Scott Kannberg
Christopher Scott Kannberg (born August 30, 1966), better known by his stage name Spiral Stairs, is an American musician, singer, songwriter, and record label founder, most renowned as the co-founder, guitarist, and occasional lead vocalist of the influential indie rock band Pavement.[1][2] Born and raised in Stockton, California, Kannberg grew up alongside future Pavement bandmate Stephen Malkmus, sharing a passion for underground music and playing soccer together in their suburban Central Valley hometown.[3] After attending Arizona State University, where his urban planning studies inspired elements of Pavement's aesthetic, Kannberg and Malkmus formed the band in the late 1980s as a noisy guitar duo, initially recording lo-fi EPs like Slay Tracks: 1933-1969 (1989) under the pseudonym Spiral Stairs.[3][4] Pavement quickly gained a cult following in the indie scene through Kannberg's raw, angular guitar work and songwriting contributions, including tracks like "Box Elder" and "Forklift," helping propel the band's rise with albums such as Slanted and Enchanted (1992) and Terror Twilight (1999).[4][2] Following Pavement's initial disbandment in 1999, Kannberg founded the record label Amazing Grease in 1998 and launched his next project, Preston School of Industry, releasing two albums of ornate indie rock in the early 2000s, including All This Sounds Gas (2001).[4] He then revived the Spiral Stairs moniker for a solo career, debuting with The Real Feel (2009) and continuing with Doris and the Daggers (2017), which featured collaborations with members of Broken Social Scene and the National, and Medley Attack!!! (2022), reflecting his evolving influences from 1970s acts like Captain Beefheart and Roxy Music.[2][4] Pavement reunited for tours in the 2010s and 2020s, including a 2024–2025 tour commemorating the 25th anniversary of Terror Twilight, allowing Kannberg to revisit his foundational role in alternative rock, while he has resided in various locations including Australia and Mexico, with his wife and daughter.[2][4])Early life
Childhood in Stockton
Scott Kannberg was born on August 30, 1966, in Stockton, California, to parents Duane and Carol Kannberg, along with his younger sister Kelly, in a close-knit family residing in the Morada neighborhood.[5][6] Carol, a teacher, and Duane, a memorabilia curator, supported their son's emerging interests despite the family's modest circumstances in Stockton, a working-class city in California's Central Valley known for its agricultural and port-related economy.[5][7] Growing up in Stockton's blue-collar environment, Kannberg was exposed to a range of music through family encouragement and local influences, including early bands like Devo, the B-52's, Kiss, and Rush, which shaped his eclectic tastes.[8] This exposure extended to collecting hundreds of records by obscure '80s pop bands, a hobby that reflected the city's access to diverse sounds via radio and record stores without any formal musical training.[5] During his elementary school years at Davis Elementary in the late 1970s, Kannberg formed a lasting friendship with Stephen Malkmus, initially bonding on the school soccer team where they shared interests in records and comic books—interests that later foreshadowed their musical collaboration.[8][9] As teenagers, their connection deepened over punk and hardcore acts like Black Flag and the Dead Kennedys, as well as indie groups such as R.E.M. and the Replacements, fueling early hobbies like self-taught guitar playing—starting with a secondhand folk guitar in high school, where he practiced persistently despite initial struggles with basic chords—and attending local DIY shows in Stockton's nascent scene.[8][5]Education and early influences
Kannberg briefly attended Arizona State University after high school but dropped out after one year. He later resumed his college education at California State University, Sacramento, in the mid-1980s, where he studied geography and urban planning.[10][11] During this period, Kannberg immersed himself in the burgeoning indie and alternative music scenes, particularly after relocating to the Bay Area and settling in Berkeley. His exposure to the vibrant local underground community introduced him to key influences such as The Replacements, Hüsker Dü, and Sonic Youth, whose raw energy and experimental guitar techniques profoundly shaped his own musical sensibilities.[10][12] Kannberg's childhood friendship with Stephen Malkmus, which began in elementary school in Stockton, provided an early precursor to their collaboration, as the two reconnected during college and bonded over shared musical interests. He began experimenting with band formation, including a short-lived attempt to start a project called Bag o’ Bones with Malkmus in Sacramento, though it never progressed beyond initial ideas. Kannberg also started recording homemade demos and acquiring basic recording equipment, honing a guitar style characterized by angular riffs and lo-fi aesthetics drawn from his influences.[10][9]Musical career
With Pavement
Scott Kannberg co-founded Pavement in 1989 in Stockton, California, alongside Stephen Malkmus, initially as a lo-fi recording project between the two childhood friends who had met in elementary school.[8][13] The band emerged from informal home recordings, with Kannberg and Malkmus experimenting with distorted guitars and raw production techniques that defined their early sound.[14] As Pavement's rhythm guitarist, co-vocalist, and co-songwriter, Kannberg contributed significantly to the band's output, penning approximately 20% of their songs across five studio albums. His compositions included "Two States" and "Painted Soldiers" on Slanted and Enchanted (1992), "Hit the Plane Down" on Crooked Rain, Crooked Rain (1994), "1/2 Lazie 8" on Wowee Zowee (1995), and "False Skies" on Brighten the Corners (1997), often delivering urgent, Fall-inspired riffs and lead vocals that complemented Malkmus's more abstract style.[14][15] By Terror Twilight (1999), however, creative tensions within the band had intensified, leading to Kannberg's reduced songwriting input and no credited compositions on the album, as sessions grew stressful and the group dynamic frayed.[16][17] Pavement entered hiatus in 2000 following the Terror Twilight tour, amid reports of internal acrimony. The band reunited for a well-received international tour in 2010, performing over 50 shows across North America, Europe, Australia, and South America, including festival appearances at All Tomorrow's Parties and Primavera Sound.[18][19] A second reunion followed in 2022, encompassing UK and European dates—such as a four-night residency at London's Roundhouse—along with headline slots at Primavera Sound in Barcelona and Porto, before extending into a 23-date North American leg in fall 2022 that continued into select 2023 performances.[20][21][22] In December 2024, Kannberg announced that Pavement had recorded their first new song in 25 years for the soundtrack of the experimental documentary film Pavements, directed by Alex Ross Perry and premiered at the 2024 Venice Film Festival with a wider theatrical release in 2025. Kannberg participated in Q&A sessions tied to the film's screenings, including recorded appearances at venues like the Barbican in July 2025.[23][24][25]Preston School of Industry
Preston School of Industry was formed in 1999 by Scott Kannberg, known as Spiral Stairs, as Pavement wound down following their final album release that year.[26][27] Kannberg signed the band to Matador Records, the same label that had supported Pavement, allowing him to channel creative energy from his previous project's late era into this new ensemble.[28] The band served as a bridge for Kannberg, transitioning from his supporting role in Pavement to frontman duties amid the group's informal dissolution. Kannberg handled guitar and vocals, leading a rotating lineup that included members such as bassist Dan Carr, guitarist Mike Drake, and drummer Jim Lindsay from the band Oranger, with the ensemble adapting based on availability for recordings and performances.[29] Other contributors over time included drummer Andrew Borger and bassist Jon Erickson.[30] This fluid structure reflected the band's indie rock roots, emphasizing collaboration without rigid commitments. The band's sound marked a shift toward more straightforward indie rock, incorporating conventional pop structures and jangly elements with a worn Pavement edge, but lacking the original group's hyperactive noise and apathetic genius.[31] Kannberg's songwriting retained melodic repetition and heartfelt exploration, yet felt more polished and less chaotic, blending country-inflected pop with adventurous guitar work.[29] This evolution highlighted his desire for a clearer, more direct expression post-Pavement. Active from 1999 until going inactive after a September 2004 Australian tour, Preston School of Industry conducted extensive tours to support their releases, including a three-week European run opening for Wilco in 2002 and U.S./Canada dates that year.[29][26] Notable events included their 2001 debut promotional tour and the 2004 Australian outing, which marked the end of regular activity. The band ceased operations without a formal breakup, as Kannberg stepped back due to creative exhaustion from years of touring and production, shifting focus to personal life, including raising his family; he later mentioned working on a third album in 2006, but it was never released.[4][32] Collaborations occasionally involved affiliates from the Pavement orbit, reinforcing ties to that ecosystem.)Solo career as Spiral Stairs
Scott Kannberg adopted the stage name Spiral Stairs during his time with Pavement in the 1990s, a moniker that reflected his role as the band's guitarist and occasional vocalist, drawing from the spiraling guitar lines in tracks like "In the Mouth a Desert."[33] He launched his solo career under this name with the 2009 album The Real Feel, released on Matador Records, marking his first full-length project after Preston School of Industry went inactive in 2004.[34] This debut came after a period of relative quiet following Pavement's initial breakup in 1999, allowing Kannberg to explore songwriting with greater personal autonomy, influenced by the collaborative lessons from his Preston School of Industry days where he honed his leadership in band dynamics.[35] Kannberg's solo output evolved from the raw, psych-rock edges of his earlier work toward a more polished indie rock sound, incorporating jangly guitars and melodic hooks while delving into introspective themes of aging, relationships, and self-reflection.[36] His second album as Spiral Stairs, Doris and the Daggers (2017, Domino Records), featured guitar-driven narratives drawn from daily life, blending upbeat indie anthems with emotional depth and collaborations with members of Broken Social Scene and the National.[37][38] This was followed by We Wanna Be Hyp-No-Tized (2019, Nine Mile Records), which maintained the indie rock core but added layers of psychedelic influence and personal storytelling.[39] His most recent release, Medley Attack!!! (2022, Amazing Grease Records), further refined this style with warm, radio-friendly melodies reminiscent of 1970s and 1980s pop-rock, emphasizing reflective themes amid life's transitions.[40] Spiral Stairs supported these releases with targeted tours, including a 2017 European run promoting Doris and the Daggers, where Kannberg performed across the UK and continental venues to reconnect with international fans.[41] In 2023, he played intimate shows in San Francisco, co-headlining with local indie artist Kelley Stoltz at Bottom of the Hill, showcasing a mix of solo material and Pavement classics in a hometown setting.[42] By mid-2025, Kannberg discussed plans for new Spiral Stairs material, including studio time with Kelley Stoltz, while balancing it with ongoing Pavement commitments, as shared in interviews.[43] Throughout his solo phase, Kannberg has made selective collaborations, underscoring his continued evolution as an independent artist, prioritizing personal expression over band structures.Other projects and collaborations
In 1999, Kannberg co-founded the San Francisco-based indie label Amazing Grease Records with Mike Drake of the band Oranger and Ben Lutch, aiming to support local acts in the burgeoning Bay Area scene.[4][29] The label released over 25 titles through the mid-2000s, including early works by Oranger, such as their reissued debut Doorway to Norway, and Kannberg's own Preston School of Industry EP Goodbye to the Edge City in 2001, fostering a platform for underground indie rock.[44][45][28] Beyond his primary musical endeavors, Kannberg has maintained creative ties to former Pavement collaborator Stephen Malkmus through occasional guest performances. In March 2014, he joined Malkmus and the Jicks onstage at the El Rey Theatre in Los Angeles for a rendition of Pavement's "Stereo," marking a rare post-reunion collaboration.[46][47] Kannberg appeared on the Matador Revisionist History Podcast in April 2022 alongside Malkmus, where the duo reflected on Pavement's debut album Slanted and Enchanted and its enduring influence on indie rock.[48][49] Kannberg has made brief non-musical appearances in indie films and documentaries tied to Pavement's history, including interviews and cameos in the 2002 band chronicle Slow Century, which captured the group's turbulent career through archival footage and personal accounts.[50]Discography
Contributions to Pavement
Scott Kannberg, known by his stage name Spiral Stairs, made significant contributions to Pavement as co-founder, guitarist, and occasional lead vocalist and songwriter. Throughout the band's original run from 1989 to 1999, he typically wrote and sang one or two songs per album, providing a counterpoint to Stephen Malkmus's dominant songwriting voice with his own fuzzy, power-pop-inflected style. These tracks often featured raw energy, catchy choruses, and themes of everyday absurdity or regional identity, helping to diversify Pavement's lo-fi indie rock sound.[14] Kannberg's songwriting credits span Pavement's core discography, with over a dozen tracks attributed to him across albums, EPs, and B-sides. His contributions are concentrated in the band's early to mid-period releases, emphasizing concise, riff-driven numbers. Below is a comprehensive list of his primary songwriting credits:| Album/Release | Song Title | Notes |
|---|---|---|
| Slanted and Enchanted (1992) | "Two States" | Punky shout-along with Fall-inspired riff and exaggerated English accent; Kannberg's debut lead vocal on a full-length album.[14] |
| Crooked Rain, Crooked Rain (1994) | "Hit the Plane Down" | Ragged, blunt rocker critiquing fame; one of Kannberg's earliest full band leads.[14] |
| Crooked Rain, Crooked Rain: LA's Desert Origins (B-sides compilation, 2004; recorded 1993–1994) | "Tartar Martyr" | Session track from John Peel recordings; explores relational detachment with slacker detachment. |
| Wowee Zowee (1995) | "Kennel District" | Fuzzy power-pop standout with soaring melodies; originally recorded during Crooked Rain sessions and revisited here. Kannberg has called it his most popular vocal contribution.[14][15] |
| Brighten the Corners (1997) | "Date With Ikea" | Wry take on California existentialism with falsetto chorus and fuzz guitar.[14] |
| Brighten the Corners (1997) | "Passat Dream" | Groovy, wah-wah-driven track with elegant dishevelment; Kannberg's second contribution to the album.[14] |
| Brain Candy Soundtrack (1996; included on Wowee Zowee deluxe reissue, 2006) | "Painted Soldiers" | Breezy hook-driven song from Wowee Zowee era; tight verses highlight Kannberg's melodic strengths.[14] |
| Major Leagues EP (1999) | "Your Time to Change" | Optimistic rocker intended for Terror Twilight but released as B-side; reflects Kannberg's push for inclusion on the final album.[51] |
| Major Leagues EP (1999) | "Stub Your Toe" | Humorous, upbeat B-side from Terror Twilight sessions; showcases Kannberg's knack for quirky, relatable lyrics.[51] |