Television Society Director Award in 2015, with critics commending its rigorous depiction of journalistic ethics and ' Emmy-winning portrayal. Criticisms of Michell's filmography often centered on perceived inconsistencies in pacing or tonal shifts, as in The Duke (2022), where reviewers noted that the core heist narrative—based on the 1961 Goya theft—was undermined by maudlin family dynamics despite strong leads from Jim Broadbent and Helen Mirren. Earlier works like Enduring Love (2004), adapting Ian McEwan's novel, drew some rebuke for flattening psychological thriller elements into melodrama, though performances by Daniel Craig and Rhys Ifans were highlights. Such reservations were minority views amid broader praise for Michell's economical style and actor-centric approach, which prioritized subtlety over spectacle, reflecting his theatre roots rather than Hollywood bombast.

Influence and posthumous recognition

Michell's oeuvre, spanning theatre, television, and film, exerted influence through its emphasis on understated elegance, literary fidelity, and wry humanism, qualities that peers identified as hallmarks of aspirational British filmmaking. His adaptations, such as the 1995 television production of and stage revivals at institutions like the Royal Court Theatre and , demonstrated a capacity to revitalize classic texts for contemporary audiences, bridging with accessible narrative. This approach informed his cinematic transitions, where he championed directing as a collaborative craft, contributing to the formation of advocacy groups like Directors UK to elevate the profession's standards. Following his death on 22 September 2021, Michell received widespread posthumous recognition via the release of his final projects, which highlighted his versatility. The Duke (2020), a fact-based comedy-drama starring and , premiered in cinemas on 25 February 2022; cast members lauded it as a "testament to his joyous personality," with Broadbent noting its embodiment of Michell's light touch amid personal grief during production. Similarly, the archival documentary Elizabeth: A Portrait in Parts, compiling footage on II's life, debuted in 2022 under distribution in the United States; reviewers praised its playful yet insightful montage as a fitting capstone, with Variety describing it as Michell's "final film" showcasing his evolution toward experimental forms. Tributes from the , including a 2022 video essay and screening event for The Duke, underscored Michell's enduring impact on film craft, with contributors emphasizing his mentorship and range from blockbusters like (1999) to intimate dramas. Industry figures, such as playwright , attributed to him a "clairvoyant " of dramatic viability, influencing cross-medium in theatre and screen. No major posthumous awards were conferred, but his legacy persists in discussions of directors who prioritize subtlety over spectacle, as evidenced by Screen International's portrayal of him as a "genius director and generous collaborator."

References

  1. [1]
    Roger Michell obituary | Movies | The Guardian
    Sep 24, 2021 · Director with a kaleidoscopic career in film, theatre and TV best known for the award-winning 1999 romcom Notting HillMissing: biography | Show results with:biography
  2. [2]
    Roger Michell, Director of 'Notting Hill,' Is Dead at 65
    Sep 23, 2021 · He was 65. His family announced his death in a statement released by his publicist. The statement did not say where he died or what the cause ...
  3. [3]
    Remembering Roger Michell - Directors UK
    Sep 29, 2021 · In a starry filmmaking career, he produced iconic cinema moments, achieving mainstream success with Notting Hill, and eliciting fantastic ...Missing: achievements | Show results with:achievements
  4. [4]
    Roger Michell, film and theatre director who made the hit comedy ...
    Sep 24, 2021 · Roger Michell was born on June 5 1956 in Pretoria, South Africa. His father, Harry, who had won the DFC during the Second World War, was a ...
  5. [5]
    Roger Michell death: Notting Hill director dies aged 65
    Sep 23, 2021 · Roger Michell, the director of films such as Notting Hill, Venus, and My Cousin Rachel, has died at the age of 65.Missing: biography notable<|separator|>
  6. [6]
    Notting Hill director Roger Michell dies at 65 - Irish Examiner
    Sep 23, 2021 · The son of a British diplomat, Michell was born in South Africa and lived in Beirut, Damascus and Prague as a child. Roger Michell at the ...
  7. [7]
    Notting Hill director Roger Michell dies aged 65 - BBC
    Sep 23, 2021 · Michell was born in South Africa to a British father, and his family later returned to the UK. He studied at Cambridge University, then ...Missing: origins | Show results with:origins
  8. [8]
    Roger Michell: Prolific director behind 'Notting Hill' | The Independent
    Oct 2, 2021 · Michell changed direction in 1990 by signing up for a BBC directors' course. It first bore fruit in Downtown Lagos (1992), a three-part ...<|separator|>
  9. [9]
    Director Roger Michell Dies, Aged 65 - Empire Magazine
    Sep 23, 2021 · Roger Michell, the filmmaker behind the likes of Notting Hill, Venus and Morning Glory, has died. He was 65. Michell was born in South ...
  10. [10]
    Roger Michell - Wikipedia
    He was best known for directing films such as Notting Hill and Venus, as well as the 1995 made-for-television film Persuasion. Roger Michell. Michell in 2019.Missing: notable | Show results with:notable
  11. [11]
    Production of Private Dick - Theatricalia
    This is a production of the play Private Dick (by Richard Maher and Roger Michell), 30th June – 16th October 1982, at Whitehall Theatre, London (now ...
  12. [12]
    Roger Michell Movies and Shows - Apple TV
    Born in Pretoria, South Africa, Roger Michell spent much of his childhood in far-flung places, including Syria and Czechoslovakia, due to his father's job ...Missing: life origins
  13. [13]
    ROGER MICHELL - FILM REVIEW
    Sep 23, 2025 · Roger Michell was first married to the actress Kate Buffery and they have two children, the agent Rosanna Michell, and the writer-actor-director ...
  14. [14]
    Roger Michell | SAA - Society of Audiovisual Authors
    In 1999, Michell directed Notting Hill, one of the highest-grossing British movies of all time, and in 2002 box office hit Changing Lanes. He directed The ...Missing: career achievements
  15. [15]
    ROGER MICHELL - Royal Court Theatre
    Redgrave, my Father. AWARDS INCLUDE: Edinburgh Fringe First, Buzz Goodbody RSC Best Director Award, BAFTA, RTS Award, Evening Standard Award, Empire Award, ...
  16. [16]
    Roger Michell: a superb director who brought the unexpected out of ...
    Sep 24, 2021 · Michell's love of actors was visible throughout an extensive theatrical career that embraced the Royal Court, the Royal Shakespeare Company and ...Missing: achievements | Show results with:achievements
  17. [17]
    Kevin Elyot's My Night with Reg (1994) by Samuel Adamson
    May 22, 2024 · On 31 March 1994, My Night with Reg premiered at the Royal Court's Theatre Upstairs in a production directed by Roger Michell. It was ...
  18. [18]
    Roger Michell (1956-2021) - Find a Grave Memorial
    Michell was a graduate of the BBC Directors' Course, a three month course especially designed to help theatre directors understand the camera. Subsequently ...
  19. [19]
    Roger Michell, acclaimed film and stage director, dies aged 65
    Sep 24, 2021 · Born in South Africa and educated at Cambridge, Michell began his career in theatre, becoming an assistant director at the Royal Court, where he ...
  20. [20]
    Penhall's Blue/Orange Revived with Female Cast - WhatsOnStage
    In addition to the prizes for Ejiofor, it won Best New Play at the Evening Standard, Critics' Circle and Laurence Olivier Awards.
  21. [21]
    London Evening Standard Theatre Awards longlist revealed
    Apr 10, 2012 · Roger Michell Tribes (Royal Court) Rufus Norris London Road (National's Cottesloe) Trevor Nunn Flare Path (Theatre Royal Haymarket) Bijan ...
  22. [22]
    Notting Hill director Roger Michell dies at 65 - The Irish News
    Sep 23, 2021 · Among his theatre credits are Nina Raine's Consent, Harold Pinter's The Homecoming and Dylan Thomas' Under Milk Wood, with many of his ...
  23. [23]
    Roger Michell's genius left its mark on theatre – his work was all ...
    Sep 29, 2021 · Which explains Michell's reputation. Even as resident director of the Royal Shakespeare Company in the 1980s, his finest work there consisted of ...
  24. [24]
    Roger MICHELL : Biography and movies - notreCinema
    Sep 22, 2021 · ... won the National Student Drama Festival the RCS Buzz Goodbody Award. , and at the Edinburgh Festival that of the Fringe First Award in 1977.<|separator|>
  25. [25]
    Buddha of Suburbia, The (1993) - BFI Screenonline
    Kureishi 's four-part television adaptation, a collaboration with director Roger Michell , faithfully explores the wealth of connotations linked to that final ...
  26. [26]
    Persuasion (TV Movie 1995) - IMDb
    Rating 7.6/10 (12,283) Persuasion: Directed by Roger Michell. With Amanda Root, Ciarán Hinds, Susan Fleetwood, Corin Redgrave. Anne, the daughter of a financially troubled ...Full cast & crew · Ciarán Hinds, Amanda Root · Phoebe Nicholls · Charles Musgrove
  27. [27]
    Persuasion movie review & film summary (1995) | Roger Ebert
    Rating 3.5/4 · Review by Roger EbertA film about two people who are shy and proud, and about a process of mutual persuasion that takes place between them almost without a word being spoken on the ...
  28. [28]
    Persuasion | Rotten Tomatoes
    Rating 87% (30) Well-acted and absorbing, Persuasion offers a loose Jane Austen adaptation that captures the essence of the author's timeless appeal.
  29. [29]
    Roger Michell(1956-2021) - IMDb
    Roger Michell was born on 5 June 1956 in Pretoria, South Africa. He was a director and writer, known for Notting Hill (1999), Venus (2006) and Enduring Love ( ...Missing: notable | Show results with:notable
  30. [30]
    director Roger Michell - BBC - Movies - Calling The Shots
    Roger Michell made his movie debut with Jane Austen adaptation Persuasion in 1995, before directing one of the biggest British films of all time with 1999's ...
  31. [31]
    Persuasion (TV Movie 1995) - Awards - IMDb
    7 wins & 2 nominations. BAFTA Awards. Director. Roger Michell. 1996 Winner BAFTA TV Award. 1996 Winner BAFTA TV Award.Missing: success | Show results with:success
  32. [32]
    Notting Hill (1999) - IMDb
    Rating 7.2/10 (374,047) Notting Hill: Directed by Roger Michell. With Julia Roberts, Hugh Grant, Richard McCabe, Rhys Ifans. A set of circumstances makes Anna Scott, a famous ...Full cast & crew · Notting Hill · Roger Michell(1956-2021) · TriviaMissing: debut | Show results with:debut
  33. [33]
    Changing Lanes (2002) - Box Office and Financial Information
    Opening Weekend: $17,128,062 (25.6% of total gross) ; Legs: 3.90 (domestic box office/biggest weekend) ; Domestic Share: 100.0% (domestic box office/worldwide).
  34. [34]
    Changing Lanes (2002) - Box Office Mojo
    Opening, Gross. Domestic, Apr 12, 2002, $17,128,062, $66,818,548. Europe, Middle East, and Africa. Area, Release Date, Opening, Gross. United Kingdom, Nov 1, ...
  35. [35]
    Roger Michell - IFTA
    Following the award-winning films, My Name is Reg (1996) and Titanic Town (1998), Michell directed the Richard Curtis-written Notting Hill , starring Julia ...Missing: first theatre productions<|separator|>
  36. [36]
    Roger Michell - Box Office - The Numbers
    Roger Michell (Director) - Movie Box Office Performance Summary and Breakdown. ... films, with $536,264,845 worldwide aggregate box office (rank #375). Best ...
  37. [37]
    Morning Glory (2010) - Box Office and Financial Information
    Financial analysis of Morning Glory (2010) including production budget, domestic and international box office gross, DVD and Blu-ray sales reports.
  38. [38]
    Morning Glory (2010) | Moviepedia - Fandom
    Morning Glory is a 2010 American comedy film directed by Roger Michell. The ... Box office. $60 million. Transcript • Trailer transcripts • Gallery ...<|control11|><|separator|>
  39. [39]
    Love Lost: Director Roger Michell on Le Week-End
    Mar 14, 2014 · Then we did Venus, which was about a teacher who had an obsession with this very young bossy girl from the north of England. But the film isn't ...
  40. [40]
    Roger Michell Movies List | Rotten Tomatoes
    A successful director in both his native England and America, Roger Michell helmed such big-budget hits as "Notting Hill" (1999) and "Changing Lanes" (2002) ...Missing: theatre achievements
  41. [41]
    Le Week-End movie review & film summary (2014) | Roger Ebert
    Rating 3.5/4 · Review by Susan WloszczynaMar 14, 2014 · A wistfully rendered yet often barbed account of longtime marrieds who find themselves dissatisfied and drifting apart while on an ...Missing: analysis | Show results with:analysis
  42. [42]
    Goodbye Christopher Robin | Rotten Tomatoes
    Rating 64% (177) After leaving London for the English countryside, writer AA Milne starts to spin fanciful yarns about his son's growing collection of stuffed animals.Missing: Roger 2010s
  43. [43]
    Roger Michell Dead: 'Notting Hill,' 'The Duke' Director Dies at 65
    Sep 23, 2021 · Roger Michell, 'Notting Hill' and 'The Duke' Director, Dies at 65. He directed for British theaters, made acclaimed television series in the ...Missing: stylistic | Show results with:stylistic
  44. [44]
    'The Duke' Director Roger Michell Talks Ealing Comedies, British ...
    Sep 4, 2020 · Channelling the spirit of quintessential postwar British comedies, Michell's film promises laughs with an undertow of light social comment.Missing: style | Show results with:style
  45. [45]
    The Duke review – Jim Broadbent excels in true tale of ​art-stealing ...
    Feb 27, 2022 · Roger Michell's final feature film brings good-natured, Ealing-style brio to the 1961 theft of Goya's portrait of the Duke of Wellington.
  46. [46]
    Roger Michell: Director who made hit comedy Notting Hill dead at 65
    Sep 25, 2021 · Roger Michell's first marriage, to Kate Buffery, the actress, with whom he had a son and a daughter, ended in divorce in 2002. He then married ...
  47. [47]
    Roger Michell, director of 'Notting Hill' and 'The Duke,' dies at 65
    Sep 23, 2021 · Roger Michell, the British stage, television and film director whose movies include the indelibly popular rom-com “Notting Hill,” has died at 65.Missing: notable | Show results with:notable
  48. [48]
    Roger Michell, Director of 'Notting Hill,' Dies at 65 - Variety
    Sep 23, 2021 · A statement from his publicist to the agency on Thursday reads: “It is with great sadness that the family of Roger Michell, director, writer and ...
  49. [49]
    Roger Michell Dies: 'Notting Hill' Director Was 65 - Deadline
    Sep 23, 2021 · Notting Hill director Roger Michell died yesterday at the age of 65, his publicist has announced. No cause of death was given.Missing: lifestyle hobbies habits
  50. [50]
    'A testament to his joyous personality': the stars of Roger Michell's ...
    Feb 18, 2022 · He was 65. The cause of death was never made public, but his family has now confirmed that he died of a heart attack. He is survived by four ...
  51. [51]
    Revealed: Tragic reason Line of Duty star's husband died suddenly ...
    Nov 3, 2024 · Roger Michell, the ex-husband of Line Of Duty star Anna Maxwell Martin (pictured with him in 2013), died of a heart attack and a fatty build up in his coronary ...
  52. [52]
    Line of Duty star's famous film director husband's cause of death ...
    Nov 3, 2024 · The Mail has now reported that Michell's cause of death was a heart attack due to a left coronary atheroma – a fatty deposit inside the artery.
  53. [53]
    Anna Maxwell Martin ex-husband's cause of death as she was left in ...
    Nov 3, 2024 · Notting Hill director Roger Michell died of a heart attack in 2021, a year after he and actress Anna Maxwell Martin had announced their separation.
  54. [54]
    Julia Roberts pays tribute to 'kind and gentle' Notting Hill director
    Sep 24, 2021 · Daniel Mays said Michell's death was "a huge loss to stage and screen", sentiments echoed by fellow British actor Toby Stephens. Stephens, the ...
  55. [55]
    Roger Michell: Julia Roberts and Sam Neill lead tributes to 'gentle ...
    Sep 24, 2021 · Julia Roberts, Sam Neill and Barry Jenkins have led tributes to director Roger Michell, who has died aged 65.Missing: response | Show results with:response
  56. [56]
    Roger Michell: a quiet genius still hitting his stride - The Guardian
    Sep 24, 2021 · Michell was a master at directing anything on the continuum between Jane Austen and Richard Curtis, and knew what animated both.Missing: transition | Show results with:transition
  57. [57]
    Notting Hill movie review & film summary (1999) - Roger Ebert
    Rating 3/4 · Review by Roger EbertTo be beautiful and famous is, the movie argues, to risk losing ordinary human happiness. The first “date” between Anna and William is at his sister's birthday ...Missing: critical | Show results with:critical
  58. [58]
    Short Takes: Le Week-End - Film Comment
    From title on down, Le Week-End is built on cursory cultural appropriation. It's integral to the film's plot, in which an aging English couple alight upon ...
  59. [59]
    Regency romance shadowing in the visual motifs of Roger Michell's ...
    Jun 5, 2012 · Commentators on Roger Michell's 1995 film adaptation of Persuasion have criticized the incongruity of Captain Wentworth and Ann Elliot ...<|control11|><|separator|>
  60. [60]
    Notting Hill director Roger Michell dies at 65
    Sep 23, 2021 · His production of Blue/Orange by Joe Penhall, starring Bill Nighy, Andrew Lincoln and Chiwetel Ejiofor, won numerous awards and transferred to ...<|separator|>
  61. [61]
    Awards - Roger Michell - IMDb
    7 wins & 18 nominations. BAFTA Awards. Jason Watkins in The Lost Honour of Christopher Jefferies (2014). 2015 Winner BAFTA TV Award.Missing: major | Show results with:major
  62. [62]
    Roger Michell - The New York Times
    'The Duke' Review: Suspect's 61. This film from the director Roger Michell has a compelling art-thief protagonist, but is weighed down by soggy family drama.
  63. [63]
    The Films of Roger Michell - Reviews by David Nusair
    The low-key vibe is certainly reflected in Roger Michell's understated visual choices, while Hanif Kureishi's script unflinchingly explores the harsh realities ...
  64. [64]
    Roger Michell: UK industry pays tribute to “genius director and ...
    Sep 24, 2021 · Among Michell's best-known films is 1999 romantic comedy Notting Hill, for which he was nominated for best British film at the Baftas. Written ...
  65. [65]
    'Elizabeth: A Portrait in Part(s)': Roger Michell's Royal Documentary
    Apr 26, 2022 · 'Elizabeth: A Portrait in Part(s)' Review: Roger Michell's Personal, Impressionistic, Irresistible Collage Documentary About Queen Elizabeth II.<|separator|>
  66. [66]
    A24 To Release Roger Michell's Last Film, Doc On Queen Elizabeth II
    Feb 1, 2022 · EXCLUSIVE: A24 will release Roger Michell's last movie, the documentary Elizabeth about the life of Queen Elizabeth II, we can reveal.<|separator|>
  67. [67]
    A tribute to Notting Hill director Roger Michell | BFI - YouTube
    Mar 10, 2022 · The passing of Roger Michell in September 2021 saw a huge outpouring of grief from the industry, who admired his work in film, ...Missing: style | Show results with:style<|separator|>
  68. [68]
    Joe Penhall on Roger Michell: 'His work blazed with a black wit and ...
    Sep 27, 2021 · The playwright pays tribute to the director's complex mind, sophistication and clairvoyant sense of what would work.Missing: awards | Show results with:awards