Ruben Fleischer
Ruben Samuel Fleischer (born October 31, 1974) is an American film director, producer, television producer, music video director, and commercial director, best known for his work in action, comedy, and superhero genres, including the zombie comedy Zombieland (2009)—his feature directorial debut which became the highest-grossing zombie film at the time—and its sequel Zombieland: Double Tap (2019).[1][2] Born in Washington, D.C., Fleischer earned a history degree from Wesleyan University without formal film training, instead entering the industry as a production assistant on the television series Dawson's Creek and later assisting director Miguel Arteta on films such as Chuck & Buck (2002) and The Good Girl (2002).[1][3] Fleischer's early career focused on commercials for brands like Burger King and Cisco, as well as music videos for artists including M.I.A. and Electric Six, before he transitioned to television production, co-creating the MTV reality series Rob & Big (2006–2008) and Rob Dyrdek's Fantasy Factory (2009–2011).[1][3] His breakthrough into feature films came with Zombieland, a critical and commercial success starring Jesse Eisenberg, Woody Harrelson, Emma Stone, and Abigail Breslin, which grossed over $100 million worldwide on a $24 million budget.[1] Subsequent directorial efforts include the action-comedy 30 Minutes or Less (2011) with Eisenberg and Danny McBride, the period crime drama Gangster Squad (2013) featuring Josh Brolin and Ryan Gosling, the Marvel antihero film Venom (2018) starring Tom Hardy which earned over $850 million globally, and the video game adaptation Uncharted (2022) with Tom Holland and Mark Wahlberg that surpassed $400 million in worldwide box office.[1] In addition to directing, Fleischer has produced television projects such as the mockumentary series Jury Duty (2023) and the medical comedy St. Denis Medical (2024–2025), and the heist film Now You See Me 3: Now You Don't (2025).[2][4]Early life and education
Upbringing
Ruben Fleischer was born on October 31, 1974, in Washington, D.C.[2] He is the son of David Elliot Fleischer, a physician and medical school professor who worked at Georgetown University and later at the Mayo Clinic in Arizona, and Karen Lee Samuel, who converted to Judaism upon marriage; Fleischer's family observed Reform Judaism.[5][6] His father comes from a Jewish family of Russian immigrant heritage, with his paternal great-grandparents Ruben Fleischer and Rose Fleischer having emigrated from Russia.[6][7] Fleischer's paternal grandfather, Jack Fleischer, was born on January 1, 1919, in Brooklyn, New York, and passed away on October 11, 2009.[7][6] Fleischer has a brother, Lucas Fleischer, who works in new media and has appeared in minor acting roles, and a sister, Mara Fleischer.[5][8][7] He grew up in the Washington, D.C., area, attending Lafayette Elementary School and Georgetown Day School.[5]Academic background
Fleischer earned a Bachelor of Arts degree in history from Wesleyan University in 1997.[9] Following graduation, he relocated to San Francisco, where he worked as a web developer, creating early websites for clients including General Motors and Microsoft using basic HTML technologies.[10] This period provided initial exposure to creative production but did not involve formal film training. In the late 1990s, Fleischer moved to Los Angeles and entered the entertainment industry through entry-level positions, beginning as a production assistant on the television series Dawson's Creek under writer Mike White.[11] He advanced to assistant roles on independent films such as Chuck & Buck (2000) directed by Miguel Arteta, where he handled multiple tasks including second assistant camera duties during low-budget shoots.[11] These experiences fostered early networking with filmmakers and honed practical skills in set operations, actor management, and directing techniques, laying the groundwork for his transition into music videos and commercials.[11] Fleischer has stated that he did not attend film school, instead relying on hands-on apprenticeships and self-directed short films to build his expertise in visual storytelling.[12]Professional career
Start in commercials and music videos
Ruben Fleischer founded his production company, Camp Hobart, in the early 2000s as an aspiring director seeking to showcase his work in an era before widespread digital distribution.[13] He initially produced low-budget short films and music videos, mailing VHS tapes to potential collaborators in a grassroots effort to build his portfolio.[13] Fleischer's early commercial directing assignments included campaigns for major brands such as Cisco, Eurostar, ESPN, and Burger King, where he honed his skills in concise storytelling under tight constraints.[14] These projects marked his entry into advertising, transitioning from independent shorts to client-driven work that demanded precision and visual impact within 30 seconds.[15] In parallel, Fleischer directed music videos that showcased emerging artists, including M.I.A.'s "Galang" in 2004, Dizzee Rascal's "Stand Up Tall" in 2004, and Kid Sister's "Pro Nails" featuring Kanye West in 2007.[16] Starting with ultra-low-budget productions like Gold Chains' "I Came From SF" for around $50, these videos emphasized raw energy and innovative visuals, often incorporating street culture and rapid editing to capture the music's rhythm.[17] Through this period, Fleischer developed a directing style rooted in dynamic action sequences, humor, and quick cuts, skills refined over eight years of music videos, commercials, and short-form content that formed the foundation for his narrative approach in longer formats.[18] The progression from self-financed, experimental pieces to higher-profile gigs represented a key breakthrough, as accumulating a strong demo reel enabled access to more substantial opportunities in advertising and beyond.[19]Television work
Fleischer transitioned to television directing with the pilot episode of the ABC sitcom American Housewife in 2016, setting the tone for its family comedy centered on a self-assured mother navigating suburban life.[2] In 2017, he directed the first two episodes of Netflix's Santa Clarita Diet, a zombie horror-comedy starring Drew Barrymore and Timothy Olyphant as a suburban couple dealing with her undead transformation. His episodic work continued with Stumptown in 2019–2020, where he helmed episodes of the ABC crime drama featuring Cobie Smulders as a private investigator, including the installment "Til Dex Do Us Part."[20] As an executive producer, Fleischer contributed to several notable series, beginning with the 2023 Amazon Freevee mockumentary Jury Duty, a satirical take on the American legal system that earned a Primetime Emmy nomination for Outstanding Comedy Series. That year, he also executive produced HBO's limited series White House Plumbers, a political drama chronicling the Watergate scandal's key figures, starring Woody Harrelson and Justin Theroux.[21] Fleischer directed the pilot and served as executive producer on NBC's St. Denis Medical (2024–present), a workplace mockumentary set in a struggling hospital, renewed for a second season premiering in November 2025.[22] In 2025, he executive produced Prime Video's Motorheads, a coming-of-age drama about street racing and family ties led by Ryan Phillippe.[23] Fleischer's television directing draws from his visual style honed in music videos and commercials, emphasizing offbeat humor, brisk pacing, and character-driven storytelling suited to half-hour comedic formats.[24] This work sharpened his abilities in managing ensemble dynamics and efficient production schedules, fostering collaborations with networks like ABC, Netflix, HBO, and Amazon that propelled his shift toward high-profile feature films and broader media projects.[25]Feature film directing
Fleischer made his feature film directing debut with Zombieland (2009), a zombie apocalypse comedy that blended horror elements with irreverent humor, marking a breakout success with a worldwide gross of $102 million against a $24 million budget.[26] The film received positive critical reception, earning an 89% approval rating on Rotten Tomatoes for its witty screenplay and ensemble performances by Jesse Eisenberg, Woody Harrelson, Emma Stone, and Abigail Breslin. Fleischer's direction emphasized fast-paced action sequences and survival motifs infused with comedic rules for navigating the undead world, establishing his early style of genre hybridization that appealed to both horror fans and mainstream audiences.[12] Following this, Fleischer directed 30 Minutes or Less (2011), an action-comedy about a pizza delivery driver coerced into a bank robbery, which grossed $40.7 million worldwide on a $28 million budget but garnered mixed reviews with a 45% Rotten Tomatoes score, praised for its kinetic energy yet criticized for tonal inconsistencies. He then shifted to a more dramatic tone with Gangster Squad (2013), a period crime film depicting 1940s Los Angeles law enforcement battling mobster Mickey Cohen, earning $105 million globally against a $60 million budget while receiving a 30% critical approval for its stylized violence and ensemble cast including Sean Penn and Ryan Gosling.[27] These mid-career projects showcased Fleischer's versatility in handling ensemble dynamics and high-stakes action, though they highlighted challenges in balancing spectacle with narrative depth compared to his debut's lighter touch. Fleischer's collaboration with Sony Pictures elevated his profile with Venom (2018), a superhero film starring Tom Hardy as the symbiote-host Eddie Brock, which became a massive commercial hit grossing $856 million worldwide on a $100-116 million budget despite a 30% Rotten Tomatoes rating, buoyed by audience enthusiasm for its campy tone and visual effects.[28] He returned to his roots with the sequel Zombieland: Double Tap (2019), reuniting the original cast for further adventures amid evolved zombie threats, achieving $122 million in global earnings against a $68 million budget and a more favorable 68% critical score for recapturing the franchise's humorous survival themes.[29] These Sony-backed films demonstrated Fleischer's adeptness at scaling up production values while maintaining recurring motifs of reluctant heroes and buddy dynamics in genre-driven narratives.[24] In Uncharted (2022), Fleischer adapted the popular video game series into a treasure-hunting adventure featuring Tom Holland as Nathan Drake, grossing $407 million worldwide on a $120 million budget amid mixed reviews with a 40% Rotten Tomatoes approval, lauded for its adventurous set pieces but critiqued for formulaic plotting.[30] This project exemplified his career progression from indie-scale comedies to big-budget blockbusters, evolving a directorial style characterized by ensemble-driven stories, rapid editing in action sequences, and a blend of humor with high-concept spectacle, influenced by adventure classics like Indiana Jones.[31]Producing and recent projects
Fleischer expanded his role in the industry as an executive producer on Venom: Let There Be Carnage (2021), the sequel to his 2018 directorial effort Venom, which grossed over $500 million worldwide despite production hurdles related to the COVID-19 pandemic. He also served as a producer on the comedy Bad Trip (2020), a hidden-camera film starring Eric André that premiered on Netflix and highlighted Fleischer's interest in unconventional humor formats. In recent television producing, Fleischer executive produced the mockumentary series Jury Duty (2023) on Amazon Freevee, which earned critical acclaim for its satirical take on the American justice system and received multiple Emmy nominations. He continued this trajectory as executive producer on St. Denis Medical (2024–present), an NBC workplace comedy set in an underfunded hospital, where he also directed the pilot episode and which was renewed for a second season premiering in November 2025. Additionally, Fleischer served as an executive producer on Prime Video's Motorheads (2025), a motorsport-themed coming-of-age drama that premiered in May 2025 and was canceled after one season in August 2025. Fleischer directed Now You See Me: Now You Don't (2025), the third installment in Lionsgate's magic-heist franchise, reuniting original cast members like Jesse Eisenberg and Woody Harrelson while introducing new performers; the film addresses adaptation challenges by emphasizing practical magic tricks to maintain the series' ensemble-driven illusions, and was released on November 14, 2025.[32] A fourth film is currently in the writing process as of November 2025.[33] He is also developing The Sun Always Sets in the West, a vampire Western for Lionsgate announced in early 2025, blending horror and frontier genres in a story about a drifter confronting mercenaries.[34] Fleischer's career has shifted toward hybrid directing and producing roles, particularly in expanding franchises, as seen in his work on Sony's Uncharted (2022), where pandemic-related production halts delayed filming by months and required navigating video game adaptations without direct source fidelity.[35] These efforts reflect broader industry trends post-2020, including resumed shoots amid health protocols and creative adjustments for source material like comics and games to fit cinematic constraints.[36]Personal life
Family
Ruben Fleischer married Holly Shakoor, a former publicist, on November 10, 2012, in Ojai, California, in a ceremony officiated by actress Emma Stone.[37] Holly Shakoor Fleischer is a podcast host and co-creator of Going Thru It, a show she co-hosts with her sister Jill Shakoor, exploring themes of personal growth, healing, and family dynamics.[38] The couple has two daughters, Jack and Goldie.[39] Fleischer shares an ongoing professional and personal relationship with his brother, Lucas Fleischer, who works in new media and acted in his 2013 film Gangster Squad. He also has a sister, Mara Fleischer.[8][40] His father, David Elliot Fleischer, is a physician and professor of medicine at Mayo Clinic Arizona, while his mother is Karen Lee Fleischer.[41]Residence
In 2022, Ruben Fleischer and his wife purchased a 1909 Tudor Revival mansion in Montclair, New Jersey, spanning 10,000 square feet with 23 rooms on park-like grounds originally designed by the Olmsted Brothers.[39][42] The property, built in 1909, underwent a comprehensive renovation led by Studio DB, which preserved historic elements like wood paneling and plasterwork while modernizing spaces for everyday comfort, including a video arcade, art-making room, and Lego-building area to enhance family livability.[39][42] Fleischer took a hands-on approach to the home's design, contributing ideas to infuse the space with sophisticated yet whimsical touches, such as a pink-walled man cave for record listening and asymmetrical furniture arrangements that prioritize functionality over formality.[39] This involvement reflects his detail-oriented style, resulting in hidden features like a brass bar and multiple secluded living areas that support a preference for privacy amid the home's grandeur.[39][42] The residence allows Fleischer to balance his West Coast professional commitments with his East Coast roots, having relocated from Los Angeles to be closer to family in the region, while fostering a daily routine centered on hosting gatherings and personal retreats like vinyl record sessions in dedicated nooks.[39] The design emphasizes nothing being "too precious," enabling relaxed hobbies and routines tied to the home's versatile environments.[39]Filmography
Feature films
| Year | Title | Role |
|---|---|---|
| 2009 | Zombieland | Director[43] |
| 2011 | 30 Minutes or Less | Director[44] |
| 2013 | Gangster Squad | Director[45] |
| 2018 | Venom | Director[46] |
| 2019 | Zombieland: Double Tap | Director[47] |
| 2021 | Venom: Let There Be Carnage | Executive Producer[48] |
| 2022 | Uncharted | Director[49] |
| 2025 | Now You See Me: Now You Don't | Director[50] |
Television
| Year(s) | Series | Role | Specific Credits |
|---|---|---|---|
| 2016–2021 | American Housewife | Director, Executive Producer | Directed the pilot episode (Season 1, Episode 1); executive producer for the series.[51][52] |
| 2017–2019 | Santa Clarita Diet | Director, Executive Producer | Directed the first two episodes ("We Can't Kill People!" and "So Then a Bat or A Monkey," Season 1, Episodes 1–2); executive producer for the series.[53][54][55] |
| 2019–2020 | Stumptown | Director, Executive Producer | Directed "Til Dex Do Us Part" (Season 1, Episode 14); executive producer for the series.[56][57] |
| 2023 | Jury Duty | Executive Producer | Executive producer for the series.[58][59] |
| 2023 | White House Plumbers | Executive Producer | Executive producer for the miniseries.[21][60] |
| 2024–present | St. Denis Medical | Director, Executive Producer | Directed the pilot episode ("Welcome to St. Denis," Season 1, Episode 1); executive producer for the series.[61][62][63] |
| 2025 | Motorheads | Executive Producer | Executive producer for the series.[64][23] |
Music videos
Fleischer directed numerous music videos in the early 2000s, establishing his reputation in the industry before transitioning to feature films.[14] Key credits include:- Electric Six – "Dance Commander" (2003)[65]
- DJ Format – "The Hit Song" (2003)
- DJ Format feat. Abdominal & D-Sisive – "Vicious Battle Raps" (2003)
- Dizzee Rascal – "Fix Up, Look Sharp" (2003)[66]
- DJ Format feat. The Scratches – "We Know Something You Don't Know" (2003)
- Cold Chains – "I Come From San Francisco" (2001)
- Amp Fiddler – "I Believe In You" (2004)
- Dizzee Rascal – "Stand Up Tall" (2004)
- M.I.A. – "Galang" (2004)[67]
- Kid Sister feat. Kanye West – "Pro Nails" (2007)[68]
- Major Lazer – "Come to Me" (2014)[69]
Commercials
Fleischer began his directing career in advertising, helming spots for major brands throughout the 2000s and 2010s. His commercial work often featured dynamic visuals and humor, contributing to campaigns for athletic and tech companies.[11] Key credits include:- Adidas "Shoe Capacitor" (early 2000s), a spot showcasing innovative effects for the sportswear brand.[71]
- Nike "The Dunk To End All Dunks" (2007), highlighting extreme basketball action with special effects.[71]
- Microsoft Outlook "Get Going" (2000s), part of the software giant's promotional efforts.[71]
- Samsung "The Best TV" (2010s), emphasizing product features through engaging storytelling.[72]
- Capital One "Quicksilver Card" featuring Samuel L. Jackson (2010s), a high-profile financial services ad.[73]
- Burger King campaigns (2000s), including various fast-food promotions.[1]
- Cisco spots (2000s), focused on technology solutions.[1]