Fact-checked by Grok 2 weeks ago

Ruth Chatterton

Ruth Chatterton (December 24, 1892 – November 24, 1961) was an American actress, novelist, and licensed aviator renowned for her pioneering roles in stage, silent and sound films, and early television, as well as her multifaceted pursuits beyond entertainment. Born in to architect Walter Chatterton and artist Lillian Reed, she began her professional career at age 14 as a chorus girl before achieving Broadway stardom with leading roles in plays like Daddy Long-Legs (1914) and Come Out of the Kitchen (1916). Over the next decade, Chatterton starred in acclaimed productions such as The Changelings (1923) and The Magnolia Lady (1924), establishing herself as a versatile dramatic actress known for portraying intelligent, independent women. Transitioning to film in 1928 with the silent comedy The Joy Girl, she quickly adapted to the talkie era, making her sound debut in The Doctor's Secret (1929) and earning praise for her refined diction and emotional depth. Her breakthrough came with Madame X (1929), a MGM melodrama that showcased her as a tragic socialite, followed by the maternal role in Sarah and Son (1930), both of which garnered her consecutive Academy Award nominations for Best Actress—the first such honor for any performer. Throughout the 1930s, Chatterton headlined sophisticated dramas at Paramount and Warner Bros., including The Rich Are Always with Us (1932), Frisco Jenny (1933), and Dodsworth (1936), where her portrayal of the restless Fran Dodsworth opposite Walter Huston solidified her reputation as a preeminent leading lady of the era. Beyond acting, Chatterton pursued aviation in the 1930s, earning her pilot's license and participating in air races while promoting women's roles in flight; she frequently flew her own plane for personal and professional travel, including cross-country trips. She was married three times—to British actor Ralph Forbes from 1924 to 1932, fellow Warner Bros. star George Brent from 1932 to 1934, and writer Barry Thomson from 1942 until his death in 1960—with no children from any union. Retiring from films in the late 1930s after appearances in A Royal Divorce (1938) and early TV anthology series, she channeled her energies into writing, producing five novels that addressed social themes: Lovers and Friends (1949), Homeward Borne (1950), The Betrayers (1953), The Pride of the Peacock (1954), and The Southern Wild (1958). Chatterton passed away from a cerebral hemorrhage at Norwalk Hospital in Connecticut at age 68.

Early Life

Family Background

Ruth Chatterton was born on December 24, 1892, in to Walter Smith Chatterton, an architect, and Lillian Reed Chatterton. The family resided initially in at 20 East 129th Street, reflecting a middle-class environment typical of late 19th-century urban . Her parents separated when she was approximately four years old, around 1896, which significantly altered her early home life. Following the separation, Chatterton lived primarily with her mother and maternal grandmother in reduced financial circumstances, as the left the family in difficult straits. This period of instability fostered a close bond with her mother, who supported the household through various means, including sewing work. Chatterton received her early education at the Pelham School for Girls (also known as Mrs. Hagen's School) in , where she spent much of her childhood after the family's move from Fordham Heights. The school's environment, combined with family narratives and occasional exposure to local theatrical performances, sparked her initial interest in during her girlhood.

Introduction to Acting

Ruth Chatterton's entry into the performing arts was sparked at age 16 by a challenge from friends during a 1908 play in , where she criticized the lead actress's performance and was dared to audition herself, securing her debut as a chorus girl in a touring production. This initial experience ignited her passion for the stage, marking the beginning of her practical immersion in theater without formal training. From 1909 to 1910, Chatterton built her foundational skills through roles in various stock companies and circuits, focusing on dramatic reading and versatile performance techniques that emphasized adaptability and quick learning on the job. These early engagements provided her with hands-on training, allowing her to develop a strong stage presence amid the demands of repertory work and short-run shows. At age 16, amid her family's financial difficulties following her parents' separation, Chatterton left school to commit to acting full-time, joining the Friend Stock Company in , , for a six-month stint that further solidified her professional resolve. This period of intensive, experience-based preparation, rather than structured education, equipped her with the and expertise needed for future successes.

Stage Career

Broadway Debut

Ruth Chatterton made her professional debut on October 4, 1911, in the comedy The Great Name by James Clarence Harvey at the Lyric Theatre, where she performed in a small supporting role as Isolde Brand. The production, starring , ran for only 21 performances, marking a modest start to her stage career after prior experience in stock companies and touring. Chatterton's breakthrough came three years later in the title role of Daddy Long Legs, an adaptation of Jean Webster's novel produced by and directed by her future husband. Opening on September 28, 1914, at the Gaiety Theatre, the play featured Chatterton as the spirited orphan Judy Abbott and enjoyed a successful run of 264 performances through May 1915, solidifying her reputation as a leading at age 21. Her performance was praised for its charm and vitality, drawing comparisons to a "breath of spring" and helping to launch her into stardom amid a competitive field of young actresses. In the early 1920s, Chatterton continued building her stage presence through a mix of Broadway appearances, revivals, and touring productions, often in supporting or leading ingénue parts that highlighted her youthful appeal. Notable roles included Judith Baldwin in the comedy Moonlight and Honeysuckle (1919, 97 performances) and the titular character in J.M. Barrie's fantasy Mary Rose (1920–1921, 127 performances), both of which toured extensively after their New York runs. She also appeared in lesser-known works like the short-lived Perkins (1918, 16 performances) and the French drama La Tendresse (1922, 64 performances), navigating a landscape where typecasting in light romantic leads limited opportunities for more mature characterizations while competing with established performers such as Blanche Bates. A highlight from this period was her portrayal of Fay Faber in Lee Wilson Dodd's comedy The Changelings (1923–1924, 128 performances at the Henry Miller's Theatre), opposite Henry Miller, which showcased her versatility in a modern domestic role and ran through early 1924. These experiences underscored her rapid ascent from novice to established Broadway performer, though often confined to ingénue archetypes in an era dominated by veteran stars.

Key Productions and Breakthroughs

Chatterton's star turn came in J.M. Barrie's fantasy play , where she portrayed the titular character with a delicate, ethereal quality that drew critical praise for its loveliness and emotional nuance. The production opened on December 22, 1920, at the Empire Theatre and ran for 127 performances through May 1921. In 1923, she took the lead role of Fay Faber in Lee Wilson Dodd's comedy The Changelings, earning acclaim for the dramatic depth she brought to her character's modern societal conflicts. Directed by and co-starring , the play premiered on September 17, 1923, at Henry Miller's Theatre and enjoyed 128 performances until January 1924. Chatterton demonstrated her comedic range in roles like Olivia Daingerfield in A.E. Thomas's Come Out of the Kitchen (1916), a lighthearted tale of Southern , and later as Lily-Lou Ravenel in the musical The Magnolia Lady (1924), which highlighted her charm in lighter fare. These performances, alongside her dramatic work, underscored her versatility on stage. After retiring from films, Chatterton returned to Broadway in 1940 for her final major stage role as Madge Monckton in the dramatic adaptation , based on Ben Ames Williams's novel; the production opened February 27 at the but closed after just 12 performances on March 9. Over her career, Chatterton amassed 18 credits from 1911 to 1951, with her mid-1920s productions building on her early breakthrough in Daddy Long Legs (1914) to establish a legacy of sophisticated, multifaceted portrayals that informed her later film persona.

Film Career

Entry into Cinema

Following her acclaimed Broadway performances, Ruth Chatterton signed a contract with in 1928, transitioning from stage to screen at the age of 35. Her film debut came in the silent drama Sins of the Fathers (1928), directed by Ludwig Berger, where she portrayed the ambitious Gretta Blake opposite as a struggling drawn into bootlegging. This role, her only , showcased her dramatic intensity but was considered lost until excerpts surfaced in archives. Chatterton's move to cinema was propelled by the financial allure of contracts amid the booming , compounded by the rise of talking pictures, for which her cultivated stage diction and commanding vocal presence proved invaluable. As talkies revolutionized the medium, demanding actors with clear, expressive voices, her theatrical background positioned her advantageously over many silent-era performers. She quickly adapted to the technical demands of filmmaking, including emoting and synchronized sound, during a prolific 1929 output of five talkies for . Among her early sound efforts were The Doctor's Secret (1929), an adaptation of J.M. Barrie's play in which she played a wife concealing her past from her husband, and (1929), a comedy-drama co-starring as a boxer-turned-lawyer, highlighting her versatility in lighter fare. These productions required her to refine stage techniques for the camera's intimacy, emphasizing nuanced facial expressions over broad gestures. By 1930, seeking enhanced creative control and superior roles, Chatterton negotiated a more lucrative deal with through her agent Myron Selznick, departing after completing her obligations and solidifying her Hollywood foothold.

Peak Achievements and Nominations

Chatterton's transition to sound films in the late quickly elevated her to stardom, with her sophisticated voice and stage-honed presence proving ideal for the early talkies era. Her portrayal of the tragic Jacqueline Floriot in (1929), directed by , earned her the first Academy Award nomination for , recognizing her nuanced depiction of a woman cast out by her husband for an affair and later facing a courtroom reckoning as an anonymous defendant. The film's emotional depth and Chatterton's restrained intensity contributed to its critical and commercial appeal, solidifying her as a leading dramatic . Building on this momentum, Chatterton received a second consecutive nomination at the for her role as Sarah Storm in Sarah and Son (), where she played a devoted mother fighting to reclaim her son after years of separation caused by poverty and circumstance. These back-to-back honors marked Chatterton as one of Hollywood's premier interpreters of complex, emotionally charged female leads during the industry's shift to synchronized sound. Throughout the early 1930s, Chatterton starred in several key pre-Code dramas that showcased her versatility and box-office draw, including Daughters of the Rich (1931), a tale of class disparity and family secrets; The Rich Are Always with Us (1932), where she navigated and among ; and Female (1933), in which she portrayed Alison Drake, a commanding auto industry executive who balances professional authority with personal desires. These films capitalized on the era's loosening , allowing Chatterton to embody bold, multifaceted women whose independence challenged traditional roles, earning praise for her elegant poise and intellectual depth in roles that resonated with audiences amid economic turmoil. A significant aspect of Chatterton's peak period was her frequent on-screen pairing with George Brent, beginning with The Rich Are Always with Us and extending to Female and Lilly Turner (1933), where their real-life marriage from 1932 to 1934 infused their chemistry with authenticity. This collaboration often cast her as the worldly sophisticate opposite Brent's debonair leads, enhancing her image as a glamorous yet formidable figure in Warner Bros.' prestige pictures and contributing to the studio's string of profitable early talkies.

Later Films and Retirement

In 1934, Chatterton starred in Journal of a Crime, a directed by , where she portrayed Françoise Moliet, a devoted wife who discovers her husband Paul's infidelity with Odette and subsequently murders the mistress before suffering . The film highlighted her ability to convey emotional turmoil in pre-Code fashion, though it marked the beginning of a career shift as her studio assignments grew less prominent. Chatterton's performance in Dodsworth (1936), directed by and produced by , stands as one of her most acclaimed late-period roles. She played Fran Dodsworth, the vain and self-absorbed wife of industrialist Sam Dodsworth (), whose fear of aging drives her to pursue a superficial European social life, straining their marriage. praised her depiction of Fran as "one of her best," noting her deft handling of the character's "silly, shallow, age-fearing" selfishness and vulgarity. Despite the critical acclaim, Chatterton received no Academy Award for the role, which contributed to the film's five Oscar nods, including Best Picture. That same year, she appeared in Columbia's Lady of Secrets, directed by Marion Gering, as Celia Whittaker, the agoraphobic older sister harboring a tragic secret from her youth involving an ill-fated romance and an illegitimate . The melodrama, adapted from Katharine Brush's story "Maid of Honor," explored themes of hidden and emotional isolation, with Chatterton's character central to a flashback revealing her past interference by her family. The production reflected her increasing selectivity in roles amid a cooling market. Chatterton then moved to England for two films: The Rat (1937), a drama directed by Jack Raymond in which she played the socialite Zelia de Chaumont opposite as a jewel thief, and her final film, the historical drama A Royal Divorce (1938), also directed by Raymond, where she portrayed Empress opposite Pierre Blanchar's Napoleon Bonaparte. Filmed in England, A Royal Divorce traced the couple's romance through his ascent to power and their eventual divorce, offering Chatterton a period role away from American studios. By 1938, at age 45, Chatterton announced her from motion pictures, citing exhaustion with the industry and a desire for greater personal independence to pursue stage work and novel writing. She had grown frustrated with in mature, often unsympathetic roles for women of her age and the rigid control exerted by studios over creative choices and casting. This decision followed a period of declining offers, as prioritized younger stars, allowing her to step away after two decades in film.

Television and Writing Career

Television Roles

Chatterton returned to performing in 1948 after a decade away from the screen, debuting on television in the episode "Suspect" on The Philco Television Playhouse, a live anthology series broadcast on NBC. This appearance marked her adaptation to the emerging medium of live TV broadcasts, where her extensive stage experience allowed her to deliver nuanced performances under the constraints of real-time production. She continued with select roles in dramatic anthologies, including reprising her iconic film character Fran Dodsworth in a 1950 television adaptation on The Prudential Family Playhouse, co-starring as her husband Sam. In 1951, she portrayed Kit Marlowe in an episode of Celanese Theatre, showcasing her command of period drama. The following year, Chatterton appeared as Alison Stanhope in Pulitzer Prize Playhouse and in an unspecified role on , both live productions that highlighted her versatility in ensemble casts. These engagements totaled six television credits overall, reflecting a deliberate limited output as she increasingly focused on writing novels amid from her intensive career in . Her final role came in 1953 as Queen Gertrude in a production of on , opposite Maurice Evans as the title character; critics praised the adaptation for its imaginative staging and the cast's graceful delivery, with Chatterton's portrayal bringing Shakespearean depth and stage-honed gravitas to the live format. This low-pressure outlet via suited her post-Hollywood phase, allowing brief returns to acting without the demands of sustained film commitments.

Literary Works

Following her retirement from film acting in the late , Ruth Chatterton transitioned to a writing career, drawing on her experiences to produce novels that addressed social and familial issues. Her debut novel, Homeward Borne (Simon & Schuster, 1950), is a semi-autobiographical centered on a married woman and mother who adopts a Jewish child from a concentration camp, exploring themes of family dynamics, post-war trauma, and personal ambition amid societal challenges. The book achieved significant commercial success, becoming a Times bestseller. Chatterton's subsequent novels continued to tackle controversial topics, reflecting her interest in women's independence and broader social tensions. The Betrayers (Houghton Mifflin, 1953) delves into themes of and political during the McCarthy era, portraying complex interpersonal and ideological conflicts with well-developed characters. The Pride of the Peacock (Simon & Schuster, 1954), a with elements of , examines the effects of separation, , and inheritance disputes on a sensitive within a Southern aristocratic , highlighting emotional and generational shifts. Her final novel, The Southern Wild (G. G. Harrap, 1958), embodies style through its intricate plot addressing racial nuances and the clash between traditional Southern values and emerging civil rights struggles in the post-World War II era. Over her writing career spanning 1950 to 1958, Chatterton published four novels, which garnered mixed critical reception for their bold but demonstrated strong commercial viability, with her Homeward Borne establishing her as a notable , motivated by her desire to explore women's roles and societal after leaving the screen.

Personal Life

Aviation Pursuits

Ruth Chatterton's interest in emerged during the height of her film career in the early , serving as a means of personal escape and a symbol of her pursuit of independence as a in a male-dominated era. She earned her private pilot's license in April 1935, becoming one of the few female aviators in the United States at the time. That same year, she completed a solo transcontinental flight across the United States, demonstrating her skill and passion for flying. A close friend of pioneering aviator , Chatterton shared a bond with the famed pilot through their mutual enthusiasm for flight, often socializing in aviation circles during . She actively supported women's involvement in aviation by sponsoring the annual Ruth Chatterton Air Sportsman Pilot Trophy Race, a precision-flying contest held in conjunction with the starting in 1935; this event encouraged both men and women pilots and highlighted cross-country navigation skills without emphasizing speed. In 1936, she paced a cross-country air derby from to , leading 36 pilots—including 10 women—in her own aircraft, and officially opened the in , further promoting the sport. These efforts positioned her as an advocate for in the pre-World War II years, inspiring greater participation among female pilots. Chatterton owned several aircraft during her flying years, including a Stinson SR-8E Reliant and a new four-place cabin plane purchased in November 1935 for $25,000, which she used for personal cross-country trips. Although she never pursued a commercial flying career, she promoted through her high-profile sponsorships and public appearances, contributing to the growing visibility of the field for women before the war. Her aviation activities overlapped with her second marriage to actor from 1932 to 1934, during which she balanced demands with her airborne adventures.

Marriages

Ruth Chatterton was married three times, all to actors, and had no biological children from any of her unions. Her first marriage was to British actor , whom she met while co-starring with him in the Broadway musical The Magnolia Lady in 1924. The couple wed on December 20, 1924, at the Church of the Beloved Disciple in , shortly after the show's opening. Their relationship, initially fueled by onstage chemistry, endured for nearly eight years but ended in divorce in 1932 amid the pressures of Chatterton's intensifying stage and film career demands. The day after her divorce from Forbes was finalized on August 12, 1932, Chatterton married American actor on August 13 in . Their union began as a whirlwind romance developed during collaborations on films such as The Rich Are Always with Us (1932). Despite the initial passion, the marriage lasted only two years, dissolving in October 1934 when Chatterton filed for in on grounds of cruelty, later attributing the split to fundamental incompatibility between the two. Chatterton's third and longest marriage was to Scottish-born actor , beginning in 1942. This partnership offered stable companionship through her later years, including support for her pursuits in writing, and lasted until Thomson's death from a heart attack on August 19, 1960, at age 52. Like her previous marriages, it produced no children, underscoring Chatterton's independent spirit, as evidenced by her initiating the divorces in her first two unions.

Death and Legacy

Final Years

Following the death of her third husband, actor , from a heart attack on August 19, 1960, Chatterton lived alone in their shared home on Sanford Town Road in . In widowhood, she maintained a low public profile, focusing on light writing amid declining health that limited her social engagements. Her "Lady's Man" was published in August 1961 in the anthology : Stories for Late at Night, reflecting her ongoing literary interests in her final months. She experienced greater isolation at the Redding property, winding down her activities before a brief illness in .

Death

Ruth Chatterton suffered a cerebral hemorrhage on November 21, 1961, at her home in , and was subsequently taken to Norwalk Hospital in Norwalk, where she died three days later on November 24, at the age of 67. Following her death, Chatterton was cremated, and her ashes were interred in a niche in the Lugar Mausoleum (Section 11, Lot 303) at Beechwoods Cemetery in . No public funeral was held, and her estate was handled privately in accordance with her wishes.

Honors

Chatterton received two Academy Award nominations for early in her film career. In 1930, at the , she was nominated for her portrayal of Jacqueline Fleuriot in , a role that highlighted her dramatic range in a tale of redemption and maternal sacrifice. The following year, at the , she earned her second nomination for playing Sarah Storm in Sarah and Son, a performance noted for its emotional depth in depicting a mother's desperate search for her lost child. In recognition of her contributions to motion pictures, Chatterton was honored with a star on the in 1960, located at 6263 . Her stage legacy was further acknowledged posthumously when she was inducted into the American Theater Hall of Fame, joining luminaries for her pioneering work in productions such as Come Out of the Kitchen and The Changelings. Beyond her achievements, Chatterton received posthumous recognition in histories for her advocacy of women's flying. As an accomplished aviatrix who completed solo cross-country flights in , she sponsored the Ruth Chatterton Air Sportsman Pilot Trophy to encourage female participation in competitions, a contribution highlighted in archival accounts of early women pilots.

References

  1. [1]
    RUTH CHATTERTON, ACTRESS, 67, DIES; Stage and Screen-Star ...
    NORWALK, Conn., Nov. 24- Ruth Chatterton, the actress, died today at the Norwalk Hospital after a brief illness. She was 67 years old. Miss Chatterton had ...
  2. [2]
    Ruth Chatterton – Broadway Cast & Staff - IBDB
    A Flag Is Born (Sep 05, 1946 - Dec 14, 1946). Performer: Ruth Chatterton ... The Great Name (Oct 04, 1911 - Closing date unknown). Performer: Ruth ...
  3. [3]
    Ruth Chatterton(1892-1961) - IMDb
    Beginning as a chorus girl at age 14, Ruth Chatterton became a Broadway star with "Daddy Long Legs" in 1914. She appeared in such shows as "Mary Rose" and ...
  4. [4]
    The 2nd Academy Awards | 1930 - Oscars.org
    Ruth Chatterton. Madame X. Nominees. Betty Compson. The Barker. Nominees. Jeanne ... 3 NOMINATIONS, 1 WIN. * Outstanding Picture - Metro-Goldwyn-Mayer; Actress ...
  5. [5]
    The 3rd Academy Awards | 1931 - Oscars.org
    Best Actress winner for The Divorcee ... D. The Devil's Holiday. 1 NOMINATION. Actress - Nancy Carroll. Disraeli. 3 NOMINATIONS, 1 WIN. * Actor - George Arliss ...
  6. [6]
    TAKING A 'FLIER' ON THE AIR; Stepping Out of Her Plane to Test ...
    THERE is never a dull moment in the life of Ruth Chatterton, who has explored and conquered such diverse fields as the stage, the screen and flying her own ...
  7. [7]
    RUTH CHATTERTON WEDS GEORGE BRENT; Divorced by Ralph ...
    RUTH CHATTERTON WEDS GEORGE BRENT; Divorced by Ralph Forbes in Reno Friday, She Is Married to Film Actor by Peace Justice. - The New York Times.
  8. [8]
    Ruth Moesel collection of Ruth Chatterton materials - NYPL Archives
    Ruth Chatterton was an American actress, novelist, aviatrix, director and translator. Chatterton was born in New York City on December 24, 1893 to a family of ...
  9. [9]
    Ruth Chatterton (1892-1961) - Find a Grave Memorial
    Ruth Chatterton, famous memorial, 24 Dec 1892, New York, New York County, New York, USA, 24 Nov 1961 (aged 68), Norwalk, Fairfield County, Connecticut, USA.Missing: text | Show results with:text
  10. [10]
    Walter Smith Chatterton (1872 - 1933) - Genealogy - Geni
    Husband of Lillian Chatterton Father of Ruth Chatterton. Occupation: architect. Managed by: Private User. Last Updated: April 28, 2022. View Complete ...Missing: jeweler | Show results with:jeweler
  11. [11]
    RUTH CHATTERTON: ON THE GREAT DIVIDE. - 11 East 14th Street
    Mar 22, 2012 · Ruth Chatterton was born in New York City, at 20 East 129th Street in Harlem, on Christmas Eve, 1892, the daughter of Walter Smith Chatterton ...
  12. [12]
    Ruth Chatterton - Biography - IMDb
    Ruth Chatterton was born in New York City on Christmas Eve, 1893. Aspiring to be an actress early during her girlhood, she was active in various school ...
  13. [13]
    Oscar Actors: Chatterton, Ruth–Social Background, Career, Awards
    Feb 27, 2013 · The film was a critical and box-office success, for which Chatterton received her first Best Actress Oscar nomination. ... Nominated: Academy ...
  14. [14]
    Ruth Chatterton Biography - Childhood, Life Achievements & Timeline
    Nov 20, 2016 · She received her early education from Mrs. Hagen's School in Pelham. She loved acting from a young age. Once in 1908, she attended a play with ...
  15. [15]
    Page 9 — Rockland County Evening Journal 3 November 1928 ...
    3 (UP).— Ruth Chatterton is the first outstanding ... left school when she! was fourteen years old to ... and Sat The Plaza Theatre ' Company ...
  16. [16]
    The Great Name (Broadway, Lyric Theatre, 1911) - Playbill
    ... The Great Name. Broadway. Original. The Great Name. Broadway. Original. Lyric Theatre · 213 W. 42nd St., New York, NY, New York, NY. SYNOPSIS: People (1). Cast ...
  17. [17]
    Daddy Long Legs – Broadway Play – Original | IBDB
    Daddy Long Legs (Original, Play, Broadway) opened in New York City Sep 28, 1914 and played through May 1915.
  18. [18]
    CHARM AND HUMOR IN 'DADDY LONG LEGS'; Ruth Chatterton ...
    CHARM AND HUMOR IN 'DADDY LONG LEGS'; Ruth Chatterton Excels as Judy in Jean Webster's Play Made from Her Book. LIKE A BREATH OF SPRING Play's Simplicity, ...
  19. [19]
    The Changelings – Broadway Play – Original | IBDB
    The Changelings (Original, Play, Comedy, Broadway) opened in New York City Sep 17, 1923 and played through Jan 1924.
  20. [20]
    Mary Rose – Broadway Play – Original | IBDB
    Barrie. Staged by Iden Payne · Guy Buckley. Cameron. Ruth Chatterton. Mary Rose. O.B. Clarence. Mr. Morland. Winifred Fraser. Mrs. Morland. A. S. Homewood. Rev.
  21. [21]
    https://www.nytimes.com/1921/03/13/archives/second-thoughts-on-first-nights-the-new-plays.html
  22. [22]
    The Theatre: The Best Plays: Nov. 26, 1923 - Time Magazine
    THE CHANGELINGS—Henry Miller, Blanche Bates, Ruth Chatterton amiably intent upon a comedy of up-to-date society. CYRANO DE BERGERAC—W alter Hampden ...
  23. [23]
    Come Out of the Kitchen – Broadway Play – Original | IBDB
    Written by A. E. Thomas; Book adapted by A. E. Thomas; from a story by Alice Duer Miller. Stage Manager: E.L. Duane · Ruth Chatterton. Olivia Daingerfield.<|control11|><|separator|>
  24. [24]
    Leave Her To Heaven – Broadway Play – Original - IBDB
    Mr. Henstridge. Bettina Cerf. Mrs. Lake. Ruth Chatterton. Madge Monckton. Francis Compton. Dr. Collins. Reynolds Denniston. Mr. Monckton. J. Malcolm Dunn. First ...
  25. [25]
    Chatterton, Precode and Forgotten Actresses: Interview with Scott O ...
    May 25, 2013 · Graciously, Scott O'Brien agreed to answer a few questions, detailed below, on his new book, Ruth Chatterton and the women of early 1930's ...
  26. [26]
    Sins of the Fathers (1928) - Classic Movie Hub
    Paramount's final 1928 release. Ruth Chatterton's only silent movie. Excerpts from the film survive in the UCLA Film and Television Archives.Missing: contract | Show results with:contract
  27. [27]
    Chatterton, Ruth (1893–1961) - Encyclopedia.com
    American actress, best known for her performance in Dodsworth. Born on December 24, 1893, in New York City; died in Redding, Connecticut, on November 24, 1961; ...
  28. [28]
    WAR ON PARAMOUNT BY WARNERS REPORTED; Ruth ...
    The New York office of Warner Brothers yesterday announced that Ruth Chatterton would work for them after the completion of her present Paramount contract, ...
  29. [29]
    Madame X (1929) - IMDb
    Rating 5.5/10 (624) Stage actress Ruth Chatterton's character, Jacqueline Floriot, is thrown out into the streets by hubby Louis (Lewis Stone) for having an affair. He also ...
  30. [30]
    Ruth Chatterton - Awards - IMDb
    12 wins & 3 nominations. Academy Awards, USA. Ruth Chatterton in Madame X (1929). 1930 Nominee Oscar. No official nominees had been announced this year.
  31. [31]
    The Rich Are Always with Us (1932) - IMDb
    Rating 6.2/10 (1,261) The Rich Are Always with Us: Directed by Alfred E. Green. With Ruth Chatterton, George Brent, Bette Davis, John Miljan. A socialite gets a divorce but can't ...
  32. [32]
    Female (1933) Review, with Ruth Chatterton and George Brent
    Sep 19, 2010 · Ruth Chatterton and George Brent were married when this film was made. They also worked together in The Rich Are Always With Us, The Crash, and ...
  33. [33]
    The Rich Are Always With Us (1932) Review, with Ruth Chatterton ...
    Aug 17, 2018 · The movie is a mature consideration of divorce, one where financial preparations are far more important as the emotional ones.
  34. [34]
    The Rich Are Always with Us (1932) - Turner Classic Movies - TCM
    A socialite gets a divorce but can't keep out of her ex-husband's life. Cast & Crew. Read More. Alfred Green. Director · Ruth Chatterton. Caroline Grannard ...Missing: 1933 | Show results with:1933
  35. [35]
    Journal of a Crime (1934) - Turner Classic Movies
    Cast & Crew ; William Keighley. Director ; Ruth Chatterton. Françoise ; Adolphe Menjou. Paul [Moliet] ; Claire Dodd. Odette ; George Barbier. Chautard ...
  36. [36]
    Samuel Goldwyn's Film of 'Dodsworth' Opens At the Rivoli
    We cannot feel the same about Fran Dodsworth—either as she is in the novel or as played by Fay Bainter on the stage or Ruth Chatterton in the current screen ...Missing: praise | Show results with:praise
  37. [37]
    AFI|Catalog
    Lady of Secrets (1936). 73 mins | Melodrama, Romance | 25 January 1936. Cast: Ruth Chatterton, Otto Kruger, Lionel Atwill [ More ]. Director: Marion Gering ...
  38. [38]
    A Royal Divorce (1938) - IMDb
    Rating 6.5/10 (14) The love affair between the French Emperor Napoleon and the lady Josephine leads through Napoleon's rise to power and their eventual divorce.
  39. [39]
    "The Philco Television Playhouse" Suspect (TV Episode 1948) - IMDb
    The Philco Television Playhouse. S1.E10. All episodesAll · Cast & crew · IMDbPro. All topics. Suspect ... Ruth Chatterton.
  40. [40]
    "Philco Television Playhouse" (NBC) Season 1 (1948-49)
    [10] Philco Television Playhouse: SUSPECT 05Dec1948 Writers Edward Percy, Reginald Denham Director Fred Coe Host Bert Lytell starring. Ruth Chatterton
  41. [41]
    "The Prudential Family Playhouse" Dodsworth (TV Episode 1950)
    Dodsworth: Directed by Donald Davis. With Ruth Chatterton, Walter Abel, John Baragrey, Cliff Hall. A retired auto manufacturer and his wife take a ...
  42. [42]
    Ruth Chatterton - TV Guide
    Actress ; Pulitzer Prize Playhouse as Alison Stanhope. Pulitzer Prize Playhouse ; Celanese Theatre ; A Royal Divorce ; The Rat as Zelia de Chaumont. The Rat.
  43. [43]
    Hamlet (TV Movie 1953) - IMDb
    Rating 7.2/10 (27) Ruth Chatterton · Queen Gertrude · Sarah ... Hallmark Hall of Fame Productions · National Broadcasting Company (NBC) · See ...
  44. [44]
    1953 05 09 068 TNY LIBRY 000034872 | The New Yorker
    To get to the, point, the Evans' “Hamlet,” as produced on the N.B.C. Hallmark Hall of Fame, was so splendid, mobile, imaginative, and graceful that it has ...
  45. [45]
    https://search.proquest.com/openview/e3eb40c05cb7ef1c134b0d19da374b7a/1
  46. [46]
    Book Reviews, Sites, Romance, Fantasy, Fiction | Kirkus Reviews
    When Jenny finds a beau and Jock a mistress for whom he wants marriage, it is Zan who is bankrupt and who with Granny Peacock's death is forced to learn to live ...Missing: summary | Show results with:summary
  47. [47]
    A Critical Summary of Literature by and about Negroes in 1958 - jstor
    The clash between the Old South and the newest "New South" is the subject of Ruth Chatterton's The Southern Wild. Miss Chatterton will be remembered as a ...
  48. [48]
    Ruth Chatterton, Actress, Aviator, Author: 9781593932480 - BooksRun
    $$34.76 In stock Rating 5.0 (1) Ruth Chatterton, Actress, Aviator, Author. Author: Scott OBrien. Format: Paperback from $34.76. Condition. New $34.76. FREE U.S. shipping over $15. Details ...<|control11|><|separator|>
  49. [49]
    Amazing Aviatrixes - Toluca Lake Magazine
    Aug 16, 2023 · FEARLESS FLIER Off camera, actor Ruth Chatterton (1892–1961) relaxed by making cross-country flights as a private pilot and was a friend of ...
  50. [50]
    Albert Brewster recieves pilot's license, LA Times 26 Apr 1935.
    me Times me Times Ruth Chatterton Wins License to Pilot Plane Ruth Chatterton, motion picture now star, a has licensed "won private her wings" airplane and ...
  51. [51]
    Ruth Chatterton, Actress, Aviator, Author - Amazon.com
    A comprehensive biography exploring Ruth Chatterton's multifaceted career as a stage/film actress, aviator, and novelist who tackled social issues through her ...
  52. [52]
    Ruth Chatterton - Scott O'Brien
    The actress/aviator became recognized as a novelist whose courageous, controversial work made The New York Times best-seller list.
  53. [53]
    [PDF] United States Women in Aviation 1930-1939 - Smithsonian Institution
    fly in 1929, becoming the first licensed woman pilot in the state of Ohio ... Not exactly a race but a contest for sportsmen pilots was the Ruth Chatterton Air ...
  54. [54]
    Ruth Chatterton, actress and licensed pilot, waves from beside her ...
    29, 1936. (AP Photo). Ruth Chatterton, actress and licensed pilot, waves from beside her airplane before taking off.
  55. [55]
    [PDF] Untitled - EAA Vintage Members Only
    Oct 10, 1999 · This Stinson. SR-SE Reliant was first owned by actress/author. Ruth Chatterton, and it now belongs to Dr. Paul. Sensor, Hampton, IA who had it ...
  56. [56]
    Page 7 — San Pedro News Pilot 4 November 1935 — California ...
    LOS ANGELES. Nov. 4.— (jp,— Ruth Chatterton, the screen's flying actress, was the proud owner of a new $25,000 airplane today. The trim, four-place cabin ship ...
  57. [57]
    RUTH CHATTERTON WEDS RALPH FORBES - The New York Times
    Ruth Chatterton and Ralph Forbes, whose wedding has been a matter of daily expectation on the part of Broadway, were married at noon yesterday.
  58. [58]
    Ruth Chatterton | Broadway Photographs
    "Daddy Long Legs" made her a Broadway star. In 1924 Chatterton married her co-star in "The Magnolia Lady," English actor Ralph Forbes. After their mutual ...
  59. [59]
    RUTH CHATTERTON OBTAINS DIVORCE; Los Angeles Court ...
    RUTH CHATTERTON OBTAINS DIVORCE; Los Angeles Court Frees Her From George Brent on Charges of Cruelty. https://www.nytimes.Missing: filed nature
  60. [60]
    BARRY THOMSON, STAGE ACTOR, 52; Performer in Theatre Guild ...
    19— Barry Thomson of Sanford Town Road, Redding, actor, and hus- band of Ruth Chatterton, actress and author, died today of a heart attack in Danbury Hos- pital ...
  61. [61]
    Stories for Late at Night - Publication
    Publication: Stories for Late at NightPublication Record # 1846 ; Editor: Alfred Hitchcock ; Date: 1961-08-00 ; Publisher: Random House ; Price: $5.95 ?$: US dollar ...
  62. [62]
    Milestones: Dec. 1, 1961 - Time Magazine
    Ruth Chatterton, 67, diminutive, honey-haired jack-of-all-arts who became ... cerebral hemorrhage; in Norwalk, Conn. Gracious of manner and restless of ...<|control11|><|separator|>
  63. [63]
    Ruth Chatterton - Hollywood Walk of Fame
    Ruth Chatterton was an American actress and novelist. She also flew planes and knew Amelia Earhart. Born in New York City on Christmas Eve 1892.Missing: biography | Show results with:biography
  64. [64]
    Theater Hall of Fame | The Official Website | Members
    The Theater Hall of Fame was created to honor those who have made outstanding contributions to the American Theater. ... Ruth Chatterton Paddy Chayefsky Anton ...Missing: 1979 | Show results with:1979
  65. [65]
    https://repository.si.edu/bitstream/handle/10088/2672/SSAS-0006_Hi_res.pdf